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The Annotated Pride and Prejudice
by Jane Austen, David M. Shapard

ISBN 0307278107 (0-307-27810-7)
Softcover, Random House Inc

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Book summary:
This first-ever fully annotated edition of one of the most beloved novels in the world is a sheer delight for Jane Austen fans. Here is the complete text of Pride and Prejudice with more than 2,300 annotations on facing pages, including:
" Explanations of historical context
Rules of etiquette, class differences, the position of women, legal and economic realities, leisure activities, and more.
" Citations from Austens life, letters, and other writings
Parallels between the novel and Austens experience are revealed, along with writings that illuminate her beliefs and opinions.
" Definitions and clarifications
Archaic words, words still in use whose meanings have changed, and obscure passages are explained.
" Literary comments and analyses
Insightful notes highlight Austens artistry and point out the subtle ways she develops her characters and themes.
" Maps and illustrations
of places and objects mentioned in the novel.
" An introduction, a bibliography, and a detailed chronology of events
Of course, one can enjoy the novel without knowing the precise definition of a gentleman, or what it signifies that a character drives a coach rather than a hack chaise, or the rules governing social interaction at a ball, but readers of The Annotated Pride and Prejudice will find that these kinds of details add immeasurably to understanding and enjoying the intricate psychological interplay of Austens immortal characters.
[via]
More editions of The Annotated Pride and Prejudice:
- The Annotated Pride and Prejudice: ISBN 0307278107 (0-307-27810-7)
  Softcover, Random House Inc
via
Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation
by Lynne Truss

ISBN 1592402038 (1-59240-203-8)
Softcover, Gotham Books

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Book summary:
We all know the basics of punctuation. Or do we? A look at most neighborhood signage tells a different story. Through sloppy usage and low standards on the internet, in email, and now text messages, we have made proper punctuation an endangered species. In Eats, Shoots & Leaves, former editor Lynne Truss dares to say, in her delightfully urbane, witty, and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are. This is a book for people who love punctuation and get upset when it is mishandled. From the invention of the question mark in the time of Charlemagne to George Orwell shunning the semicolon, this lively history makes a powerful case for the preservation of a system of printing conventions that is much too subtle to be mucked about with.
[via]
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Eats, Shoots & Leaves: Why, Commas Really Do Make a Difference!
by Lynne Truss, Bonnie Timmons

ISBN 0399244913 (0-399-24491-3)
Hardcover, Putnam Pub Group

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Book summary:
Illuminating the comical confusion the lowly comma can cause, this new edition of Eats, Shoots & Leaves uses lively, subversive illustrations to show how misplacing or leaving out a comma can change the meaning of a sentence completely.

This picture book is sure to elicit gales of laughterand better punctuationfrom all who read it.

[via]
More editions of Eats, Shoots & Leaves: Why, Commas Really Do Make a Difference!:
- Eats, Shoots & Leaves: Why, Commas Really Do Make a Difference!: ISBN 0399244913 (0-399-24491-3)
  Hardcover, Putnam Pub Group
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Eats, Shoots, and Leaves
by Lynne Truss

ISBN 0786268379 (0-7862-6837-9)
Hardcover, Thorndike Pr

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Book summary:
A New York Times Bestseller
In 2002 Lynne Truss presented a well-received BBC Radio 4 series about punctuation which led to the writing of Eats, Shoots & Leaves. The book became a runaway success in the UK, hitting number one on the bestseller lists and prompting extraordinary headlines such as "Grammar Book Tops Bestseller List" (BBC News). With over a half million copies in print in England, Truss is ready to rally the troops on this side of the pond with her rousing cry, "Sticklers unite!"
Available only in Core 7. [via]
More editions of Eats, Shoots, and Leaves:
- Eats, Shoots, and Leaves: ISBN 0786268379 (0-7862-6837-9)
  Hardcover, Thorndike Pr
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The Elements of Style
by William Strunk, E. B. White, Maira Kalman

