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› Find signed collectible books: 'The American People in World War II: Freedom from Fear'
Even as the New Deal was coping with the Depression, a new menace was developing abroad. Exploiting Germany's own economic burdens, Hitler reached out to the disaffected, turning their aimless discontent into loyal support for his Nazi Party. In Asia, Japan harbored imperial ambitions of its own. The same generation of Americans who battled the Depression eventually had to shoulder arms in another conflict that wreaked worldwide destruction, ushered in the nuclear age, and forever changed their way of life and their country's relationship to the rest of the world.
The American People in World War II--the second installment of Kennedy's Pulitzer Prize-winning Freedom from Fear--explains how the nation agonized over its role in the conflict, how it fought the war, why the United States emerged victorious, and why the consequences of victory were sometimes sweet, sometimes ironic. In a compelling narrative, Kennedy analyzes the determinants of American strategy, the painful choices faced by commanders and statesmen, and the agonies inflicted on the millions of ordinary Americans who were compelled to swallow their fears and face battle as best they could. The American People in World War II is a gripping narrative and an invaluable analysis of the trials and victories through which modern America was formed. [via]
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› Find signed collectible books: 'Bud, Not Buddy'
"It's funny how ideas are, in a lot of ways they're just like seeds. Both of them start real, real small and then... woop, zoop, sloop... before you can say Jack Robinson, they've gone and grown a lot bigger than you ever thought they could." So figures scrappy 10-year-old philosopher Bud--"not Buddy"--Caldwell, an orphan on the run from abusive foster homes and Hoovervilles in 1930s Michigan. And the idea that's planted itself in his head is that Herman E. Calloway, standup-bass player for the Dusky Devastators of the Depression, is his father.
Guided only by a flier for one of Calloway's shows--a small, blue poster that had mysteriously upset his mother shortly before she died--Bud sets off to track down his supposed dad, a man he's never laid eyes on. And, being 10, Bud-not-Buddy gets into all sorts of trouble along the way, barely escaping a monster-infested woodshed, stealing a vampire's car, and even getting tricked into "busting slob with a real live girl." Christopher Paul Curtis, author of The Watsons Go to Birmingham--1963, once again exhibits his skill for capturing the language and feel of an era and creates an authentic, touching, often hilarious voice in little Bud. (Ages 8 to 12) --Paul Hughes [via]
› Find signed collectible books: 'Bud, Not Buddy'
"It's funny how ideas are, in a lot of ways they're just like seeds. Both of them start real, real small and then... woop, zoop, sloop... before you can say Jack Robinson, they've gone and grown a lot bigger than you ever thought they could." So figures scrappy 10-year-old philosopher Bud--"not Buddy"--Caldwell, an orphan on the run from abusive foster homes and Hoovervilles in 1930s Michigan. And the idea that's planted itself in his head is that Herman E. Calloway, standup-bass player for the Dusky Devastators of the Depression, is his father.
Guided only by a flier for one of Calloway's shows--a small, blue poster that had mysteriously upset his mother shortly before she died--Bud sets off to track down his supposed dad, a man he's never laid eyes on. And, being 10, Bud-not-Buddy gets into all sorts of trouble along the way, barely escaping a monster-infested woodshed, stealing a vampire's car, and even getting tricked into "busting slob with a real live girl." Christopher Paul Curtis, author of The Watsons Go to Birmingham--1963, once again exhibits his skill for capturing the language and feel of an era and creates an authentic, touching, often hilarious voice in little Bud. (Ages 8 to 12) --Paul Hughes [via]
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› Find signed collectible books: 'Cannery Row'
Today, nearly forty years after his death, Nobel Prize winner John Steinbeck remains one of America?s greatest writers and cultural figures. We have begun publishing his many works for the first time as blackspine Penguin Classics featuring eye-catching, newly commissioned art. This season we continue with the seven spectacular and influential books East of Eden, Cannery Row, In Dubious Battle, The Long Valley, The Moon Is Down, The Pastures of Heaven, and Tortilla Flat. Penguin Classics is proud to present these seminal works to a new generation of readers?and to the many who revisit them again and again."
