books tagged “growing up”

Set in Chicago's Jewish neighborhood of West Rogers Park, this is the story of three families--adults and children alike--coming of age during the tumultuous, turbulent days of the Iran hostage crisis. At the close of the 1970s, the Rovners, the Wasserstroms, and the Wills-Silvermans will have to shed their pasts to cross into that new, shining decade of hope: the 80s. [via]

Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.

For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber [via]

The lives of the talented Aubrey children have long been clouded by their father?s genius for instability, but his new job in the London suburbs promises, for a time at least, reprieve from scandal and the threat of ruin. Mrs. Aubrey, a former concert pianist, struggles to keep the family afloat, but then she is something of a high-strung eccentric herself, as is all too clear to her daughter Rose, through whose loving but sometimes cruel eyes events are seen. Still, living on the edge holds the promise of the unexpected, and the Aubreys, who encounter furious poltergeists, turn up hidden masterpieces, and come to the aid of a murderess, will find that they have adventure to spare.

In The Fountain Overflows, a 1957 best seller, Rebecca West transmuted her own volatile childhood into enduring art. This is an unvarnished but affectionate picture of an extraordinary family, in which a remarkable stylist and powerful intelligence surveys the elusive boundaries of childhood and adulthood, freedom and dependency, the ordinary and the occult. [via]

Mistress Mary is quite contrary until she helps her garden grow. Along the way, she manages to cure her sickly cousin Colin, who is every bit as imperious as she. These two are sullen little peas in a pod, closed up in a gloomy old manor on the Yorkshire moors of England, until a locked-up garden captures their imaginations and puts the blush of a wild rose in their cheeks; "It was the sweetest, most mysterious-looking place any one could imagine. The high walls which shut it in were covered with the leafless stems of roses which were so thick, that they matted together.... 'No wonder it is still,' Mary whispered. 'I am the first person who has spoken here for ten years.'" As new life sprouts from the earth, Mary and Colin's sour natures begin to sweeten. For anyone who has ever felt afraid to live and love, The Secret Garden's portrayal of reawakening spirits will thrill and rejuvenate. Frances Hodgson Burnett creates characters so strong and distinct, young readers continue to identify with them even 85 years after they were conceived. (Ages 9 to 12) [via]

This stunning book-length debut is a quiet picture novella of a small turtle, Chunky Rice, leaving his home and his mouse friend, Dandel. A Dr. Seussian cast of colorful characters and lush cartoon-y brushwork shape this into a charming, profound tale of loneliness, loss, and undying friendship. [via]

An absorbing mystery as well as a morality tale, the story of Pip, a poor village lad, and his expectations of wealth is Dickens at his most deliciously readable. The cast of characters includes kindly Joe Gargery, the loyal convict Abel Magwitch and the haunting Miss Havisham. If you have heartstrings, count on them being tugged. [via]

Legendary barfly Charles Bukowski's fourth novel, first published in 1982, is probably the most autobiographical and moving of all his books, dealing in particular with his difficult relationship with his father and his early childhood in LA. "Ham on Rye" follows the path of Bukowski's alter-ego Henry Chinaski through the high school years of acne and rejection and into the beginning of a long and successful career in alcoholism. The novel begins against the backdrop of an America devastated by the Depression and takes the Chinaski legend up to the bombing of Pearl Harbour. Arguably Bukowski's finest novel. [via]

