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› Find signed collectible books: 'Afghanistan: A History of Conflict'
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› Find signed collectible books: 'Africans on Stage: Studies in Ethnological Show Business'
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› Find signed collectible books: 'After the Great Divide: Modernism, Mass Culture, Postmodernism'
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› Find signed collectible books: 'Among the Believers: An Islamic Journey'
Naipaul's controversial account of his travels through the Islamic world was hailed by The New Republic as "the most notable work on contemporary Islam to have appeared in a very long time."
From the Trade Paperback edition. [via]
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› Find signed collectible books: 'The Art of Travel'
The urge to be somewhere else is one of the abiding traits of human nature; in The Art of Travel author Alain de Botton (The Consolations of Philosophy, How Proust Can Change Your Life) sets out to discover why in his own inimitably witty and discursive way.
Of course, the proximate reasons we travel are many and various: as de Botton explains. Using the travel experiences of great writers and artists, like Van Gogh, Ruskin, Huysmans and Wordsworth (in Provence, Venice, Belgium and the Lake District respectively), de Botton shows that men will travel to see beautiful buildings, or climb beautiful mountains, or make love to beautiful (and comparatively amoral) women. But, using the same artists, de Botton also shows that there is an underlying theme to all travel: the urge for difference, for the rhapsody of change. That this is an urge more often disappointed than gratified only makes the condition more poignant. One of de Botton's best chapters, on Flaubert, amplifies this tragicomic point: the French novelist spent enervating years in genteel Normandy longing for the sensual splendours of Egypt, then, when he finally reached the pyramids, he promptly lapsed into maudlin nostalgia for rainy, bourgeois Rouen.
If there are flaws in this, de Botton's latest and perhaps most readable book, they are the usual suspects: just occasionally the author comes across as a bit long-winded and self-regarding. However, this is such a pleasant and effortless read even these flaws can be taken as endearing characteristics--like the lizards who kip in the bath in your otherwise idyllic holiday villa.--Sean Thomas [via]
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› Find signed collectible books: 'Baroness Elsa: Gender, Dada, and Everyday Modernity A Cultural Biography'
Elsa von Freytag-Loringhoven (1874?1927) is considered by many to be the first American dadaist as well as the mother of dada. An innovator in poetic form and an early creator of junk sculpture, "the Baroness" was best known for her sexually charged, often controversial performances. Some thought her merely crazed, others thought her a genius. The editor Margaret Anderson called her "perhaps the only figure of our generation who deserves the epithet extraordinary." Yet despite her great notoriety and influence, until recently her story and work have been little known outside the circle of modernist scholars.In Baroness Elsa, Irene Gammel traces the extraordinary life and work of this daring woman, viewing her in the context of female dada and the historical battles fought by women in the early twentieth century. Striding through the streets of Berlin, Munich, New York, and Paris wearing such adornments as a tomato-soup can bra, teaspoon earrings, and black lipstick, the Baroness erased the boundaries between life and art, between the everyday and the outrageous, between the creative and the dangerous. Her art objects were precursors to dada objects of the teens and twenties, her sound and visual poetry were far more daring than those of the male modernists of her time, and her performances prefigured feminist body art and performance art by nearly half a century.
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› Find signed collectible books: 'Better Than Second Best: Love and Work in the Life of Helen Magill'
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› Find signed collectible books: 'Black Music'
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› Find signed collectible books: 'British Slave Trade And Public Memory'
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› Find signed collectible books: 'Cold War, Cool Medium: Television, McCarthyism, and American Culture'
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› Find signed collectible books: 'Cold War, Cool Medium: Television, McCarthyism, and American Culture'
Conventional wisdom holds that television was a co-conspirator in the repressions of Cold War America, that it was a facilitator to the blacklist and handmaiden to McCarthyism. But Thomas Doherty argues that, through the influence of television, America actually became a more open and tolerant place. Although many books have been written about this period, Cold War, Cool Medium is the only one to examine it through the lens of television programming.
