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› Find signed collectible books: 'The Abolition of Man: Or Reflections on Education With Special Reference to the Teaching of English in the Upper Forms of Schools'
C.S. Lewis's The Abolition of Man purports to be a book specifically about public education, but its central concerns are broadly political, religious, and philosophical. In the best of the book's three essays, "Men Without Chests," Lewis trains his laser-sharp wit on a mid- century English high school text, considering the ramifications of teaching British students to believe in idle relativism, and to reject "the doctrine of objective value, the belief that certain attitudes are really true, and others really false, to the kind of thing the universe is and the kinds of things we are." Lewis calls this doctrine the "Tao," and he spends much of the book explaining why society needs a sense of objective values. The Abolition of Man speaks with astonishing freshness to contemporary debates about morality; and even if Lewis seems a bit too cranky and privileged for his arguments to be swallowed whole, at least his articulation of values seems less ego-driven, and therefore is more useful, than that of current writers such as Bill Bennett and James Dobson. --Michael Joseph Gross [via]
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› Find signed collectible books: 'Absalom, Absalom!'
First published in 1936, Absalom, Absalom! is William Faulkners ninth novel and one of his most admired. It tells the story of Thomas Sutpen and his ruthless, single-minded attempt to forge a dynasty in Jefferson, Mississippi, in 1830. Although his grand design is ultimately destroyed by his own sons, a century later the figure of Sutpen continues to haunt young Quentin Compson, who is obsessed with his family legacy and that of the Old South. Faulkners novels have the quality of being lived, absorbed, remembered rather than merely observed, noted Malcolm Cowley. Absalom, Absalom! is structurally the soundest of all the novels in the Yoknapatawpha seriesand it gains power in retrospect. This edition follows the text of Absalom, Absalom! as corrected in 1986 under the direction of Faulkner expert Noel Polk and features a new Foreword by John Jeremiah Sullivan.
[via]› Find signed collectible books: 'Anna Karenina'
This edition, the famous Constance Garnett translation, has been revised throughout by Leonard J. Kent and Nina Berberova.
"Happy families are all alike; every unhappy family is unhappy in its own way." So begins Anna Karenina, Leo Tolstoy's great modern novel of an adulterous affair set against the backdrop of Moscow and St. Petersburg high society in the later half of the nineteenth century. A sophisticated woman who is respectably married to a government bureaucrat, Anna begins a passionate, all-consuming involvement with a rich army officer. Refusing to conduct a discreet affair, she scandalizes society by abandoning both her husband and her young son for Count Vronsky--with tragic consequences. Running parallel is the story of the courtship and marriage of Konstantin Levin (the melancholy nobleman who is Tolstoy's stand-in) and Princess Kitty Shcherbatsky.
Levin's spiritual searching and growth reflect the religious ideals that at the time Tolstoy was evolving for himself. Taken together, the two plots embroider a vast canvas that ultimately encompasses all levels of Russian society. "Now and then Tolstoy's novel writes its own self, is produced by its matter, but its subject," noted Vladimir Nabokov. "Anna Karenina is one of the greatest love stories in world literature." As Matthew Arnold wrote in his celebrated essay on Tolstoy: "We are not to take Anna Karenina as a work of art; we are to take it as a piece of life." [via]
› Find signed collectible books: 'The Autobiography of Benjamin Franklin : And Selections from His Other Writings'
Franklins Autobiography is one of the most famous works in American literature. He started it as a private collection of anecdotes for his son, but soon it was transformed into a work of history, both personal and national, revealing Franklin as the man who, as Herman Melville said, possessed deep worldly wisdom and polished Italian tact, gleaming under an air of Arcadian unaffectedness. [via]
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› Find signed collectible books: 'The Broke Diaries: The Completely True and Hilarious Misadventures of a Good Girl Gone Broke'
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› Find signed collectible books: 'The Brothers Karamozov'
A new translation by Richard Pevear and Larissa Volokhonsky. This acclaimed new English version of Dostoevsky's last novel does justice to all its levels of artistry and intention. [via]
› Find signed collectible books: 'City of God'
Augustine's City of God, a monumental work of religious lore, philosophy, and history, was written as a kind of literary tombstone for Roman culture. After the sack of Rome, Augustine wrote this book to anatomize the corruption of Romans' pursuit of earthly pleasures: "grasping for praise, open-handed with their money; honest in the pursuit of wealth, they wanted to hoard glory." Augustine contrasts his condemnation of Rome with an exaltation of Christian culture. The glory that Rome failed to attain will only be realized by citizens of the City of God, the Heavenly Jerusalem foreseen in Revelation. Because City of God was written for men of classical learning--custodians of the culture Augustine sought to condemn--it is thick with Ciceronian circumlocutions, and makes many stark contrasts between "Your Virgil" and "Our Scriptures." Even if Augustine's prose strikes modern ears as a bit bombastic, and if his polarized Christian/pagan world is more binary than the one we live in today, his arguments against utopianism and his defense of the richness of Christian culture remain useful and strong. City of God is, as its final words proclaim itself to be, "a giant of a book." --Michael Joseph Gross [via]
› Find signed collectible books: 'Classics of Horror: Dracula/Frankenstein/2 Books in 1'
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› Find signed collectible books: 'The Collected Dialogues of Plato, Including the Letters'
I bought a storage unit that had over 2000 books on every religion known to man. Just trying to get rid of them now. That's why they're going so cheap. All items are as described. Small tair on dj. Any questions please let me know and good luck!! (L) [via]
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› Find signed collectible books: 'The Collected Poems of W. B. Yeats'
William Butler Yeats, whom many consider this century's greatest poet, began as a bard of the Celtic Twilight, reviving legends and Rosicrucian symbols. By the early 1900s, however, he was moving away from plush romanticism, his verse morphing from the incantatory rhythms of "I will arise and go now, and go to Innisfree" into lyrics "as cold and passionate as the dawn." At every stage, however, Yeats plays a multiplicity of poetic roles. There is the romantic lover of "When You Are Old" and "A Poet to His Beloved" ("I bring you with reverent Hands / The books of my numberless dreams..."). And there are the far more bitter celebrations of Maud Gonne, who never accepted his love and engaged in too much politicking for his taste: "Why should I blame her that she filled my days / With misery, or that she would of late / Have taught to ignorant men most violent ways, / Or hurled the little streets upon the great, / Had they but courage equal to desire?" There is also the poet of conscience--and confrontation. His 1931 "Remorse for Intemperate Speech" ends: "Out of Ireland have we come. / Great hatred, little room, / Maimed us at the start. / I carried from my mother's womb / A fanatic heart."
