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› Find signed collectible books: 'Alice Through the Looking Glass'
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› Find signed collectible books: 'Alice Through The Looking-Glass'
Welcome back to the world of Helen Oxenbury's Alice! An exuberant edition of the Lewis Carroll masterpiece, lavishly illustrated by one of the most beloved children's book artists of our time.
Helen Oxenbury's ALICE'S ADVENTURES IN WONDERLAND set a new standard for contemporary editions of Lewis Carroll's beloved classic. And now she has illustrated its companion, ALICE THROUGH THE LOOKING- GLASS, with equal intimacy, warmth, and charm. Here again is Alice, dressed in her bright blue jumper and ready for adventure like any modern child. All it takes is a bit of curiosity about the room reversed in the mirror and suddenly Alice is in the Looking-Glass world with all manner of comical and magical characters Tweedledum and Tweedledee, the lion and the unicorn, and a whole game board of chess pieces come to life.
On page after page, Helen Oxenbury's incomparable line drawings, sepia illustrations, and full-color paintings give today's children their own utterly accessible view into Lewis Carroll's timeless nonsense. [via]
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› Find signed collectible books: 'Alice's Adventures in Wonderland and Through the Looking-Glass and What Alice Found There'
"And what is the use of a book," thought Alice, "without pictures or conversations?"
Taking to heart his charming, insatiably curious heroine's words, Lewis Carroll worked many long hours (days, months...) with illustrator Sir John Tenniel to create the most perfect pictures imaginable for what were to become instant classics: Alice's Adventures in Wonderland and Through the Looking-Glass. When thinking about Alice and her dreamy surrealistic adventures down the rabbit hole and behind the looking-glass, who can help picturing the golden-haired girl in her lilac dress and striped stockings, gazing up at the Cheshire Cat or arguing with Tweedledum and Tweedledee? Tenniel's drawings remained black and white for over 40 years until 1911, when eight prints in each book were hand colored. Now, for the first time, every remaining illustration has been colored, making these the first editions to feature all of the original art in full color. Traditionalists need not worry: colorist Diz Wallis colored proofs taken from Tenniel's carefully preserved woodblocks, remaining faithful to his original drawings. The beautiful tones of these new hardcover editions look as natural as can be; they could just as easily be from the 19th century. (Ages 9 and older) --Emilie Coulter [via]
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› Find signed collectible books: 'El amor en los tiempos del colera'
La historia de amor entre Fermina Daza y Florentino Ariza, en el escenario de un pueblecito portuario del Caribe y a lo largo de mas de sesenta anos, podria parecer un melodrama de amantes contrariados que al final vencen por la gracia del tiempo y la fuerza de sus propios sentimientos, ya que Garcia Marquez se complace en utilizar los mas clasicos recursos de los folletines tradicionales. Pero este tiempo -por una vez sucesivo, y no circular-, este escenario y estos personajes son como una mezcla tropical de plantas y arcillas que la mano del maestro modela y fantasea a su placer, para al final ir a desembocar en los territorios del mito y la leyenda. Los zumos, olores y sabores del tropico alimentan una prosa alucinatoria que en esta ocasion llega al puerto oscilante del final feliz. [via]
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› Find signed collectible books: 'El Amor En Los Tiempos Del Colera / Love in the Time of Cholera'
La historia de amor entre Fermina Daza y Florentino Ariza, en el escenario de un pueblecito portuario del Caribe y a lo largo de mas de sesenta anos, podria parecer un melodrama de amantes contrariados que al final vencen por la gracia del tiempo y la fuerza de sus propios sentimientos, ya que Garcia Marquez se complace en utilizar los mas clasicos recursos de los folletines tradicionales. Pero este tiempo -por una vez sucesivo, y no circular-, este escenario y estos personajes son como una mezcla tropical de plantas y arcillas que la mano del maestro modela y fantasea a su placer, para al final ir a desembocar en los territorios del mito y la leyenda. Los zumos, olores y sabores del tropico alimentan una prosa alucinatoria que en esta ocasion llega al puerto oscilante del final feliz. [via]
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› Find signed collectible books: 'The Gossamer Webs Design Collection :Three Orenburg Shawls to Knit: Three Orenburg Shawls to Knit'
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› Find signed collectible books: 'The Illustrated Origin of Species'
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› Find signed collectible books: 'Leaves of Grass'
In his quest for a truly native idiom, Walt Whitman (1819-1892) incarnated the American geography and its people in a new and transcendent poetic form. His monumental work, Leaves of Grass, celebrates sexuality, gender equality, and the astonishing beauty of the everyday. For Whitman, "The true use for the imaginative faculty of modern times is to give ultimate vivification to facts, to science and to common lives, endowing them with glows and glories and final illustriousness which belong to real things, and to real things only."
