English: books tagged “english” (24/401) @ BookFinder.com

ISBN 9780394400754 (0-394-40075-5, 0394400755)

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American Language

by H. L. Mencken

ISBN 0394400755 (0-394-40075-5)
Hardcover, Random House Inc

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American Language: ISBN 0394400755 (0-394-40075-5)
Hardcover, Random House Inc

ISBN 9780394733159 (0-394-73315-0, 0394733150)

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The American Language: An Inquiry into the Development of English in the United States

by H. L. Mencken

ISBN 0394733150 (0-394-73315-0)
Softcover, Random House Inc

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Book summary:

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. [via]

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The American Language: An Inquiry into the Development of English in the United States: ISBN 0394733150 (0-394-73315-0)
Softcover, Random House Inc

ISBN 9780767910439 (0-7679-1043-5, 0767910435)

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Bryson's Dictionary of Troublesome Words

by Bill Bryson

ISBN 0767910435 (0-7679-1043-5)
Softcover, Bantam Dell Pub Group

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Book summary:

One of the English languages most skilled and beloved writers guides us all toward precise, mistake-free usage.

As usual Bill Bryson says it best: English is a dazzlingly idiosyncratic tongue, full of quirks and irregularities that often seem willfully at odds with logic and common sense. This is a language where cleave can mean to cut in half or to hold two halves together; where the simple word set has 126 different meanings as a verb, 58 as a noun, and 10 as a participial adjective; where if you can run fast you are moving swiftly, but if you are stuck fast you are not moving at all; [and] where colonel, freight, once, and ache are strikingly at odds with their spellings. As a copy editor for the London Times in the early 1980s, Bill Bryson felt keenly the lack of an easy-to-consult, authoritative guide to avoiding the traps and snares in English, and so he brashly suggested to a publisher that he should write one. Surprisingly, the proposition was accepted, and for a sum of money carefully gauged not to cause embarrassment or feelings of overworth, he proceeded to write that bookhis first, inaugurating his stellar career.

Now, a decade and a half later, revised, updated, and thoroughly (but not overly) Americanized, it has become Brysons Dictionary of Troublesome Words, more than ever an essential guide to the wonderfully disordered thing that is the English language. With some one thousand entries, from a, an to zoom, that feature real-world examples of questionable usage from an international array of publications, and with a helpful glossary and guide to pronunciation, this precise, prescriptive, andbecause it is written by Bill Brysonoften witty book belongs on the desk of every person who cares enough about the language not to maul or misuse or distort it.

From the Hardcover edition. [via]

More editions of Bryson's Dictionary of Troublesome Words:

Bryson's Dictionary of Troublesome Words: ISBN 0767910435 (0-7679-1043-5)
Softcover, Bantam Dell Pub Group

ISBN 9780767910422 (0-7679-1042-7, 0767910427)

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Bryson's Dictionary of Troublesome Words: A Writer's Guide to Getting It Right

by Bill Bryson

ISBN 0767910427 (0-7679-1042-7)
Hardcover, Broadway Books

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Book summary:

One of the English languages most skilled and beloved writers guides us all toward precise, mistake-free usage.

As usual Bill Bryson says it best: English is a dazzlingly idiosyncratic tongue, full of quirks and irregularities that often seem willfully at odds with logic and common sense. This is a language where cleave can mean to cut in half or to hold two halves together; where the simple word set has 126 different meanings as a verb, 58 as a noun, and 10 as a participial adjective; where if you can run fast you are moving swiftly, but if you are stuck fast you are not moving at all; [and] where colonel, freight, once, and ache are strikingly at odds with their spellings. As a copy editor for the London Times in the early 1980s, Bill Bryson felt keenly the lack of an easy-to-consult, authoritative guide to avoiding the traps and snares in English, and so he brashly suggested to a publisher that he should write one. Surprisingly, the proposition was accepted, and for a sum of money carefully gauged not to cause embarrassment or feelings of overworth, he proceeded to write that bookhis first, inaugurating his stellar career.

