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› Find signed collectible books: 'Atonement: A Novel'
On the hottest day of the summer of 1935, thirteen-year-old Briony Tallis sees her older sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching Cecilia is their housekeeper's son Robbie Turner, a childhood friend who, along with Briony's sister, has recently graduated from Cambridge.
By the end of that day the lives of all three will have been changed forever. Robbie and Cecilia will have crossed a boundary they had never before dared to approach and will have become victims of the younger girl's scheming imagination. And Briony will have committed a dreadful crime, the guilt for which will color her entire life.
In each of his novels Ian McEwan has brilliantly drawn his reader into the intimate lives and situations of his characters. But never before has he worked with so large a canvas: In Atonement he takes the reader from a manor house in England in 1935 to the retreat from Dunkirk in 1941; from the London's World War II military hospitals to a reunion of the Tallis clan in 1999.
Atonement is Ian McEwan's finest achievement. Brilliant and utterly enthralling in its depiction of childhood, love and war, England and class, the novel is at its center a profound-and profoundly moving-exploration of shame and forgiveness and the difficulty of absolution. [via]
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› Find signed collectible books: 'Cat's Eye'
Cat's Eye is the story of Elaine Risley, a controversial painter who returns to Toronto, the city of her youth, for a retrospective of her art. Engulfed by vivid images of the past, she reminisces about a trio of girls who initiated her into the fierce politics of childhood and its secret world of friendship, longing, and betrayal. Elaine must come to terms with her own identity as a daughter, a lover, an artist, and a woman--but above all she must seek release from her haunting memories. Disturbing, hilarious, and compassionate, Cat's Eye is a breathtaking novel of a woman grappling with the tangled knot of her life. [via]
› Find signed collectible books: 'Crazy'
Die Verwirrungen des Zöglings Lebert
"Literatur", so meint einer der jugendlichen Helden in Crazy, dem ersten Roman des 17jährigen Benjamin Lebert, "Literatur ist, wenn du ein Buch liest und unter jeden Satz ein Häkchen setzen könntest -- weil es eben stimmt". Unterzieht man Leberts Debüt dieser Prozedur, so fallen die zustimmenden Häkchen spärlich aus. Crazy kommt daher wie eine "Wilde Herzen"-Adaption jener Schul- und Pubertätsgeschichten, die seit dem Anfang des Jahrhunderts in deutscher Sprache geschrieben wurden: Die traurige Jugend des Hanno Buddenbrock gehört ebenso hierher wie Hermann Hesses Unterm Rad, Wedekinds Frühlings Erwachen oder Die Verwirrungen des Zöglings Törleß, der Erstling des -- immerhin 26jährigen -- Robert Musil.
Im Unterschied zu Musil, der seine autobiographische Handlung in die Fin-de-siècle-Atmosphäre eines hochadligen Konvikts verlegt, führt uns Crazy in eines jener Privat-Institute, in denen heutzutage die am öffentlichen Schulsystem gescheiterten Sprößlinge besserverdienender Eltern zum Abschluß geführt werden. In einem Internats-Schloß, das ausgerechnet Neuseelen heißt, soll der einzelgängerische Ich-Erzähler Benni -- von Geburt an mit einem Halbseitenspasmus gezeichnet -- die achte Klasse wiederholen und womöglich das Abitur bestehen. Daraus wird allerdings nichts: Statt zu silentium und "Hausaufgaben-Anfertigungsstunde" zieht es Benni und seine neuen Freunde zu Bier, Playboy-Heften und in den nächtlichen Mädchentrakt; die heimliche Reise nach München endet gar auf der Bühne eines Strip-Lokals. All das eher ein Fall fürs Jugendamt und literarisch nicht eben aufregend.
