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› Find signed collectible books: 'Bam Bam Bam'
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› Find signed collectible books: 'Cliffscomplete the Merchant of Venice'
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› Find signed collectible books: 'El Mercader De Venecia / The Merchant of Venice: Noche De Reyes'
Readers will take pleasure in discovering the classics through these beautifully packaged and affordably priced editions of famous works of literature from all over the world. A variety of periods, themes, and authors are represented.
Los lectores tomarán un gran placer en descubrir los clásicos por estas bellas y económicas ediciones de literatura famosa y universal. Se representa una variedad de épocas, temas, y autores. [via]
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› Find signed collectible books: 'Julius Caesar'
One of Shakespeare's most political plays, Julius Caesar continued Shakespeare's interest in Roman history, first developed in Titus Andronicus. Drawing on Plutarch, the great historian of Rome, Shakespeare dramatises one of the most crucial moments in Roman history--the assassination of Julius Caesar. Loved by the Roman crowd but increasingly feared by the Senators, Caesar increasingly shows signs of his desire to abolish the Republic and crown himself emperor. A conspiracy is hatched, led by Cassius and Brutus, who murder Caesar on the steps of the Capitol. Mourning over his dead friend's body, Mark Antony gives one of the famous rhetorical speeches in literature, asking "Friends, Romans, Countrymen" to lament Caesar's death, privately vowing to "let slip the dogs of war" against those who have shed Caesar's blood. Antony joins forces with Caesar's son Octavius to defeat Cassius and Brutus in battle, and establish an uneasy alliance whose collapse is dramatised in Shakespeare's later play Antony and Cleopatra. Written at the end of Queen Elizabeth's reign, Julius Caesar has been seen by many as a radically pro-Republican play which sailed close to the political wind of the time. --Jerry Brotton [via]
› Find signed collectible books: 'Julius Caesar'
One of Shakespeare's most political plays, Julius Caesar continued Shakespeare's interest in Roman history, first developed in Titus Andronicus. Drawing on Plutarch, the great historian of Rome, Shakespeare dramatises one of the most crucial moments in Roman history--the assassination of Julius Caesar. Loved by the Roman crowd but increasingly feared by the Senators, Caesar increasingly shows signs of his desire to abolish the Republic and crown himself emperor. A conspiracy is hatched, led by Cassius and Brutus, who murder Caesar on the steps of the Capitol. Mourning over his dead friend's body, Mark Antony gives one of the famous rhetorical speeches in literature, asking "Friends, Romans, Countrymen" to lament Caesar's death, privately vowing to "let slip the dogs of war" against those who have shed Caesar's blood. Antony joins forces with Caesar's son Octavius to defeat Cassius and Brutus in battle, and establish an uneasy alliance whose collapse is dramatised in Shakespeare's later play Antony and Cleopatra. Written at the end of Queen Elizabeth's reign, Julius Caesar has been seen by many as a radically pro-Republican play which sailed close to the political wind of the time. --Jerry Brotton [via]
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› Find signed collectible books: 'The Merchant of Venice'
Edited, introduced and annotated by Cedric Watts, Professor of English Literature, University of Sussex The Merchant of Venice is one of Shakespeare's most popular comedies, but it remains deeply controversial. The text may well seem anti-Semitic; yet repeatedly, in performance, it has revealed a contrasting nature. Shylock, though vanquished in the law-court, often triumphs in the theatre. He is a character so intense that he can dominate the play, challenging abrasively its romantic and lyrical affirmations. [via]
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› Find signed collectible books: 'The Merchant of Venice'
"Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions?" Shylock's impassioned plea in the middle of The Merchant of Venice is one of its most dramatic moments. After the Holocaust, the play has become a battleground for those who argue that the play represents Shakespeare's ultimate statement against ignorance and anti-Semitism in favour of a liberal vision of tolerance and multiculturalism. Other critics have pointed out that the play is, after all, a comedy that ultimately pokes fun at a 16th-century Jew. In fact, the bare outline of the plot suggests that the play is far more complex than either of these characterisations. Bassanio, a feckless young Venetian, asks his wealthy friend, the merchant Antonio, for money to finance a trip to woo the beautiful Portia in Belmont. Reluctant to refuse his friend (to whom he professes intense love), Antonio borrows the money from the Jewish moneylender. If he reneges on the deal, Shylock jokingly demands a pound of his flesh. When all Antonio's ships are lost at sea, Shylock calls in his debt, and the love and laughter of the first scenes of the play threaten to give way to death and tragedy. The final climactic courtroom scene, complete with a cross-dressed Portia, a knife-wielding Shylock, and the debate on "the quality of mercy" is one of the great dramatic moments in Shakespeare. The controversial subject matter of the play ensures that it continues to repel, divide but also fascinate its many audiences. --Jerry Brotton [via]
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› Find signed collectible books: 'Merchant of Venice'
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition. [via]
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› Find signed collectible books: 'The Merchant of Venice'
"Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions?" Shylock's impassioned plea in the middle of The Merchant of Venice is one of its most dramatic moments. After the Holocaust, the play has become a battleground for those who argue that the play represents Shakespeare's ultimate statement against ignorance and anti-Semitism in favour of a liberal vision of tolerance and multiculturalism. Other critics have pointed out that the play is, after all, a comedy that ultimately pokes fun at a 16th-century Jew. In fact, the bare outline of the plot suggests that the play is far more complex than either of these characterisations. Bassanio, a feckless young Venetian, asks his wealthy friend, the merchant Antonio, for money to finance a trip to woo the beautiful Portia in Belmont. Reluctant to refuse his friend (to whom he professes intense love), Antonio borrows the money from the Jewish moneylender. If he reneges on the deal, Shylock jokingly demands a pound of his flesh. When all Antonio's ships are lost at sea, Shylock calls in his debt, and the love and laughter of the first scenes of the play threaten to give way to death and tragedy. The final climactic courtroom scene, complete with a cross-dressed Portia, a knife-wielding Shylock, and the debate on "the quality of mercy" is one of the great dramatic moments in Shakespeare. The controversial subject matter of the play ensures that it continues to repel, divide but also fascinate its many audiences. --Jerry Brotton [via]
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› Find signed collectible books: 'The 'merchant Of Venice: Longman Cultural'
From Longman's Cultural Editions Series, Lawrence Danson presents William Shakespeare's The Merchant of Venice in several illuminating contextscultural, historical, and critical. Featuring illustrations, a table of dates and performance reviews; the text provides historical sources as well as numerous documents that reveal the cultural context in which The Merchant of Venice was written.
