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› Find signed collectible books: '5 Novels: Alan Mendelsohn the Boy from Mars, Slaves of Spiegel, the Snarkout Boys and the Avocado of Death, the Last Guru, Young Adult Novel'
There are many words that could be used to describe Daniel Pinkwater's books. Wacky comes to mind. Outrageous. Lively. Real. Unreal. Comic genius Jules Feiffer, in his foreword to 5 Novels, says, "Pinkwater's thoughts don't connect like yours or mine. His 'tab A' does not fit into 'slot A' the way it's supposed to in a well-thought-out thought. More likely, his 'tab A' will fit into 'slot 14' or 'slot X79,' the kind of fit that might drive you or me crazy if we tried it, but when Pinkwater does it, you read it and say to yourself, 'Why, of course, this is how it should be.'"
Performing chickens, a New Jersey Martian, an orangutan orchestra conductor from Ceylon ... the details are what jump out of his novels. The ice cream dish in Slaves of Spiegel, for example, consisting of an eggplant, two slabs of whole-wheat pizza dough, 16 flavors of ice cream, fresh figs, pistachio nuts, a lobster, and assorted fresh garden vegetables and fruit. (It's served piping hot from the microwave, in a freshly laundered regulation army knapsack, to the accompaniment of Franz Liszt music.) This is what Pinkwater is all about. A junior-high schooler's dream of an author.
In 5 Novels, you can feast upon five beloved and quirky favorites: Alan Mendelsohn, the Boy from Mars, Slaves of Spiegel, The Snarkout Boys and the Avocado of Death, The Last Guru, and Young Adult Novel. And if you still need more Pinkwater novels (and you definitely do), explore 4 Fantastic Novels. (Ages 9 and much, much older.) --Emilie Coulter [via]
More editions of 5 Novels: Alan Mendelsohn the Boy from Mars, Slaves of Spiegel, the Snarkout Boys and the Avocado of Death, the Last Guru, Young Adult Novel:
› Find signed collectible books: 'Affectionately, Marcel: The Selected Correspondence of Marcel Duchamp'
Marcel Duchamp left behind a large volume of correspondence, more than a thousand documents forming a valuable archive of primary source materials on one the 20th Century's most important cutural figures. In his letters, Duchmap writes about his latest plans, works in progress, concepts such as the "ready-made," his passion for chess, the mundane details of life, as well as extraordinary ideas. The letters are reproduced in their entirety along with chronological and biographical data illumintaing the circumstances behind the letters. An essential volume for art historians and students of 20th Century culture. [via]
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› Find signed collectible books: 'Andre Breton: Dossier Dada'
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› Find signed collectible books: 'Baroness Elsa: Gender, Dada, and Everyday Modernity A Cultural Biography'
Elsa von Freytag-Loringhoven (1874?1927) is considered by many to be the first American dadaist as well as the mother of dada. An innovator in poetic form and an early creator of junk sculpture, "the Baroness" was best known for her sexually charged, often controversial performances. Some thought her merely crazed, others thought her a genius. The editor Margaret Anderson called her "perhaps the only figure of our generation who deserves the epithet extraordinary." Yet despite her great notoriety and influence, until recently her story and work have been little known outside the circle of modernist scholars.In Baroness Elsa, Irene Gammel traces the extraordinary life and work of this daring woman, viewing her in the context of female dada and the historical battles fought by women in the early twentieth century. Striding through the streets of Berlin, Munich, New York, and Paris wearing such adornments as a tomato-soup can bra, teaspoon earrings, and black lipstick, the Baroness erased the boundaries between life and art, between the everyday and the outrageous, between the creative and the dangerous. Her art objects were precursors to dada objects of the teens and twenties, her sound and visual poetry were far more daring than those of the male modernists of her time, and her performances prefigured feminist body art and performance art by nearly half a century.
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› Find signed collectible books: 'Blago Bung, Blago Bung, Bosso Fatakal : The First Texts of the German Dada'
The German contribution to the Dada movement ("DADA MEANS NOTHING!" proclaimed Tristan Tzara) as it unfolded in Zurich during the first World War is not widely known.This collection brings together three texts translated into English for the first time, which were essential for the very creation of the movement, and which influenced all its future developments in France, Germany, the USA and many other countries.