To the unjaded viewership of Cold War America, the television set was not a harbinger of intellectual degradation and moral decay, but a thrilling new household appliance capable of bringing the wonders of the world directly into the home. The "cool medium" permeated the lives of every American, quickly becoming one of the most powerful cultural forces of the twentieth century. While television has frequently been blamed for spurring the rise of Senator Joseph McCarthy, it was also the national stage upon which America witnessed -- and ultimately welcomed -- his downfall. In this provocative and nuanced cultural history, Doherty chronicles some of the most fascinating and ideologically charged episodes in television history: the warm-hearted Jewish sitcom The Goldbergs; the subversive threat from I Love Lucy; the sermons of Fulton J. Sheen on Life Is Worth Living; the anticommunist series I Led 3 Lives; the legendary jousts between Edward R. Murrow and Joseph McCarthy on See It Now; and the hypnotic, 188-hour political spectacle that was the Army-McCarthy hearings.
By rerunning the programs, freezing the frames, and reading between the lines, Cold War, Cool Medium paints a picture of Cold War America that belies many black-and-white clichés. Doherty not only details how the blacklist operated within the television industry but also how the shows themselves struggled to defy it, arguing that television was preprogrammed to reinforce the very freedoms that McCarthyism attempted to curtail.
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› Find signed collectible books: 'Conserving Culture: A New Discourse on Heritage'
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› Find signed collectible books: 'Cultural Universals and Particulars: An African Perspective'
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› Find signed collectible books: 'Culture and Personality'
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› Find signed collectible books: 'Cultures of Vision: Images, Media, and the Imaginary'
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› Find signed collectible books: 'Deviant Bodies: Critical Perspectives on Difference in Science and Popular Culture'
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› Find signed collectible books: 'Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West'
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› Find signed collectible books: 'Dust Tracks on a Road: An Autobiography'
Warm, witty, imaginative. . . . This is a rich and winning book.The New Yorker
Dust Tracks on a Road is the bold, poignant, and funny autobiography of novelist, folklorist, and anthropologist Zora Neale Hurston, one of American literatures most compelling and influential authors. Hurstons powerful novels of the Southincluding Jonahs Gourd Vine and, most famously, Their Eyes Were Watching Godcontinue to enthrall readers with their lyrical grace, sharp detail, and captivating emotionality. First published in 1942, Dust Tracks on a Road is Hurstons personal story, told in her own words. The Perennial Modern Classics Deluxe edition includes an all-new forward by Maya Angelou, an extended biography by Valerie Boyd, and a special P.S. section featuring the contemporary reviews that greeted the books original publication.
[via]
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› Find signed collectible books: 'Ecofeminism: Women, Culture, Nature'
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› Find signed collectible books: 'The Educated Imagination'
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› Find signed collectible books: 'Ethics After Idealism: Theory-Culture-Ethnicity-Reading'
"Methodologically situated in the contentious spaces between critical theory and cultural studies, and always attending to the implications of ethnicity, this book constitutes a unique intervention in contemporary cultural politics." Social Semiotics
At a time when cultural identity has become intrinsic to the way we read our many "others," Rey Chow argues that what demands to be examined critically is no longer identity politics per se but the idealismespecially in the sense of idealizing othernessthat lies at the heart of identity politics. She discusses multiple cultural formsfiction, film, popular music, poetry, and essaysand a range of cultural topicspedagogy, multiculturalism, fascism, sexuality, miscegenation, fantasy, nostalgia, and postcoloniality.
