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ISBN 9780681005709 (0-681-00570-X, 068100570X)

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Edith Wharton

by Edith Wharton

ISBN 068100570X (0-681-00570-X)
Softcover, Octopus Publishing Group

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Book summary:

Age of Innocence House of Mirth Ethan Frome [via]

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Edith Wharton: ISBN 068100570X (0-681-00570-X)
Softcover, Octopus Publishing Group

ISBN 9781404308190 (1-4043-0819-9, 1404308199)

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The House of Mirth

by Edith Wharton

ISBN 1404308199 (1-4043-0819-9)
Softcover, IndyPublish.com

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An impulse of curiosity made him turn out of his direct line to the door, and stroll past her. He knew that if she did not wish to be seen she would contrive to elude him; and it amused him to think of putting her skill to the test. [via]

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ISBN 9781551115672 (1-55111-567-0, 1551115670)

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The House of Mirth

by Janet Beer, Elizabeth Nolan

ISBN 1551115670 (1-55111-567-0)
Softcover, Broadview Pr

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Book summary:

"The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth," warns Ecclesiastes 7:4, and so does the novel by Edith Wharton that takes its title from this call to heed. New York at the turn of the century was a time of opulence and frivolity for those who could afford it. But for those who couldn't and yet wanted desperately to keep up with the whirlwind, like Wharton's charming Lily Bart, it was something else altogether: a gilded cage rather than the Gilded Age.

One of Wharton's earliest descriptions of her heroine, in the library of her bachelor friend and sometime suitor Lawrence Selden, indicates that she appears "as though she were a captured dryad subdued to the conventions of the drawing room." Indeed, herein lies Lily's problem. She has, we're told, "been brought up to be ornamental," and yet her spirit is larger than what this ancillary role requires. By today's standards she would be nothing more than a mild rebel, but in the era into which Wharton drops her unmercifully, this tiny spark of character, combined with numerous assaults by vicious society women and bad luck, ultimately renders Lily persona non grata. Her own ambivalence about her position serves to open the door to disaster: several times she is on the verge of "good" marriage and squanders it at the last moment, unwilling to play by the rules of a society that produces, as she calls them, "poor, miserable, marriageable girls.

Lily's rather violent tumble down the social ladder provides a thumbnail sketch of the general injustices of the upper classes (which, incidentally, Wharton never quite manages to condemn entirely, clearly believing that such life is cruel but without alternative). From her start as a beautiful woman at the height of her powers to her sad finale as a recently fired milliner's assistant addicted to sleeping drugs, Lily Bart is heroic, not least for her final admission of her own role in her downfall. "Once--twice--you gave me the chance to escape from my life and I refused it: refused it because I was a coward," she tells Selden as the book draws to a close. All manner of hideous socialite beasts--some of whose treatment by Wharton, such as the token social-climbing Jew, Simon Rosedale, date the book unfortunately--wander through the novel while Lily plummets. As her tale winds down to nothing more than the remnants of social grace and cold hard cash, it's hard not to agree with Lily's own assessment of herself: "I have tried hard--but life is difficult, and I am a very useless person. I can hardly be said to have an independent existence. I was just a screw or a cog in the great machine I called life, and when I dropped out of it I found I was of no use anywhere else." Nevertheless, it's even harder not to believe that she deserved better, which is why The House of Mirth remains so timely and so vital in spite of its crushing end and its unflattering portrait of what life offers up. --Melanie Rehak [via]

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The House of Mirth: ISBN 1551115670 (1-55111-567-0)
Softcover, Broadview Pr

ISBN 9781406728712 (1-4067-2871-3, 1406728713)

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Howards End

by E. M. Forster

ISBN 1406728713 (1-4067-2871-3)
Softcover, Hesperides Pr

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Margaret Schlegel, engaged to the much older, widowed Henry Wilcox, meets her intended the morning after accepting his proposal and realizes that he is a man who has lived without introspection or true self-knowledge. As she contemplates the state of Wilcox's soul, her remedy for what ails him has become one of the most oft-quoted passages in literature:

Only connect! That was the whole of her sermon. Only connect the prose and the passion and both will be exalted, and human love will be seen at its height. Live in fragments no longer.

