| Search | About | Preferences | Interact | Help | |
| 150 million books. 1 search engine. | ||

› Find signed collectible books: 'Ambiguous Loss: Learning to Live With Unresolved Grief'
More editions of Ambiguous Loss: Learning to Live With Unresolved Grief:

› Find signed collectible books: 'Amrita'
More editions of Amrita:
› Find signed collectible books: 'Anna Karenina'
Some people say Anna Karenina is the single greatest novel ever written, which makes about as much sense to me as trying to determine the world's greatest color. But there is no doubt that Anna Karenina, generally considered Tolstoy's best book, is definitely one ripping great read. Anna, miserable in her loveless marriage, does the barely thinkable and succumbs to her desires for the dashing Vronsky. I don't want to give away the ending, but I will say that 19th-century Russia doesn't take well to that sort of thing. [via]
More editions of Anna Karenina:
› Find signed collectible books: 'The Annotated Lolita'
In 1954 Vladimir Nabokov asked one American publisher to consider "a firebomb that I have just finished putting together." The explosive device: Lolita, his morality play about a middle-aged European's obsession with a 12-year-old American girl. Two years later, the New York Times called it "great art." Other reviewers staked a higher moral ground (the editor of the London Sunday Express declaring it "the filthiest book I've ever read"). Since then, the sinuous novel has never ceased to astound. Even Nabokov was astonished by its place in the popular imagination. One biographer writes that "he was quite shocked when a little girl of eight or nine came to his door for candy on Halloween, dressed up by her parents as Lolita." And when it came time to casting the film, Nabokov declared, "Let them find a dwarfess!"
The character Lolita's power now exists almost separately from the endlessly inventive novel. If only it were read as often as it is alluded to. Alfred Appel Jr., editor of the annotated edition, has appended some 900 notes, an exhaustive, good-humored introduction, and a recent preface in which he admits that the "reader familiar with Lolita can approach the apparatus as a separate unit, but the perspicacious student who keeps turning back and forth from text to Notes risks vertigo." No matter. The notes range from translations to the anatomical to the complex textual. Appel is also happy to point out the Great Punster's supposedly unintended word play: he defends the phrase "Beaver Eaters" as "a portmanteau of 'Beefeaters' (the yeoman of the British royal guard) and their beaver hats." [via]
More editions of The Annotated Lolita:
› Find signed collectible books: 'Assassination Vacation'
A New York Times Bestseller
Sarah Vowell exposes the glorious conundrums of American history and culture with wit, probity, and an irreverent sense of humor. From Buffalo to Alaska, Washington to the Dry Tortugas, she visits locations immortalized and influenced by the spilling of politically important blood. The resulting narrative is the disturbing and fascinating story of how American death has been manipulated by popular culture. [via]
More editions of Assassination Vacation:

› Find signed collectible books: 'The Book of Lost Things'
More editions of The Book of Lost Things:
› Find signed collectible books: 'Catch-22'
There was a time when reading Joseph Heller's classic satire on the murderous insanity of war was nothing less than a rite of passage. Echoes of Yossarian, the wise-ass bombardier who was too smart to die but not smart enough to find a way out of his predicament, could be heard throughout the counterculture. As a result, it's impossible not to consider Catch-22 to be something of a period piece. But 40 years on, the novel's undiminished strength is its looking-glass logic. Again and again, Heller's characters demonstrate that what is commonly held to be good, is bad; what is sensible, is nonsense.
Yossarian says, "You're talking about winning the war, and I am talking about winning the war and keeping alive."
"Exactly," Clevinger snapped smugly. "And which do you think is more important?"
"To whom?" Yossarian shot back. "It doesn't make a damn bit of difference who wins the war to someone who's dead."
"I can't think of another attitude that could be depended upon to give greater comfort to the enemy."
"The enemy," retorted Yossarian with weighted precision, "is anybody who's going to get you killed, no matter which side he's on."
