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› Find signed collectible books: 'Acts of Literature'
Acts of Literature, compiled in close association with Jacques Derrida, brings together for the first time a number of Derrida's writings on literary texts. The essays discuss literary figures such as Rousseau, Mallarme, Joyce, Shakespeare, and Kafka, and comprise pieces spanning Derrida's career. The collection includes a substantial new interview with him on questions of literature, deconstruction, politics, feminism and history, and Derek Attridge provides an introductory essay on deconstruction and the question of literature, with suggestions for further reading. These essays examine the place and operation of literature in Western culture, and are highly original responses to individual literary texts. They highlight Derrida's interest in literature as a significant cultural institution and as a peculiarly challenging form of writing, with inescapable consequences for our thinking about philosophy, politics and ethics. [via]
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› Find signed collectible books: 'Acts of Religion'
Acts of Religion, compiled in close association with Jacques Derrida, brings together for the first time a number of Derrida's writings on religion and questions of faith and their relation to philosophy and political culture. The essays discuss religious texts from Jewish, Christian, and Muslim traditions, as well as religious thinkers such as Kant, Levinas, and Gershom Scholem, and comprise pieces spanning Derrida's career. The collection includes two new essays by Derrida that appear here for the first time in any language, as well as a substantial introduction by Gil Anidjar that explores Derrida's return to his own "religious" origins and his attempts to bring to light hidden religious dimensions of the social, cultural, historical, and political. [via]
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› Find signed collectible books: 'Allegories of Reading'
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› Find signed collectible books: 'Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust'
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› Find signed collectible books: 'Aporias'

› Find signed collectible books: 'Archive Fever: A Freudian Impression'
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› Find signed collectible books: 'Counterfeit Money'
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› Find signed collectible books: 'Deconstruction in a Nutshell: A Conversation With Jacques Derrida'
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› Find signed collectible books: 'Deconstruction in Context: Literature and Philosophy'
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› Find signed collectible books: 'Deconstruction: Theory and Practice'
Since first appearing in 1982 this book has been acclaimed as by far the most readable, concise and authoritative text of its kind. While in no way oversimplifying the complexities of the subject, or understating the challenge it presents, Norris's book sets out to make deconstruction more accessible to the open-minded reader. For this revised edition the author has provided a substantial postscript which looks back over the past ten years of critical debate and seeks to correct some prevalent misunderstandings. The volume also contains an updated bibliography - among the most extensive of its kind - giving details of more than two hundred books published during that period. Some critics have dismissed deconstruction as a harmless academic game; others have denounced it as a terrorist weapon or a discourse of last-ditch nihilist unreason. As Norris demonstrates, both responses are equally wide of the mark. Focusing on Derrida's major texts, and offers a detailed commentary on his readings of Plato, Rousseau, Nietzsche, Husserl, Saussure, Levi-Strauss, J.L. Austin and others, this book brings out the extraordinary subtlety and force that have characterized his project from the outset. Norris also examines the work of those North American critics - Paul de Man, Geoffrey Hartman, J. Hillis Miller and Harold Bloom - who in their own prolonged efforts to move beyond the old' New Criticism have variously registered the impact of Derrida's thought. [via]
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› Find signed collectible books: 'Derrida'

› Find signed collectible books: 'Derrida and the End of History'
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› Find signed collectible books: 'Derrida for Beginners'
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› Find signed collectible books: 'A Derrida Reader: Between the Blinds'
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› Find signed collectible books: 'Discipline and Punish: The Birth of the Prison'
In this brilliant work, the most influential philosopher since Sartre suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner's body to his soul. [via]
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› Find signed collectible books: 'Dissemination'

› Find signed collectible books: 'The Ear of the Other : Otobiography, Transference, Translation Texts and Discussions With Jaques Derrida'
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› Find signed collectible books: 'The Ear of the Other : Otobiography, Transference, Translation'
"Originally published in French in 1982, this collection is a good representation of the range of Derrida's working styles."-South Atlantic Review "No writer has probed the riddle of the Other with more patience and insight than Jacques Derrida. . . . By rigorously interrogating the writings of major Western figures, Derrida not only forces a rethinking of the nature of reading and writing but calls into question basic as-sumptions about ourselves and our world. . . . The Ear of the Other will be especially useful to people who have little or no prior acquaintance with Derrida's work. . . . Through a careful reexamination of Nietzsche's autobiography Ecce Homo, Derrida elaborates some of the far-reaching implications of twentieth-century reinterpretations of human subjectivity."-Mark C. Taylor, Los Angeles Times Book Review. "Ably translated. . . . The long 'Roundtable on Autobiography' . . . is authentic philosophical discussion, illuminating not only the preceding lecture but Derrida's work as well."-Choice. [via]
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› Find signed collectible books: 'Edmund Husserl's Origin of Geometry, an Introduction'
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› Find signed collectible books: 'The Ethics of Deconstruction: Derrida and Levinas'
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› Find signed collectible books: 'The Gift of Death / Literature in Secret'
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› Find signed collectible books: 'Given Time'
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› Find signed collectible books: 'Glas'
- Galilée, Paris _1974, 25x25cm, broché, broché. - Edition originale sur papier courant. §Envoi autographe signé de l'auteur à un couple de proches amis. §Dos et plats marginalement insolés comme souvent, mors frottés, petites taches sur les plats, agréable état intérieur, exemplaire complet de son prière d'insérer. §Rare. [via]