Was aber erfahren wir über den tatsächlich schwierigen Job des Erwachsenwerdens, und wie sehen wir die Welt der Erwachsenen mit den Augen des 16jährigen Helden? Wer sich durch Passagen ungefilterter Tagebuch-Prosa voller Weltschmerz und Kleiner-Prinz-Weisheiten gearbeitet hat, reibt sich hin und wieder doch die Augen: Lebert kann genau beobachten und nüchtern eine Welt protokollieren, in der die vom Vater geliebten Rolling Stones nurmehr "eine Rockgruppe aus vergangener Zeit" sind. Ob die Gnade der späten Geburt allein ausreicht, das verrückte Lebensgefühl der Post-MTV-Generation authentisch zu beschreiben, darf nach der Lektüre von Leberts Buch bezweifelt werden. --Niklas Feldtkamp [via]
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› Find signed collectible books: 'Forever in Blue: The Fourth Summer of the Sisterhood'
Ann Brashares has created a wonderful, heartfelt series for teens (and adults) around a pair of pants. In her breakout bestseller, The Sisterhood of the Traveling Pants, Brashares introduced readers to four girls, Lena, Bridget, Carmen, and Tibby, and to the magical pair of jeans that fit them all perfectly, and inspired them to live their young lives to the fullest. Forever in Blue, the fourth and final novel in the series, promises a dazzling finale--one "last glorious summer" for the four girls, and their fans. See a note from author Ann Brashares, below.--Daphne Durham
December 1, 2006
![]() Sisterhood of the Traveling Pants Boxed Set | ![]() Girls in Pants | ![]() The Second Summer of the Sisterhood | ![]() The Sisterhood of the Traveling Pants |
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› Find signed collectible books: 'Giving Tree'
To say that this particular apple tree is a "giving tree" is an understatement. In Shel Silverstein's popular tale of few words and simple line drawings, a tree starts out as a leafy playground, shade provider, and apple bearer for a rambunctious little boy. Making the boy happy makes the tree happy, but with time it becomes more challenging for the generous tree to meet his needs. When he asks for money, she suggests that he sell her apples. When he asks for a house, she offers her branches for lumber. When the boy is old, too old and sad to play in the tree, he asks the tree for a boat. She suggests that he cut her down to a stump so he can craft a boat out of her trunk. He unthinkingly does it. At this point in the story, the double-page spread shows a pathetic solitary stump, poignantly cut down to the heart the boy once carved into the tree as a child that said "M.E. + T." "And then the tree was happy... but not really." When there's nothing left of her, the boy returns again as an old man, needing a quiet place to sit and rest. The stump offers up her services, and he sits on it. "And the tree was happy." While the message of this book is unclear (Take and take and take? Give and give and give? Complete self-sacrifice is good? Complete self-sacrifice is infinitely sad?), Silverstein has perhaps deliberately left the book open to interpretation. (All ages) --Karin Snelson [via]
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› Find signed collectible books: 'The Giving Tree: Holiday Edition'
To say that this particular apple tree is a "giving tree" is an understatement. In Shel Silverstein's popular tale of few words and simple line drawings, a tree starts out as a leafy playground, shade provider, and apple bearer for a rambunctious little boy. Making the boy happy makes the tree happy, but with time it becomes more challenging for the generous tree to meet his needs. When he asks for money, she suggests that he sell her apples. When he asks for a house, she offers her branches for lumber. When the boy is old, too old and sad to play in the tree, he asks the tree for a boat. She suggests that he cut her down to a stump so he can craft a boat out of her trunk. He unthinkingly does it. At this point in the story, the double-page spread shows a pathetic solitary stump, poignantly cut down to the heart the boy once carved into the tree as a child that said "M.E. + T." "And then the tree was happy... but not really." When there's nothing left of her, the boy returns again as an old man, needing a quiet place to sit and rest. The stump offers up her services, and he sits on it. "And the tree was happy." While the message of this book is unclear (Take and take and take? Give and give and give? Complete self-sacrifice is good? Complete self-sacrifice is infinitely sad?), Silverstein has perhaps deliberately left the book open to interpretation. (All ages) --Karin Snelson [via]
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› Find signed collectible books: 'The Giving Tree With Gift Card'