[via]
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› Find signed collectible books: 'Children of the Great Depression'
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› Find signed collectible books: 'The Coming of the New Deal: 1933-1935, The Age of Roosevelt'
Volume Two in Schlesinger's Age of Roosevelt series, this book describes Roosevelt's first tumultuous years in the White House. [via]
› Find signed collectible books: 'FDR's Folly: How Roosevelt And His New Deal Prolonged The Great Depression'
Admirers of FDR credit his New Deal with restoring the American economy after the disastrous contraction of 192933. Truth to tellas Powell demonstrates without a shadow of a doubtthe New Deal hampered recovery from the contraction, prolonged and added to unemployment, and set the stage for ever more intrusive and costly government. Powells analysis is thoroughly documented, relying on an impressive variety of popular and academic literature both contemporary and historical.
Milton Friedman, Nobel Laureate, Hoover Institution
There is a critical and often forgotten difference between disaster and tragedy. Disasters happen to us all, no matter what we do. Tragedies are brought upon ourselves by hubris. The Depression of the 1930s would have been a brief disaster if it hadnt been for the national tragedy of the New Deal. Jim Powell has proven this.
P.J. ORourke, author of Parliament of Whores and Eat the Rich
The material laid out in this book desperately needs to be available to a much wider audience than the ranks of professional economists and economic historians, if policy confusion similar to the New Deal is to be avoided in the future.
James M. Buchanan, Nobel Laureate, George Mason University
I found Jim Powells book fascinating. I think he has written an important story, one that definitely needs telling.
Thomas Fleming, author of The New Dealers War
Jim Powell is one tough-minded historian, willing to let the chips fall where they may. Thats a rare quality these days, hence more valuable than ever. He lets the history do the talking.
David Landes, Professor of History Emeritus, Harvard University
Jim Powell draws together voluminous economic research on the effects of all of Roosevelts major policies. Along the way, Powell gives fascinating thumbnail sketches of the major players. The result is a devastating indictment, compellingly told. Those who think that government intervention helped get the U.S. economy out of the depression should read this book.
David R. Henderson, editor of The Fortune Encyclopedia of Economics and author of The Joy of Freedom
The Great Depression and the New Deal. For generations, the collective American consciousness has believed that the former ruined the country and the latter saved it. Endless praise has been heaped upon President Franklin Delano Roosevelt for masterfully reining in the Depressions destructive effects and propping up the
country on his New Deal platform. In fact, FDR has achieved mythical status in American history and is considered to be, along with Washington, Jefferson, and Lincoln, one of the greatest presidents of all time. But would the Great Depression have been so catastrophic had the New Deal never been implemented?
In FDRs Folly, historian Jim Powell argues that it was in fact the New Deal itself, with its shortsighted programs, that deepened the Great Depression, swelled the federal government, and prevented the country from turning around quickly. Youll discover in alarming detail how FDRs federal programs hurt America more than helped it, with effects we still feel today, including:
" How Social Security actually increased unemployment
" How higher taxes undermined good businesses
" How new labor laws threw people out of work
" And much more
This groundbreaking book pulls back the shroud of awe and the cloak of time enveloping FDR to prove convincingly how flawed his economic policies actually were, despite his good intentions and the astounding intellect of his circle of advisers. In todays turbulent domestic and global environment, eerily similar to that of the 1930s, its more important than ever before to uncover and understand the truth of our history, lest we be doomed to repeat it. [via]
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› Find signed collectible books: 'Freedom from Fear: The American People in Depression and War, 1929-1945'
You can think of Freedom from Fear as the academic's version of The Greatest Generation: like Tom Brokaw, Stanford history professor David M. Kennedy focuses on the years of the Great Depression and the Second World War and how the American people coped with those events. But there the similarities end--and, in terms of the differences, one might begin by noting that the historian's account is over twice the size of the journalist's.
