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› Find signed collectible books: 'Anticlimax: A Feminist Perspective on the Sexual Revolution'
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› Find signed collectible books: 'Articles of Faith: A Frontline History of the Abortion Wars'
Ed McAteer died on 10/6/2004 = This is the story behind the launching of the Religious Right , the one man who spearheaded the mobilization of Christians behind Ronald Reagan, the founder of the Religious Roundtable, and a friend of Israel. [via]
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› Find signed collectible books: 'Aurora Leigh, and Other Poems'
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› Find signed collectible books: 'The Barbie Chronicles'
A THOROUGHLY GROWN-UP LOOK AT A TWENTIETH-CENTURY MUSE OF OUTSTANDING PROPORTIONS
To some she's a collectible, to others she's trash. In The Barbie Chronicles, twenty-three writers join together to scrutinize Barbie's forty years of hateful, lovely disastrous, glorious influence on us all. No other tiny shoulders have ever, had to carry the weight of such affection and derision and no other book has ever paid this notorious little place of plastic her due. Whether you adore her or abhor her, The Barbie Chronicles will have you looking at her in ways you never imagined. [via]
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› Find signed collectible books: 'Bluest Eye'
Oprah Book Club® Selection, April 2000: Originally published in 1970, The Bluest Eye is Toni Morrison's first novel. In an afterword written more than two decades later, the author expressed her dissatisfaction with the book's language and structure: "It required a sophistication unavailable to me." Perhaps we can chalk up this verdict to modesty, or to the Nobel laureate's impossibly high standards of quality control. In any case, her debut is nothing if not sophisticated, in terms of both narrative ingenuity and rhetorical sweep. It also shows the young author drawing a bead on the subjects that would dominate much of her career: racial hatred, historical memory, and the dazzling or degrading power of language itself.
Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear:
You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.... And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it.There are far uglier things in the world than, well, ugliness, and poor Pecola is subjected to most of them. She's spat upon, ridiculed, and ultimately raped and impregnated by her own father. No wonder she yearns to be the very opposite of what she is--yearns, in other words, to be a white child, possessed of the blondest hair and the bluest eye.
This vein of self-hatred is exactly what keeps Morrison's novel from devolving into a cut-and-dried scenario of victimization. She may in fact pin too much of the blame on the beauty myth: "Along with the idea of romantic love, she was introduced to another--physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." Yet the destructive power of these ideas is essentially colorblind, which gives The Bluest Eye the sort of universal reach that Morrison's imitators can only dream of. And that, combined with the novel's modulated pathos and musical, fine-grained language, makes for not merely a sophisticated debut but a permanent one. --James Marcus [via]

› Find signed collectible books: 'Century of Struggle : The Woman's Rights Movement in the United States'
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› Find signed collectible books: 'Century of Struggle: The Woman's Rights Movement in the United States'
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› Find signed collectible books: '"Coming to Writing" and Other Essays'
Of Helene Cixous's many and diverse writings, few have been translated into English. This collection presents six essays by one of France's most remarkable contemporary authors. Cixous is known for her work on sexual difference and its relations to literary text. Here she explores the problematics of a "feminine" mode of writing, basing her method on the premise that differences between the sexes - viewed as a paragdigm for all difference, which is the organizing principle behind identity and meaning - manifest themselves, write themselves, in texts. "Tancredi Continues" and "The Last Painting or the Portrait of God" question the enigma of sexual difference and the origins of writing through artistic practices analogous to writing (music and painting). The title essay explores Cixous's decision to become an author and the problems raised by a woman's writing herself into history and into a particular literary and cultural tradition. The remaining essays examine another aspect of her work: her ongoing dialogue with the Brazilian writer Clarice Lispector. "By the light of an Apple" and "Clarice Lispector: The Approach" are celebrations of Cixous's Brazilian contemporary. In "The Author in Truth" Cixous quotes passages from Lispector and discusses them in detail, providing a sense of why Lispector has assumed such importance in her life. This volume aims to be of interest not only to scholars who are engaged in the task of understanding Cixous as writer and theorist but to all readers seeking a unique and exciting voice. [via]
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› Find signed collectible books: 'A Critique of Postcolonial Reason: Toward a History of the Vanishing Present'
Are the "culture wars" over? When did they begin? What is their relationship to gender struggle and the dynamics of class? In her first full treatment of postcolonial studies, a field that she helped define, Gayatri Chakravorty Spivak, one of the world's foremost literary theorists, poses these questions from within the postcolonial enclave.
