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› Find signed collectible books: 'Adam Bede'
Adam Bede is a hardy young carpenter who cares for his aging mother. His one weakness is the woman he loves blindly: the trifling town beauty, Hetty Sorrel, whose only delights are her baubles - and the delusion that the careless Captain Donnithorne may ask for her hand. Betrayed by their innocence, both Adam and Hetty allow their foolish hearts to trap them in a triangle of seduction, murder, and retribution. [via]
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› Find signed collectible books: 'Alice's Adventures In Wonderland'
That Alice. When she's not traipsing after a rabbit into Wonderland, she's gallivanting off into the topsy-turvy world behind the drawing-room looking glass. In Through the Looking Glass, Lewis Carroll's masterful and zany sequel to Alice's Adventures in Wonderland, she makes more eccentric acquaintances, including Tweedledee and Tweedledum, the White Queen, and a somewhat grumpy Humpty Dumpty. Through a giant and elaborate chess game, Alice explores this odd country, where one must eat dry biscuits to quench thirst, and run like the wind to stay in one place. As in life, Alice must stay on her toes to learn the rules of this game. Through the Looking Glass immediately took its rightful place beside its partner on the shelf of eternal classics. And luckily for generations of enraptured children, Carroll was again able to persuade John Tenniel to create the fantastic woodblock engravings that have become so indelibly associated with the Alice stories. For almost 130 years, Alice's curious adventures have amused, perplexed, and delighted readers, young and old. This gorgeous, deluxe boxed set of both volumes contains engravings from Tenniel's original woodblocks that were discovered in a London bank in 1985, and reproduced for the first time here. "'What is the use of a book,' thought Alice, 'without pictures?'" What indeed? (All ages) [via]
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› Find signed collectible books: 'Alice's Adventures in Wonderland and Through the Looking-Glass and What Alice Found There'
That Alice. When she's not traipsing after a rabbit into Wonderland, she's gallivanting off into the topsy-turvy world behind the drawing-room looking glass. In Through the Looking Glass, Lewis Carroll's masterful and zany sequel to Alice's Adventures in Wonderland, she makes more eccentric acquaintances, including Tweedledee and Tweedledum, the White Queen, and a somewhat grumpy Humpty Dumpty. Through a giant and elaborate chess game, Alice explores this odd country, where one must eat dry biscuits to quench thirst, and run like the wind to stay in one place. As in life, Alice must stay on her toes to learn the rules of this game. Through the Looking Glass immediately took its rightful place beside its partner on the shelf of eternal classics. And luckily for generations of enraptured children, Carroll was again able to persuade John Tenniel to create the fantastic woodblock engravings that have become so indelibly associated with the Alice stories. For almost 130 years, Alice's curious adventures have amused, perplexed, and delighted readers, young and old. This gorgeous, deluxe boxed set of both volumes contains engravings from Tenniel's original woodblocks that were discovered in a London bank in 1985, and reproduced for the first time here. "'What is the use of a book,' thought Alice, 'without pictures?'" What indeed? (All ages) [via]
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› Find signed collectible books: 'Bleak House'
Bleak House is a satirical look at the Byzantine legal system in London as it consumes the minds and talents of the greedy and nearly destroys the lives of innocents--a contemporary tale indeed. Dickens's tale takes us from the foggy dank streets of London and the maze of the Inns of Court to the peaceful countryside of England. Likewise, the characters run from murderous villains to virtuous girls, from a devoted lover to a "fallen woman," all of whom are affected by a legal suit in which there will, of course, be no winner. The first-person narrative related by the orphan Esther is particularly sweet. The articulate reading by the acclaimed British actor Paul Scofield, whose distinctive broad English accent lends just the right degree of sonority and humor to the text, brings out the color in this classic social commentary disguised as a Victorian drama. However, to abridge Dickens is, well, a Dickensian task, the results of which make for a story in which the author's convoluted plot lines and twists of fate play out in what seems to be a fast-forward format. Listeners must pay close attention in order to keep up with the multiple narratives and cast of curious characters, including the memorable Inspector Bucket and Mr. Guppy. Fortunately, the publisher provides a partial list of characters on the inside jacket. (Running time: 3 hours; 2 cassettes) [via]

