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› Find signed collectible books: 'End of the Affair'
Set in London during and just after World War II, Graham Greene's The End of the Affair is a pathos-laden examination of a three-way collision between love of self, love of another, and love of God. The affair in question involves Maurice Bendrix, a solipsistic novelist, and a dutifully married woman, Sarah Miles. The lovers meet at a party thrown by Sarah's dreary civil-servant husband, and proceed to liberate each other from boredom and routine unhappiness. Reflecting on the ebullient beginnings of their romance, Bendrix recalls: "There was never any question in those days of who wanted whom--we were together in desire." Indeed, the affair goes on unchecked for several years until, during an afternoon tryst, Bendrix goes downstairs to look for intruders in his basement and a bomb falls on the building. Sarah rushes down to find him lying under a fallen door, and immediately makes a deal with God, whom she has never particularly cared for. "I love him and I'll do anything if you'll make him alive.... I'll give him up forever, only let him be alive with a chance.... People can love each other without seeing each other, can't they, they love You all their lives without seeing You."
Bendrix, as evidenced by his ability to tell the story, is not dead, merely unconscious, and so Sarah must keep her promise. She breaks off the relationship without giving a reason, leaving Bendrix mystified and angry. The only explanation he can think of is that she's left him for another man. It isn't until years later, when he hires a private detective to ascertain the truth, that he learns of her impassioned vow. Sarah herself comes to understand her move through a strange rationalization. Writing to God in her journal, she says:
You willed our separation, but he [Bendrix] willed it too. He worked for it with his anger and his jealousy, and he worked for it with his love. For he gave me so much love, and I gave him so much love that soon there wasn't anything left, when we'd finished, but You.It's as though the pull toward faith were inevitable, if incomprehensible--perhaps as punishment for her sin of adultery. In her final years, Sarah's faith only deepens, even as she remains haunted by the bombing and the power of her own attraction to God. Set against the backdrop of a war-ravaged city, The End of the Affair is equally haunting as it lays forth the question of what constitutes love in troubling, unequivocal terms. --Melanie Rehak [via]
› Find signed collectible books: 'Far from the Madding Crowd'
Set in his fictional wessex countryside in southwest england, far from the madding crowd was thomas hardy's breakthrough work. Though it was first published anonymously in 1874, the quick and tremendous success of far from the madding crowd persuaded hardy to give up his first profession, architecture, to concentrate on writing fiction. The story of the ill-fated passions of the beautiful bathsheba everdene and her three suitors offers a spectacle of country life brimming with an energy and charm not customarily associated with hardy [via]
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› Find signed collectible books: 'Far from the Madding Crowd'
"Oxford Bookworms" offer students at all levels the opportunity to extend their reading and appreciation of English. There are six stages, taking students from elementary to advanced level. At the lower stages, many of the texts have been specially written for the series, to provide elementary and lower-intermediate students with an introduction to real reading in English. At the higher stages, most of the books have been adapted from works originally published for native speakers. The language controls used in "Oxford Bookworms" are based on a syllabus specially created for the series by Tricia Hedge. This takes account of the more traditional approaches to grading and recent research into the nature of reading difficulty. The approximate vocabulary count for each stage is: Stage 1 - 400 words; Stage 2 - 700 words; Stage 3 - 1000 words; Stage 4 - 1400 words; Stage 5 - 1800 words; Stage 6 - 2500 words. All stages have exercises for classroom or private use, plus a supporting glossary to help students with vocabulary. Illustrations are used, especially at the lower stages, to help comprehension. [via]
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› Find signed collectible books: 'Far from the Madding Crowd/the Mayor of Casterbridge'
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› Find signed collectible books: 'Fortunes and Misfortunes of Moll Flanders'
More editions of Fortunes and Misfortunes of Moll Flanders:
› Find signed collectible books: 'The Fortunes and Misfortunes of the Famous Moll Flanders, &c ..'
The recent adaptation of Moll Flanders for Masterpiece Theater is a book-lover's dream: the dialogue and scene arrangement are close enough to allow the viewer to follow along in the book. The liberties taken with the tale are few (some years of childhood between the gypsies and the wealthy family are elided; Moll is Moll throughout the tale, rather than Mrs. Betty; Robert becomes Rowland, etc.) and the sets avoid the careless anachronism of the movie version released earlier this year.
The breasts, raised skirts, tumbling hair and heavy breathing on the small screen might catch you by surprise if you don't read the book carefully (as might Moll's abandonment of her children on more than one occasion). Unlike his near-contemporary John Cleland (_Fanny Hill_), Defoe was trying to keep out of jail, and so didn't dwell on the details of "correspondence" between Moll and her varied lovers. But on the page and on the screen, Moll comes across quite clearly as a woman who might bend, but refuses to break, and who is intent on having as good a life as she can get.