Included is the only Dada novel, Tenderenda the Fantast, written by the movements founder Hugo Ball. sections of which he performed at the celebrated Cabaret Voltaire. It is partially a roman à clef recounting the birth of Dada and the authors subsequent love-hate relationship with his monstrous creation, and yet is much more besides. Richard Huelsenbecks Fantastic Prayers was the first Dada poetry collection, and these precocious "Bruitist" poems clearly illustrate how the absurd elements in early Expressionism evolved into the bizarre eloquence of Dada. Finally, Walter Serners Last Loosening manifesto, the first major German manifesto written in Zurich, which provoked numerous brawls at its various performances and yet is hardly known. In fact it was the source for many of Tzaras future literary provocations and seems to have been deliberately suppressed for this reason.
Three vital texts from one of the most extraordinary manifestations of the avant-garde of this century. [via]
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› Find signed collectible books: 'The Bride and the Bachelors: Five Masters of the Avante-Garde'
Says more, and says it more entertainingly, about one phase of contemporary art than any other book I know." John Canaday [via]
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› Find signed collectible books: 'Concepts of Modern Art'
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› Find signed collectible books: 'Cooking for You'
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› Find signed collectible books: 'The Dada Almanac'
First published in 1920 in a mixture of French and German, the Dada Almanac was truly international in scope. With substantial sections from the Swiss and French sections of the movement, it embodies Dada's failings as well as its successes, its excesses, its seriousness, its idiocy, but above all the anarchic vitality which made it such a vital precondition for so much that followed in the fields of art, literature and general cultural terrorism. The editors of this first English translation have added dozens of other relevant texts, documents, portraits etc. as well as explaining contemporary references and events and providing biographies of the numerous personalities involved. [via]
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› Find signed collectible books: 'Dada and Surrealism'
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› Find signed collectible books: 'Dada and Surrealism Reviewed'
![[???]: Dada and Surrealist Film [???]: Dada and Surrealist Film](http://ecx.images-amazon.com/images/P/0930279115.01._SL160_SCLZZZZZZZ__.jpg)
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› Find signed collectible books: 'Dada and Surrealist Film'
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› Find signed collectible books: 'Dada and Surrealist Performance'
The anarchic Dada movement is the subject of continuing interest among literary and cultural studies scholars as well as among theater professionals. In Dada and Surrealist Performance Annabelle Melzer describes the founding of the movement among the Zurich performance collective known as the Cabaret Voltaire -- including Tristan Tzara, Andre Breton, Louis Aragon, Francois Picabia, and Wassily Kandinksy -- and traces its scandalous history through the rift in the 1920s that separated Dada, with its dedication to political provocation, from the more contemplative Surrealism. [via]
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› Find signed collectible books: 'Dada: Art and Anti Art'

› Find signed collectible books: 'The Dada Painters and Poets: An Anthology'
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› Find signed collectible books: 'The Dada Seminars'
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› Find signed collectible books: 'The Dada Spirit'
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› Find signed collectible books: 'Dada Surrealism and Their Heritage'
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› Find signed collectible books: 'Dada: Zurich, Berlin, Hanover, Cologne, New York, Paris'
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› Find signed collectible books: 'Dadaism'
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› Find signed collectible books: 'Dialogues With Marcel Duchamp'
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› Find signed collectible books: 'Duchamp : A Biography'
Marcel Duchamp, born into an artistic middle-class French family in 1887, first gained recognition as an artist in 1913 when he submitted his painting Nude Descending a Staircase, No. 2 to the Armory Show in New York. The newspapers latched onto it after discovering that there was no trace of a nude, or even a real figure, in the painting, which came to symbolize the movement of modern art toward absurdity, humor, and avant-garde disregard for expectations. As an artist, Duchamp never matched the success and recognition of his most well-known work; later in his career, his works of "art" consisted of signed ceramic urinals. Calvin Tomkins, a writer for The New Yorker who befriended Duchamp in New York in the 1960s, has written the first full-length biography of the enigmatic Dadaist. [via]

› Find signed collectible books: 'Duchamp & Co'
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› Find signed collectible books: 'Ernst Basic Art Album'
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› Find signed collectible books: 'Five Novels'
There are many words that could be used to describe Daniel Pinkwater's books. Wacky comes to mind. Outrageous. Lively. Real. Unreal. Comic genius Jules Feiffer, in his foreword to 5 Novels, says, "Pinkwater's thoughts don't connect like yours or mine. His 'tab A' does not fit into 'slot A' the way it's supposed to in a well-thought-out thought. More likely, his 'tab A' will fit into 'slot 14' or 'slot X79,' the kind of fit that might drive you or me crazy if we tried it, but when Pinkwater does it, you read it and say to yourself, 'Why, of course, this is how it should be.'"