"We cannot merely continue to act out the part of Caliban," Spivak writes; and her book is an attempt to understand and describe a more responsible role for the postcolonial critic. A Critique of Postcolonial Reason tracks the figure of the "native informant" through various cultural practices--philosophy, history, literature--to suggest that it emerges as the metropolitan hybrid. The book addresses feminists, philosophers, critics, and interventionist intellectuals, as they unite and divide. It ranges from Kant's analytic of the sublime to child labor in Bangladesh. Throughout, the notion of a Third World interloper as the pure victim of a colonialist oppressor emerges as sharply suspect: the mud we sling at certain seemingly overbearing ancestors such as Marx and Kant may be the very ground we stand on.
A major critical work, Spivak's book redefines and repositions the postcolonial critic, leading her through transnational cultural studies into considerations of globality.
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› Find signed collectible books: 'Doing Feminist Research'
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› Find signed collectible books: 'For the Record: The Making and Meaning of Feminist Knowledge'
softcover book [via]
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› Find signed collectible books: 'Gender Outlaw: On Men, Women and the Rest of Us'
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› Find signed collectible books: 'A History of Women in the West: From Ancient Goddesses to Christian Saints'
Informed by the work of seventy-five distinguished historians, this five-volume series sets before us an engaging, panoramic chronicle that extends from antiquity to the present day.
The inaugural volume brings women from the margins of ancient history into the fore. It offers fresh insight into more than twenty centuries of Greek and Roman history and encompasses a landscape that stretches from the North Sea to the Mediterranean and from the Pillars of Hercules to the banks of the Indus. The authors draw upon a wide range of sources including gravestones, floor plans, papyrus rolls, vase paintings, and literary works to illustrate how representations of women evolved during this age. They journey into the minds of men and bring to light an imaginative history of women and of the relations between the sexes. [via]
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› Find signed collectible books: 'In Our Own Hands : A Book of Self-Help Therapy'
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› Find signed collectible books: 'In The Hand Of The Goddess'
"I don't want to fall in love.
I just want to be a warrior maiden."
Still disguised as a boy, Alanna becomes a squire to none other than the prince of the realm. Prince Jonathan is not only Alanna's liege lord, he is also her best friend -- and one of the few who knows the secret of her true identity. And when the Prince's life is threatened by a mysterious sorcerer, it will take all of Alanna's skill, strength, and magical power to protect him -- even at the risk of revealing who she really is....
Filled with swords and sorcery, adventure and intrigue, good and evil, Alanna's second adventure continues the saga of a girl who dares to follow her dreams -- and the magical destiny that will make her a legend in her land. [via]
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› Find signed collectible books: 'Incidents in the Life of a Slave Girl'
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› Find signed collectible books: 'Incidents in the Life of a Slave Girl Written by Herself'
THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION.
This enlarged edition of the most significant and celebrated slave narrative now completes the Jacobs family saga, surely one of the most memorable in all of American history. John Jacobs's short slave narrative, A True Tale of Slavery, published in London in 1861, adds a brother's perspective to Harriet Jacobs's own autobiography. It is an exciting addition to this now classic work, as John Jacobs presents additional historical information about family life so well described already by his sister. Importantly, it presents the people, places, and events Harriet Jacobs wrote about from the different perspective of a male narrator. Once more, Jean Yellin, who discovered this long-lost document, supplies annotation and authentication. She has also brought her Introduction up to date.