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› Find signed collectible books: 'Feminism Meets Queer Theory'
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› Find signed collectible books: 'Feminist Studies/Critical Studies'
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› Find signed collectible books: 'Fifties Television: The Industry and Its Critics'
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› Find signed collectible books: 'Finding the Centre: Two Narratives'
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› Find signed collectible books: 'Food Is Culture'
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› Find signed collectible books: 'From Here to Tierra Del Fuego'
Tierra del Fuego is the southernmost inhabited locale in the world and one of South America's most popular tourist destinations, although there's nothing there except "the end of the world". When asked why they have come to Tierra del Fuego, most visitors say, "I just wanted to be able to say I'd been here". Paul Magee, the anthropologist among them, seizes upon this absurd nonreason to investigate the West's complex relationship to an island synonymous with the word elsewhere. Beginning with Darwin, who saw the Fuegian Indians as the world's most primitive inhabitants, Magee interweaves the offhand anecdotes of nineteenth-century colonial adventurers with the primitivist jokes of the travelers he encounters. Reading these self-superior texts through the theories and commentaries of Karl Marx, Sigmund Freud, Walter Benjamin, Michael Taussig, Theodor Adorno, and others, Magee explores the West's obsession with seeing its commodities, from Coke bottles to cakes of Pears' Soap, as objects of native fascination and fetishism. Bringing the trivial, the offhand, and the anecdotal into the space of politics, Magee demonstrates how these links between them and the genocidal colonization of the island implicate even the casual, overtly purposeless tourist in the exploitative structures of global capitalism. Experimental, entertaining, and occasionally over the top, "From Here to Tierra del Fuego" maneuvers through a history of racial violence, primitivist fantasy, and throwaway lines to reveal the international tourist industry's role in contemporary world power. [via]
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› Find signed collectible books: 'From Mouse to Mermaid: The Politics of Film, Gender, and Culture'
From Mouse to Mermaid, an interdisciplinary collection of original essays, is the first comprehensive, critical treatment of Disney cinema. Addressing childrens classics as well as the Disney affiliates more recent attempts to capture adult audiences, the contributors respond to the Disney film legacy from feminist, marxist, poststructuralist, and cultural studies perspectives. The volume contemplates Disneys duality as an American icon and as an industry of cultural production, created in and through fifty years of filmmaking. The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class; the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disneys ideology.
The contributors are Bryan Attebery, Elizabeth Bell, Claudia Card, Chris Cuomo, Ramona Fernandez, Henry A. Giroux, Robert Haas, Lynda Haas, Susan Jeffords, N. Soyini Madison, Susan Miller, Patrick Murphy, David Payne, Greg Rode, Laura Sells, and Jack Zipes.
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› Find signed collectible books: 'The German-American Radical Press: The Shaping of a Left Political Culture, 1850-1940'
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› Find signed collectible books: 'Gesture in Naples and Gesture in Classical Antiquity: A Translation of LA Mimica Degli Antichi Investigata Nel Gestire Napoletano, Gestural Expression of the Ancients in the Light of Neapolitan gesturing'
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› Find signed collectible books: 'Gesture in Naples and Gesture in Classical Antiquity'
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› Find signed collectible books: 'Heroes of Their Own Lives: The Politics and History of Family Violence Boston, 1880-1960'
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› Find signed collectible books: 'The Home; Its Work and Influence'

› Find signed collectible books: 'How a Film Theory Got Lost and Other Mysteries in Cultural Studies'
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› Find signed collectible books: 'How Images Think'
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› Find signed collectible books: 'How Novels Think: The Limits of British Individualism from 1719-1900'
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› Find signed collectible books: 'How Novels Think: The Limits of Individualism from 1719-1900'
Nancy Armstrong argues that the history of the novel and the history of the modern individual are, quite literally, one and the same. She suggests that certain works of fiction created a subject, one displaying wit, will, or energy capable of shifting the social order to grant the exceptional person a place commensurate with his or her individual worth. Once the novel had created this figure, readers understood themselves in terms of a narrative that produced a self-governing subject.
In the decades following the revolutions in British North America and France, the major novelists distinguished themselves as authors by questioning the fantasy of a self-made individual. To show how novels by Defoe, Austen, Scott, Brontë, Dickens, Eliot, Hardy, Haggard, and Stoker participated in the process of making, updating, and perpetuating the figure of the individual, Armstrong puts them in dialogue with the writings of Locke, Hume, Rousseau, Malthus, Darwin, Kant, and Freud. Such theorists as Althusser, Balibar, Foucault, and Deleuze help her make the point that the individual was not one but several different figures. The delineation and potential of the modern subject depended as much upon what it had to incorporate as what alternatives it had to keep at bay to address the conflicts raging in and around the British novel.