Performing chickens, a New Jersey Martian, an orangutan orchestra conductor from Ceylon ... the details are what jump out of his novels. The ice cream dish in Slaves of Spiegel, for example, consisting of an eggplant, two slabs of whole-wheat pizza dough, 16 flavors of ice cream, fresh figs, pistachio nuts, a lobster, and assorted fresh garden vegetables and fruit. (It's served piping hot from the microwave, in a freshly laundered regulation army knapsack, to the accompaniment of Franz Liszt music.) This is what Pinkwater is all about. A junior-high schooler's dream of an author.
In 5 Novels, you can feast upon five beloved and quirky favorites: Alan Mendelsohn, the Boy from Mars, Slaves of Spiegel, The Snarkout Boys and the Avocado of Death, The Last Guru, and Young Adult Novel. And if you still need more Pinkwater novels (and you definitely do), explore 4 Fantastic Novels. (Ages 9 and much, much older.) --Emilie Coulter [via]
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› Find signed collectible books: 'Flight Out of Time: A Dada Diary'
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› Find signed collectible books: 'In the Mind's Eye: Dada and Surrealism'
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› Find signed collectible books: 'Irrational Modernism: A Neurasthenic History of New York Dada'
In Irrational Modernism, Amelia Jones gives us a history of New York Dada, reinterpreted in relation to the life and works of Baroness Elsa von Freytag-Loringhoven. Jones enlarges our conception of New York Dada beyond the male avant-garde heroics of Marcel Duchamp, Man Ray, and Francis Picabia to include the rebellious body of the Baroness. If they practiced Dada, she lived it, with her unorthodox personal life, wild assemblage objects, radical poetry and prose, and the flamboyant self-displays by which she became her own work of art. Through this reinterpretation, Jones not only provides a revisionist history of an art movement but also suggests a new method of art history.Jones argues that the accepted idea of New York Dada as epitomized by Duchamp's readymades and their implicit cultural critique does not take into consideration the contradictions within the movement -- its misogyny, for example -- or the social turmoil of the period caused by industrialization, urbanization, and the upheaval of World War I and its aftermath, which coincided with the Baroness's time in New York (1913-1923). Baroness Elsa, whose appearances in Jones's narrative of New York Dada mirror her volcanic intrusions into the artistic circles of the time, can be seen to embody a new way to understand the history of avant-gardism -- one that embraces the irrational and marginal rather than promoting the canonical.Acknowledging her identification with the Baroness (as a "fellow neurasthenic"), and interrupting her own objective passages of art historical argument with what she describes in her introduction as "bursts of irrationality," Jones explores the interestedness of all art history, and proposes a new "immersive" understanding of history (reflecting the historian's own history) that parallels the irrational immersive trajectory of avant- gardism as practiced by Baroness Elsa.
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› Find signed collectible books: 'John Heartfield'
› Find signed collectible books: 'Joseph Cornell'
Joseph Cornell remains one of the most popular artists of the 20th century. This work provides an insight into the artist's remarkable inner world: a universe populated with empty cages, mirrors, clay pipes, postage stamps, marbles, thimbles and paper scraps, Cornell collected in his basement repository and fashioned into self-contained constructions, montages, collages and films. The artist's relationship to both American and European Romanticism, his involvement with the Surrealist movement, the peculiar mechanics of his work, and a glimpse at his cinematic explorations are accompanied by an illuminating biography and numerous illustrations. This survey brings to life the work of a brilliant artist whose imaginative re-ordering of the world's chaos is still as inspirational as ever. [via]

› Find signed collectible books: 'Joseph Cornell'
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› Find signed collectible books: 'Joseph Cornell/Marcel Duchamp --in Resonance'
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› Find signed collectible books: 'Joseph Cornell/Marcel Duchamp...Resonance'
Joseph Cornell/Marcel Duchamp... In Resonance is a beautiful catalog of works by both of the artists, accompanied by eight essays that explore their work and their relationship. These essays include marvelous anecdotes and information about both the personal and artistic lives of the artists and how deeply they influenced one another. Joseph Cornell (1903-1972) was a somewhat reclusive American artist from Queens, New York, who was known for his small theatrical box constructions. Marcel Duchamp (1887-1968) was born in France and was an integral part of the avant-garde art world--he is often called the father of contemporary art. The focus of the book revolves around the "Duchamp Dossier," a varied collection of objects from Duchamp that Cornell collected. "There's no way of knowing whether the dossier was made in collaboration with Duchamp or whether Duchamp knew of it at all, although it seems likely that he may have suspected it existed. It contained various things that Duchamp had clearly given to Cornell." The complete contents of the dossier are reproduced in this volume at 60 percent of their actual size.