Whereas Brokaw made use of extensive interviews, Kennedy relies on published accounts and primary sources, all meticulously footnoted. This academic rigor, however, does not render the book dull--far from it. Certainly the subject matter is interesting enough in its own right, but Kennedy offers attention-grabbing turns of phrase on nearly every page. He also unleashes some convention-shattering theses, such as his revelation that "the most responsible students of the events of 1929 have been unable to demonstrate an appreciable cause-and-effect linkage between the Crash and the Depression" and his subsequent argument that, although it made order out of chaos, the New Deal did not reverse the Depression--that, he says, was the war's doing. All in all, Freedom from Fear compares favorably to its companions in the multivolume Oxford History of the United States in both its comprehensive heft and its vivid readability. --Ron Hogan [via]
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› Find signed collectible books: 'Fried Green Tomatoes At The Whistle Stop Cafe'
Folksy and fresh, endearing and affecting, Fried Green Tomatoes at the Whistle Stop Cafe is the now-classic novel of two women in the 1980s; of gray-headed Mrs. Threadgoode telling her life story to Evelyn, who is in the sad slump of middle age. The tale she tells is also of two women--of the irrepressibly daredevilish tomboy Idgie and her friend Ruth--who back in the thirties ran a little place in Whistle Stop, Alabama, a Southern kind of Cafe Wobegon offering good barbecue and good coffee and all kinds of love and laughter, even an occasional murder. And as the past unfolds, the present--for Evelyn and for us--will never be quite the same again...
"Airplanes and television have removed the Threadgoodes from the Southern scene. Happily for us, Fannie Flagg has preserved a whole community of them in a richly comic, poignant narrative that records the exuberance of their lives, the sadness of their departure. Idgie Threadgoode is a true original: Huckleberry Finn would have tried to marry her!"
--Harper Lee, Author of To Kill a Mockingbird
"A real novel and a good one... [from] the busy brain of a born storyteller."
--The New York Times
"It's very good, in fact, just wonderful."
--Los Angeles Times
"Funny and macabre."
--The Washington Post
"Courageous and wise."
--Houston Chronicle [via]
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› Find signed collectible books: 'The Grapes of Wrath'
When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.
The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."
The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak [via]
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› Find signed collectible books: 'The Great Crash'
Rampant speculation. Record trading volumes. Assets bought not because of their value but because the buyer believes he can sell them for more in a day or two, or an hour or two. Welcome to the late 1920s. There are obvious and absolute parallels to the great bull market of the late 1990s, writes Galbraith in a new introduction dated 1997. Of course, Galbraith notes, every financial bubble since 1929 has been compared to the Great Crash, which is why this book has never been out of print since it became a bestseller in 1955.
Galbraith writes with great wit and erudition about the perilous actions of investors, and the curious inaction of the government. He notes that the problem wasn't a scarcity of securities to buy and sell; "the ingenuity and zeal with which companies were devised in which securities might be sold was as remarkable as anything." Those words become strikingly relevant in light of revenue-negative start-up companies coming into the market each week in the 1990s, along with fragmented pieces of established companies, like real estate and bottling plants. Of course, the 1920s were different from the 1990s. There was no safety net below citizens, no unemployment insurance or Social Security. And today we don't have the creepy investment trusts--in which shares of companies that held some stocks and bonds were sold for several times the assets' market value. But, boy, are the similarities spooky, particularly the prevailing trend at the time toward corporate mergers and industry consolidations--not to mention all the partially informed people who imagined themselves to be financial geniuses because the shares of stock they bought kept going up. --Lou Schuler [via]

› Find signed collectible books: 'The Great Depression: America, 1929-1941'
A perennial backlist performer.
