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› Find signed collectible books: 'Alice in Wonderland and Through the Looking-Glass'
That Alice. When she's not traipsing after a rabbit into Wonderland, she's gallivanting off into the topsy-turvy world behind the drawing-room looking glass. In Through the Looking Glass, Lewis Carroll's masterful and zany sequel to Alice's Adventures in Wonderland, she makes more eccentric acquaintances, including Tweedledee and Tweedledum, the White Queen, and a somewhat grumpy Humpty Dumpty. Through a giant and elaborate chess game, Alice explores this odd country, where one must eat dry biscuits to quench thirst, and run like the wind to stay in one place. As in life, Alice must stay on her toes to learn the rules of this game. Through the Looking Glass immediately took its rightful place beside its partner on the shelf of eternal classics. And luckily for generations of enraptured children, Carroll was again able to persuade John Tenniel to create the fantastic woodblock engravings that have become so indelibly associated with the Alice stories. For almost 130 years, Alice's curious adventures have amused, perplexed, and delighted readers, young and old. This gorgeous, deluxe boxed set of both volumes contains engravings from Tenniel's original woodblocks that were discovered in a London bank in 1985, and reproduced for the first time here. "'What is the use of a book,' thought Alice, 'without pictures?'" What indeed? (All ages) [via]
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› Find signed collectible books: 'Alice in Wonderland and Through the Looking Glass'
More editions of Alice in Wonderland and Through the Looking Glass:

› Find signed collectible books: 'Alice in Wonderland Classic Library'
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› Find signed collectible books: 'Alice's Adventures in Wonderland And Through the Looking-glass'
That Alice. When she's not traipsing after a rabbit into Wonderland, she's gallivanting off into the topsy-turvy world behind the drawing-room looking glass. In Through the Looking Glass, Lewis Carroll's masterful and zany sequel to Alice's Adventures in Wonderland, she makes more eccentric acquaintances, including Tweedledee and Tweedledum, the White Queen, and a somewhat grumpy Humpty Dumpty. Through a giant and elaborate chess game, Alice explores this odd country, where one must eat dry biscuits to quench thirst, and run like the wind to stay in one place. As in life, Alice must stay on her toes to learn the rules of this game. Through the Looking Glass immediately took its rightful place beside its partner on the shelf of eternal classics. And luckily for generations of enraptured children, Carroll was again able to persuade John Tenniel to create the fantastic woodblock engravings that have become so indelibly associated with the Alice stories. For almost 130 years, Alice's curious adventures have amused, perplexed, and delighted readers, young and old. This gorgeous, deluxe boxed set of both volumes contains engravings from Tenniel's original woodblocks that were discovered in a London bank in 1985, and reproduced for the first time here. "'What is the use of a book,' thought Alice, 'without pictures?'" What indeed? (All ages) [via]
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› Find signed collectible books: 'Alice's Adventures In Wonderland'
That Alice. When she's not traipsing after a rabbit into Wonderland, she's gallivanting off into the topsy-turvy world behind the drawing-room looking glass. In Through the Looking Glass, Lewis Carroll's masterful and zany sequel to Alice's Adventures in Wonderland, she makes more eccentric acquaintances, including Tweedledee and Tweedledum, the White Queen, and a somewhat grumpy Humpty Dumpty. Through a giant and elaborate chess game, Alice explores this odd country, where one must eat dry biscuits to quench thirst, and run like the wind to stay in one place. As in life, Alice must stay on her toes to learn the rules of this game. Through the Looking Glass immediately took its rightful place beside its partner on the shelf of eternal classics. And luckily for generations of enraptured children, Carroll was again able to persuade John Tenniel to create the fantastic woodblock engravings that have become so indelibly associated with the Alice stories. For almost 130 years, Alice's curious adventures have amused, perplexed, and delighted readers, young and old. This gorgeous, deluxe boxed set of both volumes contains engravings from Tenniel's original woodblocks that were discovered in a London bank in 1985, and reproduced for the first time here. "'What is the use of a book,' thought Alice, 'without pictures?'" What indeed? (All ages) [via]
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› Find signed collectible books: 'Alice's Adventures in Wonderland and Alice Through the Looking Glass'
More editions of Alice's Adventures in Wonderland and Alice Through the Looking Glass:
› Find signed collectible books: 'Alice's Adventures in Wonderland and Through the Looking-Glass and What Alice Found There'