ISBN 1594200696 (1-59420-069-6)
Hardcover, Penguin Group USA

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Book summary:
You know the authors' names. You recognize the title. You've probably used this book yourself. This is The Elements of Style, the classic style manual, now in a fourth edition. A new Foreword by Roger Angell reminds readers that the advice of Strunk & White is as valuable today as when it was first offered.This book's unique tone, wit and charm have conveyed the principles of English style to millions of readers. Use the fourth edition of "the little book" to make a big impact with writing. [via]
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The Elements of Style: A Style Guide for Writers
by William Strunk

ISBN 097522980X (0-9752298-0-X)
Softcover, Kt Pub

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Book summary:
Asserting that one must first know the rules to break them, this classic reference is a must-have for any student and conscientious writer. Intended for use in which the practice of composition is combined with the study of literature, it gives in brief space the principal requirements of plain English style and concentrates attention on the rules of usage and principles of composition most commonly violated. [via]
More editions of The Elements of Style: A Style Guide for Writers:
- The Elements of Style: A Style Guide for Writers: ISBN 097522980X (0-9752298-0-X)
  Softcover, Kt Pub
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The Elements of Style With Index
by William Strunk

ISBN 0024182001 (0-02-418200-1)
Softcover, Prentice Hall

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Book summary:
Composition teachers throughout the English-speaking world have been pushing this book on their students since it was first published in 1957. Co-author White later revised it, and it remains the most compact and lucid handbook we have for matters of basic principles of composition, grammar, word usage and misusage, and writing style. [via]
More editions of The Elements of Style With Index:
- The Elements of Style With Index: ISBN 0024182001 (0-02-418200-1)
  Softcover, Prentice Hall
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Jane Austen
by Jane Austen

ISBN 0517118297 (0-517-11829-7)
Hardcover, Grammercy

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Book summary:
Collected together in one volume, The Complete Novels show the development of Austen as a writer and social commentator. From the early optimism and youthful energy of Northanger Abbey to the quiet and subtle art of Persuasion, this collection reveals the breadth of one of the best loved novelists of all time. [via]
More editions of Jane Austen:
- Jane Austen: ISBN 0517118297 (0-517-11829-7)
  Hardcover, Grammercy
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Jane Austen's Pride and Prejudice
by Jane Austen, Susan J. Wolfson, Claudia L. Johnson

ISBN 0321105079 (0-321-10507-9)
Softcover, Longman Pub Group

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Book summary:
From Longman's Cultural Editions series, Jane Austen's Pride and Prejudice , edited by Claudia Johnson and Susan Wolfson, offers the text of the first edition and is extensively annotated in several contexts, from Austen's views, to cultural issues, to first reviews and critical reception. [via]
More editions of Jane Austen's Pride and Prejudice:
- Jane Austen's Pride And Prejudice: ISBN 0791094375 (0-7910-9437-5)
  Hardcover, Facts on File
- Jane Austen's Pride and Prejudice: ISBN 0321105079 (0-321-10507-9)
  Softcover, Longman Pub Group
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Literature Made Easy Pride and Prejudice
by Tony Buzan, Michael Kerrigan

ISBN 0764108344 (0-7641-0834-4)
Softcover, Barrons Educational Series Inc

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Book summary:
This English literature revision guide for GCSE English students discusses Jane Austen's "Pride and Prejudice". It features "mind maps" which summarize the entire work, icons, symbols, diagrams, cartoons and storyboards. [via]
More editions of Literature Made Easy Pride and Prejudice:
- Literature Made Easy Pride and Prejudice: ISBN 0764108344 (0-7641-0834-4)
  Softcover, Barrons Educational Series Inc
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The Mother Tongue: English & How It Got That Way
by Bill Bryson