To say that this particular apple tree is a "giving tree" is an understatement. In Shel Silverstein's popular tale of few words and simple line drawings, a tree starts out as a leafy playground, shade provider, and apple bearer for a rambunctious little boy. Making the boy happy makes the tree happy, but with time it becomes more challenging for the generous tree to meet his needs. When he asks for money, she suggests that he sell her apples. When he asks for a house, she offers her branches for lumber. When the boy is old, too old and sad to play in the tree, he asks the tree for a boat. She suggests that he cut her down to a stump so he can craft a boat out of her trunk. He unthinkingly does it. At this point in the story, the double-page spread shows a pathetic solitary stump, poignantly cut down to the heart the boy once carved into the tree as a child that said "M.E. + T." "And then the tree was happy... but not really." When there's nothing left of her, the boy returns again as an old man, needing a quiet place to sit and rest. The stump offers up her services, and he sits on it. "And the tree was happy." While the message of this book is unclear (Take and take and take? Give and give and give? Complete self-sacrifice is good? Complete self-sacrifice is infinitely sad?), Silverstein has perhaps deliberately left the book open to interpretation. (All ages) --Karin Snelson [via]
› Find signed collectible books: 'The House on Mango Street'
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› Find signed collectible books: 'How the Garcia Girls Lost Their Accents'
FOR USE IN SCHOOLS AND LIBRARIES ONLY. Eagerly embracing their new American culture in Miami, the four Garcia women iron their hair, smoke cigarettes, date American men, forget their Spanish, and lose their accents, all in their journey toward adulthood. [via]
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› Find signed collectible books: 'The Illustrated Jane Eyre'
@ToEyreIsHuman Romance, romance, this poppa Rochester wants to get in my pants!
From Twitterature: The World's Greatest Books in Twenty Tweets or Less
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› Find signed collectible books: 'Jane Eyre'
Having grown up an orphan in the home of her cruel aunt and at a harsh charity school, Jane Eyre becomes an independent and spirited survivor-qualities that serve her well as governess at Thornfield Hall. But when she finds love with her sardonic employer, Rochester, the discovery of his terrible secret forces her to make a choice. Should she stay with him whatever the consequences or follow her convictions, even if it means leaving her beloved?
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› Find signed collectible books: 'Jane Eyre'
"Jane Eyre," Charlotte Brontë's most beloved novel, describes the passionate love between the courageous orphan Jane Eyre and the brilliant, brooding, and domineering Rochester. The loneliness and cruelty of Jane Eyre's childhood strengthens her natural independence and spirit, which prove invaluable when she takes a position as a governess at Thornfield Hall. But after she falls in love with her sardonic employer, her discovery of his terrible secret forces her to make a heart-wrenching choice. Ever since its publication in 1847, "Jane Eyre" has enthralled every kind of reader, from the most critical and cultivated to the youngest and most unabashedly romantic. "Jane Eyre" lives as one of the great triumphs of storytelling and as a moving and unforgettable portrayal of a woman's quest for self-respect. "At the end we are steeped through and through with the genius, the vehemence, the indignation of Charlotte Brontë." -Virginia Woolf [via]
› Find signed collectible books: 'Jane Eyre'
Romantic melodrama or feminist classic, Jane Eyre is one of the most enduringly popular and compelling novels in the literary canon. Overlooked or dismissed by critics in the nineteenth and early twentieth centuries, it first began to attract serious critical attention in the 1970s as New Critical, formalist and feminist critics began to re-evaluate Charlotte Bronte's achievement. This New Casebook brings together essays by leading scholars over the past twenty years, mapping Jane Eyre's progress through the literary and theoretical establishment and encouraging the student to consider these different critical approaches and how they shape the novel and our reading of it. [via]
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› Find signed collectible books: 'Jane Eyre'
This book is intended for Prizes won etc. [via]
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› Find signed collectible books: 'Leo the Late Bloomer'
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› Find signed collectible books: 'Management Training and Development in Nigeria'
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› Find signed collectible books: 'Mi vida en rose / Me Talk Pretty One Day'
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› Find signed collectible books: 'Middlesex'
"I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974." And so begins Middlesex, the mesmerizing saga of a near-mythic Greek American family and the "roller-coaster ride of a single gene through time." The odd but utterly believable story of Cal Stephanides, and how this 41-year-old hermaphrodite was raised as Calliope, is at the tender heart of this long-awaited second novel from Jeffrey Eugenides, whose elegant and haunting 1993 debut, The Virgin Suicides, remains one of the finest first novels of recent memory.
