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› Find signed collectible books: 'Cliffscomplete King Henry IV'
CliffsComplete King Henry IV, Part 1 follows the play's alternating comic and serious scenes as a young prince rebels against his father, who happens to be king, until he must go to the king's aid to stamp out the rebellion of nobles.
Discover a story of self-sacrifice and meet one of the theatre's most enduring comic characters, Falstaff and save valuable studying time all at once. Enhance your reading of King Henry IV with these additional features:
Streamline your literature study with all-in-one help from CliffsComplete guides!
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› Find signed collectible books: 'The First Part of Henry the Fourth, With the Life and Death of Henry Sirnamed Hot-spurre'
Written between 1596 and 1597, Henry IV Part One represents Shakespeare's increasingly mature talent in staging the history of the early Tudor monarchy. Midway in the cycle of Shakespeare's History Plays, which begin with Richard II and ultimately culminate in his last play, Henry VIII, Henry IV Part One tells the story of the troubled reign of Henry IV following his deposition of Richard II. The historical action revolves around the attempt by Henry Percy (known as Hotspur) to overthrow Henry at the Battle of Shrewsbury. However, over half the play deals with the transformation of Henry's profligate son, Prince Hal (the future King Henry V), from tavern joker to national icon.
The whole play is stolen from its kings and princes by Shakespeare's greatest comic creation, the "fat-kidneyed rascal" Sir John Falstaff, king of his own dominions--the taverns and brothels of London's Eastcheap district. The tavern scenes of the play are some of the most evocative accounts of 16th-century popular London life. They revolve around the comical but ultimately sinister relationship between Falstaff and his young apprentice Hal, who learns to "so offend to make offence a skill" as he learns the slippery ropes of realpolitik and kingship. The play is considered by many to be the liveliest and most profound of Shakespeare's History Plays, and remains one of its most popular examples. --Jerry Brotton [via]
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› Find signed collectible books: 'Henry the Fourth, Part One / William Shakespeare ; Fully Annotated, with an Introduction by Burton Raffel ; with an Essay by Harold Bloom'
More editions of Henry the Fourth, Part One / William Shakespeare ; Fully Annotated, with an Introduction by Burton Raffel ; with an Essay by Harold Bloom:
› Find signed collectible books: 'Henry 4, Part 1'
Written between 1596 and 1597, Henry IV Part One represents Shakespeare's increasingly mature talent in staging the history of the early Tudor monarchy. Midway in the cycle of Shakespeare's History Plays, which begin with Richard II and ultimately culminate in his last play, Henry VIII, Henry IV Part One tells the story of the troubled reign of Henry IV following his deposition of Richard II. The historical action revolves around the attempt by Henry Percy (known as Hotspur) to overthrow Henry at the Battle of Shrewsbury. However, over half the play deals with the transformation of Henry's profligate son, Prince Hal (the future King Henry V), from tavern joker to national icon.
The whole play is stolen from its kings and princes by Shakespeare's greatest comic creation, the "fat-kidneyed rascal" Sir John Falstaff, king of his own dominions--the taverns and brothels of London's Eastcheap district. The tavern scenes of the play are some of the most evocative accounts of 16th-century popular London life. They revolve around the comical but ultimately sinister relationship between Falstaff and his young apprentice Hal, who learns to "so offend to make offence a skill" as he learns the slippery ropes of realpolitik and kingship. The play is considered by many to be the liveliest and most profound of Shakespeare's History Plays, and remains one of its most popular examples. --Jerry Brotton [via]
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› Find signed collectible books: 'Henry IV'
"Cry, 'God for Harry! England and Saint George!'" Henry's V's rallying cry to his soldiers before Harfleur has become an iconic rallying cry for English nationalism. More than any other Shakespeare play, Henry V has been seen to define what it means to be English in its account of Henry's triumphant victory over vastly superior French forces in 1415. The play has been endlessly quoted by politicians as an incitement to patriotism, and Laurence Olivier's ground-breaking film of the play was dedicated to the Allied soldiers who landed in France on D-Day in 1944.
