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The Adventures of Huckleberry Finn
by Mark Twain

ISBN 0743487575 (0-7434-8757-5)
Softcover, Pocket Classics

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Book summary:
A seminal work of American Literature that still commands deep praise and still elicits controversy, Adventures of Huckleberry Finn is essential to the understanding of the American soul. The recent discovery of the first half of Twain's manuscript, long thought lost, made front-page news. And this unprecedented edition, which contains for the first time omitted episodes and other variations present in the first half of the handwritten manuscript, as well as facsimile reproductions of thirty manuscript pages, is indispensable to a full understanding of the novel. The changes, deletions, and additions made in the first half of the manuscript indicate that Mark Twain frequently checked his impulse to write an even darker, more confrontational book than the one he finally published. [via]
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The Adventures of Huckleberry Finn
by Gary Paulsen, Mark Twain

ISBN 0689831390 (0-689-83139-0)
Softcover, Simon & Schuster

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Book summary:
A seminal work of American Literature that still commands deep praise and still elicits controversy, Adventures of Huckleberry Finn is essential to the understanding of the American soul. The recent discovery of the first half of Twain's manuscript, long thought lost, made front-page news. And this unprecedented edition, which contains for the first time omitted episodes and other variations present in the first half of the handwritten manuscript, as well as facsimile reproductions of thirty manuscript pages, is indispensable to a full understanding of the novel. The changes, deletions, and additions made in the first half of the manuscript indicate that Mark Twain frequently checked his impulse to write an even darker, more confrontational book than the one he finally published. [via]
More editions of The Adventures of Huckleberry Finn:
- The Adventures of Huckleberry Finn: ISBN 0689831390 (0-689-83139-0)
  Softcover, Simon & Schuster
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The Age of Innocence
by Edith Wharton

ISBN 0684842378 (0-684-84237-8)
Softcover, Simon & Schuster

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Book summary:
Winner of the 1921 Pulitzer Prize, The Age of Innocence is an elegant, masterful portrait of desire and betrayal in old New York. With vivid power, Wharton evokes a time of gaslit streets, formal dances held in the ballrooms of stately brownstones, and society people "who dreaded scandal more than disease." This is Newland Archer's world as he prepares to many the docile May Welland. Then, suddenly, the mysterious, intensely nonconformist Countess Ellen Olenska returns to New York after a long absence, turning Archer's world upside down.
This classic Wharton tale of thwarted love is an exuberantly comic and profoundly moving look at the passions of the human heart, as well as a literary achievement of the highest order. [via]
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Animal Farm
by George Orwell

ISBN 0679420398 (0-679-42039-8)
Hardcover, Random House Inc

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Book summary:
Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson [via]
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- Animal Farm: ISBN 0679420398 (0-679-42039-8)
  Hardcover, Random House Inc
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Anna Karenina
by Leo Tolstoy, Leonard J. Kent, Constance Black Garnett, Nina Nikolaevna Berberova

ISBN 067978330X (0-679-78330-X)
Softcover, Random House Inc

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Some people say Anna Karenina is the single greatest novel ever written, which makes about as much sense to me as trying to determine the world's greatest color. But there is no doubt that Anna Karenina, generally considered Tolstoy's best book, is definitely one ripping great read. Anna, miserable in her loveless marriage, does the barely thinkable and succumbs to her desires for the dashing Vronsky. I don't want to give away the ending, but I will say that 19th-century Russia doesn't take well to that sort of thing. [via]
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The Beauty Myth: How Images of Female Beauty Are Used Against Women
by Naomi Wolf

ISBN 0688085105 (0-688-08510-5)
Hardcover, Harpercollins

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Book summary:
In a country where the average woman is 5-foot-4 and weighs 140 pounds, movies, advertisements, and MTV saturate our lives with unrealistic images of beauty. The tall, nearly emaciated mannequins that push the latest miracle cosmetic make even the most confident woman question her appearance. Feminist Naomi Wolf argues that women's insecurities are heightened by these images, then exploited by the diet, cosmetic, and plastic surgery industries. Every day new products are introduced to "correct" inherently female "flaws," drawing women into an obsessive and hopeless cycle built around the attempt to reach an impossible standard of beauty. Wolf rejects the standard and embraces the naturally distinct beauty of all women. [via]
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- The Beauty Myth: How Images of Female Beauty Are Used Against Women: ISBN 0688085105 (0-688-08510-5)
  Hardcover, Harpercollins
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Capital
by Karl Marx, Friedrich Engels