Mirabile dictu, the book holds up post-Reagan, post-Gulf War. It's a good thing, too. As long as there's a military, that engine of lethal authority, Catch-22 will shine as a handbook for smart-alecky pacifists. It's an utterly serious and sad, but damn funny book. [via]
More editions of Catch-22:
› Find signed collectible books: 'Classics of Horror: Dracula/Frankenstein/2 Books in 1'
More editions of Classics of Horror: Dracula/Frankenstein/2 Books in 1:
› Find signed collectible books: 'Dead Certainties'
Like his The Embarrassment of Riches and the bestselling Citizens, Simon Schama's latest book is both history and literature of immense stylishness and ambition. But Dead Certainties goes beyond these more conventional histories to address the deeper enigmas that confront a student of the past. In order to do so, Schama reconstructs -- and at times reinvents -- two ambiguous deaths: the first, that of General James Wolfe at the battle of Quebec in 1759; the second, in 1849, that of George Parkman, an eccentric Boston brahmin whose murder by an impecunious Harvard professor in 1849 was a grisly reproach to the moral sanctity of his society. Out of these stories -- with all of their bizarre coincidences and contradictions -- Schama creates a dazzling and supremely vital work of historical imagination. [via]
More editions of Dead Certainties:
› Find signed collectible books: 'Dead Certainties: Unwarranted Speculations'
Like his The Embarrassment of Riches and the bestselling Citizens, Simon Schama's latest book is both history and literature of immense stylishness and ambition. But Dead Certainties goes beyond these more conventional histories to address the deeper enigmas that confront a student of the past. In order to do so, Schama reconstructs -- and at times reinvents -- two ambiguous deaths: the first, that of General James Wolfe at the battle of Quebec in 1759; the second, in 1849, that of George Parkman, an eccentric Boston brahmin whose murder by an impecunious Harvard professor in 1849 was a grisly reproach to the moral sanctity of his society. Out of these stories -- with all of their bizarre coincidences and contradictions -- Schama creates a dazzling and supremely vital work of historical imagination.
From the Trade Paperback edition. [via]
More editions of Dead Certainties: Unwarranted Speculations:

› Find signed collectible books: 'Death in the Afternoon'
Still considered one of the best books ever written about bullfighting, Death in the Afternoon is an impassioned look at the sport by one of its true aficionados. It reflects Hemingway's conviction that bullfighting was more than mere sport and reveals a rich source of inspiration for his art. The unrivaled drama of bullfighting, with its rigorous combination of athleticism and artistry, and its requisite display of grace under pressure, ignited Hemingway's imagination. Here he describes and explains the technical aspects of this dangerous ritual and "the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick." Seen through his eyes, bullfighting becomes a richly choreographed ballet, with performers who range from awkward amateurs to masters of great elegance and cunning.
A fascinating look at the history and grandeur of bullfighting, Death in the Afternoon is also a deeper contemplation of the nature of cowardice and bravery, sport and tragedy, and is enlivened throughout by Hemingway's sharp commentary on life and literature. [via]
More editions of Death in the Afternoon:

› Find signed collectible books: 'Don't Kiss Them Good-bye'
More editions of Don't Kiss Them Good-bye:
› Find signed collectible books: 'Dubliners'
(Book Jacket Status: Jacketed)
Though James Joyce began these stories of Dublin life in 1904 when he was twenty-two and completed them in 1907, their unconventional themes and language led to repeated rejections by publishers and delayed publication until 1914. In the century since, his story The Dead has come to be seen as one of the most powerful evocations of human loss and longing that the English language possesses; all the other stories in Dubliners are as beautifully turned and as greatly admired. They remind us once again that James Joyce was not only modernisms chief innovator but also one of its most intimate and poetic writers.
In this edition the text has been revised in keeping with Joyces wishes, and the original versions of The Sisters, Eveline, and After the Race have been made available in an appendix, along with Joyces suppressed preface to the 1914 edition of Dubliners. [via]
› Find signed collectible books: 'The English Patient'
Three people--nurse Hana, thief Caravaggio, and Kip--are brought together in an abandoned Italian villa at the end of World War II by a nameless and hideously burned English patient. Reissue. Movie tie-in. 150,000 first printing. [via]
› Find signed collectible books: 'Everlost'
Nick and Allie don't survive the car accident...
...but their souls don't exactly get where they're supposed to get either. Instead, they're caught halfway between life and death, in a sort of limbo known as Everlost: a shadow of the living world, filled with all the things and places that no onger exist. It's a magical, yet dangerous place where bands of lost children run wild and anyone who stands in the same place too long sinks to the center of the Earth.