› Find signed collectible books: 'The Cement Garden'
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› Find signed collectible books: 'A Child in Time'
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› Find signed collectible books: 'A Collection of Rudyard Kipling's Just So Stories'
How did the rhinoceros get his wrinkly skin? Why won't cats come when they're called? How did one curious elephant with a nose for trouble change the lives of all elephants everywhere? These eight best-loved stories give inspired answers to these and other intriguing questions. Each story is illustrated by a different major contemporary picture-book artist. [via]
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› Find signed collectible books: 'The Crimson Petal and the White'
Although it's billed as "the first great 19th-century novel of the 21st century," The Crimson Petal and the White is anything but Victorian. It's the story of a well-read London prostitute named Sugar, who spends her free hours composing a violent, pornographic screed against men. Michel Faber's dazzling second novel dares to go where George Eliot's The Mill on the Floss and the works of Charles Dickens could not. We learn about the positions and orifices that Sugar and her clients favour, about her lingering skin condition, and about the suspect ingredients of her prophylactic douches. Still, Sugar believes she can make a better life for herself.
When she is taken up by a wealthy man, the perfumer William Rackham, her wings are clipped and she must balance financial security against the obvious servitude of her position. The physical risks and hardships of Sugar's life (and the even harder "honest" life she would have led as a factory worker) contrast--yet not entirely--with the medical mistreatment of her benefactor's wife, Agnes, and beautifully underscore Faber's emphasis on class and sexual politics.
In theme and treatment, this is a novel that Virginia Woolf might have written, had she been born 70 years later. The language, however, is Faber's own--brisk and elastic--and, after an awkward opening, the plethora of detail he offers (costume, food, manners, cheap stage performances, the London streets) slides effortlessly into his forward-moving sentences. When Agnes goes mad, for instance, "she sings on and on, while the house is discreetly dusted all around her and, in the concealed and subterranean kitchen, a naked duck, limp and faintly steaming, spreads its pimpled legs on a draining board." Despite its 800-plus pages, The Crimson Petal and the White turns out to be a quick read, since it is truly impossible to put down. --Regina Marler, Amazon.com [via]
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› Find signed collectible books: 'Eyre Affair'
Is this on your summer reading list? [via]
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› Find signed collectible books: 'Far from the Madding Crowd'
Set in his fictional wessex countryside in southwest england, far from the madding crowd was thomas hardy's breakthrough work. Though it was first published anonymously in 1874, the quick and tremendous success of far from the madding crowd persuaded hardy to give up his first profession, architecture, to concentrate on writing fiction. The story of the ill-fated passions of the beautiful bathsheba everdene and her three suitors offers a spectacle of country life brimming with an energy and charm not customarily associated with hardy [via]
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› Find signed collectible books: 'Flaubert's Parrot'
Just what sort of book is Flaubert's Parrot, anyway? A literary biography of 19th-century French novelist, radical, and intellectual impresario Gustave Flaubert? A meditation on the uses and misuses of language? A novel of obsession, denial, irritation, and underhanded connivery? A thriller complete with disguises, sleuthing, mysterious meetings, and unknowing targets? An extended essay on the nature of fiction itself?
On the surface, at first, Julian Barnes's book is the tale of an elderly English doctor's search for some intriguing details of Flaubert's life. Geoffrey Braithwaite seems to be involved in an attempt to establish whether a particularly fine, lovely, and ancient stuffed parrot is in fact one originally "borrowed by G. Flaubert from the Museum of Rouen and placed on his worktable during the writing of Un coeur simple, where it is called Loulou, the parrot of Felicité, the principal character of the tale."