Now, a decade and a half later, revised, updated, and thoroughly (but not overly) Americanized, it has become Brysons Dictionary of Troublesome Words, more than ever an essential guide to the wonderfully disordered thing that is the English language. With some one thousand entries, from a, an to zoom, that feature real-world examples of questionable usage from an international array of publications, and with a helpful glossary and guide to pronunciation, this precise, prescriptive, andbecause it is written by Bill Brysonoften witty book belongs on the desk of every person who cares enough about the language not to maul or misuse or distort it. [via]

More editions of Bryson's Dictionary of Troublesome Words: A Writer's Guide to Getting It Right:

Bryson's Dictionary of Troublesome Words: A Writer's Guide to Getting It Right: ISBN 0767910427 (0-7679-1042-7)
Hardcover, Broadway Books

ISBN 9780816019335 (0-8160-1933-9, 0816019339)

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The Facts on File Dictionary of Troublesome Words

by Bill Bryson

ISBN 0816019339 (0-8160-1933-9)
Hardcover, Facts on File

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Frontier Lawmen

by Lee Paul

ISBN 0965792951 (0-9657929-5-1)
Softcover, Jona Books

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Frontier Lawmen: ISBN 0965792951 (0-9657929-5-1)
Softcover, Jona Books

A Gothic Treasury of the Supernatural: The Castle of Otranto/Frankenstein/the Strange Case of Dr. Jekyll and Mr. Hyde/the Picture of Dorian Gray/Dra

ISBN 051714641X (0-517-14641-X)
Hardcover, Random House Value Pub

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More editions of A Gothic Treasury of the Supernatural: The Castle of Otranto/Frankenstein/the Strange Case of Dr. Jekyll and Mr. Hyde/the Picture of Dorian Gray/Dra:

A Gothic Treasury of the Supernatural: The Castle of Otranto/Frankenstein/the Strange Case of Dr. Jekyll and Mr. Hyde/the Picture of Dorian Gray/Dra: ISBN 051714641X (0-517-14641-X)
Hardcover, Random House Value Pub

ISBN 9781404351707 (1-4043-5170-1, 1404351701)

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The History of Tom Jones: A Foundling

by Henry Fielding

ISBN 1404351701 (1-4043-5170-1)
Hardcover, Indypublish.Com

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Book summary:

Tom, a foundling, is discovered one evening by the benevolent Squire Allworthy and his sister Bridget and brought up as a son in their household; when his sexual escapades and general misbehavior lead them to banish him, he sets out in search of both his fortune and his true identity. Amorous, high-spirited, and filled with what Fielding called the glorious lust of doing good, but with a tendency toward dissolution, Tom Jones is one of the first characters in English fiction whose human virtues and vices are realistically depicted. This edition is set from the text of the Wesleyan Edition of the Works of Henry Fielding. [via]

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ISBN 9781406728712 (1-4067-2871-3, 1406728713)

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Howards End

by E. M. Forster

ISBN 1406728713 (1-4067-2871-3)
Softcover, Hesperides Pr

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Book summary:

Margaret Schlegel, engaged to the much older, widowed Henry Wilcox, meets her intended the morning after accepting his proposal and realizes that he is a man who has lived without introspection or true self-knowledge. As she contemplates the state of Wilcox's soul, her remedy for what ails him has become one of the most oft-quoted passages in literature:

Only connect! That was the whole of her sermon. Only connect the prose and the passion and both will be exalted, and human love will be seen at its height. Live in fragments no longer.

Like all of Forster's work, Howards End concerns itself with class, nationality, economic status, and how each of these affects personal relationships. It follows the intertwined fortunes of the Schlegel sisters, Margaret and Helen, and the Wilcox family over the course of several years. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes, on the other hand, can't be bothered with the life of the mind or the heart, leading, instead, outer lives of "telegrams and anger" that foster "such virtues as neatness, decision, and obedience, virtues of the second rank, no doubt, but they have formed our civilization." Helen, after a brief flirtation with one of the Wilcox sons, has developed an antipathy for the family; Margaret, however, forms a brief but intense friendship with Mrs. Wilcox, which is cut short by the older woman's death. When her family discovers a scrap of paper requesting that Henry give their home, Howards End, to Margaret, it precipitates a spiritual crisis among them that will take years to resolve.