When they find Mary, the self-proclaimed queen of lost kids, Nick feels like he he's found a home, but allie isn't satisfied spending eternity between worlds. Against all warnings, Allie begins learning the "Criminal Art" of haunting, and ventures into dangerous territory, where a monster called the McGill threatens all the souls of Everlost.
In this imaginative novel, Neal Shusterman explores questions of life, death, and what just might lie in between.
More editions of Everlost:
› Find signed collectible books: 'A Farewell to Arms'
As a youth of 18, Ernest Hemingway was eager to fight in the Great War. Poor vision kept him out of the army, so he joined the ambulance corps instead and was sent to France. Then he transferred to Italy where he became the first American wounded in that country during World War I. Hemingway came out of the European battlefields with a medal for valor and a wealth of experience that he would, 10 years later, spin into literary gold with A Farewell to Arms. This is the story of Lieutenant Henry, an American, and Catherine Barkley, a British nurse. The two meet in Italy, and almost immediately Hemingway sets up the central tension of the novel: the tenuous nature of love in a time of war. During their first encounter, Catherine tells Henry about her fiancé of eight years who had been killed the year before in the Somme. Explaining why she hadn't married him, she says she was afraid marriage would be bad for him, then admits:
I wanted to do something for him. You see, I didn't care about the other thing and he could have had it all. He could have had anything he wanted if I would have known. I would have married him or anything. I know all about it now. But then he wanted to go to war and I didn't know.The two begin an affair, with Henry quite convinced that he "did not love Catherine Barkley nor had any idea of loving her. This was a game, like bridge, in which you said things instead of playing cards." Soon enough, however, the game turns serious for both of them and ultimately Henry ends up deserting to be with Catherine.
Hemingway was not known for either unbridled optimism or happy endings, and A Farewell to Arms, like his other novels (For Whom the Bell Tolls, The Sun Also Rises, and To Have and Have Not), offers neither. What it does provide is an unblinking portrayal of men and women behaving with grace under pressure, both physical and psychological, and somehow finding the courage to go on in the face of certain loss. --Alix Wilber [via]
More editions of A Farewell to Arms:
› Find signed collectible books: 'Frankenstein'
Enduring literature illuminated by practical scholarshipa timeless, terrifying tale of one man's obsession to create life-and the monster that became his legacy. Each enriched classic edition includes: a concise introduction that gives readers important background information a chronology of the author's life and work a timeline of significant events that provides the book's historical context an outline of key themes and plot points to help readers form their own interpretations detailed explanatory notes critical analysis, including contemporary and modern perspectives on the work discussion questions to promote lively classroom and book group interaction a list of recommended related books and films to broaden the reader's experience enriched classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in enriched classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential. Series edited by cynthia brantley johnson [via]
More editions of Frankenstein:
› Find signed collectible books: 'Frankenstein, Or, The Modern Prometheus'
Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image & but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates. [via]
More editions of Frankenstein, Or, The Modern Prometheus:
› Find signed collectible books: 'Hamlet'
Undoubtedly the most famous of all of Shakespeare's plays, Hamlet remains one of the most enduring but also enigmatic pieces of western literature. The story of Hamlet, the young Prince of Denmark, his tortured relationship with his mother, and his quest to avenge his father's murder at the hand of his brother Claudius has fascinated writers and audiences ever since it was written around 1600.
For many years interest focused on both Hamlet's inability to avenge his father's death, claiming that "the native hue of resolution / Is sicklied o'er with the pale cast of thought", and, according to none other than Freud, his oedipal fixation with his mother. However, more recently critics have turned their attention to Hamlet's bold theatrical self-reflexivity (most famously reflected in the performance of "The Mousetrap"), its fascination with issues of theology and Renaissance humanism, and its dense, complex poetic language. What is so remarkable about the play is the way in which it tends to uncannily reflect the concerns of different epochs. As a result, Hamlet has been at different moments defined as a romantic rebel, an angst-ridden existentialist, a paralysed intellectual and an ambivalent New Man. Whatever subsequent generations make of Hamlet, they are unlikely to exhaust the possibilities of this most extraordinary play. --Jerry Brotton [via]
› Find signed collectible books: 'Images of Man and Death'
More editions of Images of Man and Death:

› Find signed collectible books: 'Intimate Death: How the Dying Teach Us How to Live'
More editions of Intimate Death: How the Dying Teach Us How to Live:
› Find signed collectible books: 'Invisible'
You could say that my railroad, the Madham Line, is almost the most important thing in my life. Next to Andy Morrow, my best friend....I guess you could say that I'm not only disturbed, I'm obsessed.
