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› Find signed collectible books: 'Against Nature'
Resisting the traditional model of nineteenth-century fiction, Joris-Karl Huysman produced in 1884 a novel unlike any other of his time. Against Nature is the story of Des Esseintes, an aesthete who attempts to escape Paris and, along with it, the vulgarity of modern life. As Des Esseintes hides away in his museum of high taste, Huysman offers the reader a treasury of cultural delights and anticipates many aspects of twentieth century modernism. Supplemented by notes and a critical introduction, this new translation is sure to engage today's reader. [via]
› Find signed collectible books: 'Against the Grain'
A Rebours (Against the Grain) (1884), was a break from Naturalism for the French writer, and became the ultimate example of 'decadent' literature. It features a single character, the aesthete Des Esseintes, an eccentric, reclusive antihero. It gained further notoriety as an exhibit during the trials of Oscar Wilde in 1895, during which the prosecutor referred to the novel as a "sodomitical" book. [via]
› Find signed collectible books: 'Against the Grain: (A Rebours'
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› Find signed collectible books: 'Baudelaire'
› Find signed collectible books: 'Charles Baudelaire: Complete Poems'
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› Find signed collectible books: 'The Damned'
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› Find signed collectible books: 'Decadence: The Strange Life of an Epithet'
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› Find signed collectible books: 'Downstream'
Downstream, the shortest and most autobiographical of Huysmans novels, is the perfect example of what the French naturalists wanted a novel to be. This dark and mordantly comic masterpiece of everyday pessimism about a Parisian clerk seeking spiritual contentment is the perfect introduction to the pleasures of Joris Karl Huysmans (18481907), whose exquisite style is ironically the most perfect remedy for any readers taedium vitae.
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› Find signed collectible books: 'El Retrato De Dorian Gray / The Picture of Dorian Gray'
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› Find signed collectible books: 'The Flowers of Evil'
Baudelaire's Fleurs du Mal, which in successive editions contained all of his published poems, has opened new vistas for man's imagination and quickened the sensibilities of poets everywhere.
The greatest French poet of the 19th century, Baudelaire was also the first truly modem poet, and his direct and indirect influence on the literature of our time has been immeasurable.More editions of The Flowers of Evil:
› Find signed collectible books: 'Flowers of Evil and Other Works/Les Fleurs Du Mal Et Oeuvres Choisies: A Dual-Language Book'
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![[???]: A Gothic Treasury of the Supernatural: The Castle of Otranto/Frankenstein/the Strange Case of Dr. Jekyll and Mr. Hyde/the Picture of Dorian Gray/Dra [???]: A Gothic Treasury of the Supernatural: The Castle of Otranto/Frankenstein/the Strange Case of Dr. Jekyll and Mr. Hyde/the Picture of Dorian Gray/Dra](http://ecx.images-amazon.com/images/P/051714641X.01._SL160_SCLZZZZZZZ__.jpg)
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› Find signed collectible books: 'LA Bas/Lower Depths'
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› Find signed collectible books: 'La-Bas'
First published in 1891, this is the first new translation in 77 years. The enervated anti-hero, Durtal, is writing a book about Gilles de Rais, child-murderer and comrade in arms of Joan of Arc. When he's not studying alchemy, visiting Rais' ruined castle and fantasizing about a mystery woman, he is pondering Catholicism with his friends. His sexual adventures and historical studies mesh when he's invited to witness a black mass The follow-up to A Rebours, La Bas takes Huysmans' quest for the exotic and extreme sensations a stage further. [via]
› Find signed collectible books: 'La-bas (Down There)'
In 1891, the publication of La-Bas (Down There) attracted considerable attention for its depiction of Satanism in late 1880s France. [via]
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› Find signed collectible books: 'Las Flores Del Mal'
› Find signed collectible books: 'Les Fleurs Du Mal'
Maîtriser les connaissances et les outils nécessaires à l'étude d'une Suvre intégrale, voilà l'objectif de cette collection. L'élève doit avoir une vision synthétique de l'Suvre : connaître sa genèse et sa structure, appréhender les personnages à travers leur portrait, leur rôle et leur dimension symbolique, retenir les différents thèmes évoqués. Par ailleurs, l'ouvrage procure des informations d'ordre paratextuel qui enrichissent la culture du lecteur : détails sur la vie de l'auteur et le contexte dans lequel il s'inscrit, remarques sur son style, sur ses écrits théoriques, jugements de critiques contemporains. Enfin, le souci des auteurs est de montrer à l'élève comment ces informations peuvent être utilisées efficacement dans les exercices du bac : des études d'extraits et des sujets d'entretien sont proposés à titre d'exemples. L'intérêt de cette collection est donc de baliser chaque Suvre de sorte que l'élève dispose des éléments indispensables pour réussir l'écrit comme l'oral. L'étude n'est pas exhaustive mais elle a le mérite d'être claire et structurée. --Claire Mazurel [via]