Eugenides weaves together a kaleidoscopic narrative spanning 80 years of a stained family history, from a fateful incestuous union in a small town in early 1920s Asia Minor to Prohibition-era Detroit; from the early days of Ford Motors to the heated 1967 race riots; from the tony suburbs of Grosse Pointe and a confusing, aching adolescent love story to modern-day Berlin. Eugenides's command of the narrative is astonishing. He balances Cal/Callie's shifting voices convincingly, spinning this strange and often unsettling story with intelligence, insight, and generous amounts of humor:
Emotions, in my experience aren't covered by single words. I don't believe in "sadness," "joy," or "regret." & I'd like to have at my disposal complicated hybrid emotions, Germanic traincar constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." ... I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever.
When you get to the end of this splendorous book, when you suddenly realize that after hundreds of pages you have only a few more left to turn over, you'll experience a quick pang of regret knowing that your time with Cal is coming to a close, and you may even resist finishing it--putting it aside for an hour or two, or maybe overnight--just so that this wondrous, magical novel might never end. --Brad Thomas Parsons [via]
› Find signed collectible books: 'Peter Pan'
"All children, except one, grow up." Thus begins a great classic of children's literature that we all remember as magical. What we tend to forget, because the tale of Peter Pan and Neverland has been so relentlessly boiled down, hashed up, and coated in saccharine, is that J.M. Barrie's original version is also witty, sophisticated, and delightfully odd. The Darling children, Wendy, John, and Michael, live a very proper middle-class life in Edwardian London, but they also happen to have a Newfoundland for a nurse. The text is full of such throwaway gems as "Mrs. Darling first heard of Peter Pan when she was tidying up her children's minds," and is peppered with deliberately obscure vocabulary including "embonpoint," "quietus," and "pluperfect." Lest we forget, it was written in 1904, a relatively innocent age in which a plot about abducted children must have seemed more safely fanciful. Also, perhaps, it was an age that expected more of its children's books, for Peter Pan has a suppleness, lightness, and intelligence that are "literary" in the best sense. In a typical exchange with the dastardly Captain Hook, Peter Pan describes himself as "youth... joy... a little bird that has broken out of the egg," and the author interjects: "This, of course, was nonsense; but it was proof to the unhappy Hook that Peter did not know in the least who or what he was, which is the very pinnacle of good form." A book for adult readers-aloud to revel in--and it just might teach young listeners to fly. (Ages 5 and older) --Richard Farr [via]

› Find signed collectible books: 'Peter's Chair'
Peter learns to accept the new baby sister in the family. "(Keats') skillful and imaginative use of collage creates a picture book that delights the eye and wins the heart."--Teacher. Full color. [via]
› Find signed collectible books: 'The Second Summer of the Sisterhood'
Teens who loved Ann Brashares's The Sisterhood of the Traveling Pants (2001) will cheer its equally riveting sequel The Second Summer of the Sisterhood. As in the first novel, four teen girls who have known each other since birth (their moms shared a pregnancy aerobics class) further forge their bond of friendship through a pair of thrift-store jeans that magically, impossibly, fits them all perfectly.
Like the summer before, Carmen, Bridget, Tibby, and Lena share their individual adventures with the Pants collective, creating an engaging, kaleidoscopic narrative of four voices. This summer, Tibby attends a film program in Virginia and Bridget (Bee), whose mother has died, impulsively jets off to Alabama to get reacquainted with her estranged grandmother. Lovely Lena tries to protect herself from the heartbreak of loving her long-distance Greek god boyfriend Kostos, and Carmen deals (poorly) with her mother dating again and having the nerve to borrow the Pants!