That Alice. When she's not traipsing after a rabbit into Wonderland, she's gallivanting off into the topsy-turvy world behind the drawing-room looking glass. In Through the Looking Glass, Lewis Carroll's masterful and zany sequel to Alice's Adventures in Wonderland, she makes more eccentric acquaintances, including Tweedledee and Tweedledum, the White Queen, and a somewhat grumpy Humpty Dumpty. Through a giant and elaborate chess game, Alice explores this odd country, where one must eat dry biscuits to quench thirst, and run like the wind to stay in one place. As in life, Alice must stay on her toes to learn the rules of this game. Through the Looking Glass immediately took its rightful place beside its partner on the shelf of eternal classics. And luckily for generations of enraptured children, Carroll was again able to persuade John Tenniel to create the fantastic woodblock engravings that have become so indelibly associated with the Alice stories. For almost 130 years, Alice's curious adventures have amused, perplexed, and delighted readers, young and old. This gorgeous, deluxe boxed set of both volumes contains engravings from Tenniel's original woodblocks that were discovered in a London bank in 1985, and reproduced for the first time here. "'What is the use of a book,' thought Alice, 'without pictures?'" What indeed? (All ages) [via]
More editions of Alice's Adventures in Wonderland and Through the Looking-Glass and What Alice Found There:

› Find signed collectible books: 'Alice's Adventures in Wonderland and Through the Looking-Glass and What Alice Found There'
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› Find signed collectible books: 'Alice's Adventures in Wonderland, and Through the Looking Glass, and the Hunting of the Snark'
, 292 pages including Prefatory Notes at rear, illustrated throughout with numerous black and white illustrations within the text [via]
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› Find signed collectible books: 'The Amber Spyglass'
From the very start of its very first scene, The Amber Spyglass will set hearts fluttering and minds racing. All we'll say here is that we immediately discover who captured Lyra at the end of The Subtle Knife, though we've yet to discern whether this individual's intent is good, evil, or somewhere in between. We also learn that Will still possesses the blade that allows him to cut between worlds, and has been joined by two winged companions who are determined to escort him to Lord Asriel's mountain redoubt. The boy, however, has only one goal in mind--to rescue his friend and return to her the alethiometer, an instrument that has revealed so much to her and to readers of The Golden Compass and its follow-up. Within a short time, too, we get to experience the "tingle of the starlight" on Serafina Pekkala's skin as she seeks out a famished Iorek Byrnison and enlists him in Lord Asriel's crusade:
A complex web of thoughts was weaving itself in the bear king's mind, with more strands in it than hunger and satisfaction. There was the memory of the little girl Lyra, whom he had named Silvertongue, and whom he had last seen crossing the fragile snow bridge across a crevasse in his own island of Svalbard. Then there was the agitation among the witches, the rumors of pacts and alliances and war; and then there was the surpassingly strange fact of this new world itself, and the witch's insistence that there were many more such worlds, and that the fate of them all hung somehow on the fate of the child.Meanwhile, two factions of the Church are vying to reach Lyra first. One is even prepared to give a priest "preemptive absolution" should he succeed in committing mortal sin. For these tyrants, killing this girl is no less than "a sacred task."
In the final installment of his trilogy, Philip Pullman has set himself the highest hurdles. He must match its predecessors in terms of sheer action and originality and resolve the enigmas he already created. The good news is that there is no critical bad news--not that The Amber Spyglass doesn't contain standoffs and close calls galore. (Who would have it otherwise?) But Pullman brings his audacious revision of Paradise Lost to a conclusion that is both serene and devastating. In prose that is transparent yet lyrical and 3-D, the author weaves in and out of his principals' thoughts. He also offers up several additional worlds. In one, Dr. Mary Malone is welcomed into an apparently simple society. The environment of the mulefa (again, we'll reveal nothing more) makes them rich in consciousness while their lives possess a slow and stately rhythm. These strange creatures can, however, be very fast on their feet (or on other things entirely) when necessary. Alas, they are on the verge of dying as Dust streams out of their idyllic landscape. Will the Oxford dark-matter researcher see her way to saving them, or does this require our young heroes? And while Mary is puzzling out a cure, Will and Lyra undertake a pilgrimage to a realm devoid of all light and hope, after having been forced into the cruelest of sacrifices--or betrayals.