What begins as a droll and intriguing excursion into the minutiae of Flaubert's life and intellect, along with an attempt to solve the small puzzle of the parrot--or rather parrots, for there are two competing for the title of Gustave's avian confrere--soon devolves into something obscure and worrisome, the exploration of an arcane Braithwaite obsession that is perhaps even pathological. The first hint we have that all is not as it seems comes almost halfway into the book, when after a humorously cantankerous account of the inadequacies of literary critics, Braithwaite closes a chapter by saying, "Now do you understand why I hate critics? I could try and describe to you the expression in my eyes at this moment; but they are far too discoloured with rage." And from that point, things just get more and more curious, until they end in the most unexpected bang.
One passage perhaps best describes the overall effect of this extraordinary story: "You can define a net in one of two ways, depending on your point of view. Normally, you would say that it is a meshed instrument designed to catch fish. But you could, with no great injury to logic, reverse the image and define the net as a jocular lexicographer once did: he called it a collection of holes tied together with string." Julian Barnes demonstrates that it is possible to catch quite an interesting fish no matter how you define the net. --Andrew Himes [via]
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› Find signed collectible books: 'Frankenstein'
Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image & but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates. [via]
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› Find signed collectible books: 'Frankenstein or the Modern Prometheus With Connections'
After days and nights of incredible labour and fatigue, Isucceding in disco- vering the cause of generation and life I became myself capable of bestowing animation upon lifeless matter... [via]
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› Find signed collectible books: 'Frankenstein, Or, The Modern Prometheus'
Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image & but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates. [via]
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› Find signed collectible books: 'A Handful of Dust'
"All over England people were waking up, queasy and despondent."
Few writers have walked the line between farce and tragedy as nimbly as Evelyn Waugh, who employed the conventions of the comic novel to chip away at the already crumbling English class system. His 1934 novel, A Handful of Dust, is a sublime example of his bleak satirical style: a mordantly funny exposé of aristocratic decadence and ennui in England between the wars.
Tony Last is an aristocrat whose attachment to an ideal feudal past is so profound that he is blind to his wife Brenda's boredom with the stately rhythms of country life. While he earnestly plays the lord of the manor in his ghastly Victorian Gothic pile, she sets herself up in a London flat and pursues an affair with the social-climbing idler John Beaver. In the first half of the novel Waugh fearlessly anatomizes the lifestyles of the rich and shameless. Everyone moves through an endless cycle of parties and country-house weekends, being scrupulously polite in public and utterly horrid in private. Sex is something one does to relieve the boredom, and Brenda's affair provides a welcome subject for conversation:
It had been an autumn of very sparse and meagre romance; only the most obvious people had parted or come together, and Brenda was filling a want long felt by those whose simple, vicarious pleasure it was to discuss the subject in bed over the telephone.Tony's indifference and Brenda's selfishness give their relationship a sort of equilibrium until tragedy forces them to face facts. The collapse of their relationship accelerates, and in the famous final section of the book Tony seeks solace in a foolhardy search for El Dorado, throwing himself on the mercy of a jungle only slightly more savage than the one he leaves behind in England. For all its biting wit, A Handful of Dust paints a bleak picture of the English upper classes, reaching beyond satire toward a very modern sense of despair. In Waugh's world, culture, breeding, and the trappings of civilization only provide more subtle means of destruction. --Simon Leake [via]
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› Find signed collectible books: 'Harry Potter'
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› Find signed collectible books: 'Harry Potter and the Goblet of Fire'
Harry Potter and the Goblet of Fire CD Set tells the story of Harry's fourth year at Hogwarts School of Witchcraft and Wizardry in 18 CDs. The audio book is also available in two volumes, Part 1 and Part 2, each containing 9 CDs.
