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› Find signed collectible books: 'The Compact Edition of the Oxford English Dictionary: A Supplement to the Oxford English Dictionary Volumes I-Iv, Vol 3'
In 1971 the Compact Oxford English Dictionary made publishing and printing history by ingeniously reducing the 13 volumes of the OED to two, without losing one word of the original. Newsweek hailed the achievement "a brilliant success," while the New York Times declared that the Compact was "something of a miracle... easier to work with than the original... an extraordinary bargain." Since then it has sold over 330,000 copies in the United States alone.
But the Compact did not contain the Supplements to the OED which have been appearing at regular intervals since 1972. Now, with their completion in 1986, all four volumes are being produced in a single micrographically reproduced volume to be called Volume III of the Compact OED. So the vital addendum, which transforms the OED into an indispensable tool for the eighties, will be made available for the first time in this convenient and affordable format.
The Supplement, called the "book of the century" by Phillip Howard in the London Times, contains all the new words that have come into use during the twentieth century and includes as well the countless new meanings that have been applied to older words--over 69,000 entries altogether. It includes business terms, "computerese," space-age terminology, colloquialisms and coinages by modern authors ranging from William Faulkner and Virginia Woolf to Gore Vidal and Erica Jong. Words like G-man, yuppie, user-friendly , test-tube baby, and Zen Buddhism rub shoulders with the most recent additions to subjects like law, medicine and engineering. The wealth of Americanisms in the Supplement also reflects a new direction for the dictionary. As editor Robert Burchfield explains it, "The center of gravity for the English language is no longer Britain. American English is the greatest influence on English everywhere."
Volume III of the Compact is available in its own jndividual slipcase or combined with Volumes I and II in one slipcase. By a process of photoreduction four pages from the original work appear on each page of the Compact edition and both versions include a magnifying glass that makes the reduced type easily readable.
The Compact Edition of the Oxford English Dictionary, Volume III (A Supplement to the Oxford English Dictionary, Volumes I-IV) $75.00, 861211-7, 1424 pp., 9 1/2 x 12 1/2 1 volume in slipcase (adhesive strips on the slipcase allow it to be attached to the 2-volume Compact OED boxed set) with reading glass
The Compact Edition of the Oxford English Dictionary, Volumes I-III $250.00, 861212-5, 5568 pp., 9 1/2 x 12 1/2 Volumes I, II and III in a single slipcase with reading glass [via]
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› Find signed collectible books: 'The Compact Edition of the Oxford English Dictionary: Complete Text Reproduced Micrographically'
More editions of The Compact Edition of the Oxford English Dictionary: Complete Text Reproduced Micrographically:
› Find signed collectible books: 'The Compact Oxford English Dictionary'
Proper words in their proper places--and a good many improper ones, too! If the OED's many obsolete definitions tend to be the most enjoyable--shuff is dialect for "shy," dolt was once upon a time a verb as well, meaning "to befool"--everyday idiosyncrasies still abound. But, for instance, occupies nine columns of text, and who would wish a single line away? There's also the sublime pleasure of trawling through the sea of relevant quotations. The OED's initial team of "voluntary readers" was asked to cite as many phrases as possible for both archaic and ordinary terms. None seems to have found this remotely arduous, and we now reap the >ubiquitous ("present or appearing everywhere; omnipresent") rewards. This huge venture is a labor of lore, love, and good humor. One caveat: If you skip over the Historical Introduction, you'll miss learning about the Unregistered Words Committee, and overlook the wry warning, "If there is any truth in the old Greek maxim that a large book is a great evil, English dictionaries have been steadily growing worse ever since their inception...." [via]
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› Find signed collectible books: 'Jane Austen'
Collected together in one volume, The Complete Novels show the development of Austen as a writer and social commentator. From the early optimism and youthful energy of Northanger Abbey to the quiet and subtle art of Persuasion, this collection reveals the breadth of one of the best loved novelists of all time. [via]
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› Find signed collectible books: 'Jane Austen's Northanger Abbey'
More editions of Jane Austen's Northanger Abbey:
› Find signed collectible books: 'Jane Austen's Northanger Abbey: A Longman Cultural Edition'
Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.
Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber [via]
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› Find signed collectible books: 'LA Senora Dalloway'
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› Find signed collectible books: 'Middlemarch'
It was George Eliot's ambition to create a world and portray a whole community-tradespeople, middle classes, country gentry-in the rising fictional provincial town of Middlemarch, circa 1830. Vast and crowded, rich in narrative irony and suspense, Middlemarch is richer still in character and in its sense of how individual destinies are shaped by and shape the community. [via]
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› Find signed collectible books: 'Middlemarch'
A. S. Byatt provides an introduction to one of the most popular novels in English literature, George Eliot's Middlemarch. [via]
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› Find signed collectible books: 'Middlemarch'
Writing at the very moment when the foundations of Western thought were being challenged and undermined, George Eliot fashions in Middlemarch (1871-2), the quintessential Victorian novel, a concept of life and society free of the dogma of the past yet able to confront the scepticism that was taking over the age. The text of this edition comes from the original Clarendon edition, the first critical edition of the novel. Felicia Bonaparte has provided a new Introduction for this updated edition, which roots the characters and action in the conceptual concerns that that inspired the novel. [via]
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› Find signed collectible books: 'Middlemarch a Study of Provincial Life'
On April 10, 1994, PBS stations nationwide will air the first episode of a lavish six-part Masterpiece Theatre production of Eliot's brilliant work, Middlemarch, hosted by Russell Baker and produced by Louis Marks. The Modern Library is pleased to offer this official companion edition, complete with tie-in art and printed on acid-free paper. Unabridged. [via]
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› Find signed collectible books: 'Mla Handbook for Writers of Research Papers'
The new edition presents a comprehensive guide to preparing research papers and includes detailed coverage using computers for research and citing electronic publications. [via]
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› Find signed collectible books: 'MLA Handbook for Writers of Research Papers, Theses, and Dissertations'
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› Find signed collectible books: 'Mrs Dalloway'
As Clarissa Dalloway walks through London on a fine June morning, a sky-writing plane captures her attention. Crowds stare upwards to decipher the message while the plane turns and loops, leaving off one letter, picking up another. Like the airplane's swooping path, Virginia Woolf's Mrs. Dalloway follows Clarissa and those whose lives brush hers--from Peter Walsh, whom she spurned years ago, to her daughter Elizabeth, the girl's angry teacher, Doris Kilman, and war-shocked Septimus Warren Smith, who is sinking into madness.
As Mrs. Dalloway prepares for the party she is giving that evening, a series of events intrudes on her composure. Her husband is invited, without her, to lunch with Lady Bruton (who, Clarissa notes anxiously, gives the most amusing luncheons). Meanwhile, Peter Walsh appears, recently from India, to criticize and confide in her. His sudden arrival evokes memories of a distant past, the choices she made then, and her wistful friendship with Sally Seton.
Woolf then explores the relationships between women and men, and between women, as Clarissa muses, "It was something central which permeated; something warm which broke up surfaces and rippled the cold contact of man and woman, or of women together.... Her relation in the old days with Sally Seton. Had not that, after all, been love?" While Clarissa is transported to past afternoons with Sally, and as she sits mending her green dress, Warren Smith catapults desperately into his delusions. Although his troubles form a tangent to Clarissa's web, they undeniably touch it, and the strands connecting all these characters draw tighter as evening deepens. As she immerses us in each inner life, Virginia Woolf offers exquisite, painful images of the past bleeding into the present, of desire overwhelmed by society's demands. --Joannie Kervran Stangeland [via]
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› Find signed collectible books: 'Mrs. Dalloway Reader'
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› Find signed collectible books: 'Northanger Abbey'
Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.
Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber [via]
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› Find signed collectible books: 'Northanger Abbey'
Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.
Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber [via]
More editions of Northanger Abbey:
› Find signed collectible books: 'Northanger Abbey'
Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.
Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber [via]
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› Find signed collectible books: 'Northanger Abbey and Persuasion'
This is part of a complete set of Jane Austen's novels collating the editions published during the author's lifetime and previously unpublished manuscripts. The books are illustrated with 19th century plates and incorporate revisions by experts in the light of subsequent research. The set consists of "Pride and Prejudice", "Sense and Sensibility", "Mansfield Park", "Northanger Abbey" and "Persuasion", "Emma" and "Minor Works". [via]
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› Find signed collectible books: 'Northanger Abbey, Lady Susan, the Watsons, Sanditon: Lady Susan ; The Watsons ; Sanditon'
This volume contains an epistolary novel, Lady Susan, and two unfinished works, The Watsons and Sanditon, along with the well-known Northanger Abbey. [via]
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› Find signed collectible books: 'Northanger Abbey, Lady Susan, the Watsons, Sanditon: Lady Susan ; The Watsons ; Sanditon'
Northanger Abbey is the earliest of Jane Austen's great comedies of female enlightenment and combines literary burlesque - making fun of the excesses of the Gothic novel - with larger moral, philosophical, and social issues: the folly of letting literature get in the way of life, the inexcusability of not thinking for oneself, and the painful difficulties (especially for women) involved in growing up. Lady Susan and The Watsons are early compositions that reflect many of the qualities of Northanger Abbey. The first is an epistolary novel centring on the intrigues of the villainous Lady Susan; the second is an unfinished example of Jane Austen's most characteristic form - a story where the heroine is outstanding for her sense and goodness, virtues notably lacking in the other characters, who are here part of an altogether bleaker vision. Sanditon, too, is tragically incomplete, and it signals the achievement of a new depth and breadth of comic insight on the part of its author. [via]
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Complete text (without the four Supplement volumes) reproduced micrographically. [via]
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› Find signed collectible books: 'The Oxford English Dictionary'
The Oxford English Dictionary has long been considered the ultimate reference work in English lexicography. Compiled by the legendary editor James Murray and a staff of brilliant philologists and lexicographers (not to mention one homicidal maniac), the OED was originally conceived in 1857 as a four-volume set, but by the time the last volume was published in 1928, it had swelled to 10 volumes containing over 400,000 entries. In the years since, the staff of the OED has continued to keep pace with our ever-evolving language, and today the dictionary weighs in at a whopping 20 volumes. The great joy of this dictionary lies in its extensive cross-references and word etymologies, which can run a full page or more. These features not only make the OED the most comprehensive and authoritative dictionary of the English language, but a delight to browse. [via]
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› Find signed collectible books: 'Oxford English Dictionary Additions Series'
The second in a major series of volumes supplementing the Second Edition of The Oxford English Dictionary, OED Additions Volume 2 contains, 3,000 new words and meanings presented in OED style, and represents work-in-progress from across the alphabetic range. Its contents include: 3,000 new words and senses; cumulative index of volumes 1 and 2; world coverage of English including the UK (exclusion order), North America (enrollee), and Australia (grummet), a wide variety of subjects, including science (superstring), literary theory (epiphanic), and sport (strokeless); all registers of English, including colloquial (everyplace) and slang (dweeb); full historical documentation, and dates of first appearance. [via]
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› Find signed collectible books: 'The Oxford English Dictionary: Being a Corrected Re-Issue with an Introduction, Supplement, and Bibliography of A New English Dictionary on Historical Principles'
More editions of The Oxford English Dictionary: Being a Corrected Re-Issue with an Introduction, Supplement, and Bibliography of A New English Dictionary on Historical Principles:
› Find signed collectible books: 'The Stories of English'
The English language is now accepted as the global lingua franca of the modern age, spoken or written in by over a quarter of the human race. But how did it evolve? How did a language spoken originally by a few thousand Anglo-Saxons become one used by more than 1,500 million? What developments can be seen as we move from Beowulf to Chaucer to Shakespeare to Dickens and the present day? A host of fascinating questions are answered in The Stories of English ? a groundbreaking history of the language by David Crystal, the world-renowned writer and commentator on English. Many books have been written about English, but they have all focused on a single variety ? the educated, printed language called ?standard? English. David Crystal turns the history of English on its head and instead provides a startlingly original view of where the richness, creativity and diversity of the language truly lies ? in the accents and dialects of nonstandard English users all over the world. Whatever their regional, social or ethnic background, each group has a story worth telling, whether it is in Scotland or Somerset, South Africa or Singapore. Interweaved within this central chronological story are accounts of uses of dialect around the world as well as in literary classics from The Canterbury Tales to The Lord of the Rings. For the first time, regional speech and writing is placed centre stage, giving a sense of the social realities behind the development of English. This significant shift in perspective enables the reader to understand for the first time the importance of everyday, previously marginalized, voices in our language and provides an argument too for the way English should be taught in the future. [via]
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› Find signed collectible books: 'LA Senora Dalloway'
Nuestra editorial se especializa en publicar libros en español. Para encontrar otros títulos busque Editorial Medí.
Contamos con mas volúmenes en español que cualquier otra editorial para el kindle y continuamos creciendo. [via]
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› Find signed collectible books: 'Hari Butor Wa Hajar Al-fayasuf / Harry Potter and the Sorcerer's Stone'
The Arabic Edition of the fascinating English thriller Harry Potter and the Philosopher's Stone [via]
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