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› Find signed collectible books: 'The Adventures of Ferdinand Count Fathom'
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› Find signed collectible books: 'Albion's Story'
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› Find signed collectible books: 'The Answer Is Yes'
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› Find signed collectible books: 'As I Crossed a Bridge of Dreams: Recollections of a Woman in Eleventh-Century Japan'
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› Find signed collectible books: 'At End of Day'
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› Find signed collectible books: 'Best New American Voices 2006'
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› Find signed collectible books: 'The Best of Bad Hemingway'
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› Find signed collectible books: 'Eminent Victorians'
The four biographical essays that make up Eminent Victorians created something of a stir when they were first published in the spring of 1918, bringing their author instant fame. In his flamboyant collection, Lytton Strachey chose to stray far from the traditional mode of biography: "Those two fat volumes, with which it is our custom to commemorate the dead--who does not know them, with their ill-digested masses of material, their slipshod style, their tone of tedious panegyric, their lamentable lack of selection, of detachment, of design?" Instead he provided impressionistic but acute (and, some said, skewed) portraits. Rarely does Strachey explore the details of a subject's daily or family life unless they point directly to an issue of character. In short, he pioneered a deeply sardonic and often scathingly funny biographical style.
None of Strachey's Victorians emerge unscathed. In his hands, Florence Nightingale is not a gentle archangel descended from heaven to minister sweetly to wounded soldiers, but rather an exacting, dictatorial, and judgmental crusader. Her "pen, in the virulence of its volubility, would rush ... to the denunciation of an incompetent surgeon or the ridicule of a self-sufficient nurse. Her sarcasm searched the ranks of the officials with the deadly and unsparing precision of a machine-gun. Her nicknames were terrible. She respected no one." Dr. Thomas Arnold, the man appointed to revamp the very private British public school system, fares little better: in Strachey's acid ink, he became "the founder of the worship of athletics and the worship of good form." In this same vain, military hero General Gordon is portrayed as a temperamental, irascible hermit, occasionally drunk and often found in the company of young boys--a man who tended to forget and forgo the tenets found in the Bible he kept with him always. And the powerful and popular Cardinal Manning, who came within a hair's breadth of succeeding Pope Pius IX, belonged, Strachey writes, "to that class of eminent ecclesiastics ... who have been distinguished less for saintliness and learning than for practical ability."
As he offered up indelible sketches of his less-than-fab four, Strachey was intent on critiquing established mores. This effortlessly superior wit knew full well that deep convictions and good deeds often go hand in hand with hypocrisy, arrogance, and egomania. His task was to pique those who pretended they did not. --Jordana Moskowitz [via]
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› Find signed collectible books: 'Eminent Victorians: Florence Nightingale, General Gordon, Cardinal Manning, Dr. Arnold'
The four biographical essays that make up Eminent Victorians created something of a stir when they were first published in the spring of 1918, bringing their author instant fame. In his flamboyant collection, Lytton Strachey chose to stray far from the traditional mode of biography: "Those two fat volumes, with which it is our custom to commemorate the dead--who does not know them, with their ill-digested masses of material, their slipshod style, their tone of tedious panegyric, their lamentable lack of selection, of detachment, of design?" Instead he provided impressionistic but acute (and, some said, skewed) portraits. Rarely does Strachey explore the details of a subject's daily or family life unless they point directly to an issue of character. In short, he pioneered a deeply sardonic and often scathingly funny biographical style.
None of Strachey's Victorians emerge unscathed. In his hands, Florence Nightingale is not a gentle archangel descended from heaven to minister sweetly to wounded soldiers, but rather an exacting, dictatorial, and judgmental crusader. Her "pen, in the virulence of its volubility, would rush ... to the denunciation of an incompetent surgeon or the ridicule of a self-sufficient nurse. Her sarcasm searched the ranks of the officials with the deadly and unsparing precision of a machine-gun. Her nicknames were terrible. She respected no one." Dr. Thomas Arnold, the man appointed to revamp the very private British public school system, fares little better: in Strachey's acid ink, he became "the founder of the worship of athletics and the worship of good form." In this same vain, military hero General Gordon is portrayed as a temperamental, irascible hermit, occasionally drunk and often found in the company of young boys--a man who tended to forget and forgo the tenets found in the Bible he kept with him always. And the powerful and popular Cardinal Manning, who came within a hair's breadth of succeeding Pope Pius IX, belonged, Strachey writes, "to that class of eminent ecclesiastics ... who have been distinguished less for saintliness and learning than for practical ability."