Forster's 1910 novel begins as a collection of seemingly unrelated events--Helen's impulsive engagement to Paul Wilcox; a chance meeting between the Schlegel sisters and an impoverished clerk named Leonard Bast at a concert; a casual conversation between the sisters and Henry Wilcox in London one night. But as it moves along, these disparate threads gradually knit into a tightly woven fabric of tragic misunderstandings, impulsive actions, and irreparable consequences, and, eventually, connection. Though set in the early years of the 20th century, Howards End seems even more suited to our own fragmented era of e-mails and anger. For readers living in such an age, the exhortation to "only connect" resonates ever more profoundly. --Alix Wilber [via]

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ISBN 9781593080228 (1-59308-022-0, 1593080220)

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Howards End

by Mary Gordon, E. M. Forster

ISBN 1593080220 (1-59308-022-0)
Softcover, Sterling Pub Co Inc

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Book summary:

Margaret Schlegel, engaged to the much older, widowed Henry Wilcox, meets her intended the morning after accepting his proposal and realizes that he is a man who has lived without introspection or true self-knowledge. As she contemplates the state of Wilcox's soul, her remedy for what ails him has become one of the most oft-quoted passages in literature:

Only connect! That was the whole of her sermon. Only connect the prose and the passion and both will be exalted, and human love will be seen at its height. Live in fragments no longer.

Like all of Forster's work, Howards End concerns itself with class, nationality, economic status, and how each of these affects personal relationships. It follows the intertwined fortunes of the Schlegel sisters, Margaret and Helen, and the Wilcox family over the course of several years. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes, on the other hand, can't be bothered with the life of the mind or the heart, leading, instead, outer lives of "telegrams and anger" that foster "such virtues as neatness, decision, and obedience, virtues of the second rank, no doubt, but they have formed our civilization." Helen, after a brief flirtation with one of the Wilcox sons, has developed an antipathy for the family; Margaret, however, forms a brief but intense friendship with Mrs. Wilcox, which is cut short by the older woman's death. When her family discovers a scrap of paper requesting that Henry give their home, Howards End, to Margaret, it precipitates a spiritual crisis among them that will take years to resolve.

Forster's 1910 novel begins as a collection of seemingly unrelated events--Helen's impulsive engagement to Paul Wilcox; a chance meeting between the Schlegel sisters and an impoverished clerk named Leonard Bast at a concert; a casual conversation between the sisters and Henry Wilcox in London one night. But as it moves along, these disparate threads gradually knit into a tightly woven fabric of tragic misunderstandings, impulsive actions, and irreparable consequences, and, eventually, connection. Though set in the early years of the 20th century, Howards End seems even more suited to our own fragmented era of e-mails and anger. For readers living in such an age, the exhortation to "only connect" resonates ever more profoundly. --Alix Wilber [via]

More editions of Howards End:

Howards End: ISBN 1593080220 (1-59308-022-0)
Softcover, Sterling Pub Co Inc

The Mill on the Floss

by George Eliot

ISBN 1582872406 (1-58287-240-6)
Hardcover, North Books

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Book summary:

The best-known and most autobiographical of George Eliots novels is now available as a Norton Critical Edition.

The text of The Mill on the Floss, that of the 1862 third edition for which Eliot made her last revisions, has been annotated in order to assist the reader with obscure references and allusions.

"Backgrounds" includes fifteen letters from the 1859-69 period centering on the novels content and composition; "Brother and Sister" (1869), a little-known sonnet sequence; and eight Victorian reviews and responses, both published and unpublished, on the novel, including those by Henry James, Algernon Charles Swinurne, and John Ruskin.

Judiciously chosen from the wealth of essays on The Mill on the Floss published in this century, "Criticism" includes ten of the best studies of the novel, providing the reader with historical and critical perspective.

The contributors are Leslie Stephen, Virginia Woolf, F. R. Leavis, George Levine, Ulrich Knoepflmacher, Philip Fisher, Mary Jacobus, John Kucich, Margaret Homans, and Deirdre David.

A Chronology and Selected Bibliography are also included. [via]

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ISBN 9780679405498 (0-679-40549-6, 0679405496)

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A Passage to India: Library Edition

by E. M. Forster

ISBN 0679405496 (0-679-40549-6)
Hardcover, Random House Inc

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Book summary:

What really happened in the Marabar caves? This is the mystery at the heart of E.M. Forster's 1924 novel, A Passage to India, the puzzle that sets in motion events highlighting an even larger question: Can an Englishman and an Indian be friends?

"It is impossible here," an Indian character tells his friend, Dr. Aziz, early in the novel.

"They come out intending to be gentlemen, and are told it will not do.... Why, I remember when Turton came out first. It was in another part of the Province. You fellows will not believe me, but I have driven with Turton in his carriage--Turton! Oh yes, we were once quite intimate. He has shown me his stamp collection.
"He would expect you to steal it now. Turton! But red-nosed boy will be far worse than Turton!
"I do not think so. They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike."