What is so fascinating about the dossier is that it is something of a physical map of the interactions between Cornell and Duchamp. Along with the photo reproductions there is a complete and extremely detailed inventory of the dossier, including such information as the text of letters and type of postage. Also in the book is a comprehensive chronology of the lives of both artists. The book, a hefty 344 pages, includes 126 color plates and 320 halftone images. --Jennifer Cohen [via]
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› Find signed collectible books: 'Kurt Schwitters: Catalogue Raisonne, 1937-1946'
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› Find signed collectible books: 'Kurt Schwitters Vol. 2 : Catalogue Raisonni, 1923-1936'
There is scarcely an artist working today, provided they use materials other than paint, who does not refer to Kurt Schwitters in some way. In his bold and wide-ranging experiments, his prodigious collages and ground-breaking environments, he can be seen as the grandfather of pop art, happenings, concept art, Fluxus, multimedia art, and even postmodernism--yet only certain parts of his immensely varied pictorial work have been thoroughly investigated. From the Dadaist collages to the final, partial incarnation of the Merzbau in the Lake District of England, Schwitters's oeuvre is here documented and properly acknowledged for the first time in a three-volume catalogue raisonn , of which this is the second installment. More than 4,000 works produced between 1905 and 1948, among them numerous previously unpublished, destroyed and lost pictures and paintings, are presented in this authoritative compendium, following worldwide research and a complete viewing of his artistic estate. The artist's works are ordered chronologically and then according to genre, and illustrated in black and white; select representative works appear in color. This second volume covers the years from 1923 to 1936, a period in which Schwitters added steadily to his Hanover Merzbau and in which his work reflected his struggle with international constructivism. The volume ends with his 1937 flight from Germany. This publication is edited by the Sprengel Museum, Hanover, with the help of Karin Orchard and Isabel Schulz on behalf of the Norddeutsche Landesbank and the Stadtsparkasse Hanover.
Also Available:
Kurt Schwitters Catalogue Raisonn : Volume I 1905-1922
Hbk, 10 x 12 in. / 552 pgs / 150 color and 950 b&w
ISBN: 30-7757-0926-6 $250
Hatje Cantz Publishers
Kurt Schwitters Catalogue Raisonn : Volume 3 1937-1948
Hatje Cantz Publishers [via]
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› Find signed collectible books: 'Lipstick Traces: A Secret History of the 20th Century'
Greil Marcus, author of Mystery Train, widely acclaimed as the best book ever written about America as seen through its music, began work on this new book out of a fascination with the Sex Pistols: that scandalous antimusical group, invented in London in 1975 and dead within two years, which sparked the emergence of the culture called punk. "I am an antichrist!" shouted singer Johnny Rotten--where in the world of pop music did that come from? Looking for an answer, with a high sense of the drama of the journey, Marcus takes us down the dark paths of counterhistory, a route of blasphemy, adventure, and surprise.
This is no mere search for cultural antecedents. Instead, what Marcus so brilliantly shows is that various kinds of angry, absolute demands--demands on society, art, and all the governing structures of everyday life--seem to be coded in phrases, images, and actions passed on invisibly, but inevitably, by people quite unaware of each other. Marcus lets us hear strange yet familiar voices: of such heretics as the Brethren of the Free Spirit in medieval Europe and the Ranters in seventeenth-century England; the dadaists in Zurich in 1916 and Berlin in 1918, wearing death masks, chanting glossolalia; one Michel Mourre, who in 1950 took over Easter Mass at Notre-Dame to proclaim the death of God; the Lettrist International and the Situationist International, small groups of Paris--based artists and writers surrounding Guy Debord, who produced blank-screen films, prophetic graffiti, and perhaps the most provocative social criticism of the 1950s and '60s; the rioting students and workers of May '68, scrawling cryptic slogans on city walls and bringing France to a halt; the Sex Pistols in London, recording the savage "Anarchy in the U.K." and "God Save the Queen."