Gretel looked at her [mother] in troubled silence, wondering whether it were very wicked to care more for one parent than for the other-and sure, yes, quite sure, that she dreaded her father, while she clung to her mother with a love that was almost idolatry. -from Hans Brinker A beloved childhood favorite for a century and a half-and a book that readers continue to enjoy and appreciate long into adulthood-Hans Brinker, or The Silver Skates went through more than 100 editions during the author's lifetime alone. First published in 1865, this replica of the 1917 edition features the exquisite illustrations by Alice Carsey, whose sensitive eye and delicate pen-and-ink lines enliven the tale of the poor but virtuous Dutch boy in a way that few other artists have achieved. This replica edition brings the enchanting work of Dodge and Carsey to a new generation of children. Author and editor Mary Mapes Dodge (1831-1905) was born in New York City. She served as editor of the children's magazine St. Nicholas, to which she attracted such writers as Mark Twain, Louisa May Alcott, Robert Louis Stevenson, Frances Hodgson Burnett, and Rudyard Kipling. She also authored the short-fiction collection Irvington Stories (1864). ON FRONT FLAP: Gretel looked at her [mother] in troubled silence, wondering whether it were very wicked to care more for one parent than for the other-and sure, yes, quite sure, that she dreaded her father, while she clung to her mother with a love that was almost idolatry. -from Hans Brinker A beloved childhood favorite for a century and a half-and a book that readers continue to enjoy and appreciate long into adulthood-Hans Brinker, or The Silver Skates went through more than 100 editions during the author's lifetime alone. First published in 1865, this replica of the 1917 edition features the exquisite illustrations by Alice Carsey, whose sensitive eye and delicate pen-and-ink lines enliven the tale of the poor but virtuous Dutch boy in a way that few other artists have achieved. This replica edition brings the enchanting work of Dodge and Carsey to a new generation of children. ON BACK FLAP: COSIMO CLASSICS was inspired by Cosimo de Medici, the first of the de Medici dynasty, who ignited the most important cultural and artistic revolution in Western history - the Renaissance. This quest for enrichment is the foundation for COSIMO, an innovative publisher of books that inspire, inform, and engage readers worldwide. COSIMO brings to life unique, out-of-print classics, representing subjects as diverse as Alternative Health, Business & Economics, Eastern & Western Philosophy, Personal Growth, Mythology & Folklore, Science, and Sacred Texts & Spirituality, and much more! [via]

Heidi is the heart-warming tale of a small girl's power for good, and it has remained a firm favourite since it was published over 100 years ago. It tells of the orphan Heidi and her idyllic existence with her gruff grandfather in the mountains. When she is sent to live in a city, comic chaos ensues, and eventually it is arranged that Heidi should return to the mountains. Together she and her friend Peter, the goat-herd, achieve wondrous changes in the community in which they live. [via]

Seventeen-year-old Cassandra Mortmain wants to become a writer. Trouble is, she's the daughter of a once-famous author with a severe case of writer's block. Her family--beautiful sister Rose, brooding father James, ethereal stepmother Topaz--is barely scraping by in a crumbling English castle they leased when times were good. Now there's very little furniture, hardly any food, and just a few pages of notebook paper left to write on. Bravely making the best of things, Cassandra gets hold of a journal and begins her literary apprenticeship by refusing to face the facts. She writes, "I have just remarked to Rose that our situation is really rather romantic, two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud."

Rose longs for suitors and new tea dresses while Cassandra scorns romance: "I know all about the facts of life. And I don't think much of them." But romantic isolation comes to an end both for the family and for Cassandra's heart when the wealthy, adventurous Cotton family takes over the nearby estate. Cassandra is a witty, pensive, observant heroine, just the right voice for chronicling the perilous cusp of adulthood. Some people have compared I Capture the Castle to the novels of Jane Austen, and it's just as well-plotted and witty. But the Mortmains are more bohemian--as much like the Addams Family as like any of Austen's characters. Dodie Smith, author of 101 Dalmations, wrote this novel in 1948. And though the story is set in the 1930s, it still feels fresh, and well deserves its reputation as a modern classic. --Maria Dolan [via]

The story is told by Coriander, daughter of a silk merchant in 1650s London. Her idyllic childhood ends when her mother dies and her father goes away, leaving Coriander with her stepmother, a widow who is in cahoots with a fundamentalist Puritan preacher. She is shut away in a chest and left to die, but emerges into the fairy world from which her mother came, and where time has no meaning. When she returns, charged with a task that will transform her life, she is seventeen. This is a book filled with enchantments -- a pair of silver shoes, a fairy shadow, a prince transformed into a fox - that contrast with the heartbreaking loss and cruelty of Coriander's life in the real world. With its brilliantly realized setting of old London Bridge, and underpinned by the conflict between Royalists and Puritans, it is a terrific page turner, involving kidnapping, murder and romance, and an abundance of vivid characters. Coriander is a heroine to love. Her story will establish Sally Gardner as a children's writer of boundless imagination and originality. [via]