From the Trade Paperback edition. [via]
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› Find signed collectible books: 'Hard Times'
First published in 1970, this classic of oral history features the voices of men and women who lived through the Great Depression of the 1930s. It includes accounts by congressmen C. Wright Patman and Hamilton Fish, as well as failed presidential candidate Alf M. Landon, who recalls what it was like to be governor of Kansas in 1933:
Men with tears in their eyes begged for an appointment that would help save their homes and farms. I couldn't see them all in my office. But I never let one of them leave without my coming out and shakin' hands with 'em. I listened to all their stories, each one of 'em. But it was obvious I couldn't take care of all their terrible needs.The book includes also the perspectives of ordinary men and women, such as Jim Sheridan, who took part in the 1932 march by World War I veterans to petition for their benefits in Washington, D.C., where they were repelled by army troops led by General Douglas MacArthur. Or Edward Santander, who was a child then: "My first memories come about '31. It was simply a gut issue then: eating or not eating, living or not living." Studs Terkel makes history come alive, drawing out experiences and emotions from his interviewees to the degree few have ever been able to match. [via]
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› Find signed collectible books: 'John Steinbeck'
5 stories in one the grapes of wrath the moon is down cannery row east of eden of mice and men [via]

› Find signed collectible books: 'John Steinbeck's the Grapes of Wrath'
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› Find signed collectible books: 'John Steinbeck's The Grapes of Wrath'
Harold Bloom writes, "The Grapes of Wrath is a flawed but permanent American book." John Steinbeck's novel, still popular a half-century after its original publication, is the focus of this edition of Bloom's Notes. Along with a collection of some of the best criticism available on his work, this text includes a brief biography of the author, structural and thematic analysis, an index of themes and ideas, and more. This series is edited by Harold Bloom, Sterling Professor of the Humanities, Yale University; Henry W. and Albert A. Berg Professor of English, New York University Graduate School. These texts are the ideal aid for all students of literature, presenting concise, easy-to-understand biographical, critical, and bibliographical information on a specific literary work. Also provided are multiple sources for book reports and term papers with a wealth of information on literary works, authors, and major characters. [via]
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› Find signed collectible books: 'Let Us Now Praise Famous Men: Three Tenant Families'
Just what kind of book is Let Us Now Praise Famous Men? It contains many things: poems; confessional reveries; disquisitions on the proper way to listen to Beethoven; snippets of dialogue, both real and imagined; a lengthy response to a survey from the Partisan Review; exhaustive catalogs of furniture, clothing, objects, and smells. And then there are Walker Evans's famously stark portraits of depression-era sharecroppers--photographs that both stand apart from and reinforce James Agee's words.
Assigned to do a story for Fortune magazine about sharecroppers in the Deep South, Agee and Evans spent four weeks living with a poor white tenant family, winning the Burroughs's trust and immersing themselves in a sharecropper's daily existence. Given a first draft of the resulting article, the editors at Fortune quite understandably threw up their hands--as did several other editors who subsequently worked with a later book-length manuscript. The writing was contrary. It refused to accommodate itself to the reader, and at times it positively bristled with hostility. (What other book could take Marx as the epigraph and then announce: "These words are quoted here to mislead those who will be misled by them"?) Response to the book was puzzled or unfriendly, and Let Us Now Praise Famous Men sputtered out of print only a few short years after its publication. It took the 1960s, and a vogue for social justice, to bring Agee's masterwork the audience it deserved.
Yet the book is far more interesting--aesthetically and morally--than the sort of guilty-liberal tract for which it is often mistaken. On an existential level, Agee's text is a deeply felt examination of what it means to suffer, to struggle to live in spite of suffering. On a personal level, it is the painful, beautifully written portrait of one man's obsession. In its collaboration with Evans's photographs, the book is also a groundbreaking experiment in form. In the end, however, it is more than merely the sum of its parts. Let Us Now Praise Famous Men is, quite simply, a book unlike any other, simmering with anger and beauty and mystery. --Mary Park [via]
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› Find signed collectible books: 'Let Us Now Praise Famous Men'
Just what kind of book is Let Us Now Praise Famous Men? It contains many things: poems; confessional reveries; disquisitions on the proper way to listen to Beethoven; snippets of dialogue, both real and imagined; a lengthy response to a survey from the Partisan Review; exhaustive catalogs of furniture, clothing, objects, and smells. And then there are Walker Evans's famously stark portraits of depression-era sharecroppers--photographs that both stand apart from and reinforce James Agee's words.