Although the Sex Pistols shape the beginning and the end of the story, Lipstick Traces is not a book about music; it is about a common voice, discovered and transmitted in many forms. Working from scores of previously unexamined and untranslated essays, manifestos, and filmscripts, from old photographs, dada sound poetry, punk songs, collages, and classic texts from Marx to Henri Lefebvre, Marcus takes us deep behind the acknowledged events of our era, into a hidden tradition of moments that would seem imaginary except for the fact that they are real: a tradition of shared utopias, solitary refusals, impossible demands, and unexplained disappearances. Written with grace and force, humor and an insistent sense of tragedy and danger, Lipstick Traces tells a story as disruptive and compelling as the century itself.
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› Find signed collectible books: 'Lipstick Traces: A Secret History of the Twentieth Century'
Greil Marcus, author of Mystery Train, widely acclaimed as the best book ever written about America as seen through its music, began work on this new book out of a fascination with the Sex Pistols: that scandalous antimusical group, invented in London in 1975 and dead within two years, which sparked the emergence of the culture called punk. "I am an antichrist!" shouted singer Johnny Rotten-where in the world of pop music did that come from? Looking for an answer, with a high sense of the drama of the journey, Marcus takes us down the dark paths of counterhistory, a route of blasphemy, adventure, and surprise.
This is no mere search for cultural antecedents. Instead, what Marcus so brilliantly shows is that various kinds of angry, absolute demands--demands on society, art, and all the governing structures of everyday life--seem to be coded in phrases, images, and actions passed on invisibly, but inevitably, by people quite unaware of each other. Marcus lets us hear strange yet familiar voices: of such heretics as the Brethren of the Free Spirit in medieval Europe and the Ranters in seventeenth-century England; the dadaists in Zurich in 1916 and Berlin in 1918, wearing death masks, chanting glossolalia; one Michel Mourre, who in 1950 took over Easter Mass at Notre-Dame to proclaim the death of God; the Lettrist International and the Situationist International, small groups of Paris--based artists and writers surrounding Guy Debord, who produced blank-screen films, prophetic graffiti, and perhaps the most provocative social criticism of the 1950s and '60s; the rioting students and workers of May '68, scrawling cryptic slogans on city walls and bringing France to a halt; the Sex Pistols in London, recording the savage "Anarchy in the U.K." and "God Save the Queen."
Although the Sex Pistols shape the beginning and the end of the story, Lipstick Traces is not a book about music; it is about a common voice, discovered and transmitted in many forms. Working from scores of previously unexamined and untranslated essays, manifestos, and filmscripts, from old photographs, dada sound poetry, punk songs, collages, and classic texts from Marx to Henri Lefebvre, Marcus takes us deep behind the acknowledged events of our era, into a hidden tradition of moments that would seem imaginary except for the fact that they are real: a tradition of shared utopias, solitary refusals, impossible demands, and unexplained disappearances. Written with grace and force, humor and an insistent sense of tragedy and danger, Lipstick Traces tells a story as disruptive and compelling as the century itself.