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› Find signed collectible books: 'Incidents in the Life of a Slave Girl, Written by Herself: Written by Herself'
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› Find signed collectible books: 'Killing the Black Body: Race, Reproduction, and the Meaning of Liberty'
Dorothy Roberts' passionate and well-documented book looks at a less-talked about side of the battle for reproductive rights: the history of the social and governmental control of African American women's bodies.
Roberts, a law professor at Rutgers University, asserts that African American women have been engaged from the start in an ongoing fight to gain control of their reproductive choice. First, in the early days of American slavery, from control by white "masters" who forced slaves to produce children to work for them, and now, from government "solutions" to African American child-bearing like the distribution of the long-term contraceptive Norplant in African American communities.
Roberts also takes the mainstream feminist movement to task for working mostly for the "negative right" of liberty, that is, the right of women to not have the government involved in their reproductive decision-making. To Roberts this debate, focused mainly on government non-interference, ignores issues especially important to African American women such as access to contraception or reproduction technologies. "Reproductive freedom is a matter of social justice," she says, stating further that it is social inequality, more than any legal interference, that severely limits African American women's ability to choose how and whether to have children. "We need a way of rethinking the meaning of liberty so that it protects all citizens equally," Roberts writes. "I propose that focusing on the connection between reproductive rights and racial equality is the place to start." --Maria Dolan [via]
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› Find signed collectible books: 'The Lesbian Body'
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› Find signed collectible books: 'Loony-Bin Trip'
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› Find signed collectible books: 'Loose Woman'
A candid, sexy and wonderfully mood-strewn collection of poetry that celebrates the female aspects of love, from the reflective to the overtly erotic. "Poignant, sexy. . . lyrical, passionate. . . cool and delicate. . . hot as a chili pepper."--Boston Globe. [via]

› Find signed collectible books: 'Love, Sex, Death, and the Making of the Male'
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› Find signed collectible books: 'Making Sex: Body and Gender from the Greeks to Freud'
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› Find signed collectible books: 'Making Sex: Body and Gender from the Greeks to Freud'
This is a book about the making and unmaking of sex over the centuries. It tells the astonishing story of sex in the West from the ancients to the moderns in a precise account of developments in reproductive anatomy and physiology. We cannot fail to recognize the players in Thomas Laqueur's story--the human sexual organs and pleasures, food, blood, semen, egg, sperm--but we will be amazed at the plots into which they have been woven by scientists, political activists, literary figures, and theorists of every stripe.
Laqueur begins with the question of why, in the late eighteenth century, woman's orgasm came to be regarded as irrelevant to conception, and he then proceeds to retrace the dramatic changes in Western views of sexual characteristics over two millennia. Along the way, two "masterplots" emerge. In the one-sex story, woman is an imperfect version of man, and her anatomy and physiology are construed accordingly: the vagina is seen as an interior penis, the womb as a scrotum, the ovaries as testicles. The body is thus a representation, not the foundation, of social gender. The second plot tends to dominate post-Enlightenment thinking while the one-sex model is firmly rooted in classical learning. The two-sex story says that the body determines gender differences, that woman is the opposite of man with incommensurably different organs, functions, and feelings. The two plots overlap; neither ever holds a monopoly. Science may establish many new facts, but even so, Laqueur argues, science was only providing a new way of speaking, a rhetoric and not a key to female liberation or to social progress. Making Sex ends with Freud, who denied the neurological evidence to insist that, as a girl becomes a woman, the locus of her sexual pleasure shifts from the clitoris to the vagina; she becomes what culture demands despite, not because of, the body. Turning Freud's famous dictum around, Laqueur posits that destiny is anatomy. Sex, in other words, is an artifice.
This is a powerful story, written with verve and a keen sense of telling detail (be it technically rigorous or scabrously fanciful). Making Sex will stimulate thought, whether argument or surprised agreement, in a wide range of readers.