Harry Potter and the Goblet of Fire is the long-awaited, heavily hyped fourth instalment of a phenomenally successful series that has captured the imagination of millions of readers, young and old, across the globe. For J K Rowling the pressure is certainly on to continue to come up with thrilling, pacey storylines that allow her hero to mature into a young man without detracting from the magical secret that has made Harry into a superstar. In this book, the teenage Harry has a certain gawky charm that fits well with his advancing adolescence. As the story moves on, Harry too moves on to a new level of maturity that leaves the reader wondering how he will learn from his experiences, and liking him all the more as a character.
Once returned to Hogwarts after his summer holiday with the dreadful Dursleys and an extraordinary outing to the Quidditch World Cup, the 14-year-old Harry and his fellow pupils are enraptured by the promise of the Triwizard Tournament: an ancient, ritualistic tournament that brings Hogwarts together with two other schools of wizardry--Durmstrang and Beauxbatons--in heated competition. But when Harry's name is pulled from the Goblet of Fire, and he is chosen to champion Hogwarts in the tournament, the trouble really begins. Still reeling from the effects of a terrifying nightmare that has left him shaken, and with the lightning-shaped scar on his head throbbing with pain (a sure sign that the evil Voldemort, Harry's sworn enemy, is close), Harry becomes at once the most popular boy in school. Yet, despite his fame, he is totally unprepared for the furore that follows.
This is a hefty volume: 636 pages, of which probably at least 200 could have been cut without detracting from the story. The weight and complexity of the book is perhaps a hint that Rowling now has her eye sharply focused on her adult audience, and the average child-reader (particularly one who is coming to Harry Potter for the first time) may well find its girth daunting. Rowling's ironic and pointed observations on tabloid journalism and the nature of media hype is just one of the references littered through the book that will tickle the grown-ups but may well fly over the heads of her young fans.
However, after a slow start, Harry Potter and the Goblet of Fire really starts to sparkle halfway through with Rowling's familiar magic (and yes, there is a death--sudden and tragic--and yes, Harry does start to notice girls). The crux of this story, however, is Harry's gradual coming-of-age and his handling of the increasingly determined threats to his own life.
This book is pivotal, not just for the author for whom the heat is well and truly on, but for Harry and his readers who, by the last chapter, are left in little doubt that there is much more to come. (Ages 10 to adult) --Susan Harrison [via]
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› Find signed collectible books: 'Harry Potter And the Order of the Phoenix'
Book Description--Special Features of the Deluxe Edition
This cloth-covered deluxe edition features full-color printed endpapers and a foil-stamped title on the spine, and comes complete with a full-color slipcase with matte lamination and foil-stamping. Best of all, the removable, suitable-for-framing book jacket is emblazoned with exclusive, original artwork (that's different than the regular edition) by illustrator Mary GrandPré--a one-of-a-kind keepsake that you won't find anywhere else.
Award-winning artist, conceptual illustrator, animated film scenery developer, ad designer, and, oh yes, illustrator for a worldwide children's book phenomenon, Mary GrandPré somehow manages to juggle all her hats quite well, to mix a metaphor. It seems appropriate to mix metaphors when you're talking about someone who has mixed her media--and her genres--so gracefully ever since she was a child.
As a 5-year-old, GrandPré began drawing. Five or six years later she was experimenting with Salvador Dali-style oil painting. Next she moved on to copying black-and-white photos out of the encyclopedia. Later still she decided to go to art school (Minneapolis College of Art and Design), where she learned that being an artist and being an illustrator were not mutually exclusive.
A couple of decades later, after working in corporate advertising, film (GrandPré created the environment and scenery art for the animated film Antz), and book publishing, this multitalented artist received a call asking if she might like to work on a book cover and some black-and-white illustrations for a book about a young wizard named Harry Potter. The rest--dare we say it?--is history.