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› Find signed collectible books: 'Making Mischief : Dada Invades New York'
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› Find signed collectible books: 'Man Ray: American Artist'
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› Find signed collectible books: 'Manifestoes of Surrealism'
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› Find signed collectible books: 'Marcel Duchamp'
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› Find signed collectible books: 'Marcel Duchamp'
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› Find signed collectible books: 'Marcel Duchamp'
The nineteenth century ends in 1914 with Picasso, the twentieth begins with Marcel Duchamp.' This statement by the art critic Pierre Cabanne characterizes the French artist Marcel Duchamp (1887-1967) as a radical innovator, whose influence on the development of present-day art can hardly be overestimated. Almost all the avant-garde movements since 1945 - pop art, arte povera, conceptual art, performance art, multi-media art, and almost all post-modernist trends - are derived in one way or another from his artistic studies. Although Duchamp also left a limited number of paintings - including the cubist Nude Descending a Staircase of 1912 and his masterpiece, the painting on glass of The Bride stripped bare by her Bachelors, even - he is above all known as the creator of the 'ready-mades', everyday objects such as a snow shovel, a bicycle wheel, a bottle rack or a urinal, which Duchamp promoted into works of art by adding his signature and a title. In this way he put up resistance to what he called 'retinal art', art which had no other object than to please the eye. He did not think the unique, handmade and visually pleasing aspect of a work of art important, but rather the meaning and the value which the observer gave to the object. From this point of view, which in fact also contained an element of humour, Duchamp realigned the frontiers of art, and his radical new ideas inspired whole generations of artists. In his life-long search for alternatives to traditional artistic practice, Duchamp was fascinated by the art of mechanical reproduction, which was expressed not only in his ready-mades, boites-en-valise and his etchings, but also in the many copies, replicas, multiples and photographic reproductions, which were made of his work during and after his lifetime. This aspect forms the central theme of this richly illustrated study, which offers a new and often unexpected look at the life and oeuvre of one of the most remarkable artists of the twentieth century. Francis M. Naumann is an expert on Duchamp and Man Ray. He has previously published Marcel Duchamp: Artist of the Century and New York Dada [via]
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› Find signed collectible books: 'Marcel Duchamp'
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› Find signed collectible books: 'Marcel Duchamp 1887-1968: Art As Anti-Art'
Marcel Duchamp (1887-1968) is best-known for his "ready-mades" - such as the urinal, entitled "Fountain" and "signed" R. Mutt. This study tackles the enigma of this major 20th-century artist. [via]
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› Find signed collectible books: 'Marcel Duchamp, 1887 - 1968: Art As Anti- Art'
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› Find signed collectible books: 'Max Ernst: 1891-1976'
Max Ernst, the great Surrealist artist, produced a body of graphic work that surpassed that of any other artist associated with Surrealism. His innovative printing techniques were the equivalent of the semi-automatic image-making procedures used by the painters and poets of his day, and his collaboration with the literary founders of Dada and Surrealism resulted in some of the most beautiful and evocative books of our time. In honor of the donation by Ernst's widow, Dorothea Tanning, of 150 of Ernst's etchings and lithographs--including the magnificent Maximiliana--The New York Public Library has mounted a major retrospective of his works. More than 200 books, prints, collages, and drawings, taken from the Library's collection and from private American and European collections, were selected for this exhibition--which will be displayed at The New York Public Library from October 11 to December 31, 1986, and will travel from there to the University of Michigan Art Museum, Ann Arbor.
Max Ernst: Beyond Surrealism--An Exhibition of the Artist's Books and Prints is a fully illustrated catalogue of the Max Ernst retrospective, with three essays documenting and interpreting the artist's books and prints, a chronology, selected bibliography, and illustrated checklist of the works in the exhibition. The first essay, by Robert Rainwater, surveys Ernst's printmaking in all media, from the linoleum cuts produced in his student years at the University of Bonn through the complex intaglio prints and transfer lithographs he created in collaboration with master French printers during the last 25 years of his life. The second, by Evan Maurer, discusses the themes and recurring forms in Ernst's prints and examines the artist's three great collage novels--La Femme 100 têtes (1929), Rêve d'une petite fille qui voulut entrer au carmel (1930), and Une Semaine de Bonté (1934). Maurer views the novels in the light of Ernst's entire career and discusses their sources and motivations. In a third essay, Anne Hyde Greet traces the evolution of the livre de peintre, or artist's book, in 20th-century France. She places Ernst's bookmaking activities in the context of this development, and, in the process, examines all his major illustrated books and gives a detailed study of his collaboration with the Russian futurist poet, printer, and publisher Iliazd (Ilia Zdanevich) on Maximiliana.