Assigned to do a story for Fortune magazine about sharecroppers in the Deep South, Agee and Evans spent four weeks living with a poor white tenant family, winning the Burroughs's trust and immersing themselves in a sharecropper's daily existence. Given a first draft of the resulting article, the editors at Fortune quite understandably threw up their hands--as did several other editors who subsequently worked with a later book-length manuscript. The writing was contrary. It refused to accommodate itself to the reader, and at times it positively bristled with hostility. (What other book could take Marx as the epigraph and then announce: "These words are quoted here to mislead those who will be misled by them"?) Response to the book was puzzled or unfriendly, and Let Us Now Praise Famous Men sputtered out of print only a few short years after its publication. It took the 1960s, and a vogue for social justice, to bring Agee's masterwork the audience it deserved.
Yet the book is far more interesting--aesthetically and morally--than the sort of guilty-liberal tract for which it is often mistaken. On an existential level, Agee's text is a deeply felt examination of what it means to suffer, to struggle to live in spite of suffering. On a personal level, it is the painful, beautifully written portrait of one man's obsession. In its collaboration with Evans's photographs, the book is also a groundbreaking experiment in form. In the end, however, it is more than merely the sum of its parts. Let Us Now Praise Famous Men is, quite simply, a book unlike any other, simmering with anger and beauty and mystery. --Mary Park [via]
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› Find signed collectible books: 'Monarch Notes on Of Mice and Men'
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› Find signed collectible books: 'The New Deal: The Depression Years, 1933-40'
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› Find signed collectible books: 'Novels, 1942-1952'
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› Find signed collectible books: 'Of Mice & Men'
Nobel Prize winning author John Steinbeck, one of the greatest American writers of the twentieth century, offers a powerful but tragic tale in "Of Mice and Men". 'Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place'. George and his large, simple-minded friend Lennie are drifters, following wherever work leads them. Arriving in California's Salinas Valley, they get work on a ranch. If they can just stay out of trouble, George promises Lennie, then one day they might be able to get some land of their own and settle down some place. But kind-hearted, childlike Lennie is a victim of his own strength. Seen by others as a threat, he finds it impossible to control his emotions. And one day not even George will be able to save him from trouble. "Of Mice and Men" is a tragic and moving story of friendship, loneliness and the dispossessed. "A thriller, a gripping tale that you will not set down until it is finished. Steinbeck has touched the quick". ("New York Times"). Nobel Prize-winning author John Steinbeck is remembered as one of the greatest and best-loved American writers of the twentieth century. His complete works are published by Penguin and include "Cannery Row", "The Pearl", "The Winter of Our Discontent" and "The Grapes of Wrath". [via]
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› Find signed collectible books: 'Of Mice and Men'
They are an unlikely pair: George is "small and quick and dark of face"; Lennie, a man of tremendous size, has the mind of a young child. Yet they have formed a "family," clinging together in the face of lonelinss and alienation. Laborers in California's dusty vegetable fields, they hustle work when they can, living a hand-to-mouth existence. For George and Lennie have a plan: to own an acre of land and a shack they can call their own. When they land jobs on a ranch in the Salinas Valley, the fulfillment of their dream seems to be within their grasp. But even George cannot guard Lennie from the provocations of a flirtatious woman, nor predict the consequences of Lennie's unswerving obedience to the things George taught him. "A thriller, a gripping tale . . . that you will not set down until it is finished. Steinbeck has touched the quick." - The New York Times [via]
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› Find signed collectible books: 'Of Mice and Men/Notes'