More recently critics have questioned the extent to which the play is simply a piece of nationalist propaganda, pointing to the more ambivalent reflections on the cost of war voiced by various characters throughout the play. As one of Henry's soldiers reflects on the eve of the Battle of Agincourt, "if the cause be not good, the King himself hath a heavy reckoning to make". Henry himself has already been defined as a cunning and rather unsympathetic character in Henry IV Parts One and Two, and his cynical manipulation of patriotism in his pursuit of military glory is incisively undercut by the Irishman Macmorris' poignant question as to "What ish my nation?" This more ambivalent dimension of the play is most effectively captured in Kenneth Branagh's post-Falklands film, Henry V, which portrays a king much more aware of the dreadful consequences of going to war. Branagh's film suggests that Henry V ultimately questions, rather than endorses the glory of going into battle for one's country. --Jerry Brotton [via]
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› Find signed collectible books: 'Henry V'
More editions of Henry V:
› Find signed collectible books: 'Henry V'
[series copy] This exclusive collection of the Bard's works has been designed specifically for readers new to Shakespeare's rich literary legacy. Each of the plays is presented unabridged and in large print, copiously annotated and preceded by a character summary and commentary. Brief scene synopses clarify confusing plots, while incisive essays describe the historical context and Shakespeare's sources. The explanatory notes are written clearly and simply, illustrated, and positioned right next to the text--no more flipping pages back and forth to squint over microscopic footnotes! Topics for further discussion, critical comments, related essays, and a chronology of Shakespeare's life and work are included among the appendices to each volume. The books boast fine black and white photographs of stagings of the plays at Shakespeare Festivals around the globe. From the wide margins and big print to the extensive explanatory notes--the full text of each play is presented in the clearest and most accessible format available. [via]
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› Find signed collectible books: 'The History of Henry the Fourth, Part 1'
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› Find signed collectible books: 'The History of Henry Iv, Part I'
Written between 1596 and 1597, Henry IV Part One represents Shakespeare's increasingly mature talent in staging the history of the early Tudor monarchy. Midway in the cycle of Shakespeare's History Plays, which begin with Richard II and ultimately culminate in his last play, Henry VIII, Henry IV Part One tells the story of the troubled reign of Henry IV following his deposition of Richard II. The historical action revolves around the attempt by Henry Percy (known as Hotspur) to overthrow Henry at the Battle of Shrewsbury. However, over half the play deals with the transformation of Henry's profligate son, Prince Hal (the future King Henry V), from tavern joker to national icon.
The whole play is stolen from its kings and princes by Shakespeare's greatest comic creation, the "fat-kidneyed rascal" Sir John Falstaff, king of his own dominions--the taverns and brothels of London's Eastcheap district. The tavern scenes of the play are some of the most evocative accounts of 16th-century popular London life. They revolve around the comical but ultimately sinister relationship between Falstaff and his young apprentice Hal, who learns to "so offend to make offence a skill" as he learns the slippery ropes of realpolitik and kingship. The play is considered by many to be the liveliest and most profound of Shakespeare's History Plays, and remains one of its most popular examples. --Jerry Brotton [via]
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› Find signed collectible books: 'King Henry IV'
This updated edition offers a strongly theatrical perspective on the origins of Shakespeare's The First Part of King Henry IV and the history of its interpretation. The introduction clarifies the play's surprising, de-centred dramatic structure, questioning the dominant assumption that the drama focuses on the education of Prince Hal. It calls attention to the effects of civil war upon a broad range of relationships. Falstaff's unpredictable vitality is explored, together with important contemporary values of honour, friendship, festivity and reformation. Extensive lexical glosses of obscure, ambiguous or archaic meanings make the rich wordplay accessible. The notes also provide a thorough commentary on Shakespeare's transformation of his sources (particularly Holinshed's Chronicles) and suggest alternative stagings. This updated edition contains a new introductory section by Katharine A. Craik, which describes recent stage, film and critical interpretations, and an updated reading list. [via]
› Find signed collectible books: 'King Henry IV'
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› Find signed collectible books: 'King Henry V'
For this updated edition of Shakespeare's most celebrated war play, Andrew Gurr has added a new section to his introduction which considers recent critical and stage interpretations. He analyzes the play's double vision of Henry as both military hero and self-seeking individual and demonstrates how the patriotic declarations of the Chorus are contradicted by the play's action. Gurr analyzes the play's more controversial sequences in the context of Elizabethan thought, in particular, the studies of the laws and morality of war written in the years before Henry V. An updated reading list completes the edition. First Edition Hb (1992) 0-521-22154-4 First Edition Pb (1992) 0-521-29369-3 [via]