Like all of Forster's work, Howards End concerns itself with class, nationality, economic status, and how each of these affects personal relationships. It follows the intertwined fortunes of the Schlegel sisters, Margaret and Helen, and the Wilcox family over the course of several years. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes, on the other hand, can't be bothered with the life of the mind or the heart, leading, instead, outer lives of "telegrams and anger" that foster "such virtues as neatness, decision, and obedience, virtues of the second rank, no doubt, but they have formed our civilization." Helen, after a brief flirtation with one of the Wilcox sons, has developed an antipathy for the family; Margaret, however, forms a brief but intense friendship with Mrs. Wilcox, which is cut short by the older woman's death. When her family discovers a scrap of paper requesting that Henry give their home, Howards End, to Margaret, it precipitates a spiritual crisis among them that will take years to resolve.

Forster's 1910 novel begins as a collection of seemingly unrelated events--Helen's impulsive engagement to Paul Wilcox; a chance meeting between the Schlegel sisters and an impoverished clerk named Leonard Bast at a concert; a casual conversation between the sisters and Henry Wilcox in London one night. But as it moves along, these disparate threads gradually knit into a tightly woven fabric of tragic misunderstandings, impulsive actions, and irreparable consequences, and, eventually, connection. Though set in the early years of the 20th century, Howards End seems even more suited to our own fragmented era of e-mails and anger. For readers living in such an age, the exhortation to "only connect" resonates ever more profoundly. --Alix Wilber [via]

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ISBN 9781593080228 (1-59308-022-0, 1593080220)

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Howards End

by Mary Gordon, E. M. Forster

ISBN 1593080220 (1-59308-022-0)
Softcover, Sterling Pub Co Inc

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Book summary:

Margaret Schlegel, engaged to the much older, widowed Henry Wilcox, meets her intended the morning after accepting his proposal and realizes that he is a man who has lived without introspection or true self-knowledge. As she contemplates the state of Wilcox's soul, her remedy for what ails him has become one of the most oft-quoted passages in literature:

Only connect! That was the whole of her sermon. Only connect the prose and the passion and both will be exalted, and human love will be seen at its height. Live in fragments no longer.

Like all of Forster's work, Howards End concerns itself with class, nationality, economic status, and how each of these affects personal relationships. It follows the intertwined fortunes of the Schlegel sisters, Margaret and Helen, and the Wilcox family over the course of several years. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes, on the other hand, can't be bothered with the life of the mind or the heart, leading, instead, outer lives of "telegrams and anger" that foster "such virtues as neatness, decision, and obedience, virtues of the second rank, no doubt, but they have formed our civilization." Helen, after a brief flirtation with one of the Wilcox sons, has developed an antipathy for the family; Margaret, however, forms a brief but intense friendship with Mrs. Wilcox, which is cut short by the older woman's death. When her family discovers a scrap of paper requesting that Henry give their home, Howards End, to Margaret, it precipitates a spiritual crisis among them that will take years to resolve.

Forster's 1910 novel begins as a collection of seemingly unrelated events--Helen's impulsive engagement to Paul Wilcox; a chance meeting between the Schlegel sisters and an impoverished clerk named Leonard Bast at a concert; a casual conversation between the sisters and Henry Wilcox in London one night. But as it moves along, these disparate threads gradually knit into a tightly woven fabric of tragic misunderstandings, impulsive actions, and irreparable consequences, and, eventually, connection. Though set in the early years of the 20th century, Howards End seems even more suited to our own fragmented era of e-mails and anger. For readers living in such an age, the exhortation to "only connect" resonates ever more profoundly. --Alix Wilber [via]

More editions of Howards End:

Howards End: ISBN 1593080220 (1-59308-022-0)
Softcover, Sterling Pub Co Inc

ISBN 9780393310320 (0-393-31032-9, 0393310329)

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Maurice

by E. M. Forster

ISBN 0393310329 (0-393-31032-9)
Softcover, W W Norton & Co Inc

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Book summary:

Written during 1913 and 1914, Maurice deals with the then unmentionable subject of homosexuality. More unusual, it concerns a relationship that ends happily. [via]

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ISBN 9781404327559 (1-4043-2755-X, 140432755X)

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A Room With a View

by E. M. Forster

ISBN 140432755X (1-4043-2755-X)
Softcover, Indypublish.Com

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Book summary:

The graded readers in this series aim to provide learners of English with a pleasurable reading experience. The series, which should appeal to a wide age range, exposes students to a variety of styles and kinds of English and the books contain puzzles and exercises based on the text. The grading system is based on lexical controls, structural controls and guidelines on sentence length and complexity. Books in Level 3 have a vocabulary of 1000 words. [via]

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ISBN 9781932595161 (1-932595-16-3, 1932595163)

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Room With a View

by Lucy Fur

ISBN 1932595163 (1-932595-16-3)
Hardcover, Feral House

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Book summary:

A motel, a camera and Lucy Fur. Dreamy.Jimmy McDonough, author of Shakey: Neil Youngs Biography and Big Bosoms and Square Jaws: The Biography of Russ Meyer

The young, buxom Burlesque Queen of Portland, Oregon, has begun a distinctive photographic career by posing in a vanishing breed of unique motel room environ-ments across the country.

Writes Lucy in her introduction, Room With a View is not merely a pin-up book: it is as much about the room as it is about me. I think of myself as a fixture in that room, like a lamp or a chair. The kind of motel rooms that particularly attracted me had wood paneling, forgotten 60s- and 70s-era oil paintings, strange lighting, fantasy themes, tiled bathrooms, wacky wallpaper, and no outside view. All the photo-graphs are in some way a reaction to the established lexicon of pin-up sexy.

Room With a View contains nearly one hundred of Lucy Furs photographs, bound handsomely with an inlaid photograph surrounded by an elegant embossed cloth binding.

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Room With a View: ISBN 1932595163 (1-932595-16-3)
Hardcover, Feral House

ISBN 9780141183299 (0-14-118329-2, 0141183292)

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A Room With a View

by Malcolm Bradbury, E. M. Forster

ISBN 0141183292 (0-14-118329-2)
Softcover, Penguin Group USA

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Book summary:

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young English woman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson--who is entirely unsuitable and whose father just may be a Socialist--Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England she is courted by a more acceptable, if stifling, suitor, and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion. The enduring delight of this tale of romantic intrigue is rooted in Forster's colorful characters, including outrageous spinsters, pompous clergymen and outspoken patriots. Written in 1908, A Room With A View is one of E.M. Forster's earliest and most celebrated works. [via]

More editions of A Room With a View:

A Room With a View: ISBN 0141183292 (0-14-118329-2)
Softcover, Penguin Group USA

ISBN 9781582790701 (1-58279-070-1, 1582790701)

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Signature Classics - Howards End

by Edward Morgan Forster

ISBN 1582790701 (1-58279-070-1)
Hardcover, Trident Reference Pub

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Book summary:

Margaret Schlegel, engaged to the much older, widowed Henry Wilcox, meets her intended the morning after accepting his proposal and realizes that he is a man who has lived without introspection or true self-knowledge. As she contemplates the state of Wilcox's soul, her remedy for what ails him has become one of the most oft-quoted passages in literature:

Only connect! That was the whole of her sermon. Only connect the prose and the passion and both will be exalted, and human love will be seen at its height. Live in fragments no longer.

Like all of Forster's work, Howards End concerns itself with class, nationality, economic status, and how each of these affects personal relationships. It follows the intertwined fortunes of the Schlegel sisters, Margaret and Helen, and the Wilcox family over the course of several years. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes, on the other hand, can't be bothered with the life of the mind or the heart, leading, instead, outer lives of "telegrams and anger" that foster "such virtues as neatness, decision, and obedience, virtues of the second rank, no doubt, but they have formed our civilization." Helen, after a brief flirtation with one of the Wilcox sons, has developed an antipathy for the family; Margaret, however, forms a brief but intense friendship with Mrs. Wilcox, which is cut short by the older woman's death. When her family discovers a scrap of paper requesting that Henry give their home, Howards End, to Margaret, it precipitates a spiritual crisis among them that will take years to resolve.