Cliffs Test Preparation Guides help students prepare for and improve their performance on standardized tests ACT Preparation Guide CBEST Preparation Guide CLAST Preparation Guide ELM Review GMAT Preparation Guide GRE Preparation Guide LSAT Preparation Guide MAT Preparation Guide MATH Review for Standardized Tests MSAT Preparation Guide Memory Power for Exams Police Officer Examination Preparation Guide Police Sergeant Examination Preparation Guide Police Management Examinations Preparation Guide Postal Examinations Preparation Guide Praxis I: PPST Preparation Guide Praxis II: NTE Core Battery Preparation Guide SAT Preparation Guide SAT II Writing Preparation Guide TASP Preparation Guide TOEFL Preparation Guide with 2 cassettes Advanced Practice for the TOEFL with 2 cassettes Verbal Review for Standardized Tests Writing Proficiency Examinations You Can Pass the GED Cliffs Quick Reviews help students in introductory college courses or Advanced Placement classes Algebra I Algebra II Anatomy & Physiology Basic Math and Pre-Algebra Biology Calculus Chemistry Differential Equations Economics Geometry Linear Algebra Microbiology Physics Statistics Trigonometry Cliffs Advanced Placement Preparation Guides help high school students taking Advanced Placement courses to earn college credit AP Biology AP Calculus AB AP Chemistry AP English Language & Composition AP English Literature & Composition AP United States History Cliffs Complete Study Editions are comprehensive study guides with complete text, running commentary and glossary Chaucer's Prologue Chaucer's Wife of Bath Hamlet Julius Caesar King Henry IV, Part I King Lear Macbeth The Merchant of Venice Othello Romeo and Juliet The Tempest Twelfth Night See inside back cover for listing of Cliffs Notes titles Registered trademarks include: GRE, MSAT, the Praxis Series, and TOEFL (Educational Testing Service) [via]
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› Find signed collectible books: 'Out Of The Dust'
Like the Oklahoma dust bowl from which she came, 14-year-old narrator Billie Jo writes in sparse, free-floating verse. In this compelling, immediate journal, Billie Jo reveals the grim domestic realities of living during the years of constant dust storms: That hopes--like the crops--blow away in the night like skittering tumbleweeds. That trucks, tractors, even Billie Jo's beloved piano, can suddenly be buried beneath drifts of dust. Perhaps swallowing all that grit is what gives Billie Jo--our strong, endearing, rough-cut heroine--the stoic courage to face the death of her mother after a hideous accident that also leaves her piano-playing hands in pain and permanently scarred.
Meanwhile, Billie Jo's silent, windblown father is literally decaying with grief and skin cancer before her very eyes. When she decides to flee the lingering ghosts and dust of her homestead and jump a train west, she discovers a simple but profound truth about herself and her plight. There are no tight, sentimental endings here--just a steady ember of hope that brightens Karen Hesse's exquisitely written and mournful tale. Hesse won the 1998 Newbery Award for this elegantly crafted, gut-wrenching novel, and her fans won't want to miss The Music of Dolphins or Letters from Rifka. (Ages 9 and older) --Gail Hudson [via]
› Find signed collectible books: 'Seabiscuit: Library Edition'
He didn't look like much. With his smallish stature, knobby knees, and slightly crooked forelegs, he looked more like a cow pony than a thoroughbred. But looks aren't everything; his quality, an admirer once wrote, "was mostly in his heart." Laura Hillenbrand tells the story of the horse who became a cultural icon in Seabiscuit: An American Legend.
Seabiscuit rose to prominence with the help of an unlikely triumvirate: owner Charles Howard, an automobile baron who once declared that "the day of the horse is past"; trainer Tom Smith, a man who "had cultivated an almost mystical communication with horses"; and jockey Red Pollard, who was down on his luck when he charmed a then-surly horse with his calm demeanor and a sugar cube. Hillenbrand details the ups and downs of "team Seabiscuit," from early training sessions to record-breaking victories, and from serious injury to "Horse of the Year"--as well as the Biscuit's fabled rivalry with War Admiral. She also describes the world of horseracing in the 1930s, from the snobbery of Eastern journalists regarding Western horses and public fascination with the great thoroughbreds to the jockeys' torturous weight-loss regimens, including saunas in rubber suits, strong purgatives, even tapeworms.
Along the way, Hillenbrand paints wonderful images: tears in Tom Smith's eyes as his hero, legendary trainer James Fitzsimmons, asked to hold Seabiscuit's bridle while the horse was saddled; critically injured Red Pollard, whose chest was crushed in a racing accident a few weeks before, listening to the San Antonio Handicap from his hospital bed, cheering "Get going, Biscuit! Get 'em, you old devil!"; Seabiscuit happily posing for photographers for several minutes on end; other horses refusing to work out with Seabiscuit because he teased and taunted them with his blistering speed.