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› Find signed collectible books: 'Memoirs of a Geisha'
A literary sensation and runaway bestseller, this brilliant debut novel tells with seamless authenticity and exquisite lyricism the true confessions of one of Japan's most celebrated geisha. Speaking to us with the wisdom of age and in a voice at once haunting and startlingly immediate, Nitta Sayuri tells the story of her life as a geisha. It begins in a poor fishing village in 1929, when, as a nine-year-old girl with unusual blue-gray eyes, she is taken from her home and sold into slavery to a renowned geisha house. We witness her transformation as she learns the rigorous arts of the geisha: dance and music; wearing kimono, elaborate makeup, and hair; pouring sake to reveal just a touch of inner wrist; competing with a jealous rival for men's solicitude and the money that goes with it. In Memoirs of a Geisha , we enter a world where appearances are paramount; where a girl's virginity is auctioned to the highest bidder; where women are trained to beguile the most powerful men; and where love is scorned as illusion. It is a unique and triumphant work of fiction-at once romantic, erotic, suspenseful-and completely unforgettable. [via]
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› Find signed collectible books: 'Monuments and Maidens: The Allegory of the Female Form'
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› Find signed collectible books: 'My Antonia'
It seems almost sacrilege to infringe upon a book as soulful and rich as Willa Cather's My Ántonia by offering comment. First published in 1918, and set in Nebraska in the late 19th century, this tale of the spirited daughter of a Bohemian immigrant family planning to farm on the untamed land ("not a country at all but the material out of which countries are made") comes to us through the romantic eyes of Jim Burden. He is, at the time of their meeting, newly orphaned and arriving at his grandparents' neighboring farm on the same night her family strikes out to make good in their new country. Jim chooses the opening words of his recollections deliberately: "I first heard of Ántonia on what seemed to be an interminable journey across the great midland plain of North America," and it seems almost certain that readers of Cather's masterpiece will just as easily pinpoint the first time they heard of Ántonia and her world. It seems equally certain that they, too, will remember that moment as one of great light in an otherwise unremarkable trip through the world.
Ántonia, who, even as a grown woman somewhat downtrodden by circumstance and hard work, "had not lost the fire of life," lies at the center of almost every human condition that Cather's novel effortlessly untangles. She represents immigrant struggles with a foreign land and tongue, the restraints on women of the time (with which Cather was very much concerned), the more general desires for love, family, and companionship, and the great capacity for forbearance that marked the earliest settlers on the frontier.
As if all this humanity weren't enough, Cather paints her descriptions of the vastness of nature--the high, red grass, the road that "ran about like a wild thing," the endless wind on the plains--with strokes so vivid as to make us feel in our bones that we've just come in from a walk on that very terrain ourselves. As the story progresses, Jim goes off to the University in Lincoln to study Latin (later moving on to Harvard and eventually staying put on the East Coast in another neat encompassing of a stage in America's development) and learns Virgil's phrase "Optima dies ... prima fugit" that Cather uses as the novel's epigraph. "The best days are the first to flee"--this could be said equally of childhood and the earliest hours of this country in which the open land, much like My Ántonia, was nothing short of a rhapsody in prairie sky blue. --Melanie Rehak [via]
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› Find signed collectible books: 'My Secret Garden'
› Find signed collectible books: 'Nervous Conditions'
This story exlpores the alienation of two young African girls - Nyasha, brought up in England and now a stranger amongst her own people, and Tamba, who leaves her village for the pricey mission school. [via]
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› Find signed collectible books: 'Northanger Abbey'
Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.
Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber [via]
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› Find signed collectible books: 'O Pioneers!'
One of Americas greatest women writers, Willa Cather established her talent and her reputation with this extraordinary novelthe first of her books set on the Nebraska frontier. A tale of the prairie land encountered by Americas Swedish, Czech, Bohemian, and French immigrants, as well as a story of how the land challenged them, changed them, and, in some cases, defeated them, Cathers novel is a uniquely American epic.