Welcome back to the world of Helen Oxenbury's Alice! An exuberant edition of the Lewis Carroll masterpiece, lavishly illustrated by one of the most beloved children's book artists of our time.
Helen Oxenbury's ALICE'S ADVENTURES IN WONDERLAND set a new standard for contemporary editions of Lewis Carroll's beloved classic. And now she has illustrated its companion, ALICE THROUGH THE LOOKING- GLASS, with equal intimacy, warmth, and charm. Here again is Alice, dressed in her bright blue jumper and ready for adventure like any modern child. All it takes is a bit of curiosity about the room reversed in the mirror and suddenly Alice is in the Looking-Glass world with all manner of comical and magical characters -- Tweedledum and Tweedledee, the lion and the unicorn, and a whole game board of chess pieces come to life.
On page after page, Helen Oxenbury's incomparable line drawings, sepia illustrations, and full-color paintings give today's children their own utterly accessible view into Lewis Carroll's timeless nonsense. [via]

Antoine de Saint-Exupéry first published The Little Prince in 1943, only a year before his Lockheed P-38 vanished over the Mediterranean during a reconnaissance mission. More than a half century later, this fable of love and loneliness has lost none of its power. The narrator is a downed pilot in the Sahara Desert, frantically trying to repair his wrecked plane. His efforts are interrupted one day by the apparition of a little, well, prince, who asks him to draw a sheep. "In the face of an overpowering mystery, you don't dare disobey," the narrator recalls. "Absurd as it seemed, a thousand miles from all inhabited regions and in danger of death, I took a scrap of paper and a pen out of my pocket." And so begins their dialogue, which stretches the narrator's imagination in all sorts of surprising, childlike directions.

The Little Prince describes his journey from planet to planet, each tiny world populated by a single adult. It's a wonderfully inventive sequence, which evokes not only the great fairy tales but also such monuments of postmodern whimsy as Italo Calvino's Invisible Cities. And despite his tone of gentle bemusement, Saint-Exupéry pulls off some fine satiric touches, too. There's the king, for example, who commands the Little Prince to function as a one-man (or one-boy) judiciary:

I have good reason to believe that there is an old rat living somewhere on my planet. I hear him at night. You could judge that old rat. From time to time you will condemn him to death. That way his life will depend on your justice. But you'll pardon him each time for economy's sake. There's only one rat.

On her way home from school on a snowy December day, 14-year-old Susie Salmon is lured into a cornfield and brutally raped and murdered, the latest victim of a serial killer. The Lovely Bones, Alice Sebold's haunting and heartbreaking debut novel, unfolds from heaven, where "life is a perpetual yesterday" and where Susie narrates and keeps watch over her grieving family and friends, as well as her brazen killer and the sad detective working on her case.

As Sebold fashions it, everyone has his or her own version of heaven. Susie's resembles the athletic fields and landscape of a suburban high school: a heaven of her "simplest dreams", where "there were no teachers... We never had to go inside except for art class... The boys did not pinch our backsides or tell us we smelled; our textbooks were Seventeen and Glamour and Vogue".

The Lovely Bones works as an odd yet affecting coming-of-age story. Susie struggles to accept her death while still clinging to the lost world of the living, following her family's dramas over the years. Her family disintegrates in their grief: her father becomes determined to find her killer, her mother withdraws, her little brother Buckley attempts to make sense of the new hole in his family and her younger sister Lindsey moves through the milestone events of her teenage and young adult years with Susie riding spiritual shotgun. Random acts and missed opportunities run throughout the book--Susie recalls her sole kiss with a boy on earth as "like an accident--a beautiful gasoline rainbow".