Though sometimes her prose takes on a distinctly purple hue ("His history had the ethereal quality of hoofprints in windblown snow"; "The California sunlight had the pewter cast of a declining season"), Hillenbrand has crafted a delightful book. Wire to wire, Seabiscuit is a winner. Highly recommended. --Sunny Delaney [via]
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› Find signed collectible books: 'Seabiscuit: An American Legend'
He didn't look like much. With his smallish stature, knobby knees, and slightly crooked forelegs, he looked more like a cow pony than a thoroughbred. But looks aren't everything; his quality, an admirer once wrote, "was mostly in his heart." Laura Hillenbrand tells the story of the horse who became a cultural icon in Seabiscuit: An American Legend.
Seabiscuit rose to prominence with the help of an unlikely triumvirate: owner Charles Howard, an automobile baron who once declared that "the day of the horse is past"; trainer Tom Smith, a man who "had cultivated an almost mystical communication with horses"; and jockey Red Pollard, who was down on his luck when he charmed a then-surly horse with his calm demeanor and a sugar cube. Hillenbrand details the ups and downs of "team Seabiscuit," from early training sessions to record-breaking victories, and from serious injury to "Horse of the Year"--as well as the Biscuit's fabled rivalry with War Admiral. She also describes the world of horseracing in the 1930s, from the snobbery of Eastern journalists regarding Western horses and public fascination with the great thoroughbreds to the jockeys' torturous weight-loss regimens, including saunas in rubber suits, strong purgatives, even tapeworms.
Along the way, Hillenbrand paints wonderful images: tears in Tom Smith's eyes as his hero, legendary trainer James Fitzsimmons, asked to hold Seabiscuit's bridle while the horse was saddled; critically injured Red Pollard, whose chest was crushed in a racing accident a few weeks before, listening to the San Antonio Handicap from his hospital bed, cheering "Get going, Biscuit! Get 'em, you old devil!"; Seabiscuit happily posing for photographers for several minutes on end; other horses refusing to work out with Seabiscuit because he teased and taunted them with his blistering speed.
Though sometimes her prose takes on a distinctly purple hue ("His history had the ethereal quality of hoofprints in windblown snow"; "The California sunlight had the pewter cast of a declining season"), Hillenbrand has crafted a delightful book. Wire to wire, Seabiscuit is a winner. Highly recommended. --Sunny Delaney [via]
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› Find signed collectible books: 'Steinbeck Novels and Stories 1932-1937'
For the first time in one volume, the early California writings of one of America's greatest novelists have been collected, including the seminal works, Tortilla Flat and Of Mice and Men, tracing his early growth and evolution. 20,000 first printing. [via]
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› Find signed collectible books: 'Voices of Protest: Huey Long, Father Couglin and the Great Depression'
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› Find signed collectible books: 'Water for Elephants: Library Edition'
Jacob Jankowski says: "I am ninety. Or ninety-three. One or the other." At the beginning of Water for Elephants, he is living out his days in a nursing home, hating every second of it. His life wasn't always like this, however, because Jacob ran away and joined the circus when he was twenty-one. It wasn't a romantic, carefree decision, to be sure. His parents were killed in an auto accident one week before he was to sit for his veterinary medicine exams at Cornell. He buried his parents, learned that they left him nothing because they had mortgaged everything to pay his tuition, returned to school, went to the exams, and didn't write a single word. He walked out without completing the test and wound up on a circus train. The circus he joins, in Depression-era America, is second-rate at best. With Ringling Brothers as the standard, Benzini Brothers is far down the scale and pale by comparison.
Water for Elephants is the story of Jacob's life with this circus. Sara Gruen spares no detail in chronicling the squalid, filthy, brutish circumstances in which he finds himself. The animals are mangy, underfed or fed rotten food, and abused. Jacob, once it becomes known that he has veterinary skills, is put in charge of the "menagerie" and all its ills. Uncle Al, the circus impresario, is a self-serving, venal creep who slaps people around because he can. August, the animal trainer, is a certified paranoid schizophrenic whose occasional flights into madness and brutality often have Jacob as their object. Jacob is the only person in the book who has a handle on a moral compass and as his reward he spends most of the novel beaten, broken, concussed, bleeding, swollen and hungover. He is the self-appointed Protector of the Downtrodden, and... he falls in love with Marlena, crazy August's wife. Not his best idea.