Written while England was still firmly in control of India, Forster's novel follows the fortunes of three English newcomers to India--Miss Adela Quested, Mrs. Moore, and Cyril Fielding--and the Indian, Dr. Aziz, with whom they cross destinies. The idea of true friendship between the races was a radical one in Forster's time, and he makes it abundantly clear that it was not one that either side welcomed. If Aziz's friend, Hamidullah, believed it impossible, the British representatives of the Raj were equally discouraging.

"Why, the kindest thing one can do to a native is to let him die," said Mrs. Callendar.
"How if he went to heaven?" asked Mrs. Moore, with a gentle but crooked smile.
"He can go where he likes as long as he doesn't come near me. They give me the creeps."

Despite their countrymen's disapproval, Miss Quested, Mrs. Moore, and Mr. Fielding are all eager to meet Indians, and in Dr. Aziz they find a perfect companion: educated, westernized, and open-minded. Slowly, the friendships ripen, especially between Aziz and Fielding. Having created the possibility of esteem based on trust and mutual affection, Forster then subjects it to the crucible of racial hatred: during a visit to the famed Marabar caves, Miss Quested accuses Dr. Aziz of sexually assaulting her, then later recants during the frenzied trial that follows. Under such circumstances, affection proves to be a very fragile commodity indeed.

Arguably Forster's greatest novel, A Passage to India limns a troubling portrait of colonialism at its worst, and is remarkable for the complexity of its characters. Here the personal becomes the political and in the breach between Aziz and his English "friends," Forster foreshadows the eventual end of the Raj. --Alix Wilber [via]

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ISBN 9781406502473 (1-4065-0247-2, 1406502472)

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The Picture of Dorian Gray

by Oscar Wilde

ISBN 1406502472 (1-4065-0247-2)
Softcover, Dodo Pr

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Book summary:

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]

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ISBN 9780582418080 (0-582-41808-9, 0582418089)

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The Picture of Dorian Gray

by Kieran McGovern, Oscar Wilde

ISBN 0582418089 (0-582-41808-9)
Softcover, Pearson Education, Limited

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Book summary:

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]

More editions of The Picture of Dorian Gray:

The Picture of Dorian Gray: ISBN 0582418089 (0-582-41808-9)
Softcover, Pearson Education, Limited

ISBN 9780553212549 (0-553-21254-0, 0553212540)

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The Picture of Dorian Gray and Other Writings by Oscar Wilde

by Oscar Wilde

ISBN 0553212540 (0-553-21254-0)
Softcover, Bantam Classic & Loveswept

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Book summary:

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]

More editions of The Picture of Dorian Gray and Other Writings by Oscar Wilde:

The Picture of Dorian Gray and Other Writings by Oscar Wilde: ISBN 0553212540 (0-553-21254-0)
Softcover, Bantam Classic & Loveswept

ISBN 9780451523846 (0-451-52384-9, 0451523849)

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Picture of Dorian Gray and Selected Stories

by Oscar Wilde

ISBN 0451523849 (0-451-52384-9)
Softcover, New Amer Library Classics

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Picture of Dorian Gray and Selected Stories: ISBN 0451523849 (0-451-52384-9)
Softcover, New Amer Library Classics

ISBN 9780783885001 (0-7838-8500-8, 0783885008)

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Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary

by Simon Winchester

ISBN 0783885008 (0-7838-8500-8)
Hardcover, Thorndike Pr

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Book summary:

The compilation of the Oxford English Dictionary, 70 years in the making, was an intellectually heroic feat with a twist worthy of the greatest mystery fiction: one of its most valuable contributors was a criminally insane American physician, locked up in an English asylum for murder. British stage actor Simon Jones leads us through this uncommon meeting of minds (the other belonging to self-educated dictionary editor James Murray) at full gallop. Ultimately, it's hard to say which is more remarkable: the facts of this amazingly well-researched story, or the sound of author Simon Winchester's erudite prose. Jones's reading smoothly transports listeners to the 19th century, reminding us why so many brilliant people obsessively set out to catalogue the English language. This unabridged version contains an interview between Winchester and John Simpson, editor of the Oxford dictionary. (Running time: 6.5 hours, 6 cassettes) --Lou Schuler [via]

More editions of Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary:

Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary: ISBN 0783885008 (0-7838-8500-8)
Hardcover, Thorndike Pr

ISBN 9781582790701 (1-58279-070-1, 1582790701)

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Signature Classics - Howards End

by Edward Morgan Forster

ISBN 1582790701 (1-58279-070-1)
Hardcover, Trident Reference Pub

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Book summary:

Margaret Schlegel, engaged to the much older, widowed Henry Wilcox, meets her intended the morning after accepting his proposal and realizes that he is a man who has lived without introspection or true self-knowledge. As she contemplates the state of Wilcox's soul, her remedy for what ails him has become one of the most oft-quoted passages in literature:

Only connect! That was the whole of her sermon. Only connect the prose and the passion and both will be exalted, and human love will be seen at its height. Live in fragments no longer.

Like all of Forster's work, Howards End concerns itself with class, nationality, economic status, and how each of these affects personal relationships. It follows the intertwined fortunes of the Schlegel sisters, Margaret and Helen, and the Wilcox family over the course of several years. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes, on the other hand, can't be bothered with the life of the mind or the heart, leading, instead, outer lives of "telegrams and anger" that foster "such virtues as neatness, decision, and obedience, virtues of the second rank, no doubt, but they have formed our civilization." Helen, after a brief flirtation with one of the Wilcox sons, has developed an antipathy for the family; Margaret, however, forms a brief but intense friendship with Mrs. Wilcox, which is cut short by the older woman's death. When her family discovers a scrap of paper requesting that Henry give their home, Howards End, to Margaret, it precipitates a spiritual crisis among them that will take years to resolve.

Forster's 1910 novel begins as a collection of seemingly unrelated events--Helen's impulsive engagement to Paul Wilcox; a chance meeting between the Schlegel sisters and an impoverished clerk named Leonard Bast at a concert; a casual conversation between the sisters and Henry Wilcox in London one night. But as it moves along, these disparate threads gradually knit into a tightly woven fabric of tragic misunderstandings, impulsive actions, and irreparable consequences, and, eventually, connection. Though set in the early years of the 20th century, Howards End seems even more suited to our own fragmented era of e-mails and anger. For readers living in such an age, the exhortation to "only connect" resonates ever more profoundly. --Alix Wilber [via]

More editions of Signature Classics - Howards End:

Signature Classics - Howards End: ISBN 1582790701 (1-58279-070-1)
Hardcover, Trident Reference Pub

ISBN 9781593080709 (1-59308-070-0, 1593080700)

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Tom Jones

by Henry Fielding, Ross Hamilton

ISBN 1593080700 (1-59308-070-0)
Softcover, Sterling Pub Co Inc

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Book summary:

The Second Edition of this Norton Critical Edition of Fieldings great novel reprints the definitive fourth edition text (1749, dated 1750), "Carefully revisd and corrected/By Henry Fielding, Esq;", the last in his lifetime.

The novel is fully annotated for undergraduate readers and is accompanied by a Textual Appendix and a map depicting Toms route to London.

As in the previous edition, "Contemporary Reactions" by such noteworthy commentators as Samuel Richardson, Samuel Johnson, and the Hill sisters provide rich historical context.

"Criticism" is a collection of fourteen interpretations of the novel spanning the years 18261990 by Samuel Taylor Coleridge, William Forsyth, Kenneth Rexroth, R. S. Crane, John Preston, William Empson, Wayne C. Booth, Martin Battestin, Maaja A. Stewart, Eleanor N. Hutchens, Sean Shesgreen, Frederick W. Hilles, and Sheridan Baker.

A new Chronology and an updated Selected Bibliography are also included. [via]

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Tom Jones - A Foundling

by Henry Fielding

ISBN 0394605195 (0-394-60519-5)
Hardcover, Random House Publishing Group

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More editions of Tom Jones - A Foundling:

Tom Jones - A Foundling: ISBN 0394605195 (0-394-60519-5)
Hardcover, Random House Publishing Group

ISBN 9781573226257 (1-57322-625-4, 1573226254)

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Woe Is I: The Grammarphobe's Guide to Better English in Plain English

by Patricia T. O'Conner

ISBN 1573226254 (1-57322-625-4)
Softcover, Penguin Group (USA) Incorporated

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Book summary:

The bestselling grammar book has been updated and revised to include the latest and greatest on the basics and subtleties of English, and features a new chapter on the language of the Internet. [via]

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