ISBN 0380715430 (0-380-71543-0)
Softcover, Avon Books

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Book summary:
Who would have thought that a book about English would be so entertaining? Certainly not this grammar-allergic reviewer, but The Mother Tongue pulls it off admirably. Bill Bryson--a zealot--is the right man for the job. Who else could rhapsodize about "the colorless murmur of the schwa" with a straight face? It is his unflagging enthusiasm, seeping from between every sentence, that carries the book.
Bryson displays an encyclopedic knowledge of his topic, and this inevitably encourages a light tone; the more you know about a subject, the more absurd it becomes. No jokes are necessary, the facts do well enough by themselves, and Bryson supplies tens per page. As well as tossing off gems of fractured English (from a Japanese eraser: "This product will self-destruct in Mother Earth."), Bryson frequently takes time to compare the idiosyncratic tongue with other languages. Not only does this give a laugh (one word: Welsh), and always shed considerable light, it also makes the reader feel fortunate to speak English. [via]
More editions of The Mother Tongue: English & How It Got That Way:
- The Mother Tongue: English & How It Got That Way: ISBN 0688078958 (0-688-07895-8)
  Hardcover, Harpercollins
- The Mother Tongue: English & How It Got That Way: ISBN 0380715430 (0-380-71543-0)
  Softcover, Avon Books
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Orgullo Y Prejuicio / Pride and Prejudice
by Jane Austen, Jose Luis Carames

ISBN 8437606780 (84-376-0678-0)
Softcover, Catedra Ediciones

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Book summary:
For lovers of timeless classics, this series of beautifully packaged and affordably priced editions of world literature encompasses a variety of literary genres, including theater, novels, poems, and essays.

Los lectores tomarán un gran placer en descubrir los clásicos con estas bellas y económicas ediciones de literatura famosa y universal. Esta selección editorial cuenta con títulos que abarcan todos los géneros literarios, desde teatro, narrativa, poesía y el ensayo.

[via]
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Pride & Prejudice
by Unk

ISBN 0194227103 (0-19-422710-3)
Softcover, Oxford Univ Pr

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Book summary:
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."
Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.
Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]
More editions of Pride & Prejudice:
- Pride & Prejudice: ISBN 0194227103 (0-19-422710-3)
  Softcover, Oxford Univ Pr
via
Pride and Prejudice
by Jane Austen

ISBN 1414500203 (1-4145-0020-3)
Softcover, Pavilion Pr

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Book summary:
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."
Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.
Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]
More editions of Pride and Prejudice:
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Pride and Prejudice
by Harold Bloom

ISBN 0791081699 (0-7910-8169-9)
Hardcover, Facts on File

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More editions of Pride and Prejudice:
- Pride and Prejudice: ISBN 0877549451 (0-87754-945-1)
  Hardcover, Facts on File
- Pride and Prejudice: ISBN 0791081699 (0-7910-8169-9)
  Hardcover, Facts on File
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Pride and Prejudice
by Mark Schorer, Jane Austen

ISBN 0395051010 (0-395-05101-0)
Softcover, Houghton Mifflin College Div

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Book summary:
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."
Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.
Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]
More editions of Pride and Prejudice:
- Pride and Prejudice: ISBN 0395051010 (0-395-05101-0)
  Softcover, Houghton Mifflin College Div
via
Pride and Prejudice
by Outlet Book Company Staff, Random House Value Publishing Staff

ISBN 0517415127 (0-517-41512-7)
Hardcover, Random House Value Publishing

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Book summary:
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."
Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.
Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]
More editions of Pride and Prejudice:
- Pride and Prejudice: ISBN 0517415127 (0-517-41512-7)
  Hardcover, Random House Value Publishing
via
Pride and Prejudice
by Robert Irvine, Robert P. Irvine

ISBN 1551110288 (1-55111-028-8)
Softcover, Broadview Pr

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Book summary:
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."
Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.
Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]
More editions of Pride and Prejudice:
- Pride and Prejudice: ISBN 1551110288 (1-55111-028-8)
  Softcover, Broadview Pr
via
Pride and Prejudice : Oxford World Classics
by Outlet Book Company Staff, Random House Value Publishing Staff

ISBN 0517606097 (0-517-60609-7)
Hardcover, Random House Value Publishing

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Book summary:
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."
Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.
Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]
More editions of Pride and Prejudice : Oxford World Classics:
- Pride and Prejudice : Oxford World Classics: ISBN 0517606097 (0-517-60609-7)
  Hardcover, Random House Value Publishing
via
The World's Great Classics

ISBN 0717200019 (0-7172-0001-9)
Hardcover, Xs Books

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Book summary:
Odyssey, The: The World's Great Classics, by Homer; tr. by S.H. Butcher and Andrew Lang [via]
More editions of The World's Great Classics:
- The World's Great Classics: ISBN 0717200019 (0-7172-0001-9)
  Hardcover, Xs Books

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