The Second Summer, while breezy and fun to read, deals seriously with love lost and found, death, and finding the courage to live honestly. The teens' lessons are often painful, but the Sisterhood prevails. Quotations from luminaries such as Charlie Brown ("Nothing takes the taste out of peanut butter quite like unrequited love") to Nelson Mandela ("There is nothing like returning to a place that remains unchanged to find the ways in which you yourself have altered") open each chapter and cleverly reflect the novel's many moods. (Ages 12 and older) --Karin Snelson [via]
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› Find signed collectible books: 'Secret Life of Bees'
In Sue Monk Kidd's The Secret Life of Bees, 14-year-old Lily Owen, neglected by her father and isolated on their Georgia peach farm, spends hours imagining a blissful infancy when she was loved and nurtured by her mother, Deborah, whom she barely remembers. These consoling fantasies are her heart's answer to the family story that as a child, in unclear circumstances, Lily accidentally shot and killed her mother. All Lily has left of Deborah is a strange image of a Black Madonna, with the words "Tiburon, South Carolina" scrawled on the back. The search for a mother, and the need to mother oneself, are crucial elements in this well-written coming-of-age story set in the early 1960s against a background of racial violence and unrest. When Lily's beloved nanny, Rosaleen, manages to insult a group of angry white men on her way to register to vote and has to skip town, Lily takes the opportunity to go with her, fleeing to the only place she can think of--Tiburon, South Carolina--determined to find out more about her dead mother. Although the plot threads are too neatly trimmed, The Secret Life of Bees is a carefully crafted novel with an inspired depiction of character. The legend of the Black Madonna and the brave, kind, peculiar women who perpetuate Lily's story dominate the second half of the book, placing Kidd's debut novel squarely in the honored tradition of the Southern Gothic. --Regina Marler [via]

› Find signed collectible books: 'Separate Peace'
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› Find signed collectible books: 'These Happy Golden Years'
For the first time in the history of the Little House books, this new edition features Garth Williams interior art in vibrant, full color, as well as a beautifully redesigned cover.
Fifteen-year-old Laura lives apart from her family for the first time, teaching school in a claim shanty twelve miles from home. She is very homesick, but keeps at it so that she can help pay for her sister Mary's tuition at the college for the blind. During school vacations Laura has fun with her singing lessons, going on sleigh rides, and best of all, helping Almanzo Wilder drive his new buggy. Friendship soon turns to love for Laura and Almanzo in the romantic conclusion of this Little House book.
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› Find signed collectible books: 'Verdi'
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› Find signed collectible books: 'The Virgin Suicides'
› Find signed collectible books: 'El Catalejo Lacado'
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› Find signed collectible books: 'El Curioso Incidente Del Perro A Medianoche'
2005 SALAMANDRA Spanish Edition SOFTCOVER [via]
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› Find signed collectible books: 'LA Daga / The Subtle Knife'
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› Find signed collectible books: 'Lolita'
Esta es la historia de la obsesion de Humbert Humbert, un profesor cuarenton, por la doceañera Lolita. Es una extraordinaria novela de amor en la que intervienen dos componentes explosivos: la atraccion "perversa" por las ninfulas y el incesto. Narrada con autoironia y lirismo desenfrenado, es tambien un retrato acido y visionario de los Estados Unidos, de los horrores suburbanos y de la cultura del plastico y del motel. [via]
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› Find signed collectible books: 'Luces Del Norte/ The Golden Compass'
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› Find signed collectible books: 'Retrato Del Artista Adolescente/ Portrait of the Young Artist'
Este libro hay que leerlo con ojos absolutamente inocentes, dejandose conducir solo por las palabras mediante las cuales se crea como obra de arte. El mismo ha trazado el minucioso, unas veces doloroso, otras alegre, destino de su creador. [via]
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› Find signed collectible books: 'La Vida Secreta De Las Abejas / The Secret Life of Bees'
Ambientada en Carolina del Sur en 1964, La vida secreta de las abejas es la historia de Lily Owens, cuya vida ha sido formada alrededor del recuerdo confuso de la tarde en que su madre fue asesinada. Cuando Rosaleen, la bravía madre postiza negra de Lily, insulta a tres de las personas más racistas del pueblo, Lily decide que ambas deben ser libres. Ellas escapan a Tiburón, Carolina del Sur, un pueblo que guarda el secreto del pasado de su madre. Alojadas por un excéntrico trío de hermanas negras apicultoras, Lily es introducida al fascinante mundo de las abejas y la miel, y a la Virgen Negra. Esta es una novela notable sobre el poder divino femenino, una historia que las mujeres compartirán y pasarán a sus hijas por generaciones.