The most interesting aspect of the book is all the circus lore that Gruen has so carefully researched. She has all the right vocabulary: grifters, roustabouts, workers, cooch tent, rubes, First of May, what the band plays when there's trouble, Jamaican ginger paralysis, life on a circus train, set-up and take-down, being run out of town by the "revenooers" or the cops, and losing all your hooch. There is one glorious passage about Marlena and Rosie, the bull elephant, that truly evokes the magic a circus can create. It is easy to see Marlena's and Rosie's pink sequins under the Big Top and to imagine their perfect choreography as they perform unbelievable stunts. The crowd loves it--and so will the reader. The ending is absolutely ludicrous and really quite lovely. --Valerie Ryan [via]
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› Find signed collectible books: 'The Worst Hard Time: The Untold Story of Those Who Survived the Great American Dust Bowl'
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› Find signed collectible books: 'The Worst Hard Time: The Untold Story of Those Who Survived the Great American Dust Bowl'
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› Find signed collectible books: 'Las Uvas De LA Ira'
Las uvas de la ira es un hito en la literatura norteamericana que explora el conflicto entre ricos y pobres, analiza la reacción feroz de un hombre contra la injusticia y el estoicismo de una mujer igualmente heróica, y refleja los horrores de la Gran Depresión. Aunque sigue la migración de miles personas del Dust Bowl, Las uvas de la ira se enfoca en la historia de una familia de Oklahoma, los Joads, echados de su hogar y forzados a viajar rumbo a esa Tierra Prometida que era por ese entoncesy que de algun modo sigue siendoCalifornia. De sus desventurasen un país dividido surge un drama sobre la dignidad humana, a un tiempo trágico y majestuoso en su grandeza su valentía moral.
Publicada por primera vez en 1939, la novela reflejó su época como Uncle Tom's Cabin reflejó los años antes de la Guerra Civil norteamericana. John Steinbeck, un escritor que simpatizaba con la crítica fascista y comunista, insistió en que la versión integral del "Himno de batalla de la República" fuese impresa en la primera edición del libro, que adopta en su título unas palabras del primer verso: "Está pisoteando la vendimia donde se conservan las uvas de la ira." La crónica de Steinbeck sobre el avergonzante maltrato de las clases sociales de los años treinta es tal vez el más "americano" de todos los clásicos norteamericanos.
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› Find signed collectible books: 'Las Uvas De La Ira/ the Grapes of Wrath'
Las uvas de la ira es un hito en la literatura norteamericana que explora el conflicto entre ricos y pobres, analiza la reacción feroz de un hombre contra la injusticia y el estoicismo de una mujer igualmente heróica, y refleja los horrores de la Gran Depresión. Aunque sigue la migración de miles personas del Dust Bowl, Las uvas de la ira se enfoca en la historia de una familia de Oklahoma, los Joads, echados de su hogar y forzados a viajar rumbo a esa Tierra Prometida que era por ese entoncesy que de algun modo sigue siendoCalifornia. De sus desventurasen un país dividido surge un drama sobre la dignidad humana, a un tiempo trágico y majestuoso en su grandeza su valentía moral.
Publicada por primera vez en 1939, la novela reflejó su época como Uncle Tom's Cabin reflejó los años antes de la Guerra Civil norteamericana. John Steinbeck, un escritor que simpatizaba con la crítica fascista y comunista, insistió en que la versión integral del "Himno de batalla de la República" fuese impresa en la primera edición del libro, que adopta en su título unas palabras del primer verso: "Está pisoteando la vendimia donde se conservan las uvas de la ira." La crónica de Steinbeck sobre el avergonzante maltrato de las clases sociales de los años treinta es tal vez el más "americano" de todos los clásicos norteamericanos.
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