Yeats was to explore several more sides of himself, and of Ireland, before his Last Poems of 1938-39. Many are difficult, some snobbish, others occult and spiritualist. As Brendan Kennelly writes, Yeats "produces both poppycock and sublimity in verse, sometimes closely together." On the other hand, many prophetic masterworks are poppycock-free--for example, "The Second Coming" ("Turning and turning in the widening gyre / The falcon cannot hear the falconer; / Things fall apart; the centre cannot hold; / Mere anarchy is loosed upon the world...") and such inquiries into inspiration as "Among School Children" ("O body swayed to music, O brightening glance, How can we know the dancer from the dance?"). And at his best, Yeats extends the meaning of love poetry beyond the obviously romantic: love becomes a revolutionary emotion, attaching the poet to friends, history, and the passionate life of the mind. --Kerry Fried [via]
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› Find signed collectible books: 'Discipline and Punish: The Birth of the Prison'
Discipline and Punish lays out Foucault's thoughts on how the elite in society dominate and control the rest of society. Foucault believed no societal advancements have occurred since the Renaissance, only technology has grown, further enslaving the human spirit. [via]
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› Find signed collectible books: 'Dracula'
Of the many admiring reviews Bram Stoker's Dracula received when it first appeared in 1897, the most astute praise came from the author's mother, who wrote her son: "It is splendid. No book since Mrs. Shelley's Frankenstein or indeed any other at all has come near yours in originality, or terror."
A popular bestseller in Victorian England, Stoker's hypnotic tale of the bloodthirsty Count Dracula, whose nocturnal atrocities are symbolic of an evil ages old yet forever new, endures as the quintessential story of suspense and horror. The unbridled lusts and desires, the diabolical cravings that Stoker dramatized with such mythical force, render Dracula resonant and unsettling a century later. [via]
› Find signed collectible books: 'Dubliners'
"Don't you think there is a certain resemblance between the mystery of the Mass and what I am trying to do?...To give people some kind of intellectual pleasure or spiritual enjoyment by converting the bread of everyday life into something that has a permanent artistic life of its own."
-- James Joyce, in a letter to his brother
With these fifteen stories James Joyce reinvented the art of fiction, using a scrupulous, deadpan realism to convey truths that were at once blasphemous and sacramental. Whether writing about the death of a fallen priest ("The Sisters"), the petty sexual and fiscal machinations of "Two Gallants," or of the Christmas party at which an uprooted intellectual discovers just how little he really knows about his wife ("The Dead"), Joyce takes narrative places it had never been before.
The text of this edition has been newly edited by Hans Walter Gabler and Walter Hettche and is followed by a new afterword, chronology, and bibliography by John S. Kelly. Also included in a special appendix are the original versions of three stories as well as Joyce's long-suppressed Preface to Dubliners. [via]
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› Find signed collectible books: 'Edith Wharton'
Age of Innocence House of Mirth Ethan Frome [via]
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› Find signed collectible books: 'Emma'
Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.
For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber [via]
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› Find signed collectible books: 'The Essential Kierkegaard'
This is the most comprehensive anthology of Søren Kierkegaard's works ever assembled in English. Drawn from the volumes of Princeton's authoritative Kierkegaard's Writings series by editors Howard and Edna Hong, the selections represent every major aspect of Kierkegaard's extraordinary career. They reveal the powerful mix of philosophy, psychology, theology, and literary criticism that made Kierkegaard one of the most compelling writers of the nineteenth century and a shaping force in the twentieth. With an introduction to Kierkegaard's writings as a whole and explanatory notes for each selection, this is the essential one-volume guide to a thinker who changed the course of modern intellectual history.
The anthology begins with Kierkegaard's early journal entries and traces the development of his work chronologically to the final The Changelessness of God. The book presents generous selections from all of Kierkegaard's landmark works, including Either/Or, Fear and Trembling, Works of Love, and The Sickness unto Death, and draws new attention to a host of such lesser-known writings as Three Discourses on Imagined Occasions and The Lily of the Field and the Bird of the Air. The selections are carefully chosen to reflect the unique character of Kierkegaard's work, with its shifting pseudonyms, its complex dialogues, and its potent combination of irony, satire, sermon, polemic, humor, and fiction. We see the esthetic, ethical, and ethical-religious ways of life initially presented as dialogue in two parallel series of pseudonymous and signed works and later in the "second authorship" as direct address. And we see the themes that bind the whole together, in particular Kierkegaard's overarching concern with, in his own words, "What it means to exist; . . . what it means to be a human being."
Together, the selections provide the best available introduction to Kierkegaard's writings and show more completely than any other book why his work, in all its creativity, variety, and power, continues to speak so directly today to so many readers around the world.
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› Find signed collectible books: 'Eugene Onegin'
"In an era of inept and ignorant imitations, whose piped-in background music has hypnotized innocent readers into fearing literality's salutary jolt, some reviewers were upset by the humble fidelity of my version. . . ." Such was Vladimir Nabokov's response to the storm of controversy aroused by the first edition of his literal translation of Eugene Onegin. This bold rendering of the Russian masterpiece, together with Nabokov's detailed and witty commentary, is itself a work of enduring literary interest, and reflects a lifelong admiration for Pushkin on the part of one of this century's most brilliant stylists.
[via]
› Find signed collectible books: 'Eugene Onegin'
› Find signed collectible books: 'Fear and Trembling: Repetition'
Presented here in a new translation, with a historical introduction by the translators, Fear and Trembling and Repetition are the most poetic and personal of Søren Kierkegaard's pseudonymous writings. Published in 1843 and written under the names Johannes de Silentio and Constantine Constantius, respectively, the books demonstrate Kierkegaard's transmutation of the personal into the lyrically religious.