You've read Harry Potter and the Order of the Phoenix--what do you think? Mary GrandPré: I think it's wonderful. It's unique, it's different from the rest. I think it's a really exciting part of the Harry Potter series. Amazon.com: Which Harry Potter book have you liked the best? GrandPré: I think they all stand alone, so I appreciate them separately, but when you tie them all together into the story you can't really have one without the other. I don't have a favorite. They're all great. Amazon.com: What was your original artistic inspiration for the first Harry Potter book? How did Harry end up looking like Harry? GrandPré:
When I illustrate a cover or a book, I draw upon what the author tells me; that's how I see my responsibility as an illustrator. J.K. Rowling is very descriptive in her writing--she gives an illustrator a lot to work with. Each story is packed full of rich visual descriptions of the atmosphere, the mood, the setting, and all the different creatures and people. She makes it easy for me. The images just develop as I sketch and retrace until it feels right and matches her vision. Amazon.com: How closely do you work with J.K. Rowling? GrandPré: I've only met her once, a couple years ago. The publisher shows her sketches and gets feedback, but she and I don't communicate. This is pretty typical for illustrator/author relationships: they keep our visions and voices separate. Amazon.com: How are you handling Harry growing up? GrandPré:
It's exciting. I kind of feel like his mom--or maybe his step-mom. J.K. Rowling is his mom. But I feel like it's a tricky thing to create a character and then age him. You have to take careful note of how that happens because any little tiny difference in a face can make the whole person look very different. Over the years Harry has become pretty solid in my mind. I just do a lot of experimenting on the drawing board, playing with how I would technically change this or that part of his face. What's really exciting is how Harry's personality changes from book to book, his level of confidence, things you see in normal kids. It's really fun to bring that into the drawings.
I'd say Maurice Sendak is one of them. As a kid I was really, really inspired by early Walt Disney. That sense of magic is something I want to bring into my work in my own way. It's hard to say who's my favorite--it changes. It's more about favorite pieces of art. I do like a variety of artwork. I don't feel fresh doing the same thing over and over, so I like to view a lot of art and be inspired by it according to subject or story, more so than just by illustrators or authors. Amazon.com: What do you think of the artwork in the international editions? GrandPré: I've only seen a couple of these editions. Everybody has their own vision of the story and what it should look like. To be honest, I really just focus on what I need to do with the books. That's even true for the movie and Harry Potter as a product, I try to stay focused on what's happening in my studio with Harry. Amazon.com: It must have been amazing to see the characters you worked with come to life in the movies. GrandPré:
It was pretty cool. I thought they were really good. It was so much fun to see the magic on the screen. Once in a while I would catch a glimpse of something that might have been inspired by something they saw in one of the books that I had drawn and that was great. I don't know if it was in there or not, but I'd like to think so! Amazon.com: Do you have a favorite character in all the books? GrandPré: Besides Harry, who's my favorite, obviously, I would say Hagrid because he's like my favorite people in my life. He's a lot like my dad: protective and loyal and big and sweet; and he's a lot like my dog, who's part St. Bernard and has the same qualities. I kind of have a personal connection with Hagrid. Amazon.com: Any advice for a budding illustrator? GrandPré:
Yes, I would just say keep working hard and don't give up. Illustration, like any form of art, is up for criticism, but it has to come from the heart or it's not good. If you're not enjoying what you're doing, keep trying new things because your best work will come from work you enjoy. Constantly try to listen to your inner voice about who you are as an artist and what you do and what you know. I don't know about magic but I know that I'm moved by it--I have been since I was a little kid--and it tends to come into my work even when I'm not illustrating things of magic. Just continue to try and be relaxed and natural about how you draw. Try to bring yourself out in your work. Amazon.com: If you could choose to live your life exactly the way you wanted to, no holds barred, what would change? GrandPré: I'd have a lot more time to do personal work. No holds barred, I would probably paint for myself, just go nuts, experiment, be my own art director, be my own critic, experience total freedom in my artwork. I try to do that in my work now, but it's hard to do when you are problem solving and illustrating other people's visions. I'm starting to write my own picture books now, so part of that dream is coming into view for me. More editions of Harry Potter And the Order of the Phoenix:
› Find signed collectible books: 'Harry Potter and the Prisoner of Azkaban'
For most children, summer vacation is something to look forward to. But not for our 13-year-old hero, who's forced to spend his summers with an aunt, uncle, and cousin who detest him. The third book in J.K. Rowling's Harry Potter series catapults into action when the young wizard "accidentally" causes the Dursleys' dreadful visitor Aunt Marge to inflate like a monstrous balloon and drift up to the ceiling. Fearing punishment from Aunt Petunia and Uncle Vernon (and from officials at Hogwarts School of Witchcraft and Wizardry who strictly forbid students to cast spells in the nonmagic world of Muggles), Harry lunges out into the darkness with his heavy trunk and his owl Hedwig.