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› Find signed collectible books: 'Les Fleurs Du Mal'
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› Find signed collectible books: 'Oscar Wilde's the Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'The Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
More editions of Picture of Dorian Gray:
› Find signed collectible books: 'The Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'The Picture of Dorian Gray and Other Writings by Oscar Wilde'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'Picture of Dorian Gray and Selected Stories'
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› Find signed collectible books: 'Plays, Prose Writings & Poems'
Famed as a wit and bon viveur, Oscar Wilde lived up to his reputation. This selection of plays, poems and prose writings, introduced by Terry Eagleton, includes "The Importance of Being Earnest", "Lady Windermere's Fan", "The Picture of Dorian Gray", "The Critic as an Artist", Apologia", "The Soul of a Man Under Socialism", "Letter to Robert Ross", "Requiescat" and "The Ballad of Reading Goal". Terry Eagleton is the author of "Criticism and Ideology", "Marxism and Literary Criticsm" and "Literary Theory: An Introduction". [via]
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› Find signed collectible books: 'A Rebours'
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› Find signed collectible books: 'Selected Poems Baudelaire'
The poems of Charles Baudelaire are filled with explicit and unsettling imagery, depicting with intensity every day subjects ignored by French literary conventions of his time. 'Tableaux parisiens' portrays the brutal life of Paris's thieves, drunkards and prostitutes amid the debris of factories and poorhouses. In love poems such as 'Le Beau Navire', flights of lyricism entwine with languorous eroticism, while prose poems such as 'La Chambre Double' deal with the agonies of artistic creation and mortality. With their startling combination of harsh reality and sublime beauty, formal ingenuity and revolutionary poetic language, these poems, including a generous selection from Les Fleurs du Mal, show Baudelaire as one of the most influential poets of the nineteenth century. [via]
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› Find signed collectible books: 'Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson'
Vintage 1990 soft cover, perfect condition and ready to ship the same day! [via]
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› Find signed collectible books: 'With the Flow'
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› Find signed collectible books: 'LA Bas'
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› Find signed collectible books: 'La-Bas'
349pages. poche. Broché. [via]
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› Find signed collectible books: 'Les Fleurs du Mal'
Maîtriser les connaissances et les outils nécessaires à l'étude d'une Suvre intégrale, voilà l'objectif de cette collection. L'élève doit avoir une vision synthétique de l'Suvre : connaître sa genèse et sa structure, appréhender les personnages à travers leur portrait, leur rôle et leur dimension symbolique, retenir les différents thèmes évoqués. Par ailleurs, l'ouvrage procure des informations d'ordre paratextuel qui enrichissent la culture du lecteur : détails sur la vie de l'auteur et le contexte dans lequel il s'inscrit, remarques sur son style, sur ses écrits théoriques, jugements de critiques contemporains. Enfin, le souci des auteurs est de montrer à l'élève comment ces informations peuvent être utilisées efficacement dans les exercices du bac : des études d'extraits et des sujets d'entretien sont proposés à titre d'exemples. L'intérêt de cette collection est donc de baliser chaque Suvre de sorte que l'élève dispose des éléments indispensables pour réussir l'écrit comme l'oral. L'étude n'est pas exhaustive mais elle a le mérite d'être claire et structurée. --Claire Mazurel [via]
› Find signed collectible books: 'Las Flores Del Mal'
The raw beauty of Baudelaires poetry finds a new impact in the evocative power of the drawings that accompany the verses: watercolors, Indian ink, pastels, and other different techniques that translate words and rhymes.
La belleza de la poesía de Baudelaire adquiere un nuevo impacto con el poder evocativo de los dibujos que la acompañan: acuarelas, tinta india, pasteles y otras técnicas diferentes que traducen palabras y rimas.
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› Find signed collectible books: 'El Ratrato De Dorian Grey'
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› Find signed collectible books: 'El Retrato De Dorian Gray / The Picture of Dorian Gray'
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