Throughout his galvanizing epic, Pullman sustains scenes of fierce beauty and tenderness. He also allows us a moment or two of comic respite. At one point, for instance, Lyra's mother bullies a series of ecclesiastical underlings: "The man bowed helplessly and led her away. The guard behind her blew out his cheeks with relief." Needless to say, Mrs. Coulter is as intoxicating and fluid as ever. And can it be that we will come to admire her as she plays out her desperate endgame? In this respect, as in many others, The Amber Spyglass is truly a book of revelations, moving from darkness visible to radiant truth. --Kerry Fried [via]
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› Find signed collectible books: 'The Complete Alice and the Hunting of the Snark'
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› Find signed collectible books: 'Le Petit Prince'
The Educational Edition of this contemporary masterpiece features full-color reproductions of Saint-Exupery's original drawings. The text is presented unabridged and includes John Richardson Miller's introduction to the author's life and works, notes, a bibliography, and a complete end vocabulary. [via]
› Find signed collectible books: 'Lewis Carroll, Alice Through the Looking-glass: And What Alice Found There'
Welcome back to the world of Helen Oxenbury's Alice! An exuberant edition of the Lewis Carroll masterpiece, lavishly illustrated by one of the most beloved children's book artists of our time.
Helen Oxenbury's ALICE'S ADVENTURES IN WONDERLAND set a new standard for contemporary editions of Lewis Carroll's beloved classic. And now she has illustrated its companion, ALICE THROUGH THE LOOKING- GLASS, with equal intimacy, warmth, and charm. Here again is Alice, dressed in her bright blue jumper and ready for adventure like any modern child. All it takes is a bit of curiosity about the room reversed in the mirror and suddenly Alice is in the Looking-Glass world with all manner of comical and magical characters -- Tweedledum and Tweedledee, the lion and the unicorn, and a whole game board of chess pieces come to life.
On page after page, Helen Oxenbury's incomparable line drawings, sepia illustrations, and full-color paintings give today's children their own utterly accessible view into Lewis Carroll's timeless nonsense. [via]
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› Find signed collectible books: 'The Little Alice Editions'
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› Find signed collectible books: 'Little Prince'
"In the exquisite imagery of this fairy tale, the poet-writer shares with children something of the mystic's vision and wisdom of life."--New York Public Library. [via]
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› Find signed collectible books: 'The Little Prince'
Antoine de Saint-Exupéry first published The Little Prince in 1943, only a year before his Lockheed P-38 vanished over the Mediterranean during a reconnaissance mission. More than a half century later, this fable of love and loneliness has lost none of its power. The narrator is a downed pilot in the Sahara Desert, frantically trying to repair his wrecked plane. His efforts are interrupted one day by the apparition of a little, well, prince, who asks him to draw a sheep. "In the face of an overpowering mystery, you don't dare disobey," the narrator recalls. "Absurd as it seemed, a thousand miles from all inhabited regions and in danger of death, I took a scrap of paper and a pen out of my pocket." And so begins their dialogue, which stretches the narrator's imagination in all sorts of surprising, childlike directions.