ISBN 0717806219 (0-7178-0621-9)
Softcover, Intl Pub

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Book summary:
It was no easy task to prepare the second volume of "Capital" for the printer in such a way that it should make a connected and complete work and represent exclusively the idens of its author, not of its publisher. The great number of available manuscripts, and their fragmentary character, added to the difilculties of this task. At best one single manuscript (No.4) had been revised throughout and made ready for the printer. And while it treated its subject-matter fully, the greater part bad become obsolete through subsequent revision. The bulk of the material was not polished as to language, even if the subject-matter was for the greater part fully worked out. The language was that in which Marx used to make his outlines, that is to say his style was careless, full of colloquial, often rough and humorous, expressions and phrases, interspersed with English and French technical terms, or with whole sentences or pages of English. The thoughts were jott

Table of Contents

CONTENTS; Page; PREFACE 7; TRANSLATOR'S NOTE SO; THE CIRCULATION OF CAPITAL PART I; THE MBT«ORJ"HOSES OP CAPITAL AND THRIR CYCLES; CHAPTER I-The Circulation o{ Money-Capital 31; Section I-First *~btage 3P=L' 32; Section II-Second Stage, Functions of Productive Capital 41; Section III-Third Stage, C-M" 40; Section IV-The Rotation as a Whole 58; CHAPTER II-The Rotation of Productive Capital 72; Section I-SimrJTfe Reproduction 77~~ 73; Section II-Accumulation and Reproduction on an Enlarged Scale SO; Section III-Accumulation ol Money 83; Section IV-Reserve Funds 96; CHAPTER IIL-The Circulation of CoromodLb^Capital 98; CHAPTER IV-The Three "Diagrams of the I'rocess of Circulation 114; CHAPTER V-The Time of Circulation 139; CHAPTER VI-The Expenses of Circulation 147; Section I,-Genuine Expenses of Circulation 147; 1 The Time ol Purchase and Sale 147; 2 Bookkeeping 131; 3 Money 153; Section II-Expenses of Storage 104; 1 General Formation of Supply 105; [via]
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Chapman's Homer: The Odyssey
by Homer, Allardyce Nicoll, George Chapman

ISBN 0691048916 (0-691-04891-6)
Softcover, Princeton Univ Pr

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George Chapman's translations of Homer are among the most famous in the English language. Keats immortalized the work of the Renaissance dramatist and poet in the sonnet "On First Looking into Chapman's Homer." Swinburne praised the translations for their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." The great critic George Saintsbury (1845-1933) wrote: "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what Greek was. Chapman is far nearer Homer than any modern translator in any modern language." This volume presents the original text of Chapman's translation of the Odyssey (1614-15), making only a small number of modifications to punctuation and wording where they might confuse the modern reader. The editor, Allardyce Nicoll, provides an introduction, textual notes, a glossary, and a commentary. Garry Wills's preface to the Odyssey explores how Chapman's less strained meter lets him achieve more delicate poetic effects as compared to the Iliad. Wills also examines Chapman's "fine touch" in translating "the warm and human sense of comedy" in the Odyssey.
Oft of one wide expanse had I been told

That deep-browed Homer ruled as his demesne;

Yet did I never breathe its pure serene

Till I heard Chapman speak out loud and bold.

--John Keats
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More editions of Chapman's Homer: The Odyssey:
- Chapman's Homer: The Odyssey: ISBN 0691048916 (0-691-04891-6)
  Softcover, Princeton Univ Pr
Charlotte Bronte's Jane Eyre
by Harold Bloom

ISBN 0791040925 (0-7910-4092-5)
Softcover, Facts on File

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- Charlotte Bronte's Jane Eyre: ISBN 0791040925 (0-7910-4092-5)
  Softcover, Facts on File
Feeding Your Baby: Breast, Bottle and Baby Foods
by Carolyn T. Chubet

ISBN 0681404531 (0-681-40453-1)
Softcover, Longmeadow Pr

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- Feeding Your Baby: Breast, Bottle and Baby Foods: ISBN 0681404531 (0-681-40453-1)
  Softcover, Longmeadow Pr
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The Grapes of Wrath
by John Steinbeck

ISBN 0791093050 (0-7910-9305-0)
Hardcover, Facts on File

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Book summary:
When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.
The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."
The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak [via]
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Hard Times
by Charles Dickens