Alexandra Bergson, a young Swedish immigrant girl who inherits her fathers farm and must transform it from raw prairie into a prosperous enterprise, is the first of Cathers great heroinesall of them women of strong will and an even stronger desire to overcome adversity and succeed. But the wild land itself is an equally important character in Cathers books, and her descriptions of it are so evocative, lush, and moving that they provoked writer Rebecca West to say of her: The most sensuous of writers, Willa Cather builds her imagined world almost as solidly as our five senses build the universe around us.
Willa Cather, perhaps more than any other American writer, was able to re-create the real drama of the pioneers, capturing for later generations a time, a place, and a spirit that has become part of our national heritage.
From the Paperback edition. [via]
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› Find signed collectible books: 'Our Blood: Prophecies and Discourses on Sexual Politics'
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› Find signed collectible books: 'Page'
As the only female page in history to last beyond the first year of formal training to become a knight, 11-year-old Keladry of Mindelan has an uphill battle to fight. In addition to proving herself worthy of being a page, Kel spends her time defending first-year pages from bullies, staying on top of homework, conquering her paralyzing fear of heights, and keeping up with Lord Wyldon's grueling physical training schedule. Kel's detractors do everything in their power to thwart her progress, from tormenting her friends to sabotaging the Midwinter Festivities to kidnapping her maid and dog on the day of final examinations. The tide of resistance begins to turn slightly during the summer between Kel's second and third years, when she leads a team of pages in defensive maneuvers against renegade bandits--coincidentally on the same day that she gets her first period!
Tamora Pierce revisits the imaginary Kingdom of Tortall in this sequel to First Test: Protector of the Small. Fans of Pierce's exotic fantasy sequences will be hard-pressed to put either book down. Kel is a valuable role model: she's proud of being a girl, and she never wavers in her conviction that she can do anything a boy can--and usually do it better. Some rather bloody battles as well as discussions about Kel's developing body make this book appropriate for more mature readers. (Ages 10 to 14) --Emilie Coulter [via]

› Find signed collectible books: 'The Passion'
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› Find signed collectible books: 'Passionate Minds: Women Rewriting the World'
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› Find signed collectible books: 'Politics Of Piety: The Islamic Revival and the Feminist Subject'
Politics of Piety is a groundbreaking analysis of Islamist cultural politics through the ethnography of a thriving, grassroots women's piety movement in the mosques of Cairo, Egypt. Unlike those organized Islamist activities that seek to seize or transform the state, this is a moral reform movement whose orthodox practices are commonly viewed as inconsequential to Egypt's political landscape. Saba Mahmood's compelling exposition of these practices challenges this assumption by showing how the ethical and the political are indelibly linked within the context of such movements. Not only is this book a sensitive ethnography of a critical but largely ignored dimension of the Islamic revival, it is also an unflinching critique of the secular-liberal principles by which some people hold such movements to account. The book addresses three central questions: How do movements of moral reform help us rethink the normative liberal account of politics? How does the adherence of women to the patriarchal norms at the core of such movements parochialize key assumptions within feminist theory about freedom, agency, authority, and the human subject? How does a consideration of debates about embodied religious rituals among Islamists and their secular critics help us understand the conceptual relationship between bodily form and political imaginaries? Politics of Piety is essential reading for anyone interested in issues at the nexus of ethics and politics, embodiment and gender, and liberalism and postcolonialism. [via]
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› Find signed collectible books: 'The Politics of Women's Liberation: A Case Study of an Emerging Social Movement and Its Relation to the Policy Process'
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› Find signed collectible books: 'The Prospect Before Her: A History of Women in Western Europe'
The great insight of social history is that the record of the lives of Great Men offers a skewed vision of human experience. Similarly women's history seeks to address the unbalanced written record of humanity. Olwen Hufton, the author of several previous studies concerned with women and the history of ideas, has crafted a descriptive history of the lives of a wide variety of women over the 300-year period from 1500 to 1800. Her work is neither an act of prescription nor a narrative written as a means to empowerment. Rather, the details testify to the inequality of women's lives. Hufton seeks no single representative woman whose story conveys the experience of women writ large, but instead offers appropriately complicated interpretations of the diverse women she discusses. [via]
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› Find signed collectible books: 'Return to Modesty: Discovering the Lost Virtue'
Where once a young woman had to be ashamed of her sexual experience, today she is ashamed of her sexual inexperience. Where not long ago an unmarried woman was ashamed to give public evidence of sexual desire by living with someone, today she must be ashamed to give evidence of romantic desire. From sex education in grade school to coed bathrooms in college, today's young woman is being pressured relentlessly to overcome her embarrassment, her "hang-ups," and especially her romantic hopes.
