| Search | About | Preferences | Interact | Help | |
| 150 million books. 1 search engine. | ||
› Find signed collectible books: 'Bridget Jones'
Fans of Helen Fielding's Bridget Jones's Diary will recall that at the end of that sly and funny version of Pride and Prejudice, singleton heroine Bridget landed her Mr. Darcy at last--Mark Darcy, that is. Bridget Jones: The Edge of Reason picks up four weeks later, and already the honeymoon is over. In addition to discovering that the man of her dreams votes conservative, left-leaning Bridget is also feeling just a mite uncomfortable with the realities of sharing bed and board with another person:
V. complicated actually having man in house as cannot freely spend requisite amount of time in bathroom or turn into gas chamber as conscious of other person late for work, desperate for pee etc.; also disturbed by Mark folding up underpants at night, rendering it strangely embarrassing now simply to keep all own clothes in pile on floor.But all of these problems pale to insignificance with the arrival on the scene of Rebecca, a beautiful, man-hunting arch-nemesis with "thighs like a baby giraffe" and absolutely no girlfriend code of ethics when it comes to poaching another woman's man. Before long, Rebecca's manipulations, Bridget's own insecurities, and a string of misunderstandings (starting with a naked Filipino boy in Mark Darcy's bed and ending with a suggestive valentine from Bridget's dry cleaner) result in "128 lbs. (good), alcohol units 0 (excellent), cigarettes 5 (a pleasant, healthy number), no. times driven past Mark Darcy's house 2 (v.g.), no. of times looked up Mark Darcy's name in phone book to prove still exists 18 (v.g.), 1471 calls 12 (better), no. of phone calls from Mark 0 (tragic).
Fortunately, Bridget has plenty of other problems to distract her. Her mother has returned from a trip to Kenya with a young Masai in tow--to her father's consternation; her best friends Jude, Shazzer, and Tom are all trapped in dating hell themselves; her apartment is in shambles thanks to a dotty carpenter; an unreliable ex-boyfriend has just reentered her life; and now someone is sending Bridget death threats--could it be Mark Darcy? If Bridget Jones's Diary was a modern riff on Pride and Prejudice, its sequel borrows several themes and devices (not to mention a section heading) from another Austen novel, Persuasion. And as in Austen's fiction, here the journey is the destination. A happy ending for Bridget and her pals is a foregone conclusion; how they get there, however, will have you on the edge of your chair--if you haven't already fallen off of it laughing. --Alix Wilber [via]
More editions of Bridget Jones:
› Find signed collectible books: 'Bridget Jones Sobrevivre/ Bridget Jones The Edge of Reason'
Predecesor: El diario de Bridget Jones Sinopsis: Los años locos han terminado, pero no por mucho tiempo. Al final de El diario de Bridget Jones, Bridget consigue su principal propósito: encontrar al hombre perfecto. Ahora, en Bridget Jones: Sobreviviré, descubre qué ocurre cuando realmente se convive con el hombre de tus sueños y éste no lava nunca los platos. Sumergida en un mar de manuales de autoayuda y espoleada por los disparatados consejos de sus estrafalarias amigas Jude y Shazzer, Bridget vuelve a las andadas, se pelea continuamente con una ex amiga robanovios, soporta a una madre fascinada por los avances de la tecnología doméstica, vive en una casa en obras, y, por lo tanto, se ve obligada a padecer a un albañil obsesionado por la pesca. Bridget se embarcará, poco a poco, en una epifanía espiritual que la llevará desde las colas de los bares del barrio londinense de Notting Hill hasta una isla de Bangkok, a la que viajará en compañía de su amiga Shazzer. Allí encontrará playas llenas de palmeras y hongos alucinógenos... [via]
More editions of Bridget Jones Sobrevivre/ Bridget Jones The Edge of Reason:
› Find signed collectible books: 'Catch-22'
There was a time when reading Joseph Heller's classic satire on the murderous insanity of war was nothing less than a rite of passage. Echoes of Yossarian, the wise-ass bombardier who was too smart to die but not smart enough to find a way out of his predicament, could be heard throughout the counterculture. As a result, it's impossible not to consider Catch-22 to be something of a period piece. But 40 years on, the novel's undiminished strength is its looking-glass logic. Again and again, Heller's characters demonstrate that what is commonly held to be good, is bad; what is sensible, is nonsense.
Yossarian says, "You're talking about winning the war, and I am talking about winning the war and keeping alive."