ISBN 067964217X (0-679-64217-X)
Softcover, Random House Inc

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(Book Jacket Status: Jacketed)By 1854, when Hard Times was published, Charles Dickens' magisterial progress as a writer had come to incorporate a many-sided, coherent vision of English society, both as it was and as he wished it to be. Hard Times. a classic Dickensian story of redemption set in a North of England town beset by industrialism, everywhere benefits from this vision - in the trenchancy of its satire, in its sweeping indignation at social injustice, and in the persistent humanity with which its author enlivens his largest and smallest incidents. [via]
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Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America
by Lawrence Levine

ISBN 0674390776 (0-674-39077-6)
Softcover, Harvard Univ Pr

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Book summary:
In this unusually wide-ranging study, spanning more than a century and covering such diverse forms of expressive culture as Shakespeare, Central Park, symphonies, jazz, art museums, the Marx Brothers, opera, and vaudeville, a leading cultural historian demonstrates how variable and dynamic cultural boundaries have been and how fragile and recent the cultural categories we have learned to accept as natural and eternal are.
For most of the nineteenth century, a wide variety of expressive forms--Shakespearean drama, opera, orchestral music, painting and sculpture, as well as the writings of such authors as Dickens and Longfellow--enjoyed both high cultural status and mass popularity. In the nineteenth century Americans (in addition to whatever specific ethnic, class, and regional cultures they were part of) shared a public culture less hierarchically organized, less fragmented into relatively rigid adjectival groupings than their descendants were to experience. By the twentieth century this cultural eclecticism and openness became increasingly rare. Cultural space was more sharply defined and less flexible than it had been. The theater, once a microcosm of America--housing both the entire spectrum of the population and the complete range of entertainment from tragedy to farce, juggling to ballet, opera to minstrelsy--now fragmented into discrete spaces catering to distinct audiences and separate genres of expressive culture. The same transition occurred in concert halls, opera houses, and museums. A growing chasm between "serious" and "popular," between "high" and "low" culture came to dominate America's expressive arts.
"If there is a tragedy in this development," Levine comments, "it is not only that millions of Americans were now separated from exposure to such creators as Shakespeare, Beethoven, and Verdi, whom they had enjoyed in various formats for much of the nineteenth century, but also that the rigid cultural categories, once they were in place, made it so difficult for so long for so many to understand the value and importance of the popular art forms that were all around them. Too many of those who considered themselves educated and cultured lost for a significant period--and many have still not regained--their ability to discriminate independently, to sort things out for themselves and understand that simply because a form of expressive culture was widely accessible and highly popular it was not therefore necessarily devoid of any redeeming value or artistic merit."
In this innovative historical exploration, Levine not only traces the emergence of such familiar categories as highbrow and lowbrow at the turn of the century, but helps us to understand more clearly both the process of cultural change and the nature of culture in American society.
[via]
More editions of Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America:
- Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America: ISBN 0674390768 (0-674-39076-8)
  Hardcover, Harvard Univ Pr
- Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America: ISBN 0674390776 (0-674-39077-6)
  Softcover, Harvard Univ Pr
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The Illustrated Tao Te Ching: A New Translation and Commentary
by Lao Tze, Stephen Hodge, Laozi

ISBN 0764121685 (0-7641-2168-5)
Softcover, Barrons Educational Series Inc

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Book summary:
The Tao Te Ching is a classic work of ancient Chinese philosophy. It has been translated into virtually every written language in the world, with more than 60 versions existing in English alone. This brand-new translation with modern commentary by a student of Eastern Asian culture is of unusual value in that it reflects recent manuscript discoveries in China. Examined in light of modern scholarship methods, the discoveries suggest that previous translations of this seminal philosophical work are wrong in several important details. Stephen Hodge's commentaries explore the Tao Te Ching by placing its concepts and observations in the context of ancient Chinese culture, and then pointing out the philosophy's key ideas as they relate to the lives of men and women today. In discussing the limitations of words and language, he emphasizes our need to go beyond words in our quest for universal truths. The philosophical work's traditional 81 short chapters are arranged thematically, and are supplemented with commentary that explains both the ancient and modern significance of each text. More than 100 photographs complement the text with scenes of natural peace and serenity. [via]
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- The Illustrated Tao Te Ching: A New Translation and Commentary: ISBN 0764121685 (0-7641-2168-5)
  Softcover, Barrons Educational Series Inc
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Invisible Man
by Ralph Ellison