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› Find signed collectible books: 'India: India'
In 1964 the author Naipaul wrote "An Area of Darkness", his semi-autobiographical account of a year in India. Two visits later he came to write "India: A Wounded Civilization" in which he recapitulates the feelings that the vast, mysterious and agonized continent aroused in him. [via]
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› Find signed collectible books: 'Indiscretions: Avant-Garde Film, Video, and Feminism'
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› Find signed collectible books: 'Italian Cuisine: A Cultural History'
Italy, the country with a hundred cities and a thousand bell towers, is also the country with a hundred cuisines and a thousand recipes. Its great variety of culinary practices reflects a history long dominated by regionalism and political division, and has led to the common conception of Italian food as a mosaic of regional customs rather than a single tradition. Nonetheless, this magnificent new book demonstrates the development of a distinctive, unified culinary tradition throughout the Italian peninsula.
Alberto Capatti and Massimo Montanari uncover a network of culinary customs, food lore, and cooking practices, dating back as far as the Middle Ages, that are identifiably Italian:
o Italians used forks 300 years before other Europeans, possibly because they were needed to handle pasta, which is slippery and dangerously hot.
o Italians invented the practice of chilling drinks and may have invented ice cream.
o Italian culinary practice influenced the rest of Europe to place more emphasis on vegetables and less on meat.
o Salad was a distinctive aspect of the Italian meal as early as the sixteenth century.
The authors focus on culinary developments in the late medieval, Renaissance, and Baroque eras, aided by a wealth of cookbooks produced throughout the early modern period. They show how Italy's culinary identities emerged over the course of the centuries through an exchange of information and techniques among geographical regions and social classes. Though temporally, spatially, and socially diverse, these cuisines refer to a common experience that can be described as Italian. Thematically organized around key issues in culinary history and beautifully illustrated, Italian Cuisine is a rich history of the ingredients, dishes, techniques, and social customs behind the Italian food we know and love today.
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› Find signed collectible books: 'The Legacies of Literacy: Continuities and Contradictions in Western Culture and Society'
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› Find signed collectible books: 'Logics of Television: Essays in Cultural Criticism'
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› Find signed collectible books: 'Marxism and the Interpretation of Culture'
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› Find signed collectible books: 'Material Culture'
History and art connect in the study of material culture. Material culture records human intrusion in the environment. It is the way we imagine a distinction between nature and culture, and then rebuild nature to our desire, shaping, reshaping, and arranging things during life. We live in material culture, depend upon it, take it for granted, and realise through it our grandest aspirations. Thirty years ago, it seemed that material culture would become the realm within which relativistic and existential thinking would be extended to history and art, the issues of human significance and human excellence. Then the gears locked, the machine stopped, and began to run in reverse. We slid backward, rediscovering the energies of early modernism and naming our effort - in obeisance to the ideology of progress - postmodern. Humanist busied themselves with the reinvention of ideas they could have learned from the old masters of anthropology. Social scientists struggled to contrive ideas they could have learned by reading the great literature of the past. This retrograde motion was caused by more than adjustment to the conservative mood of the age. Moving ahead on independent disciplinary tracks, we had lost touch with one another. "What has changed can change again; the moment at which I write will pass. Groping over old territory, relocating the critical purpose of scholarly endeavour, rediscovering subjectivity and situation, the diversity of orders and the interconnectedness of things, we will find points of convergence that will become the basis for a new transdisciplinary practice, at once humanistic and scientific. Renewed in oneness, we will be able to get on with our work, fashioning a view of humanity fit to the needs of the world's people. "The concept of culture seems a secure achievement. In the future, history and art, as well as science and philosophy, will be understood to be, like culture, the creations of people who are alike in humanity, but different in tradition and predicament. Problematising is easy and endless. New ideas are a dime a dozen. What matters is how ideas fare in the world, what they yield in hard application. Our work will recognise the reality of the individual. It will come to judgement contextually, acknowledging the distinctiveness of traditions that unfold only within human control and among uncontrollable circumstances. It will expand through cross-cultural comparisons that bring us understanding at once of the universal and the particular." - Henry Glassie, from the "Onward". [via]
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› Find signed collectible books: 'Melancholia and Moralism: Essays on AIDS And Queer Politics'