Each work uses as a point of departure Kierkegaard's breaking of his engagement to Regine Olsen--his sacrifice of "that single individual." From this beginning Fear and Trembling becomes an exploration of the faith that transcends the ethical, as in Abraham's willingness to sacrifice his son Isaac at God's command. This faith, which persists in the face of the absurd, is rewarded finally by the return of all that the faithful one is willing to sacrifice. Repetition discusses the most profound implications of unity of personhood and of identity within change, beginning with the ironic story of a young poet who cannot fulfill the ethical claims of his engagement because of the possible consequences of his marriage. The poet finally despairs of repetition (renewal) in the ethical sphere, as does his advisor and friend Constantius in the aesthetic sphere. The book ends with Constantius' intimation of a third kind of repetition--in the religious sphere.
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› Find signed collectible books: 'The History of Sexuality: An Introduction'
The author turns his attention to sex and the reasons why we are driven constantly to analyze and discuss it. An iconoclastic explanation of modern sexual history. [via]
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› Find signed collectible books: 'The House of Mirth'
"The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth," warns Ecclesiastes 7:4, and so does the novel by Edith Wharton that takes its title from this call to heed. New York at the turn of the century was a time of opulence and frivolity for those who could afford it. But for those who couldn't and yet wanted desperately to keep up with the whirlwind, like Wharton's charming Lily Bart, it was something else altogether: a gilded cage rather than the Gilded Age.
One of Wharton's earliest descriptions of her heroine, in the library of her bachelor friend and sometime suitor Lawrence Selden, indicates that she appears "as though she were a captured dryad subdued to the conventions of the drawing room." Indeed, herein lies Lily's problem. She has, we're told, "been brought up to be ornamental," and yet her spirit is larger than what this ancillary role requires. By today's standards she would be nothing more than a mild rebel, but in the era into which Wharton drops her unmercifully, this tiny spark of character, combined with numerous assaults by vicious society women and bad luck, ultimately renders Lily persona non grata. Her own ambivalence about her position serves to open the door to disaster: several times she is on the verge of "good" marriage and squanders it at the last moment, unwilling to play by the rules of a society that produces, as she calls them, "poor, miserable, marriageable girls.
Lily's rather violent tumble down the social ladder provides a thumbnail sketch of the general injustices of the upper classes (which, incidentally, Wharton never quite manages to condemn entirely, clearly believing that such life is cruel but without alternative). From her start as a beautiful woman at the height of her powers to her sad finale as a recently fired milliner's assistant addicted to sleeping drugs, Lily Bart is heroic, not least for her final admission of her own role in her downfall. "Once--twice--you gave me the chance to escape from my life and I refused it: refused it because I was a coward," she tells Selden as the book draws to a close. All manner of hideous socialite beasts--some of whose treatment by Wharton, such as the token social-climbing Jew, Simon Rosedale, date the book unfortunately--wander through the novel while Lily plummets. As her tale winds down to nothing more than the remnants of social grace and cold hard cash, it's hard not to agree with Lily's own assessment of herself: "I have tried hard--but life is difficult, and I am a very useless person. I can hardly be said to have an independent existence. I was just a screw or a cog in the great machine I called life, and when I dropped out of it I found I was of no use anywhere else." Nevertheless, it's even harder not to believe that she deserved better, which is why The House of Mirth remains so timely and so vital in spite of its crushing end and its unflattering portrait of what life offers up. --Melanie Rehak [via]
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› Find signed collectible books: 'Leviathan: Or the Matter, Forme and Power of a Commonwealth Ecclesiasticall and Civil'
Your most worthy Brother Mr SIDNEY GODOLPHIN, when he lived, was pleas'd to think my studies something, and otherwise to oblige me, as you know, with reall testimonies of his good opinion, great in themselves, and the greater for the worthinesse of his person. For there is not any vertue that disposeth a man, either to the service of God, or to the service of his Country, to Civill Society, or private Friendship, that did not manifestly appear in his conversation, not as acquired by necessity, or affected upon occasion, but inhaerent, and shining in a generous constitution of his nature. Therefore in honour and gratitude to him, and with devotion to your selfe, I humbly Dedicate unto you this my discourse of Common-wealth. I know not how the world will receive it, nor how it may reflect on those that shall seem to favour it. For in a way beset with those that contend on one side for too great Liberty, and on the other side for too much Authority, 'tis hard to passe between the points of both unwounded. But yet, me thinks, the endeavour to advance the Civill Power, should not be by the Civill Power condemned; nor private men, by reprehending it, declare they think that Power too great. Besides, I speak not of the men, but (in the Abstract) of the Seat of Power, (like to those simple and unpartiall creatures in the Roman Capitol, that with their noyse defended those within it, not because they were they, but there) offending none, I think, but those without, or such within (if there be any such) as favour them. That which perhaps may most offend, are certain Texts of Holy Scripture, alledged by me to other purpose than ordinarily they use to be by others. But I have done it with due submission, and also (in order to my Subject) necessarily; for they are the Outworks of the Enemy, from whence they impugne the Civill Power. If notwithstanding this, you find my labour generally decryed, you may be pleased to excuse your selfe, and say that I am a man that love my own opinions, and think all true I say, that I honoured your Brother, and honour you, and have presum'd on that, to assume the Title (without your knowledge) of being, as I am,
Download Leviathan Now! [via]
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› Find signed collectible books: 'Light in August'
To declare that Light in August is William Faulkner's finest work would be to invoke debate of irreconcilable conclusion. Yet for many followers of Faulkner, this novel showcases many of his best moments and characters. As usual, he mines the rich soil of Mississippi mud to create his subjects, this time in the form of Reverend Gail Hightower, Lena Grove and Joe Christmas. The issue of black and white and rich and poor is prevalent, though to draw lines that clear would be a disservice to Faulkner's immensely layered text and the multicolored beauty of his writing. [via]
› Find signed collectible books: 'Madame Bovary'