"Exactly," Clevinger snapped smugly. "And which do you think is more important?"
"To whom?" Yossarian shot back. "It doesn't make a damn bit of difference who wins the war to someone who's dead."
"I can't think of another attitude that could be depended upon to give greater comfort to the enemy."
"The enemy," retorted Yossarian with weighted precision, "is anybody who's going to get you killed, no matter which side he's on."
Mirabile dictu, the book holds up post-Reagan, post-Gulf War. It's a good thing, too. As long as there's a military, that engine of lethal authority, Catch-22 will shine as a handbook for smart-alecky pacifists. It's an utterly serious and sad, but damn funny book. [via]
More editions of Catch-22:
› Find signed collectible books: 'Feet of Clay'
MASS/MARKET PAPERBACK,BY TERRY PRATCHETT. [via]
› Find signed collectible books: 'Guards! Guards!'
This is the story of mysterious night-time prowling in Ankh-Morpork, the greatest city of Discworld: someone is turning the citizens into something resembling small charcoal biscuits. [via]
› Find signed collectible books: 'The Importance of Being Earnest'
More editions of The Importance of Being Earnest:
› Find signed collectible books: 'Me Talk Pretty One Day'
David Sedaris became a star autobiographer on public radio, onstage in New York, and on bestseller lists, mostly on the strength of "SantaLand Diaries," a scathing, hilarious account of his stint as a Christmas elf at Macy's. (It's in two separate collections, both worth owning, Barrel Fever and the Christmas-themed Holidays on Ice.) Sedaris's caustic gift has not deserted him in his fourth book, which mines poignant comedy from his peculiar childhood in North Carolina, his bizarre career path, and his move with his lover to France. Though his anarchic inclination to digress is his glory, Sedaris does have a theme in these reminiscences: the inability of humans to communicate. The title is his rendition in transliterated English of how he and his fellow students of French in Paris mangle the Gallic language. In the essay "Jesus Shaves," he and his classmates from many nations try to convey the concept of Easter to a Moroccan Muslim. "It is a party for the little boy of God," says one. "Then he be die one day on two... morsels of... lumber," says another. Sedaris muses on the disputes between his Protestant mother and his father, a Greek Orthodox guy whose Easter fell on a different day. Other essays explicate his deep kinship with his eccentric mom and absurd alienation from his IBM-exec dad: "To me, the greatest mystery of science continues to be that a man could father six children who shared absolutely none of his interests."
Every glimpse we get of Sedaris's family and acquaintances delivers laughs and insights. He thwarts his North Carolina speech therapist ("for whom the word pen had two syllables") by cleverly avoiding all words with s sounds, which reveal the lisp she sought to correct. His midget guitar teacher, Mister Mancini, is unaware that Sedaris doesn't share his obsession with breasts, and sings "Light My Fire" all wrong--"as if he were a Webelo scout demanding a match." As a remarkably unqualified teacher at the Art Institute of Chicago, Sedaris had his class watch soap operas and assign "guessays" on what would happen in the next day's episode.
It all adds up to the most distinctively skewed autobiography since Spalding Gray's Swimming to Cambodia. The only possible reason not to read this book is if you'd rather hear the author's intrinsically funny speaking voice narrating his story. In that case, get Me Talk Pretty One Day on audio. --Tim Appelo [via]
More editions of Me Talk Pretty One Day:
› Find signed collectible books: 'The Merchant of Venice'
This edition of The Merchant of Venice, based on a fresh examination of the early editions, includes an exceptionally lucid and accessible introduction which addresses Shakespeare's attitude toward Semitism and establishes the cultural, historical, and literary context in which Shakespeare wrote the play. An interesting range of production photographs and drawings of Renaissance merchants and Jews, and a survey of the play's stage history ranging from discussions of its early staging to important twentieth-century productions and performances outside England, particularly Israel, makes this an ideal edition for students, actors, and the general reader. [via]
More editions of The Merchant of Venice:
› Find signed collectible books: 'The Merchant of Venice'
"Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions?" Shylock's impassioned plea in the middle of The Merchant of Venice is one of its most dramatic moments. After the Holocaust, the play has become a battleground for those who argue that the play represents Shakespeare's ultimate statement against ignorance and anti-Semitism in favour of a liberal vision of tolerance and multiculturalism. Other critics have pointed out that the play is, after all, a comedy that ultimately pokes fun at a 16th-century Jew. In fact, the bare outline of the plot suggests that the play is far more complex than either of these characterisations. Bassanio, a feckless young Venetian, asks his wealthy friend, the merchant Antonio, for money to finance a trip to woo the beautiful Portia in Belmont. Reluctant to refuse his friend (to whom he professes intense love), Antonio borrows the money from the Jewish moneylender. If he reneges on the deal, Shylock jokingly demands a pound of his flesh. When all Antonio's ships are lost at sea, Shylock calls in his debt, and the love and laughter of the first scenes of the play threaten to give way to death and tragedy. The final climactic courtroom scene, complete with a cross-dressed Portia, a knife-wielding Shylock, and the debate on "the quality of mercy" is one of the great dramatic moments in Shakespeare. The controversial subject matter of the play ensures that it continues to repel, divide but also fascinate its many audiences. --Jerry Brotton [via]
More editions of The Merchant of Venice:
› Find signed collectible books: 'The Merchant of Venice'
"Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions?" Shylock's impassioned plea in the middle of The Merchant of Venice is one of its most dramatic moments. After the Holocaust, the play has become a battleground for those who argue that the play represents Shakespeare's ultimate statement against ignorance and anti-Semitism in favour of a liberal vision of tolerance and multiculturalism. Other critics have pointed out that the play is, after all, a comedy that ultimately pokes fun at a 16th-century Jew. In fact, the bare outline of the plot suggests that the play is far more complex than either of these characterisations. Bassanio, a feckless young Venetian, asks his wealthy friend, the merchant Antonio, for money to finance a trip to woo the beautiful Portia in Belmont. Reluctant to refuse his friend (to whom he professes intense love), Antonio borrows the money from the Jewish moneylender. If he reneges on the deal, Shylock jokingly demands a pound of his flesh. When all Antonio's ships are lost at sea, Shylock calls in his debt, and the love and laughter of the first scenes of the play threaten to give way to death and tragedy. The final climactic courtroom scene, complete with a cross-dressed Portia, a knife-wielding Shylock, and the debate on "the quality of mercy" is one of the great dramatic moments in Shakespeare. The controversial subject matter of the play ensures that it continues to repel, divide but also fascinate its many audiences. --Jerry Brotton [via]
More editions of The Merchant of Venice:
› Find signed collectible books: 'The 'merchant Of Venice: Longman Cultural'
From Longman's Cultural Editions Series, Lawrence Danson presents William Shakespeare's The Merchant of Venice in several illuminating contextscultural, historical, and critical. Featuring illustrations, a table of dates and performance reviews; the text provides historical sources as well as numerous documents that reveal the cultural context in which The Merchant of Venice was written.
[via]More editions of The 'merchant Of Venice: Longman Cultural:
› Find signed collectible books: 'The Merchant of Venice: Texts and Contexts'
"Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions?" Shylock's impassioned plea in the middle of The Merchant of Venice is one of its most dramatic moments. After the Holocaust, the play has become a battleground for those who argue that the play represents Shakespeare's ultimate statement against ignorance and anti-Semitism in favour of a liberal vision of tolerance and multiculturalism. Other critics have pointed out that the play is, after all, a comedy that ultimately pokes fun at a 16th-century Jew. In fact, the bare outline of the plot suggests that the play is far more complex than either of these characterisations. Bassanio, a feckless young Venetian, asks his wealthy friend, the merchant Antonio, for money to finance a trip to woo the beautiful Portia in Belmont. Reluctant to refuse his friend (to whom he professes intense love), Antonio borrows the money from the Jewish moneylender. If he reneges on the deal, Shylock jokingly demands a pound of his flesh. When all Antonio's ships are lost at sea, Shylock calls in his debt, and the love and laughter of the first scenes of the play threaten to give way to death and tragedy. The final climactic courtroom scene, complete with a cross-dressed Portia, a knife-wielding Shylock, and the debate on "the quality of mercy" is one of the great dramatic moments in Shakespeare. The controversial subject matter of the play ensures that it continues to repel, divide but also fascinate its many audiences. --Jerry Brotton [via]