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› Find signed collectible books: 'Modernism's Masculine Subjects: Matisse, The New York School, And Post-Painterly Abstraction'
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› Find signed collectible books: 'Modernity and Mass Culture'
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› Find signed collectible books: 'New Media in the Muslim World: The Emerging Public Sphere'
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› Find signed collectible books: 'Noam Chomsky: A Life of Dissent'
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› Find signed collectible books: 'Nowhere in America: The Big Rock Candy Mountain and Other Comic Utopias'
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› Find signed collectible books: 'Nunaga:Ten Years of Eskimo Life: Ten Years of Eskimo Life'
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› Find signed collectible books: 'On Black Men'
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› Find signed collectible books: 'Out of It: A Cultural History of Intoxication'
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› Find signed collectible books: 'Perceiving Animals: Humans and Beasts in Early Modern English Culture'
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› Find signed collectible books: 'Pictures from the Water Trade: An Englishman in Japan'
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› Find signed collectible books: 'Picturing the Beast: Animals, Identity and Representation'
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› Find signed collectible books: 'Posthuman Bodies'
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› Find signed collectible books: 'A Prelude to Biblical Folklore : Underdogs and Tricksters'
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› Find signed collectible books: 'Provoking Agents: Gender and Agency in Theory and Practice'
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› Find signed collectible books: 'The "Racial" Economy of Science: Toward a Democratic Future'
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› Find signed collectible books: 'Radical Revisions: Rereading 1930s Culture'
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› Find signed collectible books: 'Radical Visions and American Dreams: Culture and Social Thought in the Depression Years'
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› Find signed collectible books: 'Rap Music And Street Consciousness'
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› Find signed collectible books: 'Reflections of Nazism: An Essay on Kitsch and Death'
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› Find signed collectible books: 'Religion and Sexuality: The Shakers, the Mormons, and the Oneida Community'
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› Find signed collectible books: 'Skin: On The Cultural Border Between Self And World'
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› Find signed collectible books: 'Sources of Japanese Tradition: From Earliest Times to 1600'
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› Find signed collectible books: 'Sources of Japanese Tradition: From Earliest Times to 1600'
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› Find signed collectible books: 'Spiritus Mundi: Essays on Literature, Myth, and Society'
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› Find signed collectible books: 'Status Anxiety: Library Edition'
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› Find signed collectible books: 'Studies in Entertainment : Critical Approaches to Mass Culture'
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› Find signed collectible books: 'Techniques of the Observer: On Vision and Modernity in the Nineteenth Century'
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› Find signed collectible books: 'Technologies of Gender: Essays on Theory, Film, and Fiction'
"Technologies of Gender builds a bridge between the fashionable orthodoxies of academic theory (Lacan, Foucault, Derrida, et al.) and the frequently-marginalized contributions of feminist theory.... In sum, de Lauretis has written a book that should be required reading for every feminist in need of theoretical ammunitionand for every theorist in need of feminist enlightenment." B. Ruby Rich
"... sets philosophical ideas humming.... she has much to say." Cineaste
"I can think of no other work that pushes the debate on the female subject forward with such passion and intellectual rigor." SubStance
This book addresses the question of gender in poststructuralist theoretical discourse, postmodern fiction, and womens cinema. It examines the construction of gender both as representation and as self-representation in relation to several kinds of texts and argues that feminism is producing a radical rewriting, as well as a rereading, of the dominant forms of Western culture.
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› Find signed collectible books: 'Their Eyes Were Watching God'
At the height of the Harlem Renaissance during the 1930s, Zora Neale Hurston was the preeminent black woman writer in the United States. She was a sometime-collaborator with Langston Hughes and a fierce rival of Richard Wright. Her stories appeared in major magazines, she consulted on Hollywood screenplays, and she penned four novels, an autobiography, countless essays, and two books on black mythology. Yet by the late 1950s, Hurston was living in obscurity, working as a maid in a Florida hotel. She died in 1960 in a Welfare home, was buried in an unmarked grave, and quickly faded from literary consciousness until 1975 when Alice Walker almost single-handedly revived interest in her work.