E. M. Forster in Aspects of the Novel considers Moll and her creator's art in some detail. While he finds much to criticize in Defoe's ability to plot (where did those last two children go, anyway?), he is as besotted with Moll as I am. Immoral? Sure -- but immortal, and never, ever dull. We hope at least a few of the viewers of the recent adaptation take a couple hours to discover the original, inimitable Moll Flanders. [via]
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› Find signed collectible books: 'Ivanhoe'
"Ivanhoe" (1819) was the first of Scott's novels to adopt a purely English subject and was also his first attempt to combine history and romance, which later influenced Victorian medievalism. Set at the time of the Norman Conquest, "Ivanhoe" returns from the Crusades to claim his inheritance and the love of Rowena and becomes involved in the struggle between Richard Coeur de Lion and his Norman brother John. The gripping narrative is structured by a series of conflicts: Saxon versus Norman, Christian versus Jew, men versus women, played out against Scott's unflinching moral realism. [via]
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› Find signed collectible books: 'Ivanhoe'
The first of Scott's Waverley novels burst upon an astonished world in 1814. Its publication marked the emergence of the modern novel in the western world, influencing all the great nineteenth-century writers. This handsome new edition of Sir Walter Scott's novels captures the original power and freshness of his best-loved novels. [via]
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› Find signed collectible books: 'Ivanhoe'
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› Find signed collectible books: 'The Magician's Nephew'
This large, deluxe hardcover edition of the first title in the classic Chronicles of Narnia series, The Magician's Nephew, is a gorgeous introduction to the magical land of Narnia. The many readers who discovered C.S. Lewis's Chronicles through The Lion, the Witch, and the Wardrobe will be delighted to find that the next volume in the series is actually the first in the sequence--and a step back in time. In this unforgettable story, British schoolchildren Polly and Digory inadvertently tumble into the Wood Between the Worlds, where they meet the evil Queen Jadis and, ultimately, the great, mysterious King Aslan. We witness the birth of Narnia and discover the legendary source of all the adventures that are to follow in the seven books that comprise the series.
Rich, heavy pages, a gold-embossed cover, and Pauline Baynes's original illustrations (hand-colored by the illustrator herself 40 years later) make this special edition of a classic a bona fide treasure. (Ages 9 and older) --Emilie Coulter [via]
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› Find signed collectible books: 'Moll Flanders'
The recent adaptation of Moll Flanders for Masterpiece Theater is a book-lover's dream: the dialogue and scene arrangement are close enough to allow the viewer to follow along in the book. The liberties taken with the tale are few (some years of childhood between the gypsies and the wealthy family are elided; Moll is Moll throughout the tale, rather than Mrs. Betty; Robert becomes Rowland, etc.) and the sets avoid the careless anachronism of the movie version released earlier this year.
The breasts, raised skirts, tumbling hair and heavy breathing on the small screen might catch you by surprise if you don't read the book carefully (as might Moll's abandonment of her children on more than one occasion). Unlike his near-contemporary John Cleland (_Fanny Hill_), Defoe was trying to keep out of jail, and so didn't dwell on the details of "correspondence" between Moll and her varied lovers. But on the page and on the screen, Moll comes across quite clearly as a woman who might bend, but refuses to break, and who is intent on having as good a life as she can get.
E. M. Forster in Aspects of the Novel considers Moll and her creator's art in some detail. While he finds much to criticize in Defoe's ability to plot (where did those last two children go, anyway?), he is as besotted with Moll as I am. Immoral? Sure -- but immortal, and never, ever dull. We hope at least a few of the viewers of the recent adaptation take a couple hours to discover the original, inimitable Moll Flanders. [via]
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› Find signed collectible books: 'Moll Flanders, an Authoritative Text: Backgrounds and Sources; Criticism'
More editions of Moll Flanders, an Authoritative Text: Backgrounds and Sources; Criticism:
› Find signed collectible books: 'Moll Flanders/the Fortunes and Misfortunes of the Famous'
The recent adaptation of Moll Flanders for Masterpiece Theater is a book-lover's dream: the dialogue and scene arrangement are close enough to allow the viewer to follow along in the book. The liberties taken with the tale are few (some years of childhood between the gypsies and the wealthy family are elided; Moll is Moll throughout the tale, rather than Mrs. Betty; Robert becomes Rowland, etc.) and the sets avoid the careless anachronism of the movie version released earlier this year.
The breasts, raised skirts, tumbling hair and heavy breathing on the small screen might catch you by surprise if you don't read the book carefully (as might Moll's abandonment of her children on more than one occasion). Unlike his near-contemporary John Cleland (_Fanny Hill_), Defoe was trying to keep out of jail, and so didn't dwell on the details of "correspondence" between Moll and her varied lovers. But on the page and on the screen, Moll comes across quite clearly as a woman who might bend, but refuses to break, and who is intent on having as good a life as she can get.