The Little Prince describes his journey from planet to planet, each tiny world populated by a single adult. It's a wonderfully inventive sequence, which evokes not only the great fairy tales but also such monuments of postmodern whimsy as Italo Calvino's Invisible Cities. And despite his tone of gentle bemusement, Saint-Exupéry pulls off some fine satiric touches, too. There's the king, for example, who commands the Little Prince to function as a one-man (or one-boy) judiciary:
I have good reason to believe that there is an old rat living somewhere on my planet. I hear him at night. You could judge that old rat. From time to time you will condemn him to death. That way his life will depend on your justice. But you'll pardon him each time for economy's sake. There's only one rat.The author pokes similar fun at a businessman, a geographer, and a lamplighter, all of whom signify some futile aspect of adult existence. Yet his tale is ultimately a tender one--a heartfelt exposition of sadness and solitude, which never turns into Peter Pan-style treacle. Such delicacy of tone can present real headaches for a translator, and in her 1943 translation, Katherine Woods sometimes wandered off the mark, giving the text a slightly wooden or didactic accent. Happily, Richard Howard (who did a fine nip-and-tuck job on Stendhal's The Charterhouse of Parma in 1999) has streamlined and simplified to wonderful effect. The result is a new and improved version of an indestructible classic, which also restores the original artwork to full color. "Trying to be witty," we're told at one point, "leads to lying, more or less." But Saint-Exupéry's drawings offer a handy rebuttal: they're fresh, funny, and like the book itself, rigorously truthful. --James Marcus [via]
› Find signed collectible books: 'The Little Prince'
Paperback [via]
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› Find signed collectible books: 'Little Women'
Back cover text:
Lewis Carroll's Alice's Adventures in Wonderland, and its sequel Through the Looking Glass, tell the fantastic story of the dream-like adventures of a young girl.
With unabridged text. [via]
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› Find signed collectible books: 'Regulus'
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› Find signed collectible books: 'Regulus Vel Pueri Soli Sapiunt/the Little Prince'
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› Find signed collectible books: 'Alicia En El Pais De Las Maravillas/a Traves Del Espejo/ LA Caza Del Snark'
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› Find signed collectible books: 'El Catalejo Lacado'
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› Find signed collectible books: 'LA Daga / The Subtle Knife'
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› Find signed collectible books: 'El Principito'
The little prince discovers the secrets of friendship while traveling through the universe. [via]
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› Find signed collectible books: 'El Principito / The Little Prince'
FOR USE IN SCHOOLS AND LIBRARIES ONLY. An aviator whose plane is forced down in the Sahara Desert encounters a little man from a small planet who describes his adventures in the universe seeking the secret of what is really important in life. [via]
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› Find signed collectible books: 'Le Miroir D'Ambre'
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› Find signed collectible books: 'Le Petit Prince'
Imaginez-vous perdu dans le désert, loin de tout lieu habité, et face à un petit garçon tout blond, surgi de nulle part. Si de surcroît ce petit garçon vous demande avec insistance de dessiner un mouton, vous voilà plus qu'étonné ! À partir de là, vous n'aurez plus qu'une seule interrogation : savoir d'où vient cet étrange petit bonhomme et connaître son histoire.
S'ouvre alors un monde étrange et poétique, peuplé de métaphores, décrit à travers les paroles d'un "petit prince" qui porte aussi sur notre monde à nous un regard tout neuf, empli de naïveté, de fraîcheur et de gravité. Très vite, vous découvrez d'étranges planètes, peuplées d'hommes d'affaires, de buveurs, de vaniteux, d'allumeurs de réverbères.
Cette évocation onirique, à laquelle participent les aquarelles de l'auteur, a tout d'un parcours initiatique, où l'enfant apprendra les richesses essentielles des rapports humains et le secret qui les régit : "On ne voit bien qu'avec le coeur, l'essentiel est invisible pour les yeux."
Oeuvre essentielle de la littérature, ce livre de Saint-Exupéry est un ouvrage que l'on aura à coeur de raconter à son enfant, page après page, histoire aussi de redécouvrir l'enfant que l'on était autrefois, avant de devenir une grande personne ! --Xavier Marciniak [via]
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› Find signed collectible books: 'Tour Des Anges'
À la fin du premier volet, Les Royaumes du Nord, on avait quitté la jeune Lyra au moment où elle franchissait le pont entre deux mondes édifié par son père. On la retrouve donc dans un autre univers, où elle est rejointe par Will, débarqué, lui, d'un troisième monde très semblable au nôtre. On retrouve aussi la glaçante Mme Coulter, l'intrépide Lee Scoresby, entre autres personnages découverts dans le premier tome et désormais familiers. Apparaissent de nouveaux amis, mais aussi de nouveaux ennemis redoutables : des spectres qui vampirisent les adultes et sont invisibles aux yeux des enfants. Peu à peu, le mystère de la Poussière s'éclaircit tout en révélant sa complexité.