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› Find signed collectible books: 'El Vino Del Estio/Dandelion Wine'
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› Find signed collectible books: 'Les Divins Secrets Des Petits Ya-Ya'
"Une danseuse de claquettes maltraite ses enfants". Lorsque Vivi Walker, la soixantaine, découvre dans le prestigieux New York Times le portrait que dresse d'elle sa fille Siddy, metteur en scène de renom, elle la répudie sur le champ. Pour renouer le dialogue et assurer une meilleure compréhension réciproque, ses trois meilleures amies parviennent à la convaincre de confier à sa fille ses carnets secrets sur les Ya-Ya, du nom que les quatre femmes ont attribué dès leur enfance à leur petite tribu. A travers ces fragments du passé, tantôt légers, tantôt tragiques, Siddy est alors amenée à découvrir des aspects méconnus de la personnalité de sa mère, femme pétillante, énergique et exubérante, mais aussi femme blessée par la vie, et que seule l'attention indéfectible de ses amies a réussi à maintenir debout.
Ce livre a séduit des millions de lectrices. L'amitié féminine et les relations aigres-douces entre mères et filles en constituent les principaux thèmes, traités sur un mode jovial et divertissant. --Nathalie Gouiffès [via]
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› Find signed collectible books: 'Je Parler Francais'
livre autobiographique quelque peu loufoque sur les tribulations d'un jeune americain en France [via]
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› Find signed collectible books: 'Le Miroir D'Ambre'
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› Find signed collectible books: 'Les Royaumes Du Nord'
Il est au départ déstabilisant, le monde dans lequel nous invite Philip Pullman, c'est celui de Lyra, la jeune héroïne. Il ressemble étrangement au nôtre, et s'en sépare tout à la fois, étrangement, par des détails qui apparaissent au fil du récit. On voyage en zeppelin, on rencontre des sorcières, des ours en armure... Chaque personnage est accompagné d'un "daemon", sorte d'animal familier mais qui est bien plus que cela : le daemon fait partie de son compagnon humain, il est le reflet de son âme. L'un ne peut survivre à l'autre. Celui de Lyra s'appelle Pantalaimon. Il la suivra dans toutes ses aventures jusque dans les Royaumes du Nord, en quête de la vérité sur la mystérieuse "Poussière".
Voilà un roman résolument original, lyrique, poétique en même temps que passionnant. À la croisée des mondes, les croyances et les cultures se frottent, se lient ou se heurtent, les certitudes y vacillent, jusqu'à un dénouement en forme de suspense... suite au prochain épisode : La Tour des anges. À partir de 11 ans. --Pascale Wester [via]
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› Find signed collectible books: 'Tour Des Anges'
À la fin du premier volet, Les Royaumes du Nord, on avait quitté la jeune Lyra au moment où elle franchissait le pont entre deux mondes édifié par son père. On la retrouve donc dans un autre univers, où elle est rejointe par Will, débarqué, lui, d'un troisième monde très semblable au nôtre. On retrouve aussi la glaçante Mme Coulter, l'intrépide Lee Scoresby, entre autres personnages découverts dans le premier tome et désormais familiers. Apparaissent de nouveaux amis, mais aussi de nouveaux ennemis redoutables : des spectres qui vampirisent les adultes et sont invisibles aux yeux des enfants. Peu à peu, le mystère de la Poussière s'éclaircit tout en révélant sa complexité.
