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› Find signed collectible books: 'The Age of Religious Wars, 1559-1715'
Beginning with Seamus Heaney's brilliant new translation of Beowulf, and continuing through ten centuries of remarkable literature to the contemporary works of Derek Walcott, J. M. Coetzee, Nadine Gordimer, and Salman Rushdie, the new Major Authors edition is a library between two covers--an indispensable addition to the family bookshelf. [via]
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› Find signed collectible books: 'Beowulf: An Illustrated Edition'
In Beowulf warriors must back up their mead-hall boasts with instant action, monsters abound, and fights are always to the death. The Anglo-Saxon epic, composed between the 7th and 10th centuries, has long been accorded its place in literature, though its hold on our imagination has been less secure. In the introduction to his translation, Seamus Heaney argues that Beowulf's role as a required text for many English students obscured its mysteries and "mythic potency." Now, thanks to the Irish poet's marvelous recreation (in both senses of the word) under Alfred David's watch, this dark, doom-ridden work gets its day in the sun.
There are endless pleasures in Heaney's analysis, but readers should head straight for the poem and then to the prose. (Some will also take advantage of the dual-language edition and do some linguistic teasing out of their own.) The epic's outlines seem simple, depicting Beowulf's three key battles with the scaliest brutes in all of art: Grendel, Grendel's mother (who's in a suitably monstrous snit after her son's dismemberment and death), and then, 50 years later, a gold-hoarding dragon "threatening the night sky / with streamers of fire." Along the way, however, we are treated to flashes back and forward and to a world view in which a thane's allegiance to his lord and to God is absolute. In the first fight, the man from Geatland must travel to Denmark to take on the "shadow-stalker" terrorizing Heorot Hall. Here Beowulf and company set sail:
Men climbed eagerly up the gangplank,After a fearsome night victory over march-haunting and heath-marauding Grendel, our high-born hero is suitably strewn with gold and praise, the queen declaring: "Your sway is wide as the wind's home, / as the sea around cliffs." Few will disagree. And remember, Beowulf has two more trials to undergo.
sand churned in the surf, warriors loaded
a cargo of weapons, shining war-gear
in the vessel's hold, then heaved out,
away with a will in their wood-wreathed ship.
Over the waves, with the wind behind her
and foam at her neck, she flew like a bird...
Heaney claims that when he began his translation it all too often seemed "like trying to bring down a megalith with a toy hammer." The poem's challenges are many: its strong four-stress line, heavy alliteration, and profusion of kennings could have been daunting. (The sea is, among other things, "the whale-road," the sun is "the world's candle," and Beowulf's third opponent is a "vile sky-winger." When it came to over-the-top compound phrases, the temptations must have been endless, but for the most part, Heaney smiles, he "called a sword a sword.") Yet there are few signs of effort in the poet's Englishing. Heaney varies his lines with ease, offering up stirring dialogue, action, and description while not stinting on the epic's mix of fate and fear. After Grendel's misbegotten mother comes to call, the king's evocation of her haunted home may strike dread into the hearts of men and beasts, but it's a gift to the reader:
A few miles from hereIn Heaney's hands, the poem's apparent archaisms and Anglo-Saxon attitudes--its formality, blood-feuds, and insane courage--turn the art of an ancient island nation into world literature. --Kerry Fried [via]
a frost-stiffened wood waits and keeps watch
above a mere; the overhanging bank
is a maze of tree-roots mirrored in its surface.
At night there, something uncanny happens:
the water burns. And the mere bottom
has never been sounded by the sons of men.
On its bank, the heather-stepper halts:
the hart in flight from pursuing hounds
will turn to face them with firm-set horns
and die in the wood rather than dive
beneath its surface. That is no good place.
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› Find signed collectible books: 'Beowulf: A Verse Translation'
Winner of the Whitbread Prize, Seamus Heaneys translation "accomplishes what before now had seemed impossible: a faithful rendering that is simultaneously an original and gripping poem in its own right" (New York Times Book Review).