Flaubert avait beau affirmer qu'il désirait faire du style le coeur d'un "livre sur rien", son premier roman n'en est pas moins un récit, un roman de la "fatalité", comme le souligne innocemment Charles Bovary, sans même savoir qu'il s'agit d'une fatalité d'ordre narratologique qui imbrique imperceptiblement les éléments du texte pour rendre l'issue inévitable. Tableau des Moeurs de province, Madame Bovary dépeint avec tant d'efficacité la dynamique de la frustration que le mélange d'ennui profond, d'apathie et d'exaltation romanesque qui caractérise son héroïne a donné naissance au terme de bovarysme. De Tostes à Yonville-l'Abbaye, Emma Bovary traîne sa morne existence jalonnée d'adultères. Certes, ses échappées à bord de l'Hirondelle, l'express qui relie Yonville à Rouen, pimentent sa vie. Mais elle est conduite par Hivert, vouée au retour ironique et incontournable. Quelles que soient les tentatives d'évasion, le bovarysme triomphe. Dans le portrait de cette petite bourgeoise normande, Flaubert a poussé l'écriture objective, neutralité indispensable afin de se fondre dans les personnages, au point de rendre si vivantes les aspirations d'Emma que le roman lui valut un procès. --Sana Tang-Léopold Wauters [via]
› Find signed collectible books: 'Makes Me Wanna Holler'
Examining the complexities of the problems of black youths from an insider's perspective, an African-American journalist recalls his own troubled childhood, his rehabilitation while in prison, and his successful Washington Post career. Reprint. 150,000 first printing. [via]
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› Find signed collectible books: 'Mama Day'
1988 Mama day [via]
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› Find signed collectible books: 'Manifesto of the Communist Party'
Check out ngims Publishing's other illustrated literary classics. The vast majority of our books have original illustrations, free audiobook download link at the end of the book, navigable Table of Contents, and are fully formatted. Browse our library collection by typing in ngims or ngims plus the title you're looking for, e.g. ngims Gulliver's Travels. Free ebooks on the web are not organized for easy reading, littered with text errors and often have missing contents. You will not find another beautifully formatted classic literature ebook that is well-designed with amazing artworks and illustrations and a link to download free audiobook for a very low price like this one. The nominal price of this ebook covers the time and effort in formatting the materials and putting everything together in one place for your convenience. As a reader, you would want everything readily available at your fingertips because you many not have the time, interest or know where to look for your favorite book. The Communist Manifesto, originally titled Manifesto of the Communist Party (German: Manifest der Kommunistischen Partei) is a short 1848 book written by the German Marxist political theorists Karl Marx and Friedrich Engels. It has since been recognized as one of the world's most influential political manuscripts. Commissioned by the Communist League, it laid out the League's purposes and program. It presents an analytical approach to the class struggle (historical and present) and the problems of capitalism, rather than a prediction of communism's potential future forms. The book contains Marx and Engels' Marxist theories about the nature of society and politics, that in their own words, "The history of all hitherto existing society is the history of class struggles." It also briefly features their ideas for how the capitalist society of the time would eventually be replaced by socialism, and then eventually communism. FEATURES ? Includes beautiful artworks and illustrations [via]
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› Find signed collectible books: 'MASTER AND MARGARITA'
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› Find signed collectible books: 'Maus: A Survivor's Tale My Father Bleeds History/Her My Troubles Began/Boxed'
A boxed edition of the two paperback volumed of this 1992 Pulitzer Prize-winning illustrated narrative of Holocaust survival. Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in "drawing us closer to the bleak heart of the Holocaust" ( The New York Times ). Maus is a haunting tale within a tale. Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century's grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us. [via]
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› Find signed collectible books: 'Mere Christianity'
In 1941 England, when all hope was threatened by the inhumanity of war, C. S. Lewis was invited to give a series of radio lectures addressing the central issues of Christianity. More than half a century later, these talks continue to retain their poignancy. First heard as informal radio broadcasts on the BBC, the lectures were published as three books and subsequently combined as Mere Christianity. C. S. Lewis proves that "at the center of each there is something, or a Someone, who against all divergences of belief, all differences of temperament, all memories of mutual persecution, speaks with the same voice," rejecting the boundaries that divide Christianity's many denominations. This twentieth century masterpiece provides an unequaled opportunity for believers and nonbelievers alike to hear a powerful, rational case for the Christian faith.
With a new foreword by Lewis's stepson, Douglas Gresham, this illustrated gift edition evokes the historic time and place of the book's creation.
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› Find signed collectible books: 'Mere Christianity: Comprising the Case for Christianity, Christian Behaviour, and Beyond Personality'
"Mere Christianity" is C.S. Lewis's forceful and accesible doctrine of Christian belief. First heard as informal radio broadcasts and then published as three seperate books - "The Case for Christianity, Christian Behavior" and "Beyond Personality - Mere Christianity" brings together what Lewis sees as the fundamental truths of the religion. Rejecting the boundaries that divide Christianity's many denominations, C.S. Lewis finds a common ground on which all those who have Christian faith can stand together, proving that "at the centre of each there is something, or a Someone, who against all divergences of belief, all differences of temperament, all memories of mutual persecution, speaks the same voice." [via]
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› Find signed collectible books: 'The Metamorphosis and Other Stories/the Great Short Works of Franz Kafka'
A new translation of the Kafka classics, The Metamorphosis, The Judgment, The Stoker, and others, preserves the humor and quirks of Kafka's original style, while injecting a freshness intended to appeal to modern readers. [via]
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› Find signed collectible books: 'A Midsummer Night's Dream'
An illustrated, abridged verison of the Shakespeare comedy with background information and explanatory stage directions. [via]
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› Find signed collectible books: 'The Mysteries Of Pittsburgh'
hardcover gilt emblem. lettering first ed. [via]
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› Find signed collectible books: 'Mythologies'
L'Antiquité avait son Oedipe, le Grand Siècle son roi Soleil, et voilà que Barthes donne à la France de l'après-guerre ses nouveaux emblèmes : la DS Citroën, le Tour de France, le steak frites... Tous objets d'un culte bourgeois, ils deviennent de véritables mythes pour une société qui finit par se penser à travers eux. Mais si Barthes se penche avec la rigueur de l'ethnologue sur ces nouveaux mythes, c'est pour mieux en dénoncer les mécanismes : l'idéologie dominante ne s'inventerait ainsi des valeurs que pour légitimer des "normes bourgeoises" qui en manquent singulièrement...