ISBN 0679732764 (0-679-73276-4)
Softcover, Random House Inc

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A classic from the moment it first appeared in 1952, The Invisible Man chronicles the travels of its narrator, a young, nameless black man, as he moves through the hellish levels of American intolerance and cultural blindness. Searching for a context in which to know himself, he exists in a very peculiar state. "I am an invisible man," he says in his prologue, "When they approach me they see only my surroundings, themselves, or figments of their imagination--indeed, everything and anything except me." But this is hard-won self-knowledge, earned over the course of many years.
As the book gets started, the narrator is expelled from his Southern Negro college for inadvertently showing a white trustee the reality of black life in the south, including an incestuous farmer and a rural whorehouse. The college director chastises him: "Why, the dumbest black bastard in the cotton patch knows that the only way to please a white man is to tell him a lie! What kind of an education are you getting around here?" Mystified, the narrator moves north to New York City, where the truth, at least as he perceives it, is dealt another blow when he learns that his former headmaster's recommendation letters are, in fact, letters of condemnation.
What ensues is a search for what truth actually is, which proves to be supremely elusive. The narrator becomes a spokesman for a mixed-race band of social activists called "The Brotherhood" and believes he is fighting for equality. Once again, he realises he's been duped into believing what hethought was the truth, when in fact it is only another variation. Of the Brothers, he eventually discerns: "They were blind, bat blind, moving only by the echoed sounds of their voices. And because they were blind they would destroy themselves.... Here I thought they accepted me because they felt that colour made no difference, when in reality it made no difference because they didn't see either colour or men".
Invisible Man is certainly a book about race in America, andsadly enough, few of the problems it chronicles have disappeared even now. But Ellison's first novel transcends such a narrow definition. It's also a book about the human race stumbling down the path to identity, challenged and successful to varying degrees. None of us can ever be sure of the truth beyond ourselves, and possibly not even there. The world isa tricky place, and no one knows this better than the invisible man, who leaves us with these chilling, provocative words: "And it is this which frightens me: Who knows but that, on the lower frequencies, I speak for you?" --Melanie Rehak, Amazon.com [via]
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Jane Eyre
by Charlotte Bronte

ISBN 0679783326 (0-679-78332-6)
Softcover, Modern Library

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Jane Eyre is one of the great romances of all timea passionate tale of grim secrets, blazing love, and the fiery power of the human spirit. Stylish and teen-friendly, Bloomsbury Classics bring a cool, contemporary appeal to some of the most exciting books ever written. Each title has a foreword by a top children's author that explains "Why You Should Read This Book." Plus, a fun "newspaper" at the back of each book is packed with interesting facts and detailsincluding a brief author biography, details on the fashions and music of the times, and a gossip column about key figures of the day.
[via]
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John Steinbeck's The Grapes of Wrath
by Harold Bloom

ISBN 0791082393 (0-7910-8239-3)
Hardcover, Facts on File

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Book summary:
Harold Bloom writes, "The Grapes of Wrath is a flawed but permanent American book." John Steinbeck's novel, still popular a half-century after its original publication, is the focus of this edition of Bloom's Notes. Along with a collection of some of the best criticism available on his work, this text includes a brief biography of the author, structural and thematic analysis, an index of themes and ideas, and more. This series is edited by Harold Bloom, Sterling Professor of the Humanities, Yale University; Henry W. and Albert A. Berg Professor of English, New York University Graduate School. These texts are the ideal aid for all students of literature, presenting concise, easy-to-understand biographical, critical, and bibliographical information on a specific literary work. Also provided are multiple sources for book reports and term papers with a wealth of information on literary works, authors, and major characters. [via]
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- John Steinbeck's The Grapes of Wrath: ISBN 0791082393 (0-7910-8239-3)
  Hardcover, Facts on File
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Lao Tzu's Tao Te Ching
by Timothy Freke, Laozi

ISBN 0749919663 (0-7499-1966-3)
Softcover, Piatkus Books

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Book summary:
The Tao Te Ching is one of the world's spiritual and philosophical classics. The 81 verses distil the wisdom of the sages, oracles and folk traditions of ancient China and are beautiful to read. They offer reflection and insight, and guide us towards personal growth and greater understanding. This new modern interpretation encapsulates the freshness of the original text while keeping a modern perspective. [via]
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- Lao Tzu's Tao Te Ching: ISBN 0749919663 (0-7499-1966-3)
  Softcover, Piatkus Books
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Middlemarch
by George Eliot, A. S. Byatt