The translation that "rides boldly through the reefs of scholarship" (The Observer) is combined with first-rate annotation. No reading knowledge of Old English is assumed. Heaneys clear and insightful introduction to Beowulf provides students with an understanding of both the poems history in the canon and Heaneys own translation process. [via]More editions of Beowulf: A Verse Translation:
› Find signed collectible books: 'Busman's Honeymoon: A Love Story with Detective Interruptions'
They plan to have a quiet country honeymoon. Then Lord Peter Wimsey and his bride Harriet Vane find the previous owner's body in the cellar. Set in a country village seething with secrets and snobbery, this is Dorothy L. Sayers' last full-length detective novel. Variously described as a love story with detective interruptions and a detective story with romantic interruptions, it lives up to both descriptions with style. 'I admire her novels ...she has great fertility of invention, ingenuity and a wonderful eye for detail' P. D. James [via]
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› Find signed collectible books: 'Emma'
Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.
For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber [via]
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› Find signed collectible books: 'Fellowship of the Ring'
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› Find signed collectible books: 'The Iliad'
› Find signed collectible books: 'The Iliad'
This translation of The Iliad equals Fitzgerald's earlier Odyssey in power and imagination. It recreates the original action as conceived by Homer, using fresh and flexible blank verse that is both lyrical and dramatic. [via]
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› Find signed collectible books: 'Iliad of Homer'
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› Find signed collectible books: 'Iliad of Homer: Shorten Version'
According to legend, in ancient times Agamemnon led the Greeks into war with the city of Troy to recapture the beautiful Helen of Troy, wife of King Menelaus of Sparta.
The Iliad, the heroic Greek epic called by I. A. Richards "the most influential poem in the Western tradition," describes what happens toward the end of the Trojan War, when a quarrel between Agamemnon and the Greek hero Achilles sets in motion tragic events that bring the war to its conclusion.More editions of Iliad of Homer: Shorten Version:
› Find signed collectible books: 'The Lord of the Rings'
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› Find signed collectible books: 'The Lord of the Rings'
A one-volume collector's edition boxed and bound in handsome red leatherette with gold, green, and blue foil stamping, two-color text setting, and large format fold-out maps containing the complete texts of The Fellowship of the Ring, The Two Towers, and The Return of the King, and six appendices. One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them. In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, The Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell, by chance, into the hands of the hobbit, Bilbo Baggins. From his fastness in the Dark Tower of Mordor, Sauron's power spread far and wide. He gathered all the Great Rings to him, but ever he searched far and wide for the One Ring that would complete his dominion. On his eleventy-first birthday Bilbo disappeared, bequeathing to his young cousin Frodo the Ruling Ring and a perilous quest -- to journey across Middle-earth, deep into the shadow of the Dark Lord, and destroy the Ring by casting it into the Cracks of Doom. The Lord of the Rings tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the Wizard, Merry, Pippin, and Sam, Gimli the Dwarf, Legolas the Elf, Boromir of Gondor, and a tall, mysterious stranger called Strider. [via]
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› Find signed collectible books: 'The Lord of the Rings: Return of the King/Two Towers/Fellowship of the Ring'
A Christian can almost be forgiven for not reading the Bible, but there's no salvation for a fantasy fan who hasn't read the gospel of the genre, J.R.R. Tolkien's definitive three-book epic, the Lord of the Rings (encompassing The Fellowship of the Ring, The Two Towers, and The Return of the King), and its charming precursor, The Hobbit. That many (if not most) fantasy works are in some way derivative of Tolkien is understood, but the influence of the Lord of the Rings is so universal that everybody from George Lucas to Led Zeppelin has appropriated it for one purpose or another.
Not just revolutionary because it was groundbreaking, the Lord of the Rings is timeless because it's the product of a truly top-shelf mind. Tolkien was a distinguished linguist and Oxford scholar of dead languages, with strong ideas about the importance of myth and story and a deep appreciation of nature. His epic, 10 years in the making, recounts the Great War of the Ring and the closing of Middle-Earth's Third Age, a time when magic begins to fade from the world and men rise to dominance. Tolkien carefully details this transition with tremendous skill and love, creating in the Lord of the Rings a universal and all-embracing tale, a justly celebrated classic. --Paul Hughes [via]
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› Find signed collectible books: 'Mansfield Park'
Though Jane Austen was writing at a time when Gothic potboilers such as Ann Ward Radcliffe's The Mysteries of Udolpho and Horace Walpole's The Castle of Otranto were all the rage, she never got carried away by romance in her own novels. In Austen's ordered world, the passions that ruled Gothic fiction would be horridly out of place; marriage was, first and foremost, a contract, the bedrock of polite society. Certain rules applied to who was eligible and who was not, how one courted and married and what one expected afterwards. To flout these rules was to tear at the basic fabric of society, and the consequences could be terrible. Each of the six novels she completed in her lifetime are, in effect, comic cautionary tales that end happily for those characters who play by the rules and badly for those who don't. In Mansfield Park, for example, Austen gives us Fanny Price, a poor young woman who has grown up in her wealthy relatives' household without ever being accepted as an equal. The only one who has truly been kind to Fanny is Edmund Bertram, the younger of the family's two sons.