Of Hurston's fiction, Their Eyes Were Watching God is arguably the best-known and perhaps the most controversial. The novel follows the fortunes of Janie Crawford, a woman living in the black town of Eaton, Florida. Hurston sets up her characters and her locale in the first chapter, which, along with the last, acts as a framing device for the story of Janie's life. Unlike Wright and Ralph Ellison, Hurston does not write explicitly about black people in the context of a white world--a fact that earned her scathing criticism from the social realists--but she doesn't ignore the impact of black-white relations either:
It was the time for sitting on porches beside the road. It was the time to hear things and talk. These sitters had been tongueless, earless, eyeless conveniences all day long. Mules and other brutes had occupied their skins. But now, the sun and the bossman were gone, so the skins felt powerful and human. They became lords of sounds and lesser things. They passed nations through their mouths. They sat in judgment.One person the citizens of Eaton are inclined to judge is Janie Crawford, who has married three men and been tried for the murder of one of them. Janie feels no compulsion to justify herself to the town, but she does explain herself to her friend, Phoeby, with the implicit understanding that Phoeby can "tell 'em what Ah say if you wants to. Dat's just de same as me 'cause mah tongue is in mah friend's mouf."
Hurston's use of dialect enraged other African American writers such as Wright, who accused her of pandering to white readers by giving them the black stereotypes they expected. Decades later, however, outrage has been replaced by admiration for her depictions of black life, and especially the lives of black women. In Their Eyes Were Watching God Zora Neale Hurston breathes humanity into both her men and women, and allows them to speak in their own voices. --Alix Wilber [via]
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› Find signed collectible books: 'A Theory of Parody: The Teachings of Twentieth-Century Art Forms'
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› Find signed collectible books: 'Theory's Empire: An Anthology Of Dissent'
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› Find signed collectible books: 'Too Soon Too Late: History in Popular Culture'
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› Find signed collectible books: 'Universe of the Mind: A Semiotic Theory of Culture'
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› Find signed collectible books: 'Universe of the Mind: A Semiotic Theory of Culture'
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› Find signed collectible books: 'The Utopian Function of Art and Literature: Selected Essays'
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› Find signed collectible books: 'Visual and Other Pleasures'
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› Find signed collectible books: 'Wars of Position: The Cultural Politics of Left And Right'
Taking stock of contemporary social, cultural, and political currents, Timothy Brennan explores key turning points in the recent history of American intellectual life. He contends that a certain social-democratic vision of politics has been banished from public discussion, leading to an unlikely convergence of the political right and the academic left and a deadening of critical opposition. Brennan challenges the conventional view that affiliations based on political belief, claims upon the state, or the public interest have been rendered obsolete by the march of events in the years before and after Reagan. Instead, he lays out a new path for a future infused with a sense of intellectual and political possibility.
In highlighting the shift in America's intellectual culture, Brennan makes the case for seeing belief as an identity. As much as race or ethnicity, political belief, Brennan argues, is itself an identity-one that remains unrecognized and without legal protections while possessing its own distinctive culture. Brennan also champions the idea of cosmopolitanism and critiques those theorists who relegate the left to the status of postcolonial "other."
Wars of Position documents how alternative views were chased from the public stage by strategic acts of censorship, including within supposedly dissident wings of the humanities. He explores how the humanities entered the cultural and political mainstream and settled into an awkward secular religion of the "middle way." In a series of interrelated chapters, Brennan considers narratives of the fall of the Berlin Wall and the Clinton impeachment; reexamines Salman Rushdie's pre-fatwa writing to illuminate its radical social leanings; presents a startling new interpretation of Edward Said; looks at the fatal reception of Antonio Gramsci within postcolonial history and criticism; and offers a stinging critique of Hardt and Negri's Empire and the influence of Italian radicalism on contemporary cultural theory. Throughout the work, Brennan also draws on and critiques the ideas and influence of Heidegger, Lyotard, Kristeva, and other influential theorists.
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› Find signed collectible books: 'Who Can Speak?: Authority and Critical Identity'
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› Find signed collectible books: 'Women and Music in Cross-Cultural Perspective'
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› Find signed collectible books: 'Zoo Culture'
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