E. M. Forster in Aspects of the Novel considers Moll and her creator's art in some detail. While he finds much to criticize in Defoe's ability to plot (where did those last two children go, anyway?), he is as besotted with Moll as I am. Immoral? Sure -- but immortal, and never, ever dull. We hope at least a few of the viewers of the recent adaptation take a couple hours to discover the original, inimitable Moll Flanders. [via]
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› Find signed collectible books: 'Subtle Knife'
With The Golden Compass Philip Pullman garnered every accolade under the sun. Critics lobbed around such superlatives as "elegant," "awe-inspiring," "grand," and "glittering," and used "magnificent" with gay abandon. Each reader had a favorite chapter--or, more likely, several--from the opening tour de force to Lyra's close call at Bolvangar to the great armored-bear battle. And Pullman was no less profligate when it came to intellectual firepower or singular characters. The dæmons alone grant him a place in world literature. Could the second installment of his trilogy keep up this pitch, or had his heroine and her too, too sullied parents consumed him? And what of the belief system that pervaded his alternate universe, not to mention the mystery of Dust? More revelations and an equal number of wonders and new players were definitely in order.
The Subtle Knife offers everything we could have wished for, and more. For a start, there's a young hero--from our world--who is a match for Lyra Silvertongue and whose destiny is every bit as shattering. Like Lyra, Will Parry has spent his childhood playing games. Unlike hers, though, his have been deadly serious. This 12-year-old long ago learned the art of invisibility: if he could erase himself, no one would discover his mother's increasing instability and separate them.
As the novel opens, Will's enemies will do anything for information about his missing father, a soldier and Arctic explorer who has been very much airbrushed from the official picture. Now Will must get his mother into safe seclusion and make his way toward Oxford, which may hold the key to John Parry's disappearance. But en route and on the lam from both the police and his family's tormentors, he comes upon a cat with more than a mouse on her mind: "She reached out a paw to pat something in the air in front of her, something quite invisible to Will." What seems to him a patch of everyday Oxford conceals far more: "The cat stepped forward and vanished." Will, too, scrambles through and into another oddly deserted landscape--one in which children rule and adults (and felines) are very much at risk. Here in this deathly silent city by the sea, he will soon have a dustup with a fierce, flinty little girl: "Her expression was a mixture of the very young--when she first tasted the cola--and a kind of deep, sad wariness." Soon Will and Lyra (and, of course, her dæmon, Pantalaimon) uneasily embark on a great adventure and head into greater tragedy.
As Pullman moves between his young warriors and the witch Serafina Pekkala, the magnetic, ever-manipulative Mrs. Coulter, and Lee Scoresby and his hare dæmon, Hester, there are clear signs of approaching war and earthly chaos. There are new faces as well. The author introduces Oxford dark-matter researcher Mary Malone; the Latvian witch queen Ruta Skadi, who "had trafficked with spirits, and it showed"; Stanislaus Grumman, a shaman in search of a weapon crucial to the cause of Lord Asriel, Lyra's father; and a serpentine old man whom Lyra and Pan can't quite place. Also on hand are the Specters, beings that make cliff-ghasts look like rank amateurs.
Throughout, Pullman is in absolute control of his several worlds, his plot and pace equal to his inspiration. Any number of astonishing scenes--small- and large-scale--will have readers on edge, and many are cause for tears. "You think things have to be possible," Will demands. "Things have to be true!" It is Philip Pullman's gift to turn what quotidian minds would term the impossible into a reality that is both heartbreaking and beautiful. --Kerry Fried [via]
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› Find signed collectible books: 'The Tenant of Wildfell Hall'
This work is a sometimes violent and brutal tale of love and betrayal, separation and reconciliation, set in the familiar Bronte landscape of bleak houses in moorland settings. [via]
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› Find signed collectible books: 'The Tenant of Wildfell Hall'
Published in June 1848, less than a year before her death, Anne Brontë's second (and last) novel, The Tenant of Wildfell Hall, is the somber account of the breakdown of a marriage in the face of alcoholism and infidelity. The novel enjoyed a modest success that led its publisher, the unscrupulous T.C. Newby, to issue a "Second Edition" less than two months later. The present edition, which completes the Clarendon Edition of the Novels of the Brontës, offers a text based on the collation of the first edition with the second. The introduction details the work's composition and early printing history, including its first publication in America; and the text is fully annotated. Appendices record the substantive variants in the first English and American editions, and discuss the author's belief in the doctrine of universal salvation. [via]
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Odyssey, The: The World's Great Classics, by Homer; tr. by S.H. Butcher and Andrew Lang [via]
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