Il est question d'ésotérisme, de théologie, de destin, au fil d'aventures palpitantes narrées dans un style éblouissant. À ne surtout pas réserver aux enfants à partir de 11 ans, l'oeuvre envoûtante de Philip Pullman est appelée à devenir un classique de la littérature fantastique. --Pascale Wester [via]
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› Find signed collectible books: 'Das Bernstein-Teleskop'
Gleich vom Anfang der ersten Szene an wird Das Bernstein-Teleskop den Leser packen und nicht mehr loslassen. Wir verraten an dieser Stelle allerdings nur, dass man sofort feststellt, wer zum Schluss von Das Magische Messer Lyra gefangen genommen hat, obwohl es nicht klar ist, ob die Absichten dieses Individiums nun gut oder böse sind. Wir erfahren auch, dass Will nach wie vor im Besitz der Klinge ist, die ihn befähigt, sich den Weg von einer Welt zur anderen zu schneiden, und dass sich ihm mittlerweile zwei geflügelte Freunde angeschlossen haben, die fest entschlossen sind, ihn zur Bergfestung Lord Asriels zu begleiten. Der Junge hat allerdings nur ein Ziel vor Augen -- seine Freundin zu retten und ihr den Alethiometer zurückzugeben, ein Instrument, das ihr und den Lesern von Der goldene Kompass und dessen Fortsetzung so viel offenbart hat. Wir müssen auch nicht lange warten, bis wir das "Prickeln des Sternenlichts" auf Serafina Pekkalas Haut erfahren dürfen, während sie einen ausgehungerten Iorek Byrnison ausfindig macht und ihn für Lord Asriels Kreuzzug anwirbt.
In der Zwischenzeit kämpfen die zwei Fraktionen der Kirche darum, als erste an Lyra heranzukommen. Eine davon ist sogar bereit, einem ihrer Priester schon im Voraus Absolution zu gewähren, sollte es ihm gelingen, die Todsünde zu begehen, das Mädchen zu töten; für diese Tyrannen wäre dies nichts Geringeres als "eine heilige Pflicht".
In dieser letzten Folge seiner Trilogie hat sich Philip Pullman die höchsten Ziele gesetzt. Sie darf ihren Vorgängern in Sachen schierer Action und Originalität in nichts nachstehen und muss gleichzeitig alle noch bestehenden Rätsel auflösen. Die gute Nachricht hierbei ist, dass es keine ernsthaft schlechten Nachrichten gibt. Nicht, dass Das Bernstein-Teleskop keine verfahrenen und riskant-gefährlichen Situationen enthalten würde -- die gibt es zuhauf (wer wollte es auch anders haben?). Aber Pullman führt seine Trilogie zu einem Schluss, der sowohl friedlich als auch niederschmetternd ist. Mit einem Erzählstil, der klar und dennoch lyrisch und plastisch daherkommt, blendet sich der Autor mühelos in die Gedankenwelt seiner Hauptfiguren ein und wieder aus. Er wartet zudem mit einigen zusätzlichen Welten auf. In einer davon wird Dr. Mary Malone in eine scheinbar einfache Gesellschaft aufgenommen. Das Milieu der Mulefa (auch hier verraten wir nicht mehr) macht sie reich an Bewusstsein, während ihr Leben einem langsamen und gemessenen Rhythmus folgt.
Im Verlauf seines Epos erhält Pullman seine Szenen gewaltiger Schönheit und Zärtlichkeit aufrecht und gewährt uns sogar den einen oder anderen Moment der humorvollen Entspannung. An einer Stelle beispielsweise schikaniert Lyras Mutter eine Reihe kirchlicher Befehlsempfänger. Mrs. Coulter ist ohne Frage so berauschend und umwerfend wie eh und je. Kann es sein, dass wir sie letztendlich sogar bewundern werden, während sie ihr verzweifeltes Spiel zu Ende bringt? In diesem Fall -- wie auch sonst -- ist Das Bernstein-Teleskop wahrlich ein Buch der Offenbarungen, das sich von der sichtbaren Dunkelheit zur strahlenden Wahrheit bewegt. --Kerry Fried [via]
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› Find signed collectible books: 'Der Kleine Prinz'
Dieser Text bezieht sich auf die Buchausgabe des Titels
"Und hier ist mein Geheimnis", sagte der Fuchs,
"es ist ganz einfach."