Meanwhile, the problems young women struggle with grow steadily more extreme: from sexual harassment, stalking, and date rape to anorexia and self-mutilation. Both men and women endlessly lament the loss of privacy and of real intimacy. What is it all about?
Beholden neither to conservatives who discount as exaggeration the dangers facing young women, nor to feminists who steadfastly affix blame on the patriarchy, Wendy Shalit proposes that, in fact, we have lost our respect for an important classical virtue -- that of sexual modesty. "A Return to Modesty is a deeply personal account as well as a fascinating intellectual exploration. From seventeenth-century manners guides to Antonio Canova's sculpture, "Venus Italico," to Frank Loesser's 1948 tune, "Baby, It's Cold Outside," "A Return to Modesty unfolds like a detective's search for a lost idea as Shalit uncovers opinions about this lost virtue's importance, from Balzac to Simone de Beauvoir, that have not been aired for decades. Then she knocks down the accompanying myths one by one. Female modesty is not about a "sexual double standard," as is often thought, but is related to male virtue and honor. Modesty is not a social construct,but a natural response. And modesty is not prudery, but a way to preserve a sense of the erotic in our lives.
With humor and piercing insight, Shalit invites us to look beyond the blush and consider the new power to be found in an old ideal. She maintains that the sex education curriculum forced on those of her generation from an early age is fundamentally flawed, centered as it is on overcoming reticence -- what we today call "hang-ups." Shalit surprisingly and persuasively argues that without these misnamed hang-ups there can be no true surrender, no richness and depth to relations between the sexes. The natural inclination toward modesty is not a hang-up that we should set out to cure, but rather a wonderful instinct that, if rediscovered and given the right social support, has the power to transform society. [via]
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› Find signed collectible books: 'The Scarlet Letter'
(Book Jacket Status: Jacketed)
The story of Hester Prynnefound out in adultery, pilloried by her Puritan community, and abandoned, in different ways, by both her partner in sin and her vengeance-seeking husbandpossesses a reality heightened by Hawthornes pure human sympathy and his unmixed devotion to his supposedly fallen but fundamentally innocent heroine. In its moral force and the beauty of its conciliations, The Scarlet Letter rightly deserves its stature as the first great novel written by an American, the novel that announced an American literature equal to any in the world. [via]
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› Find signed collectible books: 'Sel 43 Tess D'urbervilles'
When John Durberyfield discovers a family connection to the ancient Norman family, the d'Urbervilles, the fate of daughter Tess is transformed. [via]
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› Find signed collectible books: 'Sex and Suffrage in Britain, 1860-1914'
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› Find signed collectible books: 'States of Injury: Power and Freedom in Late Modernity'
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› Find signed collectible books: 'Suffragettes to She-Devils: Women's Liberation and Beyond'
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› Find signed collectible books: 'Tehanu'
Ursula K. LeGuin follows her classic trilogy from Earthsea with a magical tale that won the 1991 Nebula Award for Science Fiction. Unlike the tales in the trilogy, this novel is short and concise, yet it is by no means simplistic. Promoted as a children's book because of the awards garnered in that category by her previous work, Tehanu transcends classification and shows the wizardry of female magic. The story involves a middle-age widow who sets out to visit her dying mentor and eventually cares for his favorite student. [via]