ISBN 0679783318 (0-679-78331-8)
Softcover, Random House Inc

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(Book Jacket Status: Not Jacketed)

Introduction by E. S. Shaffer [via]
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Middlemarch : A Study of Provincial Life
by George Eliot

ISBN 067960118X (0-679-60118-X)
Hardcover, Random House Publishing Group

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Book summary:
On April 10, 1994, PBS stations nationwide will air the first episode of a lavish six-part Masterpiece Theatre production of Eliot's brilliant work, Middlemarch, hosted by Russell Baker and produced by Louis Marks. The Modern Library is pleased to offer this official companion edition, complete with tie-in art and printed on acid-free paper. Unabridged. [via]
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- Middlemarch : A Study of Provincial Life: ISBN 067960118X (0-679-60118-X)
  Hardcover, Random House Publishing Group
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The Mill on the Floss
by George Eliot

ISBN 0679417265 (0-679-41726-5)
Hardcover, Random House Inc

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(Book Jacket Status: Jacketed)In The Mill on the Floss, George Eliot re-creates her own childhood through the story of the wild, gifted Maggie Tulliver and her spoiled, selfish brother. Though tragic in its outcome, this tenderly comic novel combines vivid vignettes of family life with a magnificent portrait of the heroine and an acute critique of Victorian sexual politics. Eliot had no peer when it came to finding the drama at the heart of normal lives lived in tandem with the gigantic rhythms of nature itself, and in The Mill on the Floss she shows us once again how thoroughly the art of fiction can satisfy our deepest mental and emotional cravings. [via]
More editions of The Mill on the Floss:
- The Mill on the Floss: ISBN 0701112468 (0-7011-1246-8)
  Hardcover, Random House Inc
- The Mill on the Floss: ISBN 0679417265 (0-679-41726-5)
  Hardcover, Random House Inc
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Northanger Abbey
by Jane Austen

ISBN 0755331443 (0-7553-3144-3)
Softcover, Trafalgar Square

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Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.
Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber [via]
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The Odyssey
by Homer, Martin Hammond

ISBN 0715629581 (0-7156-2958-1)
Softcover, Intl Pub Marketing Inc

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Book summary:
"Tell us, Goddess, daughter of Zeus, start in your own place: when all the rest at Troy had fled from that steep doom and gone back home, away from war and the salt sea, only this man longed for his wife and a way home." Homer's Odyssey , at once an exciting epic of strife and subterfuge and a deeply felt tale of love and devotion, stands at the very beginning of the Western literary tradition. From ancient Greece to the present day its influence on later literature has been unsurpassed, and for centuries translators have approached the meter, tone, and pace of Homer's poetry with a variety of strategies. Chapman and Pope paid keen attention to color, drama, and vivacity of style, rendering the Greek verse loosely and inventively. In the twentieth century, translators such as Lattimore kept rigorously close to the sense of each word in the original; others, including Fitzgerald and Fagles, have departed further from the language of the original, employing their own inventive modern style. Poet and translator Edward McCrorie now opens new territory in this striking rendition, which captures the spare, powerful tone of Homer's epic while engaging contemporary readers with its brisk pace, idiomatic language, and lively characterization. McCrorie closely reproduces the Greek metrical patterns and employs a diction and syntax that reflects the plain, at times stark, quality of Homer's lines, rather than later English poetic styles. Avoiding both the stiffness of word-for-word literalism and the exaggeration and distortion of free adaptation, this translation dramatically evokes the ancient sound and sense of the poem. McCrorie's is truly an Odyssey for the twenty-first century. To accompany this innovative translation, noted classical scholar Richard Martin has written an accessible and wide-ranging introduction explaining the historical and literary context of the Odyssey , its theological and cultural underpinnings, Homer's poetic strategies and narrative techniq [via]
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The Odyssey
by Richard P. Martin, Homer