Though sentimental at times, The Lovely Bones is a moving exploration of loss and mourning that ultimately puts its faith in the living and that is made even more powerful by a cast of convincing characters. Sebold orchestrates a big finish and though things tend to wrap up a little too well for everyone in the end, one can only imagine (or hope) that heaven is indeed a place filled with such happy endings. --Brad Thomas Parsons, Amazon.com [via]

It seems almost sacrilege to infringe upon a book as soulful and rich as Willa Cather's My Ántonia by offering comment. First published in 1918, and set in Nebraska in the late 19th century, this tale of the spirited daughter of a Bohemian immigrant family planning to farm on the untamed land ("not a country at all but the material out of which countries are made") comes to us through the romantic eyes of Jim Burden. He is, at the time of their meeting, newly orphaned and arriving at his grandparents' neighboring farm on the same night her family strikes out to make good in their new country. Jim chooses the opening words of his recollections deliberately: "I first heard of Ántonia on what seemed to be an interminable journey across the great midland plain of North America," and it seems almost certain that readers of Cather's masterpiece will just as easily pinpoint the first time they heard of Ántonia and her world. It seems equally certain that they, too, will remember that moment as one of great light in an otherwise unremarkable trip through the world.

Ántonia, who, even as a grown woman somewhat downtrodden by circumstance and hard work, "had not lost the fire of life," lies at the center of almost every human condition that Cather's novel effortlessly untangles. She represents immigrant struggles with a foreign land and tongue, the restraints on women of the time (with which Cather was very much concerned), the more general desires for love, family, and companionship, and the great capacity for forbearance that marked the earliest settlers on the frontier.

As if all this humanity weren't enough, Cather paints her descriptions of the vastness of nature--the high, red grass, the road that "ran about like a wild thing," the endless wind on the plains--with strokes so vivid as to make us feel in our bones that we've just come in from a walk on that very terrain ourselves. As the story progresses, Jim goes off to the University in Lincoln to study Latin (later moving on to Harvard and eventually staying put on the East Coast in another neat encompassing of a stage in America's development) and learns Virgil's phrase "Optima dies ... prima fugit" that Cather uses as the novel's epigraph. "The best days are the first to flee"--this could be said equally of childhood and the earliest hours of this country in which the open land, much like My Ántonia, was nothing short of a rhapsody in prairie sky blue. --Melanie Rehak [via]

Introduction and Notes by Dr T.C.B. Cook Following the success of Pickwick Papers and Oliver Twist, Nicholas Nickleby was hailed as a comic triumph and firmly established Dickens as a 'literary gentleman'. It has a full supporting cast of delectable characters that range from the iniquitous Wackford Squeers and his family, to the delightful Mrs Nickleby, taking in the eccentric Crummles and his travelling players, the Mantalinis, the Kenwigs and many more. Combining these with typically Dickensian elements of burlesque and farce, the novel is eminently suited to dramatic adaptation. So great was the impact as it left Dickens' pen that many pirated versions appeared in print before the original was even finished. Often neglected by critics, Nicholas Nickleby has never ceased to delight readers and is widely regarded as one of the greatest comic masterpieces of nineteenth-centure literature. [via]

The North Star from FableVision Press, is a hardcover book of 120 pages, filled with magical watercolor illustrations and text by Peter Reynolds.

The North Star is the story of a young boy's journey through life. It is an allegory that raises questions about which road we take, and how to seek out our own unique path through life. The magical illustrations and gentle text reveal the empowering wonder of navigating our true potential.

The North Star celebrates the individual. It invites us to rethink curriculum, career choices and other critical life decisions in a way that respects who we really are and our own unique gifts. It has inspired children, teachers, parents and people from all walks of life. [via]

FOR USE IN SCHOOLS AND LIBRARIES ONLY. A wonderfully wise and joyous ode to finding ones path through the maze of life. [via]

Laced with sparkling wit and compassionate insight - nobody does it quite like Marian Keyes. Jojo Harvey is a literary agent whose star is on the rise. In love with both her married boss and her burgeoning career, not much distracts her. Until she finds herself representing two women who used to be best friends. Used to be. One of them, Gemma, has suddenly found herself from a broken home - at the age of thirty-two. Meanwhile, Lily - the woman Gemma has always blamed for stealing her one chance of happiness - is enjoying the overnight success of her debut novel. Set in the world of publishing, "The Other Side of the Story" is about love, loyalty, glass ceilings and survival tactics - and what to do when you get your chance for revenge. [via]