Lots of people think Doug Hanson is a freak -- he gets beat up after school and the girl of his dreams calls him a worm. Doug's only refuge is building elaborate model trains in his basement and hanging out with his best friend, Andy Morrow. Andy is nothing like Doug: He's a popular football star who could date any girl in school. Despite their differences, Doug and Andy talk about everything -- except what happened at the Tuttle place a few years back.
As Doug retreats deeper and deeper into his own world, long-buried secrets come to light -- and the more he tries to keep them invisible, the looser his grip on reality becomes. In this fierce, disturbing novel, Pete Hautman spins a poignant tale about inner demons, and how far one boy will go to control them. [via]
› Find signed collectible books: 'Killing Yourself to Live: 85% of a True Story'
More editions of Killing Yourself to Live: 85% of a True Story:
› Find signed collectible books: 'Little Women'
The four March sisters--Meg, Amy, Beth, and feisty Jo--share the joys and sorrows of growing up while their father is away at war. The family is poor in worldly goods, but rich in love and character. [via]
More editions of Little Women:
› Find signed collectible books: 'Little Women'
An American classic portrays a lively family of four sisters, as they grow up--serious Meg, quiet, sweet Beth, Amy who wants everything her way, and Jo, who makes up her own mind no matter what. Reprint. Movie tie-in. [via]
More editions of Little Women:
› Find signed collectible books: 'Little Women, Or, Meg, Jo, Beth, and Amy'
Louisa May Alcott's beloved tale about Meg, Jo, Beth, and Amy is presented in a beautiful Everyman's Library Children's Classics edition. The story of the four sisters' dreams, quarrels, and romances are brought to vivid life in this edition that features full cloth binding in bold, bright colors; silk ribbon marker and headband; two-color illustrated endpapers and illustrations throughout. A brief biography of Alcott is also included. [via]
More editions of Little Women, Or, Meg, Jo, Beth, and Amy:
› Find signed collectible books: 'Lolita'
Despite its lascivious reputation, the pleasures of Lolita are as much intellectual as erogenous. It is a love story with the power to raise both chuckles and eyebrows. Humbert Humbert is a European intellectual adrift in America, haunted by memories of a lost adolescent love. When he meets his ideal nymphet in the shape of 12-year-old Dolores Haze, he constructs an elaborate plot to seduce her, but first he must get rid of her mother. In spite of his diabolical wit, reality proves to be more slippery than Humbert's feverish fantasies, and Lolita refuses to conform to his image of the perfect lover.