› Find signed collectible books: 'How to Read Derrida'
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› Find signed collectible books: 'Imagined Communities: Reflections on the Origin And Spread of Nationalism'
The definitive, bestselling book on the origins of nationalism, and the processes that have shaped it.
Imagined Communities, Benedict Andersons brilliant book on nationalism, forged a new field of study when it first appeared in 1983. Since then it has sold over a quarter of a million copies and is widely considered the most important book on the subject. In this greatly anticipated revised edition, Anderson updates and elaborates on the core question: what makes people live and die for nations, as well as hate and kill in their name?
Anderson examines the creation and global spread of the imagined communities of nationality, and explores the processes that created these communities: the territorialization of religious faiths, the decline of antique kinship, the interaction between capitalism and print, the development of secular languages-of-state, and changing conceptions of time and space. He shows how an originary nationalism born in the Americas was adopted by popular movements in Europe, by imperialist powers, and by the movements of anti-imperialist resistance in Asia and Africa.
In a new afterword, Anderson examines the extraordinary influence of Imagined Communities, and the book's international publication and reception, from the end of the Cold War era to the present day.
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› Find signed collectible books: 'Introducing Derrida'
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› Find signed collectible books: 'Introducing Derrida'
Jacques Derrida has undermined the accepted rules of philosophy, rejected its methods and concepts, broken its procedural limits and contaminated philosophy with literary and other kinds of writing. Derrida's philosophy is an initially puzzling array of oblique, deviant and yet rigorous tactics for destabilizing texts, meanings and identities. "Deconstruction", as these strategies have been called, has been reviled as a politically pernicioius nihilism and celebrated as a liberatory politics of indifference. This work introduces the key strategies of Derrida's writings, explains the major controversies they have caused, and shows how Derrida himself has put these strategies to use in literature, art, architecture, and politics. [via]
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› Find signed collectible books: 'Limited Inc.'
› Find signed collectible books: 'Margins of Philosophy'