[via]More editions of The 'merchant Of Venice: Longman Cultural:
› Find signed collectible books: 'The Merchant of Venice: Texts and Contexts'
In The Merchant of Venice, the penniless but attractive Bassanio seeks, and finally wins, the hand of the fabulously wealthy Portia. But even as the play provokes laughter, it also provokes something disturbing, as Bassanio's courtship is actually financed by the magnificent villain Shylock the moneylender -- the focus of anti-Semitic sentiment, and one of the most controversial yet strangely sympathetic of Shakespeare's characters, whose actions and whose treatment in the play are still debated to this day. [via]
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› Find signed collectible books: 'The Pickwick Papers'
The Pickwick Papers is Dickens' first novel and widely regarded as one of the major classics of comic writing in English. Originally serialised in monthly instalments, it quickly became a huge popular success with sales reaching 40,000 by the final part. In the century and a half since its first appearance, the characters of Mr Pickwick, Sam Weller and the whole of the Pickwickian crew have entered the consciousness of all who love English literature in general, and the works of Dickens in particular. [via]
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› Find signed collectible books: 'The Posthumous Papers of the Pickwick Club'
This new high-quality, hardcover series of timeless classics features the finest works of world literature. This standard edition has an attractive jacket design. Each title chosen for it's literary quality and for the untold pleasure it will give readers of all ages. [via]
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› Find signed collectible books: 'Shakespeare's The Merchant Of Venice'
Harold Bloom on The Merchant of Venice: "Shylock's prose is Shakespeare's best before Falstaff's...His utterances manifest a spirit so potent, malign, and negative as to be unforgettable."
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› Find signed collectible books: 'Siddharta'
Spanish Edition SIDDHARTA by Herman Hesse 2002 Softcover 5 1/2 x 7 3/4 inches 94 pages Arenal publishers [via]
› Find signed collectible books: 'Siddhartha'
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - In the shade of the house, in the sunshine of the riverbank near the boats, in the shade of the Sal-wood forest, in the shade of the fig tree is where Siddhartha grew up, the handsome son of the Brahman, the young falcon, together with his friend Govinda, son of a Brahman. The sun tanned his light shoulders by the banks of the river when bathing, performing the sacred ablutions, the sacred offerings. In the mango grove, shade poured into his black eyes, when playing as a boy, when his mother sang, when the sacred offerings were made, when his father, the scholar, taught him, when the wise men talked. For a long time, Siddhartha had been partaking in the discussions of the wise men, practising debate with Govinda, practising with Govinda the art of reflection, the service of meditation. He already knew how to speak the Om silently, the word of words, to speak it silently into himself while inhaling, to speak it silently out of himself while exhaling, with all the concentration of his soul, the forehead surrounded by the glow of the clear-thinking spirit. He already knew to feel Atman in the depths of his being, indestructible, one with the universe. [via]
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› Find signed collectible books: 'The Tempest'
One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage. The Epilogue, spoken by Prospero, claims that "now my charms are all o'erthrown", appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But The Tempest is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his "rough magic" to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.
However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the "poisonous slave" Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that "this island's mine, by Sycorax my mother,/ Which thou tak'st from me". This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion. --Jerry Brotton [via]
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› Find signed collectible books: 'The Tempest'
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› Find signed collectible books: 'The Tragedy of Julius Caesar'
This edition of Julius Caesar provides a cle ar and authoritative text, detailed notes and commentary on the same pages as the text and an in-depth survey of critica l approaches to the play. ' [via]
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› Find signed collectible books: 'Primer Suplemento a La Biblioteca Genealogica Guatemalteca: Notas, Comentarios, Adiciones'
More editions of Primer Suplemento a La Biblioteca Genealogica Guatemalteca: Notas, Comentarios, Adiciones:
› Find signed collectible books: 'Siddharta'
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› Find signed collectible books: 'Siddhartha'
In the novel, Siddhartha, a young man, leaves his family for a contemplative life, then, restless, discards it for one of the flesh. He conceives a son, but bored and sickened by lust and greed, moves on again. Near despair, Siddhartha comes to a river where he hears a unique sound. This sound signals the true beginning of his life -- the beginning of suffering, rejection, peace, and, finally, wisdom. [via]
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