This complete edition of Leaves of Grass, which includes "Sands at Seventy" (from November Boughs) and "Good-bye My Fancy," contains those poems that have become part of the great American literature, including "Song of Myself," "When Lilacs Last in the Dooryard Bloom'd," "I Sing the Body Electric," and "O Captain, My Captain." [via]
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› Find signed collectible books: 'Leaves of Grass: Selections'
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› Find signed collectible books: 'Letters from the Underworld'
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher. [via]
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› Find signed collectible books: 'Lewis Carroll: The Complete Illustrated Works Alice's Adventures in Wonderland, Through the Looking-Glass and What Alice Found There, the Hunting of the Snark'
This beautiful, 868-page leather-bound volume contains a delightful collection of stories from one of history's most beloved children's authors. Lewis Carroll's stories are still as fresh and appealing as when they were first published more than a century ago. John Tenniel's original illustrations accompany the Alice stories and bring to life the wildly popular characters so well known to us all: the Mad Hatter, the White Rabbit, the Cheshire Cat, and a passel of others.
Carroll, one of 11 children, knows his audience well. His stories--clever, provocative, and bizarre--capture the imaginations of children worldwide. Though a prolific storyteller from childhood, he went on to become a mathematician, a fact evidenced by the Tangled Tales serial, which contains a mathematical equation in each installment.
Other stories included in this collection are "The Hunting of the Snark," which was composed backward, in a sense, when inspiration for the tale came by way of the last line; "Rhyme? And Reason?"; the Sylvie and Bruno books; and the original Alice story, "Alice's Adventures Underground," penned and illustrated in Carroll's own hand. Two never-before-printed poems, originally inscribed in two storybooks and presented as mementos to a little girl and boy, conclude this enchanting collection. [via]
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› Find signed collectible books: 'Lewis Carroll's Through the Looking-Glass and What Alice Found There'
Lewis Carroll's Alice Through the Looking-Glass, and what Alice found there, The Pennyroyal Edition as designed and illustrated by Barry Moser, 1983, First printing. [via]
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› Find signed collectible books: 'Love in the Time of Cholera'
In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs--yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.With humorous sagacity and consummate craft, García Márquez traces an exceptional half-century story of unrequited love. Though it seems never to be conveniently contained, love flows through the novel in many wonderful guises--joyful, melancholy, enriching, ever surprising. [via]
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› Find signed collectible books: 'MASTER AND MARGARITA'
› Find signed collectible books: 'MASTER AND MARGARITA'
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park [via]
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› Find signed collectible books: 'The Master and Margarita'
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park [via]
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› Find signed collectible books: 'Notes from the Underground and the Gambler'
One of the most profound and disturbing works of nineteenth-century literature, Notes from the Underground is a probing and speculative work, often regarded as a forerunner to the Existentialist movement. The Gambler explores the compulsive nature of gambling, one of Dostoevsky's own vices and a subject he describes with extraordinary acumen and drama. Both works are new translations, specially commissioned for the World's Classics series. [via]
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› Find signed collectible books: 'Notes from Underground'
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› Find signed collectible books: 'Notes from Underground the Double'
'It is best to do nothing! The best thing is conscious inertia! So long live the underground!' Alienated from society and paralysed by a sense of his own insignificance, the anonymous narrator of Dostoyevsky's groundbreaking Notes from Underground tells the story of his tortured life. With bitter sarcasm, he describes his refusal to become a worker in the 'ant-hill' of society and his gradual withdrawal to an existence 'underground'. The seemingly ordinary world of St Petersburg takes on a nightmarish quality in The Double when a government clerk encounters a man who exactly resembles him - his double perhaps, or possibly the darker side of his own personality. Like Notes from Underground, this is a masterly study of human consciousness. Jessie Coulson's introduction discusses the stories' critical reception and the themes they share with Dostoyevksy's great novels. @TweetsFromUndegrnd An officer pushed me at a bar. I will find this pizda son of a bitch and maybe murder him slowly. I'm a bit of a sociopath, aren't I? From Twitterature: The World's Greatest Books in Twenty Tweets or Less [via]
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› Find signed collectible books: 'Notes from Underground White Nights the Dream of a Ridiculous Man and Selections from the House of the Dead'
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› Find signed collectible books: 'Novels, 1942-1952'
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› Find signed collectible books: 'On the Origin of Species a Facsimile of the First'
It is now fully recognized that the publication of Charles Darwins Origin of Species in 1859 brought about a revolution in mans attitude toward life and his own place in the universe. This work is rightly regarded as one of the most important books ever published, and a knowledge of it should be part of the intellectual equipment of every educated person. The book remains surprisingly modern in its assertions and is also remarkably accessible to the layman, much more so than recent treatises necessarily encumbered with technical language and professional jargon.