Il est question d'ésotérisme, de théologie, de destin, au fil d'aventures palpitantes narrées dans un style éblouissant. À ne surtout pas réserver aux enfants à partir de 11 ans, l'oeuvre envoûtante de Philip Pullman est appelée à devenir un classique de la littérature fantastique. --Pascale Wester [via]
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› Find signed collectible books: 'Das Bernstein-Teleskop'
Gleich vom Anfang der ersten Szene an wird Das Bernstein-Teleskop den Leser packen und nicht mehr loslassen. Wir verraten an dieser Stelle allerdings nur, dass man sofort feststellt, wer zum Schluss von Das Magische Messer Lyra gefangen genommen hat, obwohl es nicht klar ist, ob die Absichten dieses Individiums nun gut oder böse sind. Wir erfahren auch, dass Will nach wie vor im Besitz der Klinge ist, die ihn befähigt, sich den Weg von einer Welt zur anderen zu schneiden, und dass sich ihm mittlerweile zwei geflügelte Freunde angeschlossen haben, die fest entschlossen sind, ihn zur Bergfestung Lord Asriels zu begleiten. Der Junge hat allerdings nur ein Ziel vor Augen -- seine Freundin zu retten und ihr den Alethiometer zurückzugeben, ein Instrument, das ihr und den Lesern von Der goldene Kompass und dessen Fortsetzung so viel offenbart hat. Wir müssen auch nicht lange warten, bis wir das "Prickeln des Sternenlichts" auf Serafina Pekkalas Haut erfahren dürfen, während sie einen ausgehungerten Iorek Byrnison ausfindig macht und ihn für Lord Asriels Kreuzzug anwirbt.
In der Zwischenzeit kämpfen die zwei Fraktionen der Kirche darum, als erste an Lyra heranzukommen. Eine davon ist sogar bereit, einem ihrer Priester schon im Voraus Absolution zu gewähren, sollte es ihm gelingen, die Todsünde zu begehen, das Mädchen zu töten; für diese Tyrannen wäre dies nichts Geringeres als "eine heilige Pflicht".
In dieser letzten Folge seiner Trilogie hat sich Philip Pullman die höchsten Ziele gesetzt. Sie darf ihren Vorgängern in Sachen schierer Action und Originalität in nichts nachstehen und muss gleichzeitig alle noch bestehenden Rätsel auflösen. Die gute Nachricht hierbei ist, dass es keine ernsthaft schlechten Nachrichten gibt. Nicht, dass Das Bernstein-Teleskop keine verfahrenen und riskant-gefährlichen Situationen enthalten würde -- die gibt es zuhauf (wer wollte es auch anders haben?). Aber Pullman führt seine Trilogie zu einem Schluss, der sowohl friedlich als auch niederschmetternd ist. Mit einem Erzählstil, der klar und dennoch lyrisch und plastisch daherkommt, blendet sich der Autor mühelos in die Gedankenwelt seiner Hauptfiguren ein und wieder aus. Er wartet zudem mit einigen zusätzlichen Welten auf. In einer davon wird Dr. Mary Malone in eine scheinbar einfache Gesellschaft aufgenommen. Das Milieu der Mulefa (auch hier verraten wir nicht mehr) macht sie reich an Bewusstsein, während ihr Leben einem langsamen und gemessenen Rhythmus folgt.
Im Verlauf seines Epos erhält Pullman seine Szenen gewaltiger Schönheit und Zärtlichkeit aufrecht und gewährt uns sogar den einen oder anderen Moment der humorvollen Entspannung. An einer Stelle beispielsweise schikaniert Lyras Mutter eine Reihe kirchlicher Befehlsempfänger. Mrs. Coulter ist ohne Frage so berauschend und umwerfend wie eh und je. Kann es sein, dass wir sie letztendlich sogar bewundern werden, während sie ihr verzweifeltes Spiel zu Ende bringt? In diesem Fall -- wie auch sonst -- ist Das Bernstein-Teleskop wahrlich ein Buch der Offenbarungen, das sich von der sichtbaren Dunkelheit zur strahlenden Wahrheit bewegt. --Kerry Fried [via]
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Die vier Mädchen hatten noch Bänder im Haar und Söckchen an, als sie miteinander in Louisiana davon träumten die letzten Überlebenden eines aussterbenden Stammes zu sein -- die Ya-Yas.