› Find signed collectible books: 'The Temple of My Familiar'
Transcending the conventions of time and place, Walker's novel moves from contemporary America, England, and Africa to unfamiliar primal worlds, where women, men, and animals socialize in surprising ways. The author of The Color Purple has created a mesmerizing novel of vision and spirit. [via]
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› Find signed collectible books: 'The Temple of My Familiar Export'
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› Find signed collectible books: 'Tess of the D'Urbervilles'
(Book Jacket Status: Not Jacketed)Set in the magical Wessex landscape so familiar from Thomas Hardys early work, Tess of the DUrbervilles is unique among his great novels for the intense feeling that he lavished upon his heroine, Tess, a pure woman betrayed by love. Hardy poured all of his profound empathy for both humanity and the rhythms of natural life into this story of her beauty, goodness, and tragic fate. In so doing, he created a character who, like Emma Bovary and Anna Karenina, has achieved classic stature. [via]
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› Find signed collectible books: 'Tess of the D'urbervilles : A Pure Woman'
Etched against the background of a dying rural society, Tess of the d'Urbervilles was Thomas Hardy's "bestseller," and Tess Durbeyfield remains his most striking and tragic heroine. Of all the characters he created, she meant the most to him. Hopelessly torn between two men--Alec d'Urberville, a wealthy, dissolute young man who seduces her in a lonely wood, and Angel Clare, her provincial, moralistic, and unforgiving husband--Tess escapes from her vise of passion through a horrible, desperate act.
----"Like the greatest characters in literature, Tess lives beyond the final pages of the book as a permanent citizen of the imagination," said Irving Howe. "In Tess he stakes everything on his sensuous apprehension of a young woman's life, a girl who is at once a simple milkmaid and an archetype of feminine strength. . . . Tess is that rare creature in literature: goodness made interesting."
----Now Tess of the d'Urbervilles has been brought to television in a magnificent new co-production from A&E Network and London Weekend Television. Justine Waddell (Anna Karenina) stars as the tragic heroine, Tess; Oliver Milburn (Chandler & Co.) is Angel Clare; and Jason Flemyng is Alec d'Urberville. The cast also includes John McEnery (Black Beauty) as Jack Durbeyfield and Lesley Dunlop (The Elephant Man) as Joan Durbeyfield. Tess of the d'Urbervilles is directed by Ian Sharp and produced by Sarah Wilson, with a screenplay by Ted Whitehead; it was filmed in Hardy country, the beautiful English countryside in Dorset where Thomas Hardy set his novels.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-
dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices. [via]
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› Find signed collectible books: 'Thinking Out Loud : On the Personal, the Political, the Public and the Private'
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› Find signed collectible books: 'Tombs of Atuan'
Often compared to Tolkien's Middle-earth or Lewis's Narnia, Ursula K. Le Guin's Earthsea is a stunning fantasy world that grabs quickly at our hearts, pulling us deeply into its imaginary realms. Four books (A Wizard of Earthsea, The Tombs of Atuan, The Farthest Shore, and Tehanu) tell the whole Earthsea cycle--a tale about a reckless, awkward boy named Sparrowhawk who becomes a wizard's apprentice after the wizard reveals Sparrowhawk's true name. The boy comes to realize that his fate may be far more important than he ever dreamed possible. Le Guin challenges her readers to think about the power of language, how in the act of naming the world around us we actually create that world. Teens, especially, will be inspired by the way Le Guin allows her characters to evolve and grow into their own powers.