ISBN 0801868548 (0-8018-6854-8)
Hardcover, Johns Hopkins Univ Pr

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Book summary:
"Tell us, Goddess, daughter of Zeus, start in your own place:
when all the rest at Troy had fled from that steep doom
and gone back home, away from war and the salt sea,
only this man longed for his wife and a way home."
Homer's Odyssey, at once an exciting epic of strife and subterfuge and a deeply felt tale of love and devotion, stands at the very beginning of the Western literary tradition. From ancient Greece to the present day its influence on later literature has been unsurpassed, and for centuries translators have approached the meter, tone, and pace of Homer's poetry with a variety of strategies. Chapman and Pope paid keen attention to color, drama, and vivacity of style, rendering the Greek verse loosely and inventively. In the twentieth century, translators such as Lattimore kept rigorously close to the sense of each word in the original; others, including Fitzgerald and Fagles, have departed further from the language of the original, employing their own inventive modern style.
Poet and translator Edward McCrorie now opens new territory in this striking rendition, which captures the spare, powerful tone of Homer's epic while engaging contemporary readers with its brisk pace, idiomatic language, and lively characterization. McCrorie closely reproduces the Greek metrical patterns and employs a diction and syntax that reflects the plain, at times stark, quality of Homer's lines, rather than later English poetic styles. Avoiding both the stiffness of word-for-word literalism and the exaggeration and distortion of free adaptation, this translation dramatically evokes the ancient sound and sense of the poem. McCrorie's is truly an Odyssey for the twenty-first century.
To accompany this innovative translation, noted classical scholar Richard Martin has written an accessible and wide-ranging introduction explaining the historical and literary context of the Odyssey, its theological and cultural underpinnings, Homer's poetic strategies and narrative techniques, and his cast of characters. In addition, Martin provides detailed notesfar more extensive than those in other editionsaddressing key themes and concepts; the histories of persons, gods, events, and myths; literary motifs and devices; and plot development. Also included is a pronunciation glossary and character index.
[via]
More editions of The Odyssey:
- The Odyssey: ISBN 0801868548 (0-8018-6854-8)
  Hardcover, Johns Hopkins Univ Pr
The Odyssey of Homer
by Homerus

ISBN 0672614154 (0-672-61415-4)
Hardcover, Bobbs-Merrill Co

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- The Odyssey of Homer: ISBN 0672614154 (0-672-61415-4)
  Hardcover, Bobbs-Merrill Co
On Beauty
by Zadie Smith

ISBN 078628319X (0-7862-8319-X)
Hardcover, Thorndike Pr

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- On Beauty: ISBN 078628319X (0-7862-8319-X)
  Hardcover, Thorndike Pr
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The Other America: Poverty in the United States
by Michael Harrington

ISBN 068482678X (0-684-82678-X)
Softcover, Simon & Schuster

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Book summary:
This powerful account draws on research by sociologists and economists to reveal the depth of the poverty crisis, analyzing why such "invisible" citizens as the elderly, children, and minorities are not given adequate opportunities. Originally published in 1962, Harrington's classic work on the plight of the poor in the midst of plenty remains all too relevant today. [via]
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- The Other America: Poverty in the United States: ISBN 068482678X (0-684-82678-X)
  Softcover, Simon & Schuster
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The Sea-Wolf
by Jack London

ISBN 0679783377 (0-679-78337-7)
Softcover, Random House Inc

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A thrilling epic of a sea voyage and a complex novel of ideas, The Sea-Wolf is a standard-bearer of its genre. It is the vivid story of a gentleman scholar, Humphrey Van Weyden, who is rescued by a seal-hunting schooner after a ferryboat accident in San Francisco Bay. London uses Van Weyden's ordeal at the hands of a schooner's devious crew to explore powerful themes of ambition, courage, and the innate will to survive. The Sea-Wolf also introduces Jack London's most memorable, fully realized character, Wolf Larsen, the schooner's brutal captain, who ruthlessly crushes anyone standing in his way. As Gary Kinder states in his Introduction, "Wolf Larsen is one of the most carefully carved characters in American literature....London, himself, seems as fascinated as the reader with his own creation." [via]
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- The Sea-Wolf: ISBN 0679783377 (0-679-78337-7)
  Softcover, Random House Inc
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Sons and Lovers
by D. H. Lawrence