Écrites quotidiennement de 1954 à 1956, ces mythologies déploient une écriture fine, cultivée et juste, à lire comme autant de petites chroniques savoureuses. Toutefois, on les retiendra avant tout pour l'actualité de leurs propos : sur le même modèle, on trouverait sans peine de nouvelles mythologies, qui ne seraient sans doute pas très éloignées de celles que Barthes, en son temps, mettait en évidence. --Karla Manuele [via]
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› Find signed collectible books: 'Notes from Underground'
(Book Jacket Status: Jacketed)Dostoevskys most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of mans essentially irrational nature.Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.
From the Hardcover edition. [via]
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› Find signed collectible books: 'Order of Things: An Archaeology of the Human Sciences'
No description available [via]
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› Find signed collectible books: 'The Oresteia'
This is an electronic edition of the complete book complemented by author biography. This book features the table of contents linked to every play. The book was designed for optimal navigation on the Kindle, PDA, Smartphone, and other electronic readers. It is formatted to display on all electronic devices including the Kindle, Smartphones and other Mobile Devices with a small display.
******************
Translated by E. D. A. Morshead
The Oresteia (458 BC):
Agamemnon Translated by E. D. A. Morshead
The Libation Bearers (also known as Choephoroi) Translated by E. D. A. Morshead
The Eumenides (also known as The Furies) Translated by E. D. A. Morshead
The Oresteia is a trilogy of Greek tragedies written by Aeschylus which concerns the end of the curse on the House of Atreus. Though originally written as tetralogy, it is the only surviving example of a trilogy of ancient Greek plays; the fourth play, Proteus, a satyr play that would have been performed as finale, has not survived. The Oresteia was originally performed at the Dionysia festival in Athens in 458 BC, where it won first prize. Overall, this trilogy emblemizes the shift from a monarchal system of vendetta in Argos to a democratic system of litigation in Athens.
Excerpted from Wikipedia, the free encyclopedia.
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› Find signed collectible books: 'The Origin of Species: Library Edition'
Voyage with Darwin as he gathers the raw material that ushered in the greatest intellectual revolution in 2,000 years upon the publication of this very book! [via]
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› Find signed collectible books: 'Orlando: A Biography'
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› Find signed collectible books: 'A Passage to India: Library Edition'
What really happened in the Marabar caves? This is the mystery at the heart of E.M. Forster's 1924 novel, A Passage to India, the puzzle that sets in motion events highlighting an even larger question: Can an Englishman and an Indian be friends?
"It is impossible here," an Indian character tells his friend, Dr. Aziz, early in the novel.
"They come out intending to be gentlemen, and are told it will not do.... Why, I remember when Turton came out first. It was in another part of the Province. You fellows will not believe me, but I have driven with Turton in his carriage--Turton! Oh yes, we were once quite intimate. He has shown me his stamp collection.Written while England was still firmly in control of India, Forster's novel follows the fortunes of three English newcomers to India--Miss Adela Quested, Mrs. Moore, and Cyril Fielding--and the Indian, Dr. Aziz, with whom they cross destinies. The idea of true friendship between the races was a radical one in Forster's time, and he makes it abundantly clear that it was not one that either side welcomed. If Aziz's friend, Hamidullah, believed it impossible, the British representatives of the Raj were equally discouraging."He would expect you to steal it now. Turton! But red-nosed boy will be far worse than Turton!
"I do not think so. They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike."
"Why, the kindest thing one can do to a native is to let him die," said Mrs. Callendar.Despite their countrymen's disapproval, Miss Quested, Mrs. Moore, and Mr. Fielding are all eager to meet Indians, and in Dr. Aziz they find a perfect companion: educated, westernized, and open-minded. Slowly, the friendships ripen, especially between Aziz and Fielding. Having created the possibility of esteem based on trust and mutual affection, Forster then subjects it to the crucible of racial hatred: during a visit to the famed Marabar caves, Miss Quested accuses Dr. Aziz of sexually assaulting her, then later recants during the frenzied trial that follows. Under such circumstances, affection proves to be a very fragile commodity indeed.
"How if he went to heaven?" asked Mrs. Moore, with a gentle but crooked smile.
"He can go where he likes as long as he doesn't come near me. They give me the creeps."
Arguably Forster's greatest novel, A Passage to India limns a troubling portrait of colonialism at its worst, and is remarkable for the complexity of its characters. Here the personal becomes the political and in the breach between Aziz and his English "friends," Forster foreshadows the eventual end of the Raj. --Alix Wilber [via]
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› Find signed collectible books: 'Pnin'
Pnin is a professor of Russian at an American college who takes the wrong train to deliver a lecture in a language he cannot master. Pnin is a tireless lover who writes to his treacherous Liza: "A genius needs to keep so much in store, and thus cannot offer you the whole of himself as I do." Pnin is the focal point of subtle academic conspiracies he cannot begin to comprehend, yet he stages a faculty party to end all faculty parties forever. [via]
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› Find signed collectible books: 'The Poems'
William Butler Yeats, whom many consider this century's greatest poet, began as a bard of the Celtic Twilight, reviving legends and Rosicrucian symbols. By the early 1900s, however, he was moving away from plush romanticism, his verse morphing from the incantatory rhythms of "I will arise and go now, and go to Innisfree" into lyrics "as cold and passionate as the dawn." At every stage, however, Yeats plays a multiplicity of poetic roles. There is the romantic lover of "When You Are Old" and "A Poet to His Beloved" ("I bring you with reverent Hands / The books of my numberless dreams..."). And there are the far more bitter celebrations of Maud Gonne, who never accepted his love and engaged in too much politicking for his taste: "Why should I blame her that she filled my days / With misery, or that she would of late / Have taught to ignorant men most violent ways, / Or hurled the little streets upon the great, / Had they but courage equal to desire?" There is also the poet of conscience--and confrontation. His 1931 "Remorse for Intemperate Speech" ends: "Out of Ireland have we come. / Great hatred, little room, / Maimed us at the start. / I carried from my mother's womb / A fanatic heart."
Yeats was to explore several more sides of himself, and of Ireland, before his Last Poems of 1938-39. Many are difficult, some snobbish, others occult and spiritualist. As Brendan Kennelly writes, Yeats "produces both poppycock and sublimity in verse, sometimes closely together." On the other hand, many prophetic masterworks are poppycock-free--for example, "The Second Coming" ("Turning and turning in the widening gyre / The falcon cannot hear the falconer; / Things fall apart; the centre cannot hold; / Mere anarchy is loosed upon the world...") and such inquiries into inspiration as "Among School Children" ("O body swayed to music, O brightening glance, How can we know the dancer from the dance?"). And at his best, Yeats extends the meaning of love poetry beyond the obviously romantic: love becomes a revolutionary emotion, attaching the poet to friends, history, and the passionate life of the mind.