As it turns out, Harry isn't punished at all for his errant wizardry. Instead he is mysteriously rescued from his Muggle neighborhood and whisked off in a triple-decker, violently purple bus to spend the remaining weeks of summer in a friendly inn called the Leaky Cauldron. What Harry has to face as he begins his third year at Hogwarts explains why the officials let him off easily. It seems that Sirius Black--an escaped convict from the prison of Azkaban--is on the loose. Not only that, but he's after Harry Potter. But why? And why do the Dementors, the guards hired to protect him, chill Harry's very heart when others are unaffected? Once again, Rowling has created a mystery that will have children and adults cheering, not to mention standing in line for her next book. Fortunately, there are four more in the works. (Ages 9 and older) --Karin Snelson [via]
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› Find signed collectible books: 'Harry Potter Y El Caliz De Fuego / Harry Potter And the Goblet of Fire'
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› Find signed collectible books: 'Harry Potter Y El Prisionero De Azkaban / Harry Potter And the Prisoner of Azkaban'
FOR USE IN SCHOOLS AND LIBRARIES ONLY. During his third year at Hogwarts School for Witchcraft and Wizardry, Harry Potter must confront the devious and dangerous wizard responsible for his parents' deaths. [via]
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› Find signed collectible books: 'Harry Potter Y La Orden Del Fenix / Harry Potter and the Order of the Phoenix'
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› Find signed collectible books: 'Howards End'
Margaret Schlegel, engaged to the much older, widowed Henry Wilcox, meets her intended the morning after accepting his proposal and realizes that he is a man who has lived without introspection or true self-knowledge. As she contemplates the state of Wilcox's soul, her remedy for what ails him has become one of the most oft-quoted passages in literature:
Only connect! That was the whole of her sermon. Only connect the prose and the passion and both will be exalted, and human love will be seen at its height. Live in fragments no longer.Like all of Forster's work, Howards End concerns itself with class, nationality, economic status, and how each of these affects personal relationships. It follows the intertwined fortunes of the Schlegel sisters, Margaret and Helen, and the Wilcox family over the course of several years. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes, on the other hand, can't be bothered with the life of the mind or the heart, leading, instead, outer lives of "telegrams and anger" that foster "such virtues as neatness, decision, and obedience, virtues of the second rank, no doubt, but they have formed our civilization." Helen, after a brief flirtation with one of the Wilcox sons, has developed an antipathy for the family; Margaret, however, forms a brief but intense friendship with Mrs. Wilcox, which is cut short by the older woman's death. When her family discovers a scrap of paper requesting that Henry give their home, Howards End, to Margaret, it precipitates a spiritual crisis among them that will take years to resolve.