Not only a guide to the current exhibition, this book will stand as a provocative and insightful study of Max Ernst's contribution to 20th-century print and bookmaking. [via]
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› Find signed collectible books: 'Max Ernst: A Retrospective'
Born in Germany, Max Ernst spent more than 40 years of his life in France and lived in exile in America for over a decade. This study illustrates and assesses all aspects of one of the truly international artists of the 20th century. It also contains Max Ernst's full autobiographical notes. The extensive plate section includes works in all media and genres - painting, sculpture, works on paper, book illustration - and from all periods of the artist's career. In his analysis, Werner Spies examines the artist's creative energy that was fuelled by a continual dialogue between tradition and innovation. Although frequently associated with the Dada and Surrealist movements, Ernst's critical assessment of current styles ensured his independence from any particular trend. Other contributors, discuss the symbolism of his Surrealist imagery, the influence of romanticism and the Native American ethos on him, and his ties with England. Max Ernst's own "biographical notes", illustrated with documentary photographs and further examples of his work and interspersed with other writings by the artist, provide insights into his life and art and constitute a vivid autobiographical document. Werner Spies is the author of "Picasso's World of Children", "Pablo Picasso: The Path to Sculpture" and "Fernando Botero - Paintings and Drawings". [via]
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› Find signed collectible books: 'Max Ernst: Dada and the Dawn of Surrealism'
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› Find signed collectible books: 'Memoirs of a Dada Drummer'
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› Find signed collectible books: 'Notes and Projects for the Large Glass'
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› Find signed collectible books: 'The Photomontages of Hannah Hoch'
An artist who is best known for her work of the Weimar period, when she was one of the originators of photomontage(an art form) [via]
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› Find signed collectible books: 'Poems Performance Pieces Proses Plays Poetics'
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› Find signed collectible books: 'Rats Saw God'
In order to pass English class and graduate, 18-year-old Steve York has to write a 100- page essay about his life. What sounds like a run-of-the-mill writing assignment, however, becomes an excuse for Steve to reflect on the last four years (from Texas freshman to California senior), and figure out where it all went wrong. Maybe it was when he discovered that he really couldn't relate to his father, the Famous Astronaut. Or it could be because his "heart had been run through frappé, puree, and liquefy on a love blender" by his ex-girlfriend, Wanda "Dub" Varner. No matter where the finger of blame ends up pointing, it's a wild ride of self-enlightenment as Steve discovers that not all relationships are permanent, and that some--like the one with his dad--can be mended with a little work. With Steve, author Rob Thomas has taken a teenage outsider and given him a funny, intelligent voice: "There are those males who merely fill ear holes with tiny studs hardly big enough to offend a Marine. Not me. Most days I wear big hoops. When I combine the look with a doo rag, I'm a regular pirate." As with his other novels--Doing Time and Slave Day--Thomas proves his thorough grasp of young adult issues and emotions. Teens will appreciate the author's empathy and humor, and teachers and parents will examine his work for clues to the mystery of adolescence. (Ages 13 and older) --Jennifer Hubert [via]
› Find signed collectible books: 'Rats Saw God: A Comic Emotionally Charged Tale'
In order to pass English class and graduate, 18-year-old Steve York has to write a 100- page essay about his life. What sounds like a run-of-the-mill writing assignment, however, becomes an excuse for Steve to reflect on the last four years (from Texas freshman to California senior), and figure out where it all went wrong. Maybe it was when he discovered that he really couldn't relate to his father, the Famous Astronaut. Or it could be because his "heart had been run through frappé, puree, and liquefy on a love blender" by his ex-girlfriend, Wanda "Dub" Varner. No matter where the finger of blame ends up pointing, it's a wild ride of self-enlightenment as Steve discovers that not all relationships are permanent, and that some--like the one with his dad--can be mended with a little work. With Steve, author Rob Thomas has taken a teenage outsider and given him a funny, intelligent voice: "There are those males who merely fill ear holes with tiny studs hardly big enough to offend a Marine. Not me. Most days I wear big hoops. When I combine the look with a doo rag, I'm a regular pirate." As with his other novels--Doing Time and Slave Day--Thomas proves his thorough grasp of young adult issues and emotions. Teens will appreciate the author's empathy and humor, and teachers and parents will examine his work for clues to the mystery of adolescence. (Ages 13 and older) --Jennifer Hubert [via]
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› Find signed collectible books: 'Respirateur'
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› Find signed collectible books: 'Self Portrait'