Though this edition has been reset and revised, the changes are not as shocking as the 1984 edition, which included 100 extra pages of notes, changes in language and punctuation, and, most significantly, a redefinition of the Last Poems. Richard Finneran has had the courage to reorder the poems according to notes that Yeats made shortly before his death. Readers may be surprised to find that "Under Ben Bulben," the poet's powerful and self-mythologizing epitaph, no longer ends the collection, as it has for more than 30 years. In its place they will discover the wistful "Politics": "How can I, that girl standing there, / My attention fix / On Roman or on Russian / Or on Spanish politics..." Yet devotees of either ending will agree that this is a truly necessary volume--indeed, one of the few. As Seamus Heaney writes, "All readers of Yeats will need this book; when they open it they will feel a surprise like that experienced by St. Brendan the Navigator and his crew when they disembarked upon an island that turned out to be the back of a dormant sea monster." [via]
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› Find signed collectible books: 'The Red and the Black'
A Major New Translation
The Red and the Black, Stendhals masterpiece, is the story of Julien Sorel, a young dreamer from the provinces, fueled by Napoleonic ideals, whose desire to make his fortune sets in motion events both mesmerizing and tragic. Sorels quest to find himself, and the doomed love he encounters along the way, are delineated with an unprecedented psychological depth and realism. At the same time, Stendhal weaves together the social life and fraught political intrigues of postNapoleonic France, bringing that world to unforgettable, full-color life. His portrait of Julien and early-nineteenth-century France remains an unsurpassed creation, one that brilliantly anticipates modern literature.
Neglected during its time, The Red and the Black has assumed its rightful place as one of the worlds great books, and Burton Raffels extraordinary new translation, coupled with an enlightening Introduction by Diane Johnson, helps it shine more brightly than ever before. [via]
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› Find signed collectible books: 'The Red and the Black : A Chronicle of 1830'
A Major New Translation
The Red and the Black, Stendhals masterpiece, is the story of Julien Sorel, a young dreamer from the provinces, fueled by Napoleonic ideals, whose desire to make his fortune sets in motion events both mesmerizing and tragic. Sorels quest to find himself, and the doomed love he encounters along the way, are delineated with an unprecedented psychological depth and realism. At the same time, Stendhal weaves together the social life and fraught political intrigues of postNapoleonic France, bringing that world to unforgettable, full-color life. His portrait of Julien and early-nineteenth-century France remains an unsurpassed creation, one that brilliantly anticipates modern literature.
Neglected during its time, The Red and the Black has assumed its rightful place as one of the worlds great books, and Burton Raffels extraordinary new translation, coupled with an enlightening Introduction by Diane Johnson, helps it shine more brightly than ever before. [via]
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› Find signed collectible books: 'A Room of One's Own and Three Guineas'
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› Find signed collectible books: 'Sel 43 Tess D'urbervilles'
When John Durberyfield discovers a family connection to the ancient Norman family, the d'Urbervilles, the fate of daughter Tess is transformed. [via]
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› Find signed collectible books: 'Sense And Sensibility'
Though not the first novel she wrote, Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting on Edward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she "loves him tenderly," she finds him disappointing as a possible lover for her sister:
Oh! Mama, how spiritless, how tame was Edward's manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat. To hear those beautiful lines which have frequently almost driven me wild, pronounced with such impenetrable calmness, such dreadful indifference!Soon however, Marianne meets a man who measures up to her ideal: Mr. Willoughby, a new neighbor. So swept away by passion is Marianne that her behavior begins to border on the scandalous. Then Willoughby abandons her; meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure. --Alix Wilber [via]

› Find signed collectible books: 'Shakey: Neil Young's Biography'
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› Find signed collectible books: 'The Sonnets'
Together with A Lover's Complaint' and little-known alternative versions of four of the sonnets. Edited with an introduction by Stanley Wells. ...the most beautifully printed text available.' The Times . [via]
› Find signed collectible books: 'The Sorrows of Young Werther'
A Major New Translation
For more than two centuries the very title of this book has evoked the sensitivity of youth, the suffering of the artist, the idea of a hero too full of love to live. When it was first published in Germany, in 1774, The Sorrows of Young Werther created a sensation. Banned and condemned but embracedespecially by the youngit has continued to captivate.
Now Burton Pikes startlingly new translation expresses as never before all the anguish, ideas, and ardor of this seminal, iconic novel. And his Introduction reveals both Goethes inspirations and his influenceon works ranging from Madame Bovary to Frankenstein and beyond.
Here is the classic story of Werther, a young man seeking the infinite in an art he cannot master and a woman he cannot havethe prototype of the Romantic hero in a work that anticipated the Romantic Age. Here is a bold new look at a masterpiece that has changed lives and, like its beloved hero, will never grow old. [via]
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› Find signed collectible books: 'The Sorrows of Young Werther'
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› Find signed collectible books: 'The Souls of Black Folk'
William Edward Burghardt Du Bois (1868-1963) is the greatest of African American intellectuals--a sociologist, historian, novelist, and activist whose astounding career spanned the nation's history from Reconstruction to the civil rights movement. Born in Massachusetts and educated at Fisk, Harvard, and the University of Berlin, Du Bois penned his epochal masterpiece, The Souls of Black Folk, in 1903. It remains his most studied and popular work; its insights into Negro life at the turn of the 20th century still ring true.