This first edition had a freshness and uncompromising directness that were considerably weakened in later editions, and yet nearly all available reprints of the work are based on the greatly modified sixth edition of 1872. In the only other modern reprinting of the first edition, the pagination was changed, so that it is impossible to give page references to significant passages in the original. Clearly this facsimile reprint of the momentous first edition fills a need for scholars and general readers alike.
[via]More editions of On the Origin of Species a Facsimile of the First:
› Find signed collectible books: 'The Origin of Species: Library Edition'
In The Origin of Species (1859) Darwin challenged many of the most deeply-held beliefs of the Western world. Arguing for a material, not divine, origin of species, he showed that new species are achieved by "natural selection." The Origin communicates the enthusiasm of original thinking in an open, descriptive style, and Darwin's emphasis on the value of diversity speaks more strongly now than ever. As well as a stimulating introduction and detailed notes, this edition offers a register of the many writers referred to by Darwin in the text. [via]
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› Find signed collectible books: 'The Origin of Species: Library Edition'
In The Origin of Species (1859) Darwin challenged many of the most deeply-held beliefs of the Western world. Arguing for a material, not divine, origin of species, he showed that new species are achieved by "natural selection." The Origin communicates the enthusiasm of original thinking in an open, descriptive style, and Darwin's emphasis on the value of diversity speaks more strongly now than ever. As well as a stimulating introduction and detailed notes, this edition offers a register of the many writers referred to by Darwin in the text. [via]
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› Find signed collectible books: 'The Origin of Species by Means of Natural Selection: Or, the Preservation of Favored Races in the Struggle for Life'
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› Find signed collectible books: 'The Origin of Species by Means of Natural Selection: Or, the Preservation of Favoured Races in the Struggled for Life'
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› Find signed collectible books: 'Our Mutual Friend'
Our Mutual Friend was the last novel Charles Dickens completed and is, arguably, his darkest and most complex. The basic plot is vintage Dickens: an inheritance up for grabs, a murder, a rocky romance or two, plenty of skullduggery, and a host of unforgettable secondary characters. But in this final outing the author's heroes are more flawed, his villains more sympathetic, and the story as a whole more harrowing and less sentimental. The mood is set in the opening scene in which a riverman, Gaffer Hexam, and his daughter Lizzie troll the Thames searching for drowned men whose pockets Gaffer will rifle before turning the body over to the authorities. On this particular night Gaffer finds a corpse that is later identified as that of John Harmon, who was returning from abroad to claim a large fortune when he was apparently murdered and thrown into the river.