In this remarkable autobiography, Man Ray - painter, photographer, sculptor, film maker and writer - relates the story of his life, from his childhood determination to be an artist and his technical drawing classes in a Brooklyn high school, to the glamorous and heady days of Paris in the 1940s, when any trip to the city 'was not complete until they had been "done" by Man Ray's camera'. Friend to everyone who was anyone, Ray tells everything he knows of artists, socialites and writers such as Matisse, Hemingway, Picasso and Joyce, not to mention Lee Miller, Nancy Cunard, Alberto Giacometti, Gertrude Stein, Dali, Max Ernst and many more, in this decadent, sensational account of the early twentieth-century cultural world. [via]

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› Find signed collectible books: 'Seven Dada Manifestos and Lampisteries'
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› Find signed collectible books: 'Subjoyride: Selected Poems'
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› Find signed collectible books: 'Surrealist Games'
The Surrealist movement that arose in Europe in the early 1900s used playful procedures and systematic stratagems to create provocative works and challenge the conventions of art, literature, and society. They conducted their experiments through art and polemic, manifesto and demonstration, love and politics. But it was above all through game-playing that they sought to subvert academic modes of inquiry and undermine the complacent certainties of the bourgeoisie. Surrealist games is a delightful compendium that allows the reader to enjoy firsthand the methodologies of the Surreal, with their amazing swings between the verbal and the visual, the beautiful and the grotesque. It is also a box of games to play for fun: poetic, imaginative, revelatory, full of possibilities for unlocking the door to the unconscious and releasing the poetry of collective creativity. The boxed set contains: A 168-page sewn, illustrated hardcover book packed with outrageous language games, alternative card games, "Dream Lotto," and automatic techniques for making poems, stories, collages, photomontages, and candle-smoke drawings. The illustrations are by such artists as Max Ernst, Hans Arp, and Tristan Tzara A fold-out game board for the "Goose Game," designed by André Breton, Yves Tanguy, and others A Little Surrealist Dictionary [via]
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› Find signed collectible books: 'Women in Dada: Essays on Sex, Gender, and Identity'
For all of its iconoclasm, the Dada spirit was not without repression, and the Dada movement was not without misogynist tendencies. Indeed, the word Dada evokes the idea of the male--both as father and as domineering authority. Thus female colleagues were to be seen not heard, nurturers not usurpers, pleasant not disruptive.This book is the first to make the case that women's changing role in European and American society was critical to Dada. Debates about birth control and suffrage, a declining male population and expanding female workforce, the emergence of the New Woman, and Freudianism were among the forces that contributed to the Dadaist enterprise.Among the female dadaists discussed are the German émigré Baroness Elsa von Freytag-Loringhoven; Berlin dadaist Hannah Höch; French dadaists Juliette Roche and Suzanne Duchamp; Zurich dadaists Sophie Taeuber and Emmy Hennings; expatriate poet and artist Mina Loy; the "Queen of Greenwich Village," Clara Tice; Margaret Anderson and Jane Heap, the lesbian couple who ran The Little Review; and Beatrice Wood, who died in 1998 at the age of 105. The book also addresses issues of colonialist racism, cross-dressing and dandyism, and the gendering of the machine. The bibliography was compiled by the International Dada Archive (Timothy Shipe and Rudolf E. Kuenzli).Contributors : Eleanor S. Apter, Barbara J. Bloemink, Willard Bohn, Carolyn Burke, William A. Camfield, Whitney Chadwick, Dorothea Dietrich, Susan Fillin-Yeh, Paul B. Franklin, Renée Riese Hubert, Marisa Januzzi, Amelia Jones, Marie T. Keller, Rudolf E. Kuenzli, Maud Lavin, Margaret A. Morgan, Dickran Tashjian, Elizabeth Hutton Turner, Barbara Zabel.
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› Find signed collectible books: 'Bis Heute: Stilgeschichte Der Bildenden Kunst Im 20. Jahrhundert'
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› Find signed collectible books: 'La Regle Du Jeu'
La Règle du jeu constitue une vaste entreprise autobiographique. Tout en étudiant sur le terrain les phénomènes du merveilleux et du sacré, Leiris devient son propre terrain d'observation. En explorant ses souvenirs d'enfance, en faisant son autoportrait, il interroge ce qui le fait écrire et ce que signifie écrire sur soi. Faut-il tout dire ? Comment ne pas fausser la vérité ? Quelles conséquences pour la vie réelle ?Biffures, Fourbis, Fibrilles, Frêle bruit : de 1948 à 1976, Leiris, déclinant sa série des b, f, r, a tendu aux lecteurs ce piège phonétique dans lequel lui-même aime à tomber. La langue qui «fourche» est un outil d'expérimentation du langage. Et l'apprentissage du langage est un domaine à explorer pour l'autobiographe. La mémoire en est un autre, dont la présente édition donne, en appendice, le matériel : les textes qui ont accompagné la genèse et la publication du cycle, et, pour la première fois, l'intégralité du «Fichier de La Règle du jeu», réservoir de souvenirs consignés sur des fiches. [via]
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