With a dash of the Victorian and Enlightenment influences that peppered his impassioned yet formal prose, the book's largely autobiographical chapters take the reader through the momentous and moody maze of Afro-American life after the Emancipation Proclamation: from poverty, the neoslavery of the sharecropper, illiteracy, miseducation, and lynching, to the heights of humanity reached by the spiritual "sorrow songs" that birthed gospel and the blues. The most memorable passages are contained in "On Booker T. Washington and Others," where Du Bois criticizes his famous contemporary's rejection of higher education and accommodationist stance toward white racism: "Mr. Washington's programme practically accepts the alleged inferiority of the Negro races," he writes, further complaining that Washington's thinking "withdraws many of the high demands of Negroes as men and American citizens." The capstone of The Souls of Black Folk, though, is Du Bois' haunting, eloquent description of the concept of the black psyche's "double consciousness," which he described as "a peculiar sensation.... One ever feels this twoness--an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder." Thanks to W.E.B. Du Bois' commitment and foresight--and the intellectual excellence expressed in this timeless literary gem--black Americans can today look in the mirror and rejoice in their beautiful black, brown, and beige reflections. --Eugene Holley Jr. [via]
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› Find signed collectible books: 'The Strange Case of Dr. Jekyll and Mr. Hyde'
The young Robert Louis Stevenson suffered from repeated nightmares of living a double life, in which by day he worked as a respectable doctor and by night he roamed the back alleys of old-town Edinburgh. In three days of furious writing, he produced a story about his dream existence. His wife found it too gruesome, so he promptly burned the manuscript. In another three days, he wrote it again. The Strange Case of Dr. Jekyll and Mr. Hyde was published as a "shilling shocker" in 1886, and became an instant classic. In the first six months, 40,000 copies were sold. Queen Victoria read it. Sermons and editorials were written about it. When Stevenson and his family visited America a year later, they were mobbed by reporters at the dock in New York City. Compulsively readable from its opening pages, Dr. Jekyll and Mr. Hyde is still one of the best tales ever written about the divided self.
This University of Nebraska Press edition is a small, exquisitely produced paperback. The book design, based on the original first edition of 1886, includes wide margins, decorative capitals on the title page and first page of each chapter, and a clean, readable font that is 19th-century in style. Joyce Carol Oates contributes a foreword in which she calls Dr. Jekyll and Mr. Hyde a "mythopoetic figure" like Frankenstein, Dracula, and Alice in Wonderland, and compares Stevenson's creation to doubled selves in the works of Plato, Poe, Wilde, and Dickens.
This edition also features 12 full-page wood engravings by renowned illustrator Barry Moser. Moser is a skillful reader and interpreter as well as artist, and his afterword to the book, in which he explains the process by which he chose a self-portrait motif for the suite of engravings, is fascinating. For the image of Edward Hyde, he writes, "I went so far as to have my dentist fit me out with a carefully sculpted prosthetic of evil-looking teeth. But in the final moments I had to abandon the idea as being inappropriate. It was more important to stay in keeping with the text and, like Stevenson, not show Hyde's face." (Also recommended: the edition of Frankenstein illustrated by Barry Moser) --Fiona Webster [via]
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› Find signed collectible books: 'Sufferings of Young Werther'
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› Find signed collectible books: 'Tender Is The Night, 1934'
In the wake of World War I, a community of expatriate American writers established itself in the salons and cafes of 1920s Paris. They congregated at Gertrude Stein's select soirees, drank too much, married none too wisely, and wrote volumes--about the war, about the Jazz Age, and often about each other. F. Scott Fitzgerald and his wife, Zelda, were part of this gang of literary Young Turks, and it was while living in France that Fitzgerald began writing Tender Is the Night. Begun in 1925, the novel was not actually published until 1934. By then, Fitzgerald was back in the States and his marriage was on the rocks, destroyed by Zelda's mental illness and alcoholism. Despite the modernist mandate to keep authors and their creations strictly segregated, it's difficult not to look for parallels between Fitzgerald's private life and the lives of his characters, psychiatrist Dick Diver and his former patient turned wife, Nicole. Certainly the hospital in Switzerland where Zelda was committed in 1929 provided the inspiration for the clinic where Diver meets, treats, and then marries the wealthy Nicole Warren. And Fitzgerald drew both the European locale and many of the characters from places and people he knew from abroad.
In the novel, Dick is eventually ruined--professionally, emotionally, and spiritually--by his union with Nicole. Fitzgerald's fate was not quite so novelistically neat: after Zelda was diagnosed as a schizophrenic and committed, Fitzgerald went to work as a Hollywood screenwriter in 1937 to pay her hospital bills. He died three years later--not melodramatically, like poor Jay Gatsby in his swimming pool, but prosaically, while eating a chocolate bar and reading a newspaper. Of all his novels, Tender Is the Night is arguably the one closest to his heart. As he himself wrote, "Gatsby was a tour de force, but this is a confession of faith." [via]
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› Find signed collectible books: 'Tess of the D'urbervilles : A Pure Woman'
Etched against the background of a dying rural society, Tess of the d'Urbervilles was Thomas Hardy's "bestseller," and Tess Durbeyfield remains his most striking and tragic heroine. Of all the characters he created, she meant the most to him. Hopelessly torn between two men--Alec d'Urberville, a wealthy, dissolute young man who seduces her in a lonely wood, and Angel Clare, her provincial, moralistic, and unforgiving husband--Tess escapes from her vise of passion through a horrible, desperate act.
----"Like the greatest characters in literature, Tess lives beyond the final pages of the book as a permanent citizen of the imagination," said Irving Howe. "In Tess he stakes everything on his sensuous apprehension of a young woman's life, a girl who is at once a simple milkmaid and an archetype of feminine strength. . . . Tess is that rare creature in literature: goodness made interesting."
----Now Tess of the d'Urbervilles has been brought to television in a magnificent new co-production from A&E Network and London Weekend Television. Justine Waddell (Anna Karenina) stars as the tragic heroine, Tess; Oliver Milburn (Chandler & Co.) is Angel Clare; and Jason Flemyng is Alec d'Urberville. The cast also includes John McEnery (Black Beauty) as Jack Durbeyfield and Lesley Dunlop (The Elephant Man) as Joan Durbeyfield. Tess of the d'Urbervilles is directed by Ian Sharp and produced by Sarah Wilson, with a screenplay by Ted Whitehead; it was filmed in Hardy country, the beautiful English countryside in Dorset where Thomas Hardy set his novels.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-
dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices. [via]
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› Find signed collectible books: 'Tristram Shandy and a Sentimental Journey'
Tristram Shandy provoked a literary sensation when it first appeared in a series of installments between 1759 and 1767. The ribald, high-spirited book prompted Diderot to hail Sterne as 'the English Rabelais.' An ingeniously structured novel (about writing a novel) that fascinates like a verbal game of chess, Tristram Shandy is both a joyful celebration of the infinite possibilities of the art of fiction and a wry demonstration of its limitations. Many view this picaresque masterpiece as the precursor of the modern novel.