ISBN 0679602682 (0-679-60268-2)
Hardcover, Random House Publishing Group

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Book summary:
Sons and Lovers was the first modern portrayal of a phenomenon that later, thanks to Freud, became easily recognizable as the Oedipus complex. Never was a son more indentured to his mother's love and full of hatred for his father than Paul Morel, D.H. Lawrence's young protagonist. Never, that is, except perhaps Lawrence himself. In his 1913 novel he grappled with the discordant loves that haunted him all his life--for his spiritual childhood sweetheart, here called Miriam, and for his mother, whom he transformed into Mrs. Morel. It is, by Lawrence's own account, a book aimed at depicting this woman's grasp: "as her sons grow up she selects them as lovers--first the eldest, then the second. These sons are urged into life by their reciprocal love of their mother--urged on and on. But when they come to manhood, they can't love, because their mother is the strongest power in their lives."
Of course, Mrs. Morel takes neither of her two elder sons (the first of whom dies early, which further intensifies her grip on Paul) as a literal lover, but nonetheless her psychological snare is immense. She loathes Paul's Miriam from the start, understanding that the girl's deep love of her son will oust her: "She's not like an ordinary woman, who can leave me my share in him. She wants to absorb him." Meanwhile, Paul plays his part with equal fervor, incapable of committing himself in either direction: "Why did his mother sit at home and suffer?... And why did he hate Miriam, and feel so cruel towards her, at the thought of his mother. If Miriam caused his mother suffering, then he hated her--and he easily hated her." Soon thereafter he even confesses to his mother: "I really don't love her. I talk to her, but I want to come home to you."
The result of all this is that Paul throws Miriam over for a married suffragette, Clara Dawes, who fulfills the sexual component of his ascent to manhood but leaves him, as ever, without a complete relationship to challenge his love for his mother. As Paul voyages from the working-class mining world to the spheres of commerce and art (he has fair success as a painter), he accepts that his own achievements must be equally his mother's. "There was so much to come out of him. Life for her was rich with promise. She was to see herself fulfilled... All his work was hers."
The cycles of Paul's relationships with these three women are terrifying at times, and Lawrence does nothing to dim their intensity. Nor does he shirk in his vivid, sensuous descriptions of the landscape that offers up its blossoms and beasts and "shimmeriness" to Paul's sensitive spirit. Sons and Lovers lays fully bare the souls of men and earth. Few books tell such whole, complicated truths about the permutations of love as resolutely without resolution. It's nothing short of searing to be brushed by humanity in this manner. --Melanie Rehak [via]
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- Sons and Lovers: ISBN 0679602682 (0-679-60268-2)
  Hardcover, Random House Publishing Group
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The Tao of the Tao Te Ching: A Translation and Commentary
by Michael Larfargue

ISBN 0791409864 (0-7914-0986-4)
Softcover, State Univ of New York Pr

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- The Tao of the Tao Te Ching: A Translation and Commentary: ISBN 0791409864 (0-7914-0986-4)
  Softcover, State Univ of New York Pr
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Tao Te Ching
by Lao-Tzu, Jane English, Gia-Fu Feng

ISBN 0679724346 (0-679-72434-6)
Softcover, Random House Inc

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Book summary:
(Book Jacket Status: Jacketed)

Written during the golden age of Chinese philosophy, and composed partly in prose and partly in verse, the Tao Te Ching is surely the most terse and economical of the worlds great religious texts. In a series of short, profound chapters it elucidates the idea of the Tao, or the Wayan idea that in its ethical, practical, and spiritual dimensions has become essential to the life of Chinas enormously powerful civilization. In the process of this elucidation, Lao-tzu both clarifies and deepens those central religious mysteries around which our life on earth revolves.

Translation of the Ma Wang Tui Manuscripts by D. C. Lau [via]
More editions of Tao Te Ching:
- Tao Te Ching: ISBN 0679433163 (0-679-43316-3)
  Hardcover, Random House Inc
- Tao Te Ching: ISBN 0679724346 (0-679-72434-6)
  Softcover, Random House Inc
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Tao Te Ching
by Feng, Jane English, Gia-Fu Feng

ISBN 0679776192 (0-679-77619-2)
Softcover, Vintage Books

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Book summary:
Scholars say that the original Tao Te Ching is a poem. Like a poem, this version of the Tao Te Ching is not meant to be read in one breath from front to back, but is to be at intervals internalized and contemplated. Jane English's haunting black-and-white photos that undulate in and out on every page act as glycerin elixirs, helping the words slide into our souls for patient digestion. The photographs--of a glistening spider web, cloud-enveloped mountain tops, reflections on water, leaves in the sunlight--are as serenely lyrical as the ancient text, itself. [via]
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- Tao Te Ching: ISBN 0679776192 (0-679-77619-2)
  Softcover, Vintage Books
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Tao Te Ching: The Way of Vitrue
by Lao Tzu, Patrick M. Byrne