Into this Cinderella existence comes Henry Crawford and his sister, Mary, who are visiting relatives in the neighborhood. Soon Mansfield Park is given over to all kinds of gaiety, including a daring interlude spent dabbling in theatricals. Young Edmund is smitten with Mary, and Henry Crawford woos Fanny. Yet these two charming, gifted, and attractive siblings gradually reveal themselves to be lacking in one essential Austenian quality: principle. Without good principles to temper passion, the results can be disastrous, and indeed, Mansfield Park is rife with adultery, betrayal, social ruin, and ruptured friendships. But this is a comedy, after all, so there is also a requisite happy ending and plenty of Austen's patented gentle satire along the way. Describing the switch in Edmund's affections from Mary to Fanny, she writes: "I purposely abstain from dates on this occasion, that everyone may be at liberty to fix their own, aware that the cure of unconquerable passions, and the transfer of unchanging attachments, must vary much as to time in different people." What does not vary is the pleasure with which new generations come to Jane Austen. --Alix Wilber [via]
› Find signed collectible books: 'The Norton Anthology of English Literature'
Majors authors edition. This book presents a rich selection of the best and most characteristic writings of thirty-one masters of English literature. [via]
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› Find signed collectible books: 'The Norton Anthology of English Literature'
This anthology covers writers and works of English literature. Among the major works included are the complete texts of Milton's "Paradise Lost" and Mary Shelley's "Frankenstein"; Shakespeare's "Twelfth Night"; Beckett's tragicomic "Endgame"; and Achebe's "Things Fall Apart". The 7th edition features works by 60 women writers, 21 writers new to the "Norton Anthology", 20 represented with additional selections or reselected works. Fourteen new and expanded thematic clusters gather short texts that illuminate cultural, historical, and literary concerns within each period. Examining 20th-century literature in English, this edition reflects the global reach of literature in English with ten new authors - Jean Rhys, Chinua Achebe, Alice Munro, V. S. Naipaul, Anita Desai, Les Murray, Salman Rushdie, J. M. Coetzee, Eavan Boland, and Paul Muldoon. "The Persistence of English", a new essay by Geoffrey Nunberg, Stanford University and Xerox Palo Alto Research Center, provides a lively exploration of the English language - its emergence and spread, and its apparent "triumph" as a world language. Visual materials are included from several periods - Hogarth's satiric "Marriage A-la-Mode", engravings by Blake, and illustrations by Dante Gabriel Rossetti. Period introductions, author headnotes, annotations, and bibliographies have been thoroughly revised, many completely rewritten, for the 7th Edition. New pedagogical features include timelines for each period and revised endpaper maps. The text is accompanied by 2 audio CDs. [via]
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› Find signed collectible books: 'The Norton Anthology of English Literature'
NA [via]
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› Find signed collectible books: 'Norton Anthology of English Literature: Major Authors'
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› Find signed collectible books: 'Norton Anthology of English Literature Package'
Read by millions of students over seven editions, The Norton Anthology of English Literature remains the most trusted undergraduate survey of English literature available and one of the most successful college texts ever published.
Firmly grounded by the hallmark strengths of all Norton Anthologiesthorough and helpful introductory matter, judicious annotation, complete texts wherever possibleThe Norton Anthology of English Literature has been revitalized in this Eighth Edition through the collaboration between six new editors and six seasoned ones. Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.More editions of Norton Anthology of English Literature Package:
› Find signed collectible books: 'The Norton Anthology of English Literature: The Major Authors'
This anthology aims to enable the reader to gauge the achievement of principal authors of English literature by providing examples of their most characteristic work. Works featured range from Beowulf written in the 15th century to contemporary literature from the likes of Larkin and Rushdie. [via]
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› Find signed collectible books: 'The Norton Anthology of English Literature Vol. 1 : 16th/17th Century'
With adoptions at over 1,300 colleges and universities in its first semester; the Seventh Edition of The Norton Anthology of English Literature continues to be the indispensable anthology. Like its predecessors, the Seventh Edition offers the best in English literature from the classic to the contemporary in a readable, teachable format. More selections by women and twentieth-century writers, a richer offering of contextual writings and apparatus fully revised to reflect today's scholarship make the Seventh Edition the choice for breadth, depth, and quality.