A Sentimental Journey, which came out in 1768, begins as a travelogue. Yet it ends as a treasury of portraits, sketches, and philosophical musings, for as Virginia Woolf observed: 'A Sentimental Journey, for all its levity and wit, is based upon something fundamentally philosophic--the philosophy of pleasure.' [via]
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› Find signed collectible books: 'The Unredeemed Captive: A Family Story from Early America'
Nominated for the National Book Award, this book is set in colonial Massachusetts where, in 1704, a French and Indian war party descended on the village of Deerfield, abducting a Puritan minister and his children. Although John Williams was eventually released, his daughter horrified the family by staying with her captors and marrying a Mohawk husband.From the Trade Paperback edition. [via]
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› Find signed collectible books: 'Washington Square'
"Washington Square is perhaps the only novel in which a man has successfully invaded the feminine field and produced work comparable to Jane Austen's," said Graham Greene.
Inspired by a story Henry James heard at a dinner party, Washington Square tells how the rakish but idle Morris Townsend tries to win the heart of heiress Catherine Sloper against the objections of her father. Precise and understated, the book endures as a matchless social study of New York in the mid-nineteenth century.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with afford-
able hardbound editions of impor-
tant works of literature and thought. For the Modern Library's seventy-
fifth anniversary, Random House redesigned the series, restoring
as its emblem the running torch-
bearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-
gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices. [via]
› Find signed collectible books: 'What We Talk About When We Talk About Love'
"What We Talk About When We Talk About Love" is not only the most well-known short story title of the latter part of the 20th century; it has come to stand for an entire aesthetic, the bare-bones prose style for which Raymond Carver became famous. Perhaps, it could be argued, too famous, at least for his fiction's own good. Like those of Hemingway or any other writer similarly loved, imitated, parodied, and reviled, these stories can sometimes produce the sense of reading pastiche. "A man without hands came to the door to sell me a photograph of my house." "That morning she pours Teacher's over my belly and licks it off. That afternoon she tries to jump out the window." "My friend Mel McGinnis was talking. Mel is a cardiologist, and sometimes that gives him the right." What other writer ever produced first sentences like these? They are like doors into Carverworld, where everyone speaks in simple declarative phrases, no one ever stops at one beer, and failure or violence are the true outcomes of the American dream.
Yet these stories bear careful re-reading, like any truly important and enduring work. For one thing, Carver is one of the few writers who can make desperation--cutting your ex-wife's telephone cord in the middle of a conversation, standing on your own roof chunking rocks while a man with no hands takes your picture--deeply funny. Then there is the sheer craft that went into their creation. Despite their seeming simplicity, his tales are as artfully constructed as poems--and like poems, the best of them can make your breath catch in your throat. In the title piece, for instance, after the gin has been drunk, after the stories have been told, after the tensions in the room have come to the surface and subsided again, there comes a moment of strange lightness and peace: "I could hear my heart beating. I could hear everyone's heart. I could hear the human noise we sat there making, not one of us moving, not even when the room went dark."
Much of what happens in What We Talk About When We Talk About Love (1981) happens offstage, and we're left with tragedy's props: booze, instant coffee, furniture from a failed marriage, cigarettes smoked in the middle of the night. This is not merely a matter of technique. Carver leaves out a great deal, but that's only a measure of his characters' vulnerability, the nerve endings his stories lay bare. To say anything more, one feels, would simply hurt too much. --Mary Park [via]
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› Find signed collectible books: 'The Wind-Up Bird Chronicle'
Bad things come in threes for Toru Okada. He loses his job, his cat disappears, and then his wife fails to return from work. His search for his wife (and his cat) introduces him to a bizarre collection of characters, including two psychic sisters, a possibly unbalanced teenager, an old soldier who witnessed the massacres on the Chinese mainland at the beginning of the Second World War, and a very shady politician.
Haruki Murakami is a master of subtly disturbing prose. Mundane events throb with menace, while the bizarre is accepted without comment. Meaning always seems to be just out of reach, for the reader as well as for the characters, yet one is drawn inexorably into a mystery that may have no solution. The Wind-Up Bird Chronicle is an extended meditation on themes that appear throughout Murakami's earlier work. The tropes of popular culture, movies, music, detective stories, combine to create a work that explores both the surface and the hidden depths of Japanese society at the end of the 20th century.
If it were possible to isolate one theme in The Wind-Up Bird Chronicle, that theme would be responsibility. The atrocities committed by the Japanese army in China keep rising to the surface like a repressed memory, and Toru Okada himself is compelled by events to take responsibility for his actions and struggle with his essentially passive nature. If Toru is supposed to be a Japanese Everyman, steeped as he is in Western popular culture and ignorant of the secret history of his own nation, this novel paints a bleak picture. Like the winding up of the titular bird, Murakami slowly twists the gossamer threads of his story into something of considerable weight. --Simon Leake [via]
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Odyssey, The: The World's Great Classics, by Homer; tr. by S.H. Butcher and Andrew Lang [via]
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› Find signed collectible books: 'Written on the Body'
The most beguilingly seductive novel to date from the author of The Passion and Sexing the Cherry. Winterson chronicles the consuming affair between the narrator, who is given neither name nor gender, and the beloved, a complex and confused married woman. "At once a love story and a philosophical meditation."--New York Times Book Review. [via]
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› Find signed collectible books: 'Wuthering Heights'
Wuthering Heights, first published in 1847, the year before the author's death at the age of thirty, endures today as perhaps the most powerful and intensely original novel in the English language. "Only Emily Brontë," V. S. Pritchett said about the author and her contemporaries, "exposes her imagination to the dark spirit." And Virginia Woolf wrote, "It is as if she could tear up all that we know human beings by, and fill these unrecognisable transparencies with such a gust of life that they transcend reality. Hers, then, is the rarest of all powers. She could free life from its dependence on facts, with a few touches indicate the spirit of a face so that it needs no body; by speaking of the moor make the wind blow and the thunder roar."
----This Modern Library edition contains a biographical note and preface by the author's sister Charlotte Brontë, and an Introduction by Diane Johnson. [via]
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