As he offered up indelible sketches of his less-than-fab four, Strachey was intent on critiquing established mores. This effortlessly superior wit knew full well that deep convictions and good deeds often go hand in hand with hypocrisy, arrogance, and egomania. His task was to pique those who pretended they did not. --Jordana Moskowitz [via]
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› Find signed collectible books: 'Exposure'
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› Find signed collectible books: 'The Fortunes of Casanova'
Rafael Sabatini was one of the greatest writers of historical adventure fiction who ever lived. The master of the swashbuckling tale, he penned such runaway bestsellers as Scaramouche and Captain Blood. Indeed, Scaramouche was made into one of the most successful adventure films of that era, surpassed only by another Sabatini novel, The Sea Hawk, which sold over a million copies and led to a celebrated film starring Errol Flynn.
Sabatini was also a prolific author of short stories, and this volume contains 20 of his best. Full of pace, incident, and plot, these tales range in time from the 16th to the 18th centuries, and they conjure up a wonderful cast of rogues, vagabonds, shyster lawyers, cutpurses, quacks, and conmen. The heart of the book is a series of stories featuring Casanova, the libertine, swordsman, and wit. Sabatini takes nine colorful exploits from Casanova's notorious Memoirs and retells them with his characteristic gusto. And in addition to the stories, Jack Adrian provides an informative introduction that outlines Sabatini's life and offers an enlightening discussion of the genre of historical fiction.
"No writer, not Scott nor Dumas nor Stevenson, has brought the past to life more vividly," observes George MacDonald Fraser in the foreword. Whether set in Italy during the Renaissance or France during the Terror, these tales do indeed bring the past to glorious life, paying meticulous attention to historical detail even as they abound in surprising turns, witty dialogue, and breathtaking adventure. [via]
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› Find signed collectible books: 'The Golden Treasury: Of the Best Songs & Lyrical Poems in the English Language'
In the 1860s, Francis Turner Palgrave set out to collect the finest English lyrical poems in one volume. What he created was The Golden Treasury, an instant classic of verse anthologies. Over the last century, it has withstood the test of time as an immensely popular collection--becoming virtually synonymous with English verse for generations of readers.
Now available in a new edition for the first time in thirty years, The Golden Treasury is as delightful as ever, offering old classics together with the finest works of our own time. Here you can find priceless gems by Shakespeare, Byron, Tennyson, Yeats, and other immortal lights of literature. This new edition also serves as a map to the changing landscape of today's British verse, presenting outstanding poetry by both famous and lesser-known writers of Ireland and Great Britain: Seamus Heaney, Sylvia Plath, Fleur Adcock, Carol Ann Duffy, Douglas Dunn, Gavin Ewart, Tony Harrison, Elizabeth Jennings, Derek Mahon, Peter Porter, Carol Rumens, Anne Stevenson, and Hugo Williams, among others. Editor John Press is himself an accomplished poet and translator, and he has taken care to preserve the spirit of the original Golden Treasury. The result is a marvelous collection of British verse--a source of unexpected delights and old favorites alike. [via]
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› Find signed collectible books: 'The Gypsy Man'
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› Find signed collectible books: 'Heart Earth'
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› Find signed collectible books: 'His Lovely Wife'
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› Find signed collectible books: 'Hot Gates and Other Occasional Pieces'
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› Find signed collectible books: 'I Am Snowing : The Confessions of a Woman of Prague'
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› Find signed collectible books: 'Jass'
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› Find signed collectible books: 'King Henry IV'
This updated edition offers a strongly theatrical perspective on the origins of Shakespeare's The First Part of King Henry IV and the history of its interpretation. The introduction clarifies the play's surprising, de-centred dramatic structure, questioning the dominant assumption that the drama focuses on the education of Prince Hal. It calls attention to the effects of civil war upon a broad range of relationships. Falstaff's unpredictable vitality is explored, together with important contemporary values of honour, friendship, festivity and reformation. Extensive lexical glosses of obscure, ambiguous or archaic meanings make the rich wordplay accessible. The notes also provide a thorough commentary on Shakespeare's transformation of his sources (particularly Holinshed's Chronicles) and suggest alternative stagings. This updated edition contains a new introductory section by Katharine A. Craik, which describes recent stage, film and critical interpretations, and an updated reading list. [via]
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› Find signed collectible books: 'King Henry VI'
This edition celebrates "King Henry VI Part 2" as one of the most exciting and dynamic plays of the English renaissance theatre, with its exploration of power politics and social revolution and its focus on the relationship between divine justice and sin. An extensive discussion of performance history traces the play's progress on stage from abridgement and adaptation to full historical epic. A survey of criticism discusses the wide range of responses provoked by the play's handling of its historical theme, and concludes by focusing on the element of burlesque in the attempted social revolution portrayed. [via]
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› Find signed collectible books: 'Last Call For Blackford Oakes'
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› Find signed collectible books: 'A Late Divorce'
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› Find signed collectible books: 'Loon Feather'
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› Find signed collectible books: 'Maigret and the Black Sheep'
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› Find signed collectible books: 'Maigret and the Calame Report'