Playfully perverse in form as well as content, riddled with puns and literary allusions, Nabokov's 1955 novel is a hymn to the Russian-born author's delight in his adopted language. Indeed, readers who want to probe all of its allusive nooks and crannies will need to consult the annotated edition. Lolita is undoubtedly, brazenly erotic, but the eroticism springs less from the "frail honey-hued shoulders ... the silky supple bare back" of little Lo than it does from the wantonly gorgeous prose that Humbert uses to recount his forbidden passion:
She was musical and apple-sweet ... Lola the bobby-soxer, devouring her immemorial fruit, singing through its juice ... and every movement she made, every shuffle and ripple, helped me to conceal and to improve the secret system of tactile correspondence between beast and beauty--between my gagged, bursting beast and the beauty of her dimpled body in its innocent cotton frock.Much has been made of Lolita as metaphor, perhaps because the love affair at its heart is so troubling. Humbert represents the formal, educated Old World of Europe, while Lolita is America: ripening, beautiful, but not too bright and a little vulgar. Nabokov delights in exploring the intercourse between these cultures, and the passages where Humbert describes the suburbs and strip malls and motels of postwar America are filled with both attraction and repulsion, "those restaurants where the holy spirit of Huncan Dines had descended upon the cute paper napkins and cottage-cheese-crested salads." Yet however tempting the novel's symbolism may be, its chief delight--and power--lies in the character of Humbert Humbert. He, at least as he tells it, is no seedy skulker, no twisted destroyer of innocence. Instead, Nabokov's celebrated mouthpiece is erudite and witty, even at his most depraved. Humbert can't help it--linguistic jouissance is as important to him as the satisfaction of his arrested libido. --Simon Leake [via]

› Find signed collectible books: 'Mick Harte Was Here'
More editions of Mick Harte Was Here:
› Find signed collectible books: 'Midwives'
On a violent, stormy winter night, a home birth goes disastrously wrong. The phone lines are down, the roads slick with ice. The midwife, unable to get her patient to a hospital, works frantically to save both mother and child while her inexperienced assistant and the woman's terrified husband look on. The mother dies but the baby is saved thanks to an emergency C-section. And then the nightmare begins: the assistant suggests that maybe the woman wasn't really dead when the midwife operated:
Did she perform at least eight or nine cycles as my mother said, or four or five as Asa recalled? That is the sort of detail that was disputable. But at some point within minutes of what my mother believed had been a stroke, after my mother concluded the cardiopulmonary resuscitation had failed to generate a pulse or a breath, she screamed for Asa and Anne to find her the sharpest knife in the house.In Midwives, Chris Bohjalian chronicles the events leading up to the trial of Sibyl Danforth, a respected midwife in the small Vermont town of Reddington, on charges of manslaughter. It quickly becomes evident, however, that Sibyl is not the only one on trial--the prosecuting attorney and the state's medical community are all anxious to use this tragedy as ammunition against midwifery in general; this particular midwife, after all, an ex-hippie who still evokes the best of the flower-power generation, is something of an anachronism in 1981. Through it all, Sibyl, her husband, Rand, and their teenage daughter, Connie, attempt to keep their family intact, but the stress of the trial--and Sibyl's growing closeness to her lawyer--puts pressure on both marriage and family. Bohjalian takes readers through the intricacies of childbirth and the law, and by the end of Sibyl Danforth's trial, it's difficult to decide which was more harrowing--the tragic delivery or its legal aftermath.
Narrated by a now adult Connie, Midwives moves back and forth in time, fitting vital pieces of information about what happened that night like pieces of a jigsaw puzzle into its complicated plot. As Connie looks back on her mother's trial, she is still trying to understand what happened--not on the night of the disaster--but in the months and years that followed. --Margaret Prior [via]
More editions of Midwives:

› Find signed collectible books: 'The Mummy: A Handbook of Egyptian Funerary Archaeology'
More editions of The Mummy: A Handbook of Egyptian Funerary Archaeology:
› Find signed collectible books: 'One Hundred Years of Solitude'
"Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice."
It is typical of Gabriel García Márquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buendía, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics:
A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread.
"Holy Mother of God!" Úrsula shouted.
The story follows 100 years in the life of Macondo, a village founded by José Arcadio Buendía and occupied by descendants all sporting variations on their progenitor's name: his sons, José Arcadio and Aureliano, and grandsons, Aureliano José, Aureliano Segundo, and José Arcadio Segundo. Then there are the women--the two Úrsulas, a handful of Remedios, Fernanda, and Pilar--who struggle to remain grounded even as their menfolk build castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow's outlines bleeding through the vibrant colors of García Márquez's magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom José Arcadio Buendía has killed in a fight. So lonely is the man's shade that it haunts Buendía's house, searching anxiously for water with which to clean its wound. Buendía's wife, Úrsula, is so moved that "the next time she saw the dead man uncovering the pots on the stove she understood what he was looking for, and from then on she placed water jugs all about the house."