ISBN 0757000290 (0-7570-0029-0)
Softcover, Square One Pub

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A fundamental book of the Taoist, the Tao Te Ching is regarded as a revelation in its own right. It provides a wealth of wisdom and insights for those seeking a better understanding of themselves. Over time, many changes have been made to the original Chinese text. Researcher Patrick M. Byrne has produced a translation that is accurate and easy to
understand, while capturing the pattern and harmony of the original. [via]
More editions of Tao Te Ching: The Way of Vitrue:
- Tao Te Ching: The Way of Vitrue: ISBN 0757000290 (0-7570-0029-0)
  Softcover, Square One Pub
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Te-Tao Ching
by Lao-Tzu, Robert G. Henricks, Laozi

ISBN 0679600604 (0-679-60060-4)
Hardcover, Random House Inc

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Book summary:
A cycle of short poems, this is a work of world literature and has the significance of the Bible for more than a quarter of humanity. Written in two halves, the "Tao" ("way") and the "Te" ("virtue"), it is treasured for its poetic statements about life's most profound and elusive truths. [via]
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- Te-Tao Ching: ISBN 0679600604 (0-679-60060-4)
  Hardcover, Random House Inc
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Trainspotting
by Irvine Welsh

ISBN 0749396067 (0-7493-9606-7)
Hardcover, Minerva

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Book summary:
Irvine Welsh's controversial first novel, set on the heroin-addicted fringe of working-class youth in Edinburgh, is yet another exploration of the dark side of Scottishness. The main character, Mark Renton, is at the center of a clique of nihilistic slacker junkies with no hopes and no possibilities, and only "mind-numbing and spirit-crushing" alternatives in the straight world they despise. This particular slice of humanity has nothing left but the blackest of humor and a sharpness of wit. American readers can use the glossary in the back to translate the slang and dialect--essential, since the dialogue makes the book. This is a bleak vision sung as musical comedy. [via]
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- Trainspotting: ISBN 0749396067 (0-7493-9606-7)
  Hardcover, Minerva
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Trainspotting: A Screenplay
by Irvine Welsh, John Hodge

ISBN 0786882212 (0-7868-8221-2)
Softcover, Hyperion Books

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Book summary:
Trainspotting is based on the novel by Irvine Welsh. It is always nice to compare the book/screenplay or novel or whatever format the original is in, to the movie. As always things cut from the story when made into a movie - are in the book. [via]
More editions of Trainspotting: A Screenplay:
- Trainspotting: A Screenplay: ISBN 0786882212 (0-7868-8221-2)
  Softcover, Hyperion Books
The Urban Crucible: Social Change, Political Consciousness, and the Origins of the American Revolution
by Gary B. Nash

ISBN 0674930568 (0-674-93056-8)
Hardcover, Harvard University Press

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- The Urban Crucible: Social Change, Political Consciousness, and the Origins of the American Revolution: ISBN 0674930568 (0-674-93056-8)
  Hardcover, Harvard University Press
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The Urban Crucible: The Northern Seaports and the Origins of the American Revolution
by Gary B. Nash

ISBN 0674930592 (0-674-93059-2)
Softcover, Harvard Univ Pr

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More editions of The Urban Crucible: The Northern Seaports and the Origins of the American Revolution:
- The Urban Crucible: The Northern Seaports and the Origins of the American Revolution: ISBN 0674930584 (0-674-93058-4)
  Hardcover, Harvard Univ Pr
- The Urban Crucible: The Northern Seaports and the Origins of the American Revolution: ISBN 0674930592 (0-674-93059-2)
  Softcover, Harvard Univ Pr
The Uses of Literacy
by Richard Hoggart

ISBN 0765804212 (0-7658-0421-2)
Softcover, Transaction Pub

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- The Uses of Literacy: ISBN 0765804212 (0-7658-0421-2)
  Softcover, Transaction Pub
When Work Disappears: The World of the New Urban Poor
by William Julius Wilson

ISBN 0679724176 (0-679-72417-6)
Softcover, Random House Inc

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- When Work Disappears: The World of the New Urban Poor: ISBN 0679724176 (0-679-72417-6)
  Softcover, Random House Inc
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The World's Great Classics

ISBN 0717200019 (0-7172-0001-9)
Hardcover, Xs Books

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Book summary:
Odyssey, The: The World's Great Classics, by Homer; tr. by S.H. Butcher and Andrew Lang [via]
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- The World's Great Classics: ISBN 0717200019 (0-7172-0001-9)
  Hardcover, Xs Books

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