Harmon's death is the catalyst for everything else that happens in the novel. It seems the fortune was left to the young man on the condition that he marry a girl he'd never met, Bella Wilfer. His death, however, brings a new heir onto the scene, Nicodemus Boffin, the kind-hearted but low-born assistant to Harmon's father. Boffin and his wife adopt young Bella, who is determined to marry money, and also hire a mysterious young secretary, John Rokesmith, who takes an uncommon interest in their ward. Not content with just one plot, Dickens throws in a secondary love story featuring the riverman's daughter, Lizzie Hexam; a dissolute young upper-class lawyer, Eugene Wrayburn; and his rival, the headmaster Bradley Headstone. Dark as the novel is, Dickens is careful to leaven it with secondary characters who are as funny as they are menacing--blackmailing Silas Wegg and his accomplice Mr. Venus, the avaricious Lammles, and self-centered Charlie Hexam. Our Mutual Friend is one of Dickens's most satisfying novels, and a fitting denouement to his prolific career. --Alix Wilber [via]
› Find signed collectible books: 'Three Men in a Boat'
Rather an amusing thing happened while dressing that morning. I was very cold when I got back into the boat, and, in my hurry to get my shirt on, I accidentally jerked it into the water. It made me awfully wild, especially as George burst out laughing. I could not see anything to laugh at, and I told George so, and he only laughed the more. I never saw a man laugh so much. [via]
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› Find signed collectible books: 'Three Men in a Boat'
Jerome K. Jerome was born in Staffordshire i n 1859. He left school at fourteen and, after a succession o f jobs, took up writing as a profession. Three Men in a Boat is his most famous work. ' [via]

› Find signed collectible books: 'Three Men in a Boat'
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› Find signed collectible books: 'Through the Looking Glass'
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› Find signed collectible books: 'Through the Looking-Glass: And What Alice Found There'
Alice climbs through the mirror in her room to find a strange world where curious adventures await her. [via]
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› Find signed collectible books: 'Through the Looking-Glass and What Alice Found There'
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› Find signed collectible books: 'Walden'
Illustrated. This book established the credentials of Thoreau to forever speak for America's love of natural beauty. Walden is about a man, a pond, and the great woods of the country By Henry Thoreau. [via]
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› Find signed collectible books: 'Walden And Civil Disobedience'
Jonathan Levin is Dean of the School of Humanities and Professor of Literature and Culture at SUNY-Purchase. His research interests include nineteenth- and twentieth-century American literature and culture, modernism and modernity, and environmental studies. He is the author of The Poetics of Transition: Emerson, Pragmatism, and American Literary Modernism, as well as numerous essays and reviews.
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› Find signed collectible books: 'Walt Whitman's Leaves of Grass'
1897. Volume Three of Three. Whitman is considered by many to be the greatest of all American poets. In his work, he celebrates the freedom and dignity of the individual and sings the praises of democracy and the brotherhood of man. Leaves of Grass is unconventional in both content and technique and is probably the most influential volume of poems in the history of American literature. Other volumes in this set are ISBN(s): 0766194353, 141917665X. [via]
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› Find signed collectible books: 'El Amor en Los Tiempos de Colera'
La historia de amor entre Fermina Daza y Florentino Ariza, en el escenario de un pueblecito portuario del Caribe y a lo largo de mas de sesenta anos, podria parecer un melodrama de amantes contrariados que al final vencen por la gracia del tiempo y la fuerza de sus propios sentimientos, ya que Garcia Marquez se complace en utilizar los mas clasicos recursos de los folletines tradicionales. Pero este tiempo -por una vez sucesivo, y no circular-, este escenario y estos personajes son como una mezcla tropical de plantas y arcillas que la mano del maestro modela y fantasea a su placer, para al final ir a desembocar en los territorios del mito y la leyenda. Los zumos, olores y sabores del tropico alimentan una prosa alucinatoria que en esta ocasion llega al puerto oscilante del final feliz. [via]
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› Find signed collectible books: 'El Amor En Los Tiempos Del Colera/Love in the Times of Anger'
La historia de amor entre Fermina Daza y Florentino Ariza, en el escenario de un pueblecito portuario del Caribe y a lo largo de mas de sesenta anos, podria parecer un melodrama de amantes contrariados que al final vencen por la gracia del tiempo y la fuerza de sus propios sentimientos, ya que Garcia Marquez se complace en utilizar los mas clasicos recursos de los folletines tradicionales. Pero este tiempo -por una vez sucesivo, y no circular-, este escenario y estos personajes son como una mezcla tropical de plantas y arcillas que la mano del maestro modela y fantasea a su placer, para al final ir a desembocar en los territorios del mito y la leyenda. Los zumos, olores y sabores del tropico alimentan una prosa alucinatoria que en esta ocasion llega al puerto oscilante del final feliz. [via]
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› Find signed collectible books: 'Yo, Robot'
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› Find signed collectible books: 'Lewis Carroll's Alice in Wonderland'
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