Forster's 1910 novel begins as a collection of seemingly unrelated events--Helen's impulsive engagement to Paul Wilcox; a chance meeting between the Schlegel sisters and an impoverished clerk named Leonard Bast at a concert; a casual conversation between the sisters and Henry Wilcox in London one night. But as it moves along, these disparate threads gradually knit into a tightly woven fabric of tragic misunderstandings, impulsive actions, and irreparable consequences, and, eventually, connection. Though set in the early years of the 20th century, Howards End seems even more suited to our own fragmented era of e-mails and anger. For readers living in such an age, the exhortation to "only connect" resonates ever more profoundly. --Alix Wilber [via]

More editions of Signature Classics - Howards End:

Signature Classics - Howards End: ISBN 1582790701 (1-58279-070-1)
Hardcover, Trident Reference Pub

ISBN 9781593082659 (1-59308-265-7, 1593082657)

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The Wind in the Willows

by Kenneth Grahame, Gardner McFall

ISBN 1593082657 (1-59308-265-7)
Softcover, Sterling Pub Co Inc

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Book summary:

Inspired by correspondence from Wind in the Willow's author Kenneth Grahame to his young son, award-winning illustrator Michael Foreman took up paint and brush to follow Mole, Ratty, Mr. Badger, and Toad through another edition of this well-loved kids classic.

Grahame's time-honored story, an adventure-filled idyll that meanders across a lovingly described English countryside, cemented its status as a masterpiece generations ago. But this newest edition adds some noteworthy extras: the unabridged text includes two chapters that don't appear in some modern versions ("The Pipers at the Gates of Dawn" and "Wayfarers All"), and the book closes with reproductions of two of Grahame's actual letters to his son Alistair ("My darling Mouse") in 1907, written on ornate, old-timey stationery from two Cornwall hotels and recounting one of Toad's first adventures (which Toad fans will recognize as the train-assisted escape of a certain "washerwoman").

These inclusions alone might merit a new edition, but Foreman's illustrations stand shoulder to shoulder with those of previous Winds artists (among them Ernest Shepard, the original illustrator, and Arthur Rackham, both of whom Foreman modestly stands "in awe" of). The lively, full-color illustrations appear generously throughout the book, as they convincingly capture both the story's small moments (like the washerwoman's weeping, for one) and more explosive events (like the storming of Toad Hall). (All ages) --Paul Hughes [via]

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ISBN 9780805002133 (0-8050-0213-8, 0805002138)

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The Wind in the Willows

by Michael Hague, Kenneth Grahame

ISBN 0805002138 (0-8050-0213-8)
Hardcover, Holt & Company, Henry

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Book summary:

"[Mole] thought his happiness was complete when, as he meandered aimlessly along, suddenly he stood by the edge of a full-fed river. Never in his life had he seen a river before--this sleek, sinuous, full-bodied animal, chasing and chuckling, gripping things with a gurgle and leaving them with a laugh, to fling itself on fresh playmates that shook themselves free, and were caught and held again." Such is the cautious, agreeable Mole's first introduction to the river and the Life Adventurous. Emerging from his home at Mole End one spring, his whole world changes when he hooks up with the good-natured, boat-loving Water Rat, the boastful Toad of Toad Hall, the society- hating Badger who lives in the frightening Wild Wood, and countless other mostly well-meaning creatures. Michael Hague's exquisitely detailed, breathtaking color illustrations on almost every generous spread--along with Kenneth Grahame's elegant, delightfully old-fashioned characterizations of the animals--make this book a wonderful read-aloud. Grahame's The Wind in the Willows has enchanted readers for four generations, and this lavishly illustrated gift edition is perhaps the finest around. (All ages, or 9 to 12) [via]

More editions of The Wind in the Willows:

The Wind in the Willows: ISBN 0805002138 (0-8050-0213-8)
Hardcover, Holt & Company, Henry

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