› Find signed collectible books: 'Marxism and Deconstruction: A Critical Articulation'
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› Find signed collectible books: 'Of Grammatology'
The author is one of the most acclaimed thinker, and expounder of philosophic process of thought of our time. Influence enough to have affected the entire French critical scene, Jacques Derrida has been hailed as the most important philosopher in France today. His ideas of reading and writing, his notion of de-construction, his reinterpretations of phenomenology, of psychoanalysis, and of strucuralism have profoundly influenced the vanguard of European and American criticism and have occasioned lively controversy. Derrida`s philosophical background baffles some literary critics. This role of exposing the common assumption shared by combatants in a controversy raises Derrida`s importance above merely the French scene. [via]
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› Find signed collectible books: 'Of Spirit: Heidegger and the Question'
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› Find signed collectible books: 'On Cosmopolitanism and Forgiveness'
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› Find signed collectible books: 'On Deconstruction'
With an emphasis on readers and reading, Jonathan Culler considered deconstruction in terms of the questions raised by psychoanalytic, feminist, and reader-response criticism. On Deconstruction is both an authoritative synthesis of Derrida's thought and an analysis of the often-problematic relationship between his philosophical writings and the work of literary critics.
Culler's book is an indispensable guide for anyone interested in understanding modern critical thought. This edition marks the twenty-fifth anniversary of the first publication of this landmark work and includes a new preface by the author that surveys deconstruction's history since the 1980s and assesses its place within cultural theory today.
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› Find signed collectible books: 'On Deconstruction: Theory and Criticism After Structuralism'
From reviews of the first edition?"Academic literary crticism continues to be dominated by 'theory' and the struggle between deconstructionist and humanist approaches to the business of reading. Jonathan Culler's On Deconstruction is a typically patient, thoughtful, illuminating exposition of the ideas of Jacques Derrida and their application to literary studies."-David Lodge, Commonwealth"Culler is lucid and thorough, can move into and out of other people's arguments without losing the sense of his own voice and argument, and can manage to seem equally at home with Freudianism, feminism, and traditional literary criticism."-Times Literary Supplement"As a practicing critic Culler has always been a deconstructor, and he approaches this topic with special immediacy and force. In On Deconstruction he offers generous summaries of numerous representative articles and a fine annotated bibliography. . . . His magisterial way of tracing particular topics and techniques through our diaspora of critical texts, and his provocative analyses, cannot fail to focus any critic's thinking about deconstruction."-Modern Language Quarterly"Gifted with grace and clarity, Culler provides us with a stimulating survey of contemporary literary criticism."-Antioch ReviewWith an emphasis on readers and reading, Jonathan Culler considered deconstruction in terms of the questions raised by psychoanalytic, feminist, and reader-response criticism. On Deconstruction is both an authoritative synthesis of Derrida's thought and an analysis of the often-problematic relation between his philosophical writings and the work of literary critics. Culler's book is an indispensable guide for anyone interested in understanding modern critical thought. This edition marks the twenty-fifth anniversary of the first publication of this landmark work and includes a new preface by the author that surveys deconstruction's history since the 1980s and assesses its place within cultural theory today. [via]
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› Find signed collectible books: 'On the Name'
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› Find signed collectible books: 'The Philosophy of the Limit'
In The Philosophy of the Limit Drucilla Cornell examines the relationship of deconstruction to questions of ethics, justice and legal interpretation. She argues that renaming deconstruction "the philosophy of the limit" will allow us to be more precise about what deconstruction actually is philosophically and hence to articulate more clearly its significance for law. Cornell's focus on the importance of the limit and the centrality of the gender hierarchy allows her to offer a view of jurisprudence different from both the critical social theory and analytic jurisprudence. [via]
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› Find signed collectible books: 'Points . . .: Interviews, 1974-1994'
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› Find signed collectible books: 'The Politics of Friendship'
Jacques Derrida is known primarily, and until recently, as the major proponent of deconstruction; always somewhat disengaged from the central political questions of the day. Derrida's "political turn" was marked by the appearance of "Specters of Marx". In this study, Jacques Derrida renews this orientation through an examination of the political history of the idea of friendship pursued down the ages. Derrida's thoughts are haunted throughout the book by the strange and provocative address attributed to Aristotle, "O my friends, there is no friend", and its inversions by later philosophers, such as Montaigne, Kant, Nietzsche, Schmitt and Blanchot. The exploration allows Derrida to recall and re-stage the ways in which all the oppositional couples of Western philosophy and political thought - friendship and enmity, private and public life - have become dangerously unstable. At the same time, he dissects geneology itself, the familiar and male-centred notion of fraternity and the virile virtue whose autority has gone unquestioned in the Western culture of friendship and modern models of democracy. The future of the political, for Derrida, becomes the future of friends, the invention of a radically new friendship, of a deeper and more inclusive democracy. [via]
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› Find signed collectible books: 'Positions'
› Find signed collectible books: 'Positions'