Forster's 1910 novel begins as a collection of seemingly unrelated events--Helen's impulsive engagement to Paul Wilcox; a chance meeting between the Schlegel sisters and an impoverished clerk named Leonard Bast at a concert; a casual conversation between the sisters and Henry Wilcox in London one night. But as it moves along, these disparate threads gradually knit into a tightly woven fabric of tragic misunderstandings, impulsive actions, and irreparable consequences, and, eventually, connection. Though set in the early years of the 20th century, Howards End seems even more suited to our own fragmented era of e-mails and anger. For readers living in such an age, the exhortation to "only connect" resonates ever more profoundly. --Alix Wilber [via]
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› Find signed collectible books: 'I, Claudius'
Having never seen the famous 1970s television series based on Graves' historical novel of ancient Rome and being generally uneducated about matters both ancient and Roman, I wasn't prepared for such an engaging book. But it's a ripping good read, this fictional autobiography set in the Roman Empire's days of glory and decadence. As a history lesson, it's fabulous; as a novel it's also wonderful. Best is Claudius himself, the stutterer who let everyone think he was an idiot (to avoid getting poisoned) but who reveals himself in the narrative to be a wry and likable observer. His story continues in Claudius the God. [via]
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› Find signed collectible books: 'Ivanhoe'
Introduction and Notes by David Blair, University of Kent at Canterbury Set in the reign of Richard I, Coeur de Lion, Ivanhoe is packed with memorable incidents - sieges, ambushes and combats - and equally memorable characters: Cedric of Rotherwood, the die-hard Saxon; his ward Rowena; the fierce Templar knight, Sir Brian de Bois-Gilbert; the Jew, Isaac of York, and his beautiful, spirited daughter Rebecca; Wamba and Gurth, jester and swineherd respectively. Scott explores the conflicts between the Crown and the powerful Barons, between the Norman overlords and the conquered Saxons, and between Richard and his scheming brother, Prince John. At the same time he brings into the novel the legendary Robin Hood and his band, and creates a brilliant, colourful account of the age of chivalry with all its elaborate rituals and costumes and its values of honour and personal glory. [via]
› Find signed collectible books: 'Just So Stories'
One of the greatest children's books of all time, Just So Stories is a collection of timeless classics, including "How the Whale Got His Throat," "How the Camel Got His Hump," and "How the Elephant Got His Trunk." Written in the tradition of Indian and African oral storytelling, this volume is beautifully illustrated in color by well-known artist, Safaya Salter. An English novelist and poet who won the Nobel Prize for Literature in 1907, Kipling's popular stories have garnered attention for generations. This book is an ideal and inexpensive way to start building a classics library for any child, class set, or library. [via]
› Find signed collectible books: 'Just So Stories Set : For Little Children'
Rudyard Kipling''s Just So Stories are a clas sic part of children''s literature. Safaya Salter provides il lustrations to the tales which explain some of the mysteries of the animal world. ' [via]
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› Find signed collectible books: 'Lady Chatterly's Lover'
Perhaps the most famous of Lawrence's novels, the 1928 Lady Chatterley's Lover is no longer distinguished for the once-shockingly explicit treatment of its subject matter--the adulterous affair between a sexually unfulfilled upper-class married woman and the game keeper who works for the estate owned by her wheelchaired husband. Now that we're used to reading about sex, and seeing it in the movies, it's apparent that the novel is memorable for better reasons: namely, that Lawrence was a masterful and lyrical writer, whose story takes us bodily into the world of its characters. [via]
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› Find signed collectible books: 'The Line Of Beauty'
Interview with Alan Hollinghurst
Alan Hollinghurst's extraordinarily rich novel The Line of Beauty. has garnered a new level of acclaim for the author after winning the 2004 Man Booker Prize. Hollinghurst speaks about his work in our interview.
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› Find signed collectible books: 'Lord Jim'
This compact novel, completed in 1900, as with so many of the great novels of the time, is at its baseline a book of the sea. An English boy in a simple town has dreams bigger than the outdoors and embarks at an early age into the sailor's life. The waters he travels reward him with the ability to explore the human spirit, while Joseph Conrad launches the story into both an exercise of his technical prowess and a delicately crafted picture of a character who reaches the status of a literary hero. A classic novel. [via]
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› Find signed collectible books: 'Lord Jim : A Tale'
When Lord Jim first appeared in 1900, many took Joseph Conrad to task for couching an entire novel in the form of an extended conversation--a ripping good yarn, if you like. (One critic in The Academy complained that the narrator "was telling that after-dinner story to his companions for eleven solid hours.") Conrad defended his method, insisting that people really do talk for that long, and listen as well. In fact his chatty masterwork requires no defense--it offers up not only linguistic pleasures but a timeless exploration of morality.
