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› Find signed collectible books: 'The Annotated Shakespeare'
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› Find signed collectible books: 'The Annotated Shakespeare: The Comedies, Histories, Sonnets and Other Poems, Tragedies and Romances; Complete'
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› Find signed collectible books: 'The Complete Illustrated Shakespeare'
This is a wonderful collection of Shakespeare. [via]
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› Find signed collectible books: 'The Complete Plays of Sophocles'
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› Find signed collectible books: 'Complete Plays of William Shakespeare : Cha Riv'
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› Find signed collectible books: 'Complete Works of William Shakespeare'
FROM THE WORLD FAMOUS ROYAL SHAKESPEARE COMPANY, THE FIRST AUTHORITATIVE, MODERNIZED, AND CORRECTED EDITION OF SHAKESPEARES FIRST FOLIO IN THREE CENTURIES.
Skillfully assembled by Shakespeares fellow actors in 1623, the First Folio was the original Complete Works. It is arguably the most important literary work in the English language. But starting with Nicholas Rowe in 1709 and continuing to the present day, Shakespeare editors have mixed Folio and Quarto texts, gradually corrupting the original Complete Works with errors and conflated textual variations.
Now Jonathan Bate and Eric Rasmussen, two of todays most accomplished Shakespearean scholars, have edited the First Folio as a complete book, resulting in a definitive Complete Works for the twenty-first century.
Combining innovative scholarship with brilliant commentary and textual analysis that emphasizes performance history and values, this landmark edition will be indispensable to students, theater professionals, and general readers alike.
For more information on this Modern Library edition, visit www.therscshakespeare.com [via]
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› Find signed collectible books: 'Emma'
Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.
For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber [via]
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› Find signed collectible books: 'Emma'
Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.
For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber [via]
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› Find signed collectible books: 'The Globe Illustrated Shakespeare'
The complete theatrical works of the immortal bard, uniquely supplemented with annotation and critical analysis by a host of eminent scholars and critics -- from Samuel Coleridge to Samuel Johnson. Plus a biography of Shakespeare himself. For the collection of the Shakespeare enthusiast, and the edification of the Shakespeare novice. [via]
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› Find signed collectible books: 'The Globe Illustrated Shakespeare : The Complete Works Annotated'
English literature. [via]
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› Find signed collectible books: 'Jane Austen'
Collected together in one volume, The Complete Novels show the development of Austen as a writer and social commentator. From the early optimism and youthful energy of Northanger Abbey to the quiet and subtle art of Persuasion, this collection reveals the breadth of one of the best loved novelists of all time. [via]
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› Find signed collectible books: 'Jane Eyre'
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› Find signed collectible books: 'Jane Eyre'
Jane Eyre by Charlotte Bronte, orphaned, penniless, victim to a harsh Aunt, and miserable years at Lowood institution finds love as Governess to the sickly Adele, illegitimate daughter of Mr Rocheste. With their wedding interrupted by the sudden intrusion of Rochester's mad Creole wife, inhabitant of the upper regions of Thornfield Hall for years, Jane flees. Nursed from near-death on the moors by the Revd St John Rivers and his 2 sisters, Jane learns both that they are her cousins and that she is the recipient of some money from her Uncle. On the verge of yielding to River's appeal that she marry him, Jane is prevented by a telepathic appeal from Rochester and returns to the Hall to find the building burned, his wife dead and Rochester blinded. Yet marriage seemsaid in the restoration of his sight. [via]
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› Find signed collectible books: 'Jane Eyre : Oxford World Classics'
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› Find signed collectible books: 'Lucy Hutchinson's Translation of Lucretius: De Rerun Natura'
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› Find signed collectible books: 'Mansfield Park'
Though Jane Austen was writing at a time when Gothic potboilers such as Ann Ward Radcliffe's The Mysteries of Udolpho and Horace Walpole's The Castle of Otranto were all the rage, she never got carried away by romance in her own novels. In Austen's ordered world, the passions that ruled Gothic fiction would be horridly out of place; marriage was, first and foremost, a contract, the bedrock of polite society. Certain rules applied to who was eligible and who was not, how one courted and married and what one expected afterwards. To flout these rules was to tear at the basic fabric of society, and the consequences could be terrible. Each of the six novels she completed in her lifetime are, in effect, comic cautionary tales that end happily for those characters who play by the rules and badly for those who don't. In Mansfield Park, for example, Austen gives us Fanny Price, a poor young woman who has grown up in her wealthy relatives' household without ever being accepted as an equal. The only one who has truly been kind to Fanny is Edmund Bertram, the younger of the family's two sons.