More editions of The Merchant of Venice: Texts and Contexts:
› Find signed collectible books: 'Oscar Wilde's The Importance of Being Earnest: A Reconstructive Critical Edition of the Text of the First Production, St. James Theatre, London, 1895'
This unique volume reconstructs the original 1895 production of Wilde's timeless classic. Based upon a new, reconstructive method for the study of theatrical performance that aims to set the play securely in its historical and cultural moment, the edition offers a wealth of detail about the staging and acting and numerous first production and early revival photographs. The reconstructed text itself, differing in important ways from the 1899 first edition, recaptures the essential comic vitality of the play. [via]
More editions of Oscar Wilde's The Importance of Being Earnest: A Reconstructive Critical Edition of the Text of the First Production, St. James Theatre, London, 1895:
› Find signed collectible books: 'Plays, Prose Writings & Poems'
Famed as a wit and bon viveur, Oscar Wilde lived up to his reputation. This selection of plays, poems and prose writings, introduced by Terry Eagleton, includes "The Importance of Being Earnest", "Lady Windermere's Fan", "The Picture of Dorian Gray", "The Critic as an Artist", Apologia", "The Soul of a Man Under Socialism", "Letter to Robert Ross", "Requiescat" and "The Ballad of Reading Goal". Terry Eagleton is the author of "Criticism and Ideology", "Marxism and Literary Criticsm" and "Literary Theory: An Introduction". [via]
More editions of Plays, Prose Writings & Poems:
› Find signed collectible books: 'Rechicero'
Atado a un asiento de avión en un vuelo más allá del infierno. Atrapado en las profundidades de la peor pesadilla de un escritor. Simplemente, estás en manos de Stephen King: te dejará tieso con un extraordinario doblete de novelas, que garantizan el paro cardíaco a... las dos después de medianoche. [via]
More editions of Rechicero:
› Find signed collectible books: 'Rosencrantz & Guildenstern Are Dead'
FOR USE IN SCHOOLS AND LIBRARIES ONLY. Two minor characters from Hamlet offer a novel view of the melancholy Dane. [via]
More editions of Rosencrantz & Guildenstern Are Dead:
› Find signed collectible books: 'Soul Music'
Soul Music is the 16th book in the bestselling Discworld series, with close ties to the fourth book, Mort. Susan Sto Helit is rather bored at her boarding school in the city of Ankh-Morpork, which is just as well, since it seems that her family business--she is the granddaughter of Death--suddenly needs a new caretaker. --Blaise Selby [via]
More editions of Soul Music:
› Find signed collectible books: 'The Taming of the Shrew'
One of the most controversial and problematic of all of Shakespeare's plays, The Taming of the Shrew is a typical Elizabethan domestic comedy written around 1592. Petruchio, a gentleman of Verona, arrives in Padua and announces to his friends that "I come to wive it wealthily in Padua; / If wealthily, then happily in Padua". He soon finds that a group of men keen to marry Bianca, the younger daughter of rich old Baptista, are frustrated by her elder, "shrewish" sister, Katherine. There is much subsequent hilarity as Bianca's suitors make a bet with Petruchio that he cannot "tame" and marry Katherine. Despite Katherine's protestations, Petruchio goes ahead with the match, using deliberately unorthodox behaviour to confuse Katherine (including a scene where he starves her), claiming that "this is the way to kill a wife with kindness". The play culminates with a scene of Katherine's apparently spontaneous subjection to her husband's will, where she places her hand beneath her husband's foot, and tells the other wives present that "thy husband is thy lord, thy life, thy keeper". The play's gratuitous scenes of women being abused and vilified in the name of "comedy" has made many directors and critics very uncomfortable with the play, and many feminist critics have condemned contemporary productions of the play as reproducing certain 16th-century stereotypes concerning women who speak out against male authority. --Jerry Brotton [via]
More editions of The Taming of the Shrew:

› Find signed collectible books: 'The Taming of the Shrew'