In this second book of Le Guin's Earthsea series, readers will meet Tenar, a priestess to the "Nameless Ones" who guard the catacombs of the Tombs of Atuan. Only Tenar knows the passageways of this dark labyrinth, and only she can lead the young wizard Sparrowhawk, who stumbles into its maze, to the greatest treasure of all. Will she? [via]
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› Find signed collectible books: 'Tragic Ways of Killing a Woman'
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› Find signed collectible books: 'Villette: Library Edition'
(Book Jacket Status: Jacketed)
Left by harrowing circumstances to fend for herself in the great capital of a foreign country, Lucy Snowe, the narrator and heroine of Villette, achieves by degrees an authentic independence from both outer necessity and inward grief. Charlotte Brontë's last novel, published in 1853, has a dramatic force comparable to that of her other masterpiece, Jane Eyre, as well as strikingly modern psychological insight and a revolutionary understanding of human loneliness. With an introduction by Lucy Hughes-Hallet. [via]
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› Find signed collectible books: 'What Our Mothers Didn't Tell Us: Why Happiness Eludes the Modern Woman'
Talk to women under forty today, and you will hear that something has gone terribly wrong with their lives. They have achieved goals previous generations of women could only dream of. Yet women feel more confused and more insecure than ever. Now one of the leading female commentators of her generation exposes the ideas that prevent modern women from finding happiness and points the way to a better future.
What has gone wrong? What can be done to set it right? These are the questions Danielle Crittenden answers in "What Our Mothers Didn't Tell Us." Crittenden is the founder and editor of "The Women's Quarterly" magazine. In only four years, Crittenden's "Quarterly" has made itself the center of a new national debate about women. Her views and writings have been cited, reprinted, argued, lauded, and criticized across the country. Mary Matalin describes the "Quarterly" as "one of my most favorite magazines on the planet." George Will calls it "a bright light," and even Betty Friedan, with whom Crittenden has sparred, concedes that her views are on "the cutting edge."
In "What Our Mothers Didn't Tell Us," Crittenden looks at the big topics in women's lives: sex, marriage, motherhood, work, aging, and politics. She argues that a generation of women has been misled: taught to blame men and pursue independence at all costs. Happiness is obtainable, Crittenden says, but only if women will free their minds from outdated feminist slogans and habits of behavior:
"There are a great many women unhappy because they acted upon the wisdom passed along to them by the people they most trusted. These women thought they did everything right only to have it turn out all wrong. That thewisdom they received was faulty, that it was based on false assumptions, is a hard lesson for anyone to learn. But it is a lesson every woman growing up today will have to learn as I, and thousands upon thousands of women of my generation, had to learn, often painfully."
By drawing on her own experience and the decade she has spent researching and analyzing modern female life, Crittenden passionately and engagingly tackles the myths that keep women from realizing the happiness they deserve. And she introduces a new way of thinking about women's problems that may, finally, help women achieve the lives they desire. "What Our Mothers Didn't Tell Us" is sure to ignite debate not only across the country but, more compellingly, within the reader herself. [via]
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› Find signed collectible books: 'When Chickenheads Come Home to Roost: A Hop-Hop Feminist Breaks It Down'
A new voice of the hip-hop generation speaks out about the reality of being a black woman in America today.
In this fresh, funky, and ferociously honest book, award-winning journalist Joan Morgan bravely probes the complex issues facing African-American women in today's world: a world where feminists often have not-so-clandestine affairs with the most sexist of men; where women who treasure their independence often prefer men who pick up the tab; and where the deluge of babymothers and babyfathers reminds black women who long for marriage that traditional nuclear families are a reality for less than 40 percent of the African-American population. [via]
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› Find signed collectible books: 'When Chickenheads Come Home to Roost: My Life As a Hip-Hop Feminist'
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› Find signed collectible books: 'Wifey'
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› Find signed collectible books: 'A Woman's Worth'
With A WOMAN'S WORTH, Marianne Williamson turns her charismatic voice--and the same empowering, spiritually enlightening wisdom that energized her landmark work, A RETURN TO LOVE-- to exploring the crucial role of women in the world today. Drawing deeply and candidly on her own experiences, the author illuminates her thought-provoking positions on such issues as beauty and age, relationships and sex, children and careers, and the reassurance and reassertion of the feminine in a patriarchal society. Cutting across class, race, religion, and gender, A WOMAN'S WORTH speaks powerfully and persuasively to a generation in need of healing, and in search of harmony.
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› Find signed collectible books: 'Women's Pictures: Feminism and Cinema'
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Odyssey, The: The World's Great Classics, by Homer; tr. by S.H. Butcher and Andrew Lang [via]
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