Zusammen nahmen sie am Shirley-Temple-Nachwuchs-Wettbewerb teil und brachten nicht nur die Jury mit ihrem ungewöhnlichen Benehmen in Verlegenheit, sie waren auch bei der Welturaufführung ihres späteren Lieblingsfilms Vom Winde verweht anwesend. Mitunter wurde ihr Club zu einem Quartett der Peinlichkeiten, doch die vier standen, was auch kommen mochte, felsenfest zusammen.
Gesammelt hat Vivi ihre Erlebnisse in einem Album, das sie Die göttlichen Geheimnisse der Ya-Ya-Schwestern nannte. Und als sie es, viele Jahre später, ihrer Tochter Sidda zum Lesen gibt, ist ihr Mutter-Tochter-Verhältnis gerade zum Bersten gespannt, denn immerhin hat Sidda in der New York Times bei einem Interview zu ihrem neuen Theaterstück ihre Mutter als "eine Step tanzende, prügelnde Rabenmutter" bezeichnet. Sidda begibt sich auf die schmerzliche Suche nach der Wahrheit, und oft erzählen ihr die fehlenden Personen auf den Fotos mehr als die Bilder selbst.
Rebecca Wells, die selbst auf einer Plantage in Louisiana aufwuchs, schuf mit den Ya-Yas und ihren Kindern ungeheuer quirlige und phantasievolle Frauen, die die größten Sorgen mit einem lauten Lachen und einem Glas Whiskey in der Hand aus der Welt wischen. Und wenn sie sich dann doch nicht ganz beseitigen lassen, sind immer noch drei Ya-Yas da, die sofort als Feuerwehr zur Stelle sind. --Manuela Haselberger [via]
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Mit Das magische Messer stellt Philip Pullman nach Der Goldene Kompaß den zweiten Band der His-Dark-Materials-Trilogie vor. Die Hauptrollen spielen der zwölfjährige Will Parry und die gleichaltrige Lyra Listenreich, Heldin der ersten Folge.
Der junge Parry will das Geheimnis um seinen Vater lösen, der vor zehn Jahren bei einer Polarexpedition verschwunden ist. Durch Zufall findet er einen Zugang zu einer anderen Welt, als er vor geheimnisvollen Männern flieht. Hier trifft er auf Lyra, die ebenfalls durch ein Dimensionstor aus ihrer Heimat, die der Erde ähnelt, in diese fremde Welt gelangt ist. Auch sie ist auf der Suche nach ihrem Vater, Lord Asriel. Es stellt sich heraus, daß das Schicksal der beiden eng miteinander verknüpft ist. Gemeinsam müssen sie in den verschiedenen Welten um ihr Leben kämpfen und viele Abenteuer überstehen. Im Verlauf der Geschichte wird es immer deutlicher, daß den beiden Kindern eine Hauptrolle zugedacht ist in der anstehenden entscheidenden Schlacht zwischen Gut und Böse.
Pullman greift in diesem Buch das in Film und Literatur immer wiederkehrende Prinzip von parallelen, sich in vielerlei Hinsicht ähnelnden Welten auf. Es ist etwas schwierig, den Einstieg zu finden. Die verschiedenen Handlungsstränge scheinen zu Beginn etwas verwirrend und ohne Zusammenhang zu sein. Doch je mehr man weiterliest und sich in den Inhalt vertieft, desto besser enthüllen sich diese Zusammenhänge. Man wird immer mehr in die von Pullman geschaffenen Welten von Hexen, Technik und Magie hineingezogen. Nach Beendigung des Buches bleibt nur zu hoffen, daß der Folgeband bald auf den deutschen Markt kommt. --Markus Hofstetter [via]
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