One of the most controversial and problematic of all of Shakespeare's plays, The Taming of the Shrew is a typical Elizabethan domestic comedy written around 1592. Petruchio, a gentleman of Verona, arrives in Padua and announces to his friends that "I come to wive it wealthily in Padua; / If wealthily, then happily in Padua". He soon finds that a group of men keen to marry Bianca, the younger daughter of rich old Baptista, are frustrated by her elder, "shrewish" sister, Katherine. There is much subsequent hilarity as Bianca's suitors make a bet with Petruchio that he cannot "tame" and marry Katherine. Despite Katherine's protestations, Petruchio goes ahead with the match, using deliberately unorthodox behaviour to confuse Katherine (including a scene where he starves her), claiming that "this is the way to kill a wife with kindness". The play culminates with a scene of Katherine's apparently spontaneous subjection to her husband's will, where she places her hand beneath her husband's foot, and tells the other wives present that "thy husband is thy lord, thy life, thy keeper". The play's gratuitous scenes of women being abused and vilified in the name of "comedy" has made many directors and critics very uncomfortable with the play, and many feminist critics have condemned contemporary productions of the play as reproducing certain 16th-century stereotypes concerning women who speak out against male authority. --Jerry Brotton [via]

› Find signed collectible books: 'The Taming of the Shrew'
More editions of The Taming of the Shrew:
› Find signed collectible books: 'The Taming of the Shrew: Texts and Contexts'
More editions of The Taming of the Shrew: Texts and Contexts:
› Find signed collectible books: 'The Vaudevilles'
Newly repackaged, here are the five masterpieces by one of the world's greatest playwrights, in translation by Ann Dunnigan. As Robert Brustein declares in the foreword to this edition: "in the modern theater...there are none who bring the drama to a higher realization of its human role." [via]
More editions of The Vaudevilles:
› Find signed collectible books: 'Witches Abroad'
Discworld's own version of the three witches--Magrat Garlick, Granny Weatherwax, and Nanny Ogg--grab their broomstricks and journey to Genua to save Princess Emberella from a fairy tale ending-happy fairy godmother. [via]

› Find signed collectible books: 'Bridget Jones : Sobrevivire'
More editions of Bridget Jones : Sobrevivire:

› Find signed collectible books: 'Brujas De Viaje / Witches Abroad'
Pero para las brujas Granny Weatherwax, Nanny Ogg y Magrat Garlick, en ruta hacia la distante ciudad de Genua, las cosas no son nunca tan simples... Después de todo, solo disponen del vudú de la señora Gogol, un gato tuerto y una varita mágica de segunda mano que solo hace calabazas. Deberán enfrentarse también a la Madrina en persona, quien ha hecho al Destino una oferta que este no puede rechazar. Y, finalmente, está el poder absoluto de la Historia. Las sirvientas deben casarse con los príncipes. De eso se trata. No se puede luchar contra un final feliz. Al menos, hasta ahora... [via]
More editions of Brujas De Viaje / Witches Abroad:
› Find signed collectible books: 'Lores Y Damas/ Lords and Ladies'
More editions of Lores Y Damas/ Lords and Ladies:
› Find signed collectible books: 'Mascarada/ Maskerade: Una Novela Del Mundodisco/ a Novel of Discoworld'
Y un aquelarre compuesto por Yaya Ceraviejay Tata Ogg siempre es una discusión inacabable y un dolor de cabeza, por no decir que ninguna de las dos sabe hacer bien las tostadas. Pero ya tienen en mente una candidata para hacer de tercera bruja... Candidata que, por desgracia, se ha marchado a la gran ciudad. Concretamente a la Ópera de Ankh-Morpork, donde desde hace algún tiempo está muriendo gente en extrañas circunstancias y todo el mundo habla acerca de un misterioso pero familiar fantasma. Demasiado tentador para la bruja más famosa del mundo.
Ésta es la historia del mejor espectáculo nocturno del Mundodisco de Terry Pratchett. Con asesinatos pegadizos que se pueden tararear. Gente cayendo como moscas entre bambalinas. Editores avarientos. Guardias. Brujas. Y un gato... La mayor parte del tiempo. [via]
More editions of Mascarada/ Maskerade: Una Novela Del Mundodisco/ a Novel of Discoworld:
› Find signed collectible books: 'Rechicero'
More editions of Rechicero:
› Find signed collectible books: 'Bridget Jones: L'Age de Raison'
410pages. poche. broché. Hourra! Finies, les années de solitude. Depuis quatre semaines et cinq jours, entretiens relation fonctionnelle avec adulte mâle, prouvant par conséquent que je ne suis pas paria de l'amour comme craint précédemment. Voici la suite tant attendue de l'irrésistible journal de Bridget Jones, la célibataire la plus drôle de la planète. Où elle découvre à quel point l'important n'est pas de trouver un prince charmant, mais surtout de le garder! Nous retrouvons les tribus de copines, les Célibattantes et les Mariées-Fières-de-l'Être, les parents à côté de la plaque. et ses éternelles bonnes résolutions (perdre au moins cinq kilos, arrêter de fumer et de boire du chardonnay), qui font de cette aventurière des temps désespérément modernes notre névrosée préférée. [via]
More editions of Bridget Jones: L'Age de Raison:
Results page: PREV 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101-115 NEXT