For the first time ever, the acclaimed Norton Anthology of English Literature is available in six separate volumes, each of which cover a specific period of English lit and focus on the wide range of writers and literature, with full annotation and commentary. Adapted unabridged from the full Norton Anthology, this volume is ideal for focused study or specific coursework in the period. [via]
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› Find signed collectible books: 'The Norton Anthology of English Literature, the Major Authors: The Middle Ages Through the Restoration and the Eighteenth Century'
The acclaimed Norton Anthology of English Literature, Major Authors Edition is now available in two paperbound volumes. Volume A begins with Seamus Heaney's brilliant new translation of Beowulf and continuing through the sixteen, seventeenth, and eighteenth centuries. This new Major Authors edition is a library between two coversan indispensable addition to the family bookshelf. [via]
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› Find signed collectible books: 'Pride and Prejudice'
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."
Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.
Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]
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› Find signed collectible books: 'Pride and Prejudice'
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."
Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.
Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]
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› Find signed collectible books: 'The Return of the King'
In the third volume of The Lord of the Rings trilogy the good and evil forces join battle, and we see that the triumph of good is not absolute. The Third Age of Middle-earth ends, and the age of the dominion of Men begins. [via]
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› Find signed collectible books: 'Twelfth Night'
About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide. [via]
› Find signed collectible books: 'Two Towers'
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› Find signed collectible books: 'Western Civilization'
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› Find signed collectible books: 'Western Civilization: A Brief History Complete'
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› Find signed collectible books: 'Western Civilization: A Brief Survey'
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› Find signed collectible books: 'Western Civilization: A Concise History'
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› Find signed collectible books: 'Western Civilization: Ideas, Policies & Society'
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› Find signed collectible books: 'Western Civilization: Ideas, Policies & Society'
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› Find signed collectible books: 'Western Civilization: Ideas, Politics & Society to 1789/Chapters 1-18'
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› Find signed collectible books: 'Western Civilization: Ideas, Politics & Society, Volume Ii, from the 1600s'
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› Find signed collectible books: 'Western Civilization: Ideas, Politics and Society from the 1400's'
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› Find signed collectible books: 'Western Civilization: Ideas, Politics and Society from the 1400s Chapters 13-37'
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› Find signed collectible books: 'Women in Love'
With an Introduction by Joyce Carol Oates
foreword by the author
Commentary by Carl van Doren, Rebecca West,
Aldous Huxley, and Henry Miller
It is . . . the world of the poets and the preponderance of the poet in [Lawrence] that is the key to his work. He magnified and deepened experience in the manner of a poet," wrote Anaïs Nin in 1934.
Privately printed in 1920 and published commercially in 1921, Women in Love is the novel Lawrence himself considered his masterpiece. Set in the English Midlands, the novel traces the lives of two sisters, Ursula and Gudrun, and the men with whom they fall in love. All four yearn for fufillment in their romantic lives, yet struggle in a world that is increasingly violent and destructive. Commenting on the novel, which was composed in the midst of the First World War in 1916, Lawrence wrote, "The bitterness of the war may be taken for granted in the characters." Rich in symbolism and lyrical prose, Women in Love is a complex meditation on the meaning of love in the modern world.
To the critic Alfred Kazin, "No other writer of [Lawrence's] imaginative standing has in our time written books that are so open to life."
D. H. LAWRENCE (1885-1930), the son of a coal miner and a lace worker, completed his formal studies at University College, Nottingham, in 1908 and began teaching at a boys' school. By 1912, he had abandoned teaching to write full-time. His novels include The White Peacock (1911), The Trespasser (1912), Sons and Lovers (1913), The Rainbow (1915), Women in Love (1920), The Plumed Serpent (1926), and Lady Chatterley's Lover (1928), which was banned as pornographic in England until 1960.
From the Trade Paperback edition. [via]