"Man sieht nur mit dem Herzen gut,
das Wesentliche ist für die Augen unsichtbar."
Mit zwei Jahren machte ich meine erste existenzphilosophische Erfahrung. Cornelia, Spielgefährtin im Sandkasten, zeigte mir, wie sich die Erde auf die Sandschaufel wellte, wenn man sie langsam genug in den Boden schob. Von da an verbrachte ich Stunden, es ihr gleichzutun. Das lustvolle Gefühl, mit dem ich mich immer aufs neue daran machte, spüre ich heute noch.
Ähnlich erging es mir mit Exupérys Der kleine Prinz. Ich las sein Büchlein und verstand, daß er etwas verstanden hatte. Die Behutsamkeit, mit der der Autor erzählt, hat etwas Filigranes, das sich trotz aller Zartheit als robust erweist. Man kann sich verlassen. Ich erinnere mich noch genau: Ich gönnte mir immer nur wenige Seiten, aus Angst, daß es zu schnell zu Ende gelesen sei. Zu wertvoll waren mir die Wörter, Sätze und Bilder.
Allein die erste Begegnung mit dem kleinen Prinzen: Seine kurzen Kommentare zu den Zeichnungen des Ich-Erzählers ließen alles wie selbstverständlich vor meinem inneren Auge erscheinen. Jedes noch so krakelige Bild war lebendig.
Saint Exupéry schrieb nicht um des Schreibens willen. Ihm ging es immer um die Menschen, für die er sich seine Texte ausdachte. Er wollte dazu beitragen, "dem Leben einen Sinn [zu] geben". Er wollte einen Halt, eine Richtung vermitteln. Dies ist ihm mit dem Kleinen Prinzen auf exzellente Weise gelungen. Seine Fragen an die Welt, seine Erfahrungen mit ihr, machen am Ende deutlich: man sieht nur mit dem Herzen gut.
Das Buch macht Mut, sich in unserer, auf Gewinnstreben und Oberflächlichkeit ausgerichteten, Welt auf das zu konzentrieren, was wirklich zählt: Freundschaft, Mitmenschlichkeit und sich Zeit für die kleinen Dinge im Leben nehmen. Sie sind das Größte. --Anne Hauschild [via]
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› Find signed collectible books: 'Das Magische Messer'
Mit Das magische Messer stellt Philip Pullman nach Der Goldene Kompaß den zweiten Band der His-Dark-Materials-Trilogie vor. Die Hauptrollen spielen der zwölfjährige Will Parry und die gleichaltrige Lyra Listenreich, Heldin der ersten Folge.
Der junge Parry will das Geheimnis um seinen Vater lösen, der vor zehn Jahren bei einer Polarexpedition verschwunden ist. Durch Zufall findet er einen Zugang zu einer anderen Welt, als er vor geheimnisvollen Männern flieht. Hier trifft er auf Lyra, die ebenfalls durch ein Dimensionstor aus ihrer Heimat, die der Erde ähnelt, in diese fremde Welt gelangt ist. Auch sie ist auf der Suche nach ihrem Vater, Lord Asriel. Es stellt sich heraus, daß das Schicksal der beiden eng miteinander verknüpft ist. Gemeinsam müssen sie in den verschiedenen Welten um ihr Leben kämpfen und viele Abenteuer überstehen. Im Verlauf der Geschichte wird es immer deutlicher, daß den beiden Kindern eine Hauptrolle zugedacht ist in der anstehenden entscheidenden Schlacht zwischen Gut und Böse.
Pullman greift in diesem Buch das in Film und Literatur immer wiederkehrende Prinzip von parallelen, sich in vielerlei Hinsicht ähnelnden Welten auf. Es ist etwas schwierig, den Einstieg zu finden. Die verschiedenen Handlungsstränge scheinen zu Beginn etwas verwirrend und ohne Zusammenhang zu sein. Doch je mehr man weiterliest und sich in den Inhalt vertieft, desto besser enthüllen sich diese Zusammenhänge. Man wird immer mehr in die von Pullman geschaffenen Welten von Hexen, Technik und Magie hineingezogen. Nach Beendigung des Buches bleibt nur zu hoffen, daß der Folgeband bald auf den deutschen Markt kommt. --Markus Hofstetter [via]
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