With One Hundred Years of Solitude Gabriel García Márquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of love and loss in Macondo stands at the apex of 20th-century literature. --Alix Wilber [via]
More editions of One Hundred Years of Solitude:

› Find signed collectible books: 'The Penelopiad'
More editions of The Penelopiad:
› Find signed collectible books: 'Plain Truth'
A shocking murder shatters the picturesque calm of Pennsylvania's Amish country, and tests the heart and soul of the lawyer who steps in to defend the young woman at the centre of the storm...The discovery of a dead infant in an Amish barn shakes Lancaster County to its core. But the police investigation leads to a more shocking disclosure: circumstantial evidence suggests that eighteen year old Katie Fisher, an unmarried Amish woman believed to be the newborn's mother, took the child's life. When Ellie Hathaway, a disillusioned big-city attorney comes to Paradise, Pennsylvania to defend Katie, two cutures collide, and, for the first time in her high-profile career, Ellie faces a system of justice very different from her own. Delving deep inside the world of those who live 'plain', Ellie must find a way to reach Katie on her terms. And as she unravels a tangled murder case, Ellie also looks deep within, to confront her own fears and desires when a man from her past re-enters her life. [via]
› Find signed collectible books: 'Romeo and Juliet'
This is undoubtedly the greatest love story ever written, spawning a host of imitators on stage and screen, including Leonard Bernstein's smash musical West Side Story, Franco Zeffirelli's Romeo and Juliet filmed in 1968, and Baz Luhrmann's postmodern film version Romeo + Juliet. The tragic feud between "Two households, both alike in dignity/In fair Verona", the Montagues and Capulets, which ultimately kills the two young "star-crossed lovers" and their "death-marked love" creates issues which have fascinated subsequent generations. The play deals with issues of intergenerational and familial conflict, as well as the power of language and the compelling relationship between sex and death, all of which makes it an incredibly modern play. It is also an early example of Shakespeare fusing poetry with dramatic action, as he moves from Romeo's lyrical account of Juliet--"she doth teach the torches to burn bright!" to the bustle and action of a 16th-century household (the play contains more scenes of ordinary working people than any of Shakespeare's other works). It also represents an experimental attempt to fuse comedy with tragedy. Up to the third act, the play proceeds along the lines of a classic romantic comedy. The turning point comes with the death of one of Shakespeare's finest early dramatic creations--Romeo's sexually ambivalent friend Mercutio, whose "plague o' both your houses" begins the play's descent into tragedy, "For never was a story of more woe/Than this of Juliet and her Romeo". --Jerry Brotton [via]
More editions of Romeo and Juliet:
› Find signed collectible books: 'Samuel Beckett, Waiting for Godot'
Fiction. The Trilogy has always been considered the central work of Samuel Beckett's fiction (winner of the Nobel Prize for Literature, 1969), the three novels that have been most admired and have received the greatest amount of critical comment, just as Waiting for Godot written in the same period of concentrated creativity between 1947 and 1949, is central to Beckett's drama. "Beckett's oeuvre towers above that of most of his peers, as of his forebears and followers, because it's such a model of integrity: the beauty that is truth" -- Michail Howowitz. [via]
More editions of Samuel Beckett, Waiting for Godot:

› Find signed collectible books: 'They Went That-A-Way'
More editions of They Went That-A-Way:
› Find signed collectible books: 'Things Fall Apart'
One of Chinua Achebe's many achievements in his acclaimed first novel, Things Fall Apart, is his relentlessly unsentimental rendering of Nigerian tribal life before and after the coming of colonialism. First published in 1958, just two years before Nigeria declared independence from Great Britain, the book eschews the obvious temptation of depicting pre-colonial life as a kind of Eden. Instead, Achebe sketches a world in which violence, war, and suffering exist, but are balanced by a strong sense of tradition, ritual, and social coherence. His Ibo protagonist, Okonkwo, is a self-made man. The son of a charming ne'er-do-well, he has worked all his life to overcome his father's weakness and has arrived, finally, at great prosperity and even greater reputation among his fellows in the village of Umuofia. Okonkwo is a champion wrestler, a prosperous farmer, husband to three wives and father to several children. He is also a man who exhibits flaws well-known in Greek tragedy:
Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children. Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and of weakness. It was deeper and more intimate than the fear of evil and capricious gods and of magic, the fear of the forest, and of the forces of nature, malevolent, red in tooth and claw. Okonkwo's fear was greater than these. It was not external but lay deep within himself. It was the fear of himself, lest he should be found to resemble his father.And yet Achebe manages to make this cruel man deeply sympathetic. He is fond of his eldest daughter, and also of Ikemefuna, a young boy sent from another village as compensation for the wrongful death of a young woman from Umuofia. He even begins to feel pride in his eldest son, in whom he has too often seen his own father. Unfortunately, a series of tragic events tests the mettle of this strong man, and it is his fear of weakness that ultimately undoes him.