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› Find signed collectible books: 'Maigret and the Reluctant Witness'
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› Find signed collectible books: 'Maigret Bides His Time'
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› Find signed collectible books: 'Maigret's Christmas: Nine Stories'
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› Find signed collectible books: 'Mama's Bank Account'
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› Find signed collectible books: 'Microworlds'
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› Find signed collectible books: 'Miss Macintosh, My Darling'
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› Find signed collectible books: 'Moving House and Other Stories'
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› Find signed collectible books: 'My Grandma Lived in Gooligulch'
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› Find signed collectible books: 'Nebula Awards Showcase 2000 : The Year's Best SF and Fantasy Chosen by the Science-Fiction and Fantasy Writers of America'
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› Find signed collectible books: 'The New Oxford Book of English Prose'
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› Find signed collectible books: 'Novel'
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› Find signed collectible books: 'The Oxford Book of Essays'
When Montaigne developed the essay in the sixteenth century, he could not have imagined the power and longevity of his creation. "He did not set up for a philosopher, wit, orator, or moralist," wrote Hazlitt, "but he became all these by merely daring to tell us whatever passed through his mind." Ever since, writers have seized upon his example, and for over four hundred years we have encountered astonishing insights and breathtaking language by following what has passed through their minds, as recounted in the essay. And now some of the finest essays of all time have been gathered together by John Gross, former editor of The New York Times Book Review, in an outstanding new anthology.
Ranging from the early 1600s through the 1980s, this sweeping collection includes 140 essays by 120 of the finest writers in the history of the English language. John Gross has collected classics and rare gems, representative samples and personal favorites, intimate essays and learned, serious reflections and hysterically funny satire, by both British and American writers. Here is Eveleyn Waugh, providing tips on how to move in Well-Informed Circles ("Attribute all facts of common knowledge to personal information; for instance, do not say, 'What a wet week it has been,' but, 'They tell me at Greenwich they have registered the highest rainfall for six weeks'"); Ralph Waldo Emerson on conservatism and innovation; Ambrose Bierce on "the horror of the characteristic American custom of promiscuous, unsought, and unauthorized introductions"; Oscar Wilde on the critic as artist ("It is only about things that do not interest one that one can give a really unbiased opion, which is no doubt the reason why an unbiased opinion is always absolutely valueless"); Rose Macaulay on dinner parties; and James Baldwin, musing about what a remote Swiss village tells him about race in the wider world ("Joyce is right about history being a nightmare--but it may be the nightmare from which no one can awaken. People are trapped in history, and history is trapped in them.").
The authors Gross has gathered form a gallery of genius, all indispensable masters of rhetoric, from Samuel Butler to Samuel Johnson, from John Dryden to Ben Franklin, from Geoge Eliot to George Bernard Shaw, from E.B. White to Joan Didion. Including book reviews and travel sketches, history lessons and meditations, reflections on art and on potato chips, these essays sample four centuries of eloquence and insight in a collection that is at once immensely enlightening, edifying, and entertaining. [via]
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› Find signed collectible books: 'The Oxford Book of Scottish Short Stories'
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› Find signed collectible books: 'The Oxford Companion to the English Language'
Language is the life blood of a culture, and to be interested in culture is in some sense to be interested in language, in the shapes and sounds of words, in the history of reading, writing, and speech, in the endless variety of dialects and slangs, in the incessant creativity of the human mind as it reaches out to others. It is surprising then that until now there has been no major one-volume reference devoted to the most widely dispersed and influential language of our time: the English language.
A language-lover's dream, The Oxford Companion to the English Language is a thousand-page cornucopia covering virtually every aspect of the English language as well as language in general. The range of topics is remarkable, offering a goldmine of information on writing and speech (including entries on grammar, literary terms, linguistics, rhetoric, and style) as well as on such wider issues as sexist language, bilingual education, child language acquisition, and the history of English. There are biographies of Shakespeare, Noah Webster, Noam Chomsky, James Joyce, and many others who have influenced the shape or study of the language; extended articles on everything from psycholinguistics to sign language to tragedy; coverage of every nation in which a significant part of the population speaks English as well as virtually every regional dialect and pidgin (from Gullah and Scouse to Cockney and Tok Pisin). In addition, the Companion provides bibliographies for the larger entries, generous cross-referencing, etymologies for headwords, a chronology of English from Roman times to 1990, and an index of people who appear in entries or bibliographies. And like all Oxford Companions, this volume is packed with delightful surprises. We learn, for instance, that the first Professor of Rhetoric at Harvard later became President (John Quincy Adams); that "slogan" originally meant "war cry"; that the keyboard arrangement QWERTY became popular not because it was efficient but the opposite (it slows down the fingers and keeps them from jamming the keys); that "mbenzi" is Swahili for "rich person" (i.e., one who owns a Mercedes Benz); and that in Scotland, "to dree yir ain weird" means "to follow your own star."