The red tent is the place where women gathered during their cycles of birthing, menses, and even illness. Like the conversations and mysteries held within this feminine tent, this sweeping piece of fiction offers an insider's look at the daily life of a biblical sorority of mothers and wives and their one and only daughter, Dinah. Told in the voice of Jacob's daughter Dinah (who only received a glimpse of recognition in the Book of Genesis), we are privy to the fascinating feminine characters who bled within the red tent. In a confiding and poetic voice, Dinah whispers stories of her four mothers, Rachel, Leah, Zilpah, and Bilhah--all wives to Jacob, and each one embodying unique feminine traits. As she reveals these sensual and emotionally charged stories we learn of birthing miracles, slaves, artisans, household gods, and sisterhood secrets. Eventually Dinah delves into her own saga of betrayals, grief, and a call to midwifery.

"Like any sisters who live together and share a husband, my mother and aunties spun a sticky web of loyalties and grudges," Anita Diamant writes in the voice of Dinah. "They traded secrets like bracelets, and these were handed down to me the only surviving girl. They told me things I was too young to hear. They held my face between their hands and made me swear to remember." Remembering women's earthy stories and passionate history is indeed the theme of this magnificent book. In fact, it's been said that The Red Tent is what the Bible might have been had it been written by God's daughters, instead of her sons. --Gail Hudson [via]

When she is five, Young Ju Park and her family move from Korea to California. During the flight, they climb so far into the sky she concludes they are on their way to Heaven, that Heaven must be in America. Heaven is also where her grandfather is. When she learns the distinction, she is so disappointed she wants to go home to her grandmother. Trying to console his niece, Uncle Tim suggests that maybe America can be "a step from Heaven." Life in America, however, presents problems for Young Ju's family. Her father becomes depressed, angry, and violent. Jobs are scarce and money is even scarcer. When her brother is born, Young Ju experiences firsthand her father's sexism as he confers favored status upon the boy who will continue to carry the Park name. In a wrenching climactic scene, her father beats her mother so severely that Young Ju calls the police. Soon afterward, her father goes away and the family begins to heal. [via]

"Tom Brown is an early, well-drawn character in what was to become a familiar genre in English fiction: a chronicle of life at an English boys' boarding school. In the novel, Tom, a student at Rugby School in the time of Thomas Arnold's headmastership, is harassed by the school bully, Flashman, but overcomes his trials. During his school career, Tom does very well academically and on the playing fields." -- The Merriam-Webster Encyclopedia of Literature [via]

Though now enshrined as major masterpieces of American literature, Twain's classic tales of childhood remain as fresh as when they were first written. Vivid and funny, the stories chronicle journeys from innocence to experience in which innocence is preserved. [via]

Literary Studies, Classic Literature, American Literature [via]

A stuffed toy rabbit (with real thread whiskers) comes to life in Margery Williams's timeless tale of the transformative power of love. Given as a Christmas gift to a young boy, the Velveteen Rabbit lives in the nursery with all of the other toys, waiting for the day when the Boy (as he is called) will choose him as a playmate. In time, the shy Rabbit befriends the tattered Skin Horse, the wisest resident of the nursery, who reveals the goal of all nursery toys: to be made "real" through the love of a human. "'Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.'" This sentimental classic--perfect for any child who's ever thought that maybe, just maybe, his or her toys have feelings--has been charming children since its first publication in 1922. (A great read-aloud for all ages, but children ages 8 and up can read it on their own.) [via]

With its lovely, humorous illustrations and wonderful narrative about a hungry caterpillar growing up to be a beautiful butterfly, Eric Carle's story touches anyone who still has some growing to do. Along with reassuring repetition--"He was still hungry ..."--the book includes some wonderful interactive moments: what youngster can resist sticking a finger through that hole in the page as his ravenous friend makes his way through various delicacies? [via]