› Find signed collectible books: 'The Post Card: From Socrates to Freud and Beyond'
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› Find signed collectible books: 'Signs of the Times: Destruction and the Fall of Paul De Man'
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› Find signed collectible books: 'Specters of Marx: The State of the Debt, the Work of Mourning And the New International'
Specters of Marx is a major new book from the renowned French philosopher Jacques Derrida. It represents his first important statement on Marx and his definitive entry into social and political philosophy. "Specter" is the first noun one reads in The Manifesto of the Communist Party. But that's just the beginning. Once you start to notice them, there is no counting all the ghosts, spirits, specters and spooks that crowd Marx's text. If they are to count for something, however, one must question the spectropoetics that Marx allowed to invade his discourse. In Specters of Marx, Derrida undertakes this task within the context of a critique of the new dogmatism and "new world order" that have proclaimed the death of Marxism and of Marx. [via]
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› Find signed collectible books: 'Speech and Phenomena and Other Essays on Husserl's Theory of Signs'
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› Find signed collectible books: 'Spurs: Nietzsche's Style'
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› Find signed collectible books: 'Spurs: Nietzsche's Style Eperons Les Styles De Nietzsche'
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› Find signed collectible books: 'The Tain of the Mirror: Derrida and the Philosophy of Reflection'
Deconstruction is no game of mirrors, revealing the text as a play of surface against surface. Its more radical philosophical effort is to get behind the mirror and question the very nature of reflection. "The Tain of the Mirror" (tain names the tinfoil, or lusterless back of the mirror) explores that gritty surface without which no reflection would be possible. Gasche does what no one has done before in many discussions of Derrida, namely to tie his work in an authoritative way to its origins in the history of the criticism of reflexivity. [via]
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› Find signed collectible books: 'The Truth in Painting'
› Find signed collectible books: 'Watchmen'
Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite
A Q&A with Dave Gibbons on the Making of Watchmen
Question: You were tasked with drawing new illustrations of key shots from the new Watchmen film. Was it a difficult challenge to re-imagine your work in this movie format?
Dave Gibbons: I dont think that I actually did many key shots from the film. I had to actually imagine them rather than exactly recreate what was going to be in the movie. But as far as the drawings I did for the licensing purposes, accuracy was the real key so that they looked exactly like the movie. Whereas doing the graphic novel was creating stuff afresh and being very creative, this was more the case of interpreting something that already existed. So it was rather more a commercial art job than a creative thing.
Q: How many scenes from the original graphic novel did you redraw in the new "movie" format?
DG: I kind of did them piecemeal, these licensing drawings. I did do a section of storyboarding for Zack Snyder. There is a part of the movie that isnt in the graphic novel and he wanted to see how I would have drawn it, if it had been in the graphic novel. So I redid the storyboards as three pages of comic on the nine-panel grid, also getting it coloured by John Higgins so it looked authentic. But I think there were probably only 3 or 4 scenes that I drew, which were from the movie.
Q: What was your working method for producing these new illustrations from the film? And how has it changed from when you originally illustrated Watchmen?
DG: When youre producing things from existing material, you have to look at and assemble the references... you know, keep looking backwards and forwards to make sure what youre drawing is accurate to whats in the photos. I did have lots of photos from the movie and in some cases I had more or less the illustration I was going to do in photo form, which made it a lot easier. On others I had to construct it from various references: really just the usual illustrators job of drawing something to reference. And on the original illustrations of Watchmen, I was free to come up with exactly the angles and exactly the costumes and everything that I wanted to. When youve designed a costume and drawn it a few times, you actually internalize it and you find you can draw it without having to refer to reference at all. So in some ways its more creative and in some ways its easier!
Q: In Watchmen: The Art of the Film, there are concept designs by other artists of their visions of your iconic characters. What do you think of their versions and did you offer any guidance while they were working on these?
DG: Its always really interesting to see versions of your characters drawn by other artists. You tend to see things in them that you hadnt noticed before. So I really enjoyed looking at those. I certainly didnt offer them any guidance. The purpose of getting those kinds of drawings done is to get a fresh perspective on what exists. I noticed actually that they really stuck more closely to my original designs than those, but I really enjoyed seeing them.
Q: Watchmen: Portraits is Clay Enoss stunning black and white collection of photos of each character from the Watchmen movie. What was it like looking through this book at all the characters you had conceived years ago now being brought to life by actors?
DG: Its rather interesting; you know if you look at the Watching the Watchmen book you can see these characters as fairly sketchy rough conceptual versions. Then when you look at Clays book you can actually see them right down to counting the number of pores on the skin on the end of their noses! Its incredible high focus! Its like zooming in through space and time to look at the surface of some moon of Saturn or something. I thoroughly enjoyed his book... it had a real artistic quality to it that was really so good. And of course to see these actors who so much are the embodiment of what I drew, that its a tremendous thrill to see them made flesh!
Q: Watchmen: The Film Companion features some stills from the animated version of The Black Freighter. What do you think of the look and design of this animated feature?
DG: It looks really interesting! Although I drew my version in the comic book in a kind of horror-comic style, these are very much in a savage manga style. I think they work really well... theyve got the kind of manic intensity, which I think that work should have and I really cant wait to see the whole feature. Ive seen the trailer for it and that looks great and again theyve used a lot of the compositions that I came up with but just translated them to this kind of very modern drawn animation.
Q: How much time did you spend on the set of Watchmen? Was it a surreal experience to see your work recreated like this?
DG: I was on the set of Watchmen for a couple of days and it really was surreal to walk through a door and then suddenly be in the presence of all these people in living breathing flesh! I was there for what you would call the Crimebusters meeting where they were all there in costume in the same room, which was incredible. They had obviously planned that so I would get to see everyone. It was surreal though quite a wonderful experience to see it come to life.
[via]› Find signed collectible books: 'Watchmen : The Absolute Edition'
Has any comic been as lauded as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns but Watchmen remains the critics' favourite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and recently From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to garner praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterisation is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling, rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the fine pace of the writing and its humanity mean that Watchmen more than stands up--it retains its crown as the best the genre has yet produced. --Mark Thwaite [via]
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› Find signed collectible books: 'Writing and Difference'

› Find signed collectible books: 'De L'esprit: Heidegger Et La Question'
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› Find signed collectible books: 'De La Grammatologie'
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› Find signed collectible books: 'Mal D'archive: Une Impression Freudienne'
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› Find signed collectible books: 'L'oreille De L'autre: Otobiographies, Transferts, Traductions Textes Et Debats Avec Jacques Derrida'
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› Find signed collectible books: 'Spectres De Marx: L'etat De La Dette, Le Travail Du Deuil Et La Nouvelle Internationale'
- Galilée, Paris _1993, 15x24cm, broché, broché. - Edition originale dont il n'a pas été tiré de grands papiers. §Envoi autographe signé de l'auteur à un proche ami. §Dos très légèrement insolé, agréable exemplaire. [via]
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