Achebe does not introduce the theme of colonialism until the last 50 pages or so. By then, Okonkwo has lost everything and been driven into exile. And yet, within the traditions of his culture, he still has hope of redemption. The arrival of missionaries in Umuofia, however, followed by representatives of the colonial government, completely disrupts Ibo culture, and in the chasm between old ways and new, Okonkwo is lost forever. Deceptively simple in its prose, Things Fall Apart packs a powerful punch as Achebe holds up the ruin of one proud man to stand for the destruction of an entire culture. --Alix Wilber [via]
› Find signed collectible books: 'The Tragedy of Hamlet, Prince of Denmark'
PB [via]
More editions of The Tragedy of Hamlet, Prince of Denmark:
› Find signed collectible books: 'The Tragedy of Romeo and Juliet'
This is undoubtedly the greatest love story ever written, spawning a host of imitators on stage and screen, including Leonard Bernstein's smash musical West Side Story, Franco Zeffirelli's Romeo and Juliet filmed in 1968, and Baz Luhrmann's postmodern film version Romeo + Juliet. The tragic feud between "Two households, both alike in dignity/In fair Verona", the Montagues and Capulets, which ultimately kills the two young "star-crossed lovers" and their "death-marked love" creates issues which have fascinated subsequent generations. The play deals with issues of intergenerational and familial conflict, as well as the power of language and the compelling relationship between sex and death, all of which makes it an incredibly modern play. It is also an early example of Shakespeare fusing poetry with dramatic action, as he moves from Romeo's lyrical account of Juliet--"she doth teach the torches to burn bright!" to the bustle and action of a 16th-century household (the play contains more scenes of ordinary working people than any of Shakespeare's other works). It also represents an experimental attempt to fuse comedy with tragedy. Up to the third act, the play proceeds along the lines of a classic romantic comedy. The turning point comes with the death of one of Shakespeare's finest early dramatic creations--Romeo's sexually ambivalent friend Mercutio, whose "plague o' both your houses" begins the play's descent into tragedy, "For never was a story of more woe/Than this of Juliet and her Romeo". --Jerry Brotton [via]
More editions of The Tragedy of Romeo and Juliet:
› Find signed collectible books: 'Velveteen Rabbit'
A stuffed toy rabbit (with real thread whiskers) comes to life in Margery Williams's timeless tale of the transformative power of love. Given as a Christmas gift to a young boy, the Velveteen Rabbit lives in the nursery with all of the other toys, waiting for the day when the Boy (as he is called) will choose him as a playmate. In time, the shy Rabbit befriends the tattered Skin Horse, the wisest resident of the nursery, who reveals the goal of all nursery toys: to be made "real" through the love of a human. "'Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.'" This sentimental classic--perfect for any child who's ever thought that maybe, just maybe, his or her toys have feelings--has been charming children since its first publication in 1922. (A great read-aloud for all ages, but children ages 8 and up can read it on their own.) [via]
More editions of Velveteen Rabbit:
› Find signed collectible books: 'Velveteen Rabbit'
A stuffed toy rabbit (with real thread whiskers) comes to life in Margery Williams's timeless tale of the transformative power of love. Given as a Christmas gift to a young boy, the Velveteen Rabbit lives in the nursery with all of the other toys, waiting for the day when the Boy (as he is called) will choose him as a playmate. In time, the shy Rabbit befriends the tattered Skin Horse, the wisest resident of the nursery, who reveals the goal of all nursery toys: to be made "real" through the love of a human. "'Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.'" This sentimental classic--perfect for any child who's ever thought that maybe, just maybe, his or her toys have feelings--has been charming children since its first publication in 1922. (A great read-aloud for all ages, but children ages 8 and up can read it on their own.) [via]
More editions of Velveteen Rabbit:
› Find signed collectible books: 'The Waste Land and Other Writings'
First published in 1922, "The Waste Land" is T.S. Eliot's masterpiece, and is not only one of the key works of modernism but also one of the greatest poetic achievements of the twentieth century. A richly allusive pilgrimage of spiritual and psychological torment and redemption, Eliot's poem exerted a revolutionary influence on his contemporaries, summoning forth a rich new poetic language, breaking decisively with Romantic and Victorian poetic traditions. Kenneth Rexroth was not alone in calling Eliot "the representative poet of the time, for the same reason that Shakespeare and Pope were of theirs. He articulated the mind of an epoch in words that seemed its most natural expression."