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› Find signed collectible books: 'King Richard II: The Life and Death of King Richard the Second the First Folio of 1623 and a Parallel Modern Edition'
The Arden Shakespeare is the established edition of Shakespeare's work. Justly celebrated for its authoritative scholarship and invaluable commentary, Arden guides you a richer understanding and appreciation of Shakespeare's plays. This edition of King Richard III provides, a clear and authoritative text, detailed notes and commentary on the same page as the text, a full introduction discussing the critical and historical background to the play and appendices presenting sources and relevant extracts. [via]
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› Find signed collectible books: 'King Richard II'
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› Find signed collectible books: 'King Richard II'
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› Find signed collectible books: 'King Richard III: The Tragedy of'
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› Find signed collectible books: 'The Life and Death of King Richard the Second'
If there has ever been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be THE APPLAUSE FOLIO TEXTS. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. Prepared and annotated by Neil Freeman, Head, Graduate Directing Program, University of British Columbia. [via]
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› Find signed collectible books: 'The Life of King Henry the Fifth'
Classic Book for the Kindle: The Life of King Henry the Fifth by William Shakespeare
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› Find signed collectible books: 'Love's Labour's Lost, the Winter's Tale, Othello, King Henry'
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› Find signed collectible books: 'Richard II'
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› Find signed collectible books: 'Shakespeare Set Free Pt. 1: Hamlet and Henry IV'
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› Find signed collectible books: 'The Tragedy of King Richard the Second: With New and Updated Critical Essays and a Revised Bibliography'
One of Shakespeare's finest history plays, Richard II deals with one of the most sensitive and politically explosive issues of its day--the rights and wrongs of deposing a legitimately appointed king. Forerunner to the two parts of Henry IV, the play deals with the abdication of King Richard II in 1399, the subsequent succession of Bolingbroke, the future King Henry IV, and Richard's death in the spring of 1400. But the play has been celebrated above and beyond its stature as historical drama. Richard II begins with a portrait of Richard as a pompous, arrogant and self-regarding sovereign, with little sense of his people or his political responsibilities. As he consistently miscalculates in his attempts to destroy Bolingbroke, and watches his own power wane, he becomes a far more appealing, Hamlet-like figure, more interested in "talk of graves, of worms and epitaphs", and "sad stories of the death of kings". Richard's speeches become increasingly lyrical and poetic as his supporters desert him, until he finally takes on the stature of the pilloried Christ in the climax of the play, the deposition scene, one of the most politically risky scenes in all of Shakespeare. The play remains most famous for John of Gaunt's "This royal throne of kings, this sceptred isle" speech, but historians believe that the play was also performed in the streets of London in 1601 in support of the Earl of Essex's attempt to depose Elizabeth I. Whilst the plot failed, it showed the power of the theatre of the time, and the politically controversial nature of Shakespeare's play. --Jerry Brotton [via]
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› Find signed collectible books: 'The Tragedy of Richard the Second'
One of Shakespeare's finest history plays, Richard II deals with one of the most sensitive and politically explosive issues of its day--the rights and wrongs of deposing a legitimately appointed king. Forerunner to the two parts of Henry IV, the play deals with the abdication of King Richard II in 1399, the subsequent succession of Bolingbroke, the future King Henry IV, and Richard's death in the spring of 1400. But the play has been celebrated above and beyond its stature as historical drama. Richard II begins with a portrait of Richard as a pompous, arrogant and self-regarding sovereign, with little sense of his people or his political responsibilities. As he consistently miscalculates in his attempts to destroy Bolingbroke, and watches his own power wane, he becomes a far more appealing, Hamlet-like figure, more interested in "talk of graves, of worms and epitaphs", and "sad stories of the death of kings". Richard's speeches become increasingly lyrical and poetic as his supporters desert him, until he finally takes on the stature of the pilloried Christ in the climax of the play, the deposition scene, one of the most politically risky scenes in all of Shakespeare. The play remains most famous for John of Gaunt's "This royal throne of kings, this sceptred isle" speech, but historians believe that the play was also performed in the streets of London in 1601 in support of the Earl of Essex's attempt to depose Elizabeth I. Whilst the plot failed, it showed the power of the theatre of the time, and the politically controversial nature of Shakespeare's play. --Jerry Brotton [via]
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› Find signed collectible books: 'The Tragedy of Richard II'
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› Find signed collectible books: 'Ricardo III / Richard III'
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