From Scrabble to Websters to TESOL to Gibraltar, the thirty-five hundred entries here offer more information on a wider variety of topics than any other reference on the English language. Featuring the work of nearly a hundred scholars from around the world, this unique volume is the ideal shelf-mate to The Oxford Companion to English Literature. It will captivate everyone who loves language. [via]
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› Find signed collectible books: 'The Oxford Illustrated Jane Austen'
"R.W. Chapman's fine new edition has, among its other merits, the advantage of waking the Jane Austenite up.... The novels continue to live their own wonderful internal life...freshened and enriched by contact with the life of facts. His illustrations are beyond all praise."--E.M. Forster, Abinger Harvest.
This beautiful set provides the definitive text of Austen's six great comic masterpieces and her minor works (the latter include three high-spirited efforts written at about age fifteen; a charming fragment, The Watsons, which has been thought to be a sketch for Emma; and a tantalizing fragment, Sanditon, written in the last year of her life). All six volumes feature splendid early 19th-century illustrations as well as Chapman's detailed explanatory notes. Chapman has collated all the editions published in the author's lifetime and previously unpublished manuscripts, establishing an authoritative text that retains the punctuation, the spelling, and division into volumes of the originals. In addition, at the end of each work he supplies notes on textual matters and appendixes on such matters as the modes of address, or characters, or carriages and travel, as these seem warranted by the text. Additional changes have been incorporated by Mary Lascelles. [via]
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› Find signed collectible books: 'Pig'
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› Find signed collectible books: 'The Same Sea'
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› Find signed collectible books: 'Samuel Johnson'
This edition presents not only familiar pieces like Rasselas, "The Vanity of Human Wishes," the Prefaces to Shakespeare and the Dictionary, many Rambler and Idler essays, and biographical and critical works, but also a substantial sampling of lesserknown prose, poetry, letters, and journals. [via]
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› Find signed collectible books: 'Season in Purgatory'
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› Find signed collectible books: 'The Stones Cry Out'
Hikaru Okuizumi's The Stones Cry Out traces 20-odd years in the life of World War II veteran Tsuyoshi Manase, a timid bookseller and amateur geologist who struggles to suppress a troubled conscience. More novella than novel, this brief but keenly realized story--for which Okuizumi won the Akutagawa Prize, one of Japan's highest literary awards--is a stark, disturbing, but ultimately redemptive meditation on remembrance and mortality.
At the novel's outset, Manase, weakened by malaria and hunger, finds himself languishing in a jungle cave with other hapless soldiers, many of whom are near death. The scene is hellish, fuel for future nightmares. "Even the most ordinary pebble has the history of this heavenly body we call earth written on it," a faltering lance corporal explains, a cryptic and riveting truth that sustains Manase and that he spends the rest of the novel attempting to unravel. When the war ends--and with the corporal's words still lingering--he opens a bookstore and then devotes himself to collecting stones. This obsession puzzles the woman he marries but becomes his only means of mooring a war-shadowed life.
Throughout, like some mute audience, is his immense and patiently gathered stone collection, evidence of Manase's desire for order and his need to understand something more enduring than his own passing life. The Stones Cry Out is a heartbreaking and harrowing tale, one whose most remarkable achievement is that, like the stones of its title, it reveals something greater than itself. --Ben Guterson [via]
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› Find signed collectible books: 'Story and Structure'
› Find signed collectible books: 'Strange Fruit'
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› Find signed collectible books: 'A Survey of French Literature.'
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› Find signed collectible books: 'Survey of French Literature of the Nineteenth Century'
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› Find signed collectible books: 'Taller Women : A Cautionary Tale'
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› Find signed collectible books: 'The Task Of This Translator: Stories'
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› Find signed collectible books: 'Uncle Boris in the Yukon and Other Shaggy Dog Stories'
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› Find signed collectible books: 'Unto Death: Crusade/Late Love'
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› Find signed collectible books: 'Victorian Love Stories'
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› Find signed collectible books: 'The Voyage'
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› Find signed collectible books: 'The White Dawn: An Eskimo Saga'
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