As influential as his verse, T.S. Eliot's criticism also exerted a transformative effect on twentieth-century letter, and this new edition of The Waste Land and Other Writings includes a selection of Eliot's most important essays.
In her new Introduction, Mary Karr dispels some of the myths of the great poem's inaccessibility and sheds fresh light on the ways in which "The Waste Land" illuminates contemporary experience. [via]
More editions of The Waste Land and Other Writings:
› Find signed collectible books: 'Whale Talk'
T. J. Jones is black, Japanese, and white; his given name is The Tao (honest!), and he's the son of a woman who abandoned him when she got heavily into crack and crank. As a child he was full of rage, but now as a senior in high school he's pretty much overcome all that. With the help of a good therapist and his decent, loving, ex-hippie adoptive parents, he's not only fairly even-keeled, he has turned out to be smart and funny.
Injustice, however, still fills him with fury. So when big-deal football star Mike Barbour bullies brain-damaged Chris Coughlin for wearing his dead brother's letter jacket, T.J. hatches a scheme for revenge. He assembles a swim team (in a school with no pool) made up of the most outrageous outsiders and misfits he can find and extracts a conditional promise of those sacred letter jackets from the coach. After weeks of dedicated practice at the All Night Fitness pool, the seven mermen get good enough not to embarrass themselves in competition. The really important thing, though, turns out to be the long bus rides to meets, a safe place to share the hurts that have made them who they are. Meanwhile, T.J.'s father, who has taken in a battered little girl to ease his lifelong guilt over his role in the accidental death of a baby, tangles with another bully--her stepfather--and his growing murderous rage.
Chris Crutcher, therapist and author of seven prize-winning young adult books, here gives his many fans another wise and compassionate story full of the intensity of athletic competition and hair-raising incidents of child abuse. (Ages 12 and older) --Patty Campbell [via]
More editions of Whale Talk:

› Find signed collectible books: 'When A Pet Dies'
More editions of When A Pet Dies:

› Find signed collectible books: 'Without You: A Memoir of Love, Loss, And the Musical Rent'
Anthony Rapp captures the passion and grit unique to the theatre world as he recounts his life-changing experience in the original cast of the Pulitzer Prize-winning musical Rent. Anthony had a special feeling about Jonathan Larson's rock musical from his first audition, so he was thrilled when he landed a starring role as the filmmaker Mark Cohen. With his mom's cancer in remission and a reason to quit his newly acquired job at Starbucks, his life was looking up. When Rent opened to thunderous acclaim off Broadway, Rapp and his fellow cast members knew that something truly extraordinary had taken shape. But even as friends and family were celebrating the show's success, they were also mourning Jonathan Larson's sudden death from an aortic aneurysm. By the time Rent made its triumphant jump to Broadway, Larson had posthumously won the 1996 Pulitzer Prize. When Anthony's mom began to lose her battle with cancer, he struggled to balance the demands of life in the theatre with his responsibility to his family. Here, Anthony recounts the show's magnificent success and his overwhelming loss. He also shares his first experiences discovering his sexuality, the tension it created with his mother, and his struggle into adulthood to gain her acceptance. Variously marked by fledgling love and devastating loss, piercing frustration and powerful enlightenment, Without You charts the course of Rapp's exhilarating journey with the cast and crew of Rent as well as the intimacies of his personal life behind the curtain. [via]
More editions of Without You: A Memoir of Love, Loss, And the Musical Rent:
Odyssey, The: The World's Great Classics, by Homer; tr. by S.H. Butcher and Andrew Lang [via]
More editions of The World's Great Classics:
Results page: PREV 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101-108 NEXT