Into this Cinderella existence comes Henry Crawford and his sister, Mary, who are visiting relatives in the neighborhood. Soon Mansfield Park is given over to all kinds of gaiety, including a daring interlude spent dabbling in theatricals. Young Edmund is smitten with Mary, and Henry Crawford woos Fanny. Yet these two charming, gifted, and attractive siblings gradually reveal themselves to be lacking in one essential Austenian quality: principle. Without good principles to temper passion, the results can be disastrous, and indeed, Mansfield Park is rife with adultery, betrayal, social ruin, and ruptured friendships. But this is a comedy, after all, so there is also a requisite happy ending and plenty of Austen's patented gentle satire along the way. Describing the switch in Edmund's affections from Mary to Fanny, she writes: "I purposely abstain from dates on this occasion, that everyone may be at liberty to fix their own, aware that the cure of unconquerable passions, and the transfer of unchanging attachments, must vary much as to time in different people." What does not vary is the pleasure with which new generations come to Jane Austen. --Alix Wilber [via]
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› Find signed collectible books: 'Meditations'
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› Find signed collectible books: 'Mythology'
› Find signed collectible books: 'Mythology'
Edith Hamilton loved the ancient Western myths with a passion--and this classic compendium is her tribute. "The tales of Greek mythology do not throw any clear light upon what early mankind was like," Hamilton explains in her introduction. "They do throw an abundance of light upon what early Greeks were like--a matter, it would seem, of more importance to us, who are their descendents intellectually, artistically, and politically. Nothing we learn about them is alien to ourselves." Fans of Greek mythology will find all the great stories and characters here--Perseus, Hercules, and Odysseus--each discussed in generous detail by the voice of an impressively knowledgeable and engaging (with occasional lapses) narrator. This is also an excellent primer for middle- and high-school students who are studying ancient Greek and Roman culture and literature. --Gail Hudson [via]
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› Find signed collectible books: 'New Method Supplementary Readers'
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› Find signed collectible books: 'On the Nature of Things'
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› Find signed collectible books: 'Persuasion'
Anne Elliot, heroine of Austen's last novel, did something we can all relate to: Long ago, she let the love of her life get away. In this case, she had allowed herself to be persuaded by a trusted family friend that the young man she loved wasn't an adequate match, social stationwise, and that Anne could do better. The novel opens some seven years after Anne sent her beau packing, and she's still alone. But then the guy she never stopped loving comes back from the sea. As always, Austen's storytelling is so confident, you can't help but allow yourself to be taken on the enjoyable journey. [via]
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› Find signed collectible books: 'Persuasion'
'All the privilege I claim for my own sex...is that of loving longest, when existence or when hope is gone.'. Anne Elliot's heartfelt words strike the keynote of Jane Austen's last completed novel. It features a heroine older and wiser than her predecessors in earlier books, and its tone is more intimate and sober as Jane Austen unfolds a simple love-story. She described her heroine in a letter as 'almost too good for me': Anne Elliot's goodness is not of the cloying kind, but an unsentimental quality that, combined with stoicism and integrity, enables her to find happiness in love after seven years when it seemed she had for ever put an end to such a prospect. [via]
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› Find signed collectible books: 'Plato, Symposium'
Plato's Symposium is the most literary of all his works and one which all students of classics are likely to want to read whether or not they are studying Plato's philosophy. But the reader does need help in appreciating both the artistry and the arguments, and in comprehending the social and cultural background against which the 'praise of love' is delivered. Sir Kenneth Dover provides here a sympathetic and modern edition of the kind that is long overdue. It consists of an introduction, the Greek text accompanied by a very abbreviated critical apparatus, and a commentary on the text which is intended to elucidate the Greek, to make the philosophical argument intelligible, and to relate the content of what is said to the concepts and assumptions of contemporary morality and society. An edition for students of Greek in universities and the upper forms of schools. [via]
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› Find signed collectible books: 'Pride and Prejudice'
In a remote Hertfordshire village, far off the good coach roads of George III's England, Mr. and Mrs. Bennet -- a country squire of no great means and his scatterbrained wife -- must marry off their five vivacious daughters. At the heart of this all-consuming enterprise are the headstrong second daughter Elizabeth and her aristocratic suitor Fitzwilliam Darcy, two lovers in whom pride and prejudice must be overcome before love can bring the novel to its magnificent conclusion. [via]
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› Find signed collectible books: 'Pride and Prejudice'
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."
Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.
Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]
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› Find signed collectible books: 'Pride and Prejudice : Oxford World Classics'
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."
Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.
Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]
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› Find signed collectible books: 'Satyrica'
› Find signed collectible books: 'The Satyricon'
William Arrowsmith's translationa lively, modern, unexpurgated textrecaptures all the ribald humor of Petronius's picaresque satire. It tells the hilarious story of the pleasure-seeking adventures of an educated rogue, Encolpius, his handsome serving boy, Giton, and Ascyltus, who lusts after Gitonthree impure pilgrims who live by their wits and other men's purses. The Satyricon unfailingly turns every weakness of the flesh, every foible of the mind, to laughter.
› Find signed collectible books: 'Shakespeare'
The Annotated Shakespeare: The Comedies, Histories, Sonnets and Other Poems, Tragedies and Romances Complete (Three Volume Set in Slipcase) [Dec 12, 1978] A.L. Rowse [via]
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› Find signed collectible books: 'Sophocles: The Complete Plays'
Here in one volume are the full texts of the seven extant plays of the Greek playwright Sophocles, regarded by the Greeks of his time as a kind of "tragic Homer." This collection includes the revised and updated translations by Paul Roche of the Oedipus cycle, Oedipus the King, Oedipus at Colonus, and Antigone, as well as all-new translations of Ajax, The Women of Trachis, Electra, and Philocetes. [via]
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› Find signed collectible books: 'Symposium'
Plato's Symposium is the most literary of all his works and one which all students of classics are likely to want to read whether or not they are studying Plato's philosophy. But the reader does need help in appreciating both the artistry and the arguments, and in comprehending the social and cultural background against which the 'praise of love' is delivered. Sir Kenneth Dover provides here a sympathetic and modern edition of the kind that is long overdue. It consists of an introduction, the Greek text accompanied by a very abbreviated critical apparatus, and a commentary on the text which is intended to elucidate the Greek, to make the philosophical argument intelligible, and to relate the content of what is said to the concepts and assumptions of contemporary morality and society. An edition for students of Greek in universities and the upper forms of schools. [via]
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› Find signed collectible books: 'Symposium and Phaedrus'
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› Find signed collectible books: 'The Symposium of Plato'
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![Plato: Symposium of Plato: [Platonos Symposion] Plato: Symposium of Plato: [Platonos Symposion]](http://ecx.images-amazon.com/images/P/0520066944.01._SL160_SCLZZZZZZZ__.jpg)
› Find signed collectible books: 'Symposium of Plato: [Platonos Symposion]'
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› Find signed collectible books: 'Trial and Death of Socrates'
Among the most important and influential philosophical works in Western thought: Euthyphro, exploring the concepts and aims of piety and religion; Apology, a defense of the integrity of Socrates' teachings; Crito, exploring Socrates' refusal to flee his death sentence; and Phaedo, in which Socrates embraces death and discusses the immortality of the soul. [via]
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› Find signed collectible books: 'William Shakespeare: Romeo and Juliet/Macbeth/Hamlet/Othello/The Taming of the Shrew/A Midsummer Night's Dream/The Merchant of Venice'
Definitive, comprehensive, and handsome edition presents every one of Shakespeare's great plays-the Comedies, Tragedies and Histories-plus his poems and, of course, the Sonnets. All in one beautifully illustrated volume. B&W illustrations throughout. 1248 pages. [via]
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› Find signed collectible books: 'William Shakespeare, the Complete Works: Illustrated'
A landmark in Shakespeare studies, this version of The Complete Oxford Shakespeare is the first critical edition of the complete works in the original spelling and punctuation. It is based on the most thorough examination ever undertaken of the nature and authority of the earliest manuscripts, representing eight years of work by a team of British and American scholars. The works are arranged in conjectural order of composition based on the new research, and where the opportunity for choice existed, the spelling and punctuation of the text closest to Shakespeare's own manuscript has been chosen. With this Original Spelling Edition scholars and general readers have for the first time--
· The uncensored text of Henry IV and the original titles of three other plays
· Edited texts of King Lear both as Shakespeare originally wrote it and as it was revised for performance years later
Additional features include--
· Major textual alternatives--first versions and deleted lines--are printed as additional passages
· Stage directions have been reconsidered in light of the play's original staging and many directions have been added
· Conjectural stage directions and speech prefixes are identified in brackets
· A general introduction, brief introductions to each work, and an essay on the language of Shakespeare's time are provided [via]
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