The eponymous Jim is a young, good-looking, genial, and naive water-clerk on the Patna, a cargo ship plying Asian waters. He is, we are told, "the kind of fellow you would, on the strength of his looks, leave in charge of the deck." He also harbors romantic fantasies of adventure and heroism--which are promptly scuttled one night when the ship collides with an obstacle and begins to sink. Acting on impulse, Jim jumps overboard and lands in a lifeboat, which happens to be bearing the unscrupulous captain and his cohorts away from the disaster. The Patna, however, manages to stay afloat. The foundering vessel is towed into port--and since the officers have strategically vanished, Jim is left to stand trial for abandoning the ship and its 800 passengers.
Stripped of his seaman's license, convinced of his own cowardice, Jim sets out on a tragic and transcendent search for redemption. This may sound like the bleakest of narratives. But Lord Jim is also touching, elevating, and often funny. Here, for example, the narrator describes the ship's captain (proving that clothes do indeed make the man):
He made me think of a trained baby elephant walking on hind-legs. He was extravagantly gorgeous too--got up in a soiled sleeping suit, bright green and deep orange vertical stripes, with a pair of ragged straw slippers on his bare feet, and somebody's cast-off pith hat, very dirty and two sizes too small for him, tied up with a manilla rope-yarn on the top of his big head. You understand a man like that hasn't a ghost of a chance when it comes to borrowing clothes.This is formidable prose by any standard. But when you consider that Conrad was working in his third language, the sublime after-dinner story that is Lord Jim seems even more astonishing an accomplishment. --Teri Kieffer [via]
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› Find signed collectible books: 'The Man Who Was Thursday: A Nightmare'
In an article published the day before his death, G.K. Chesterton called The Man Who Was Thursday "a very melodramatic sort of moonshine." Set in a phantasmagoric London where policemen are poets and anarchists camouflage themselves as, well, anarchists, his 1907 novel offers up one highly colored enigma after another. If that weren't enough, the author also throws in an elephant chase and a hot-air-balloon pursuit in which the pursuers suffer from "the persistent refusal of the balloon to follow the roads, and the still more persistent refusal of the cabmen to follow the balloon."
But Chesterton is also concerned with more serious questions of honor and truth (and less serious ones, perhaps, of duels and dualism). Our hero is Gabriel Syme, a policeman who cannot reveal that his fellow poet Lucian Gregory is an anarchist. In Chesterton's agile, antic hands, Syme is the virtual embodiment of paradox:
He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realization; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinthe and cocoa, of both of which he had a healthy dislike.... Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left--sanity.Elected undercover into the Central European Council of anarchists, Syme must avoid discovery and save the world from any bombings in the offing. As Thursday (each anarchist takes the name of a weekday--the only quotidian thing about this fantasia) does his best to undo his new colleagues, the masks multiply. The question then becomes: Do they reveal or conceal? And who, not to mention what, can be believed? As The Man Who Was Thursday proceeds, it becomes a hilarious numbers game with a more serious undertone--what happens if most members of the council actually turn out to be on the side of right? Chesterton's tour de force is a thriller that is best read slowly, so as to savor his highly anarchic take on anarchy. --Kerry Fried [via]
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› Find signed collectible books: 'Mansfield Park'
Though Jane Austen was writing at a time when Gothic potboilers such as Ann Ward Radcliffe's The Mysteries of Udolpho and Horace Walpole's The Castle of Otranto were all the rage, she never got carried away by romance in her own novels. In Austen's ordered world, the passions that ruled Gothic fiction would be horridly out of place; marriage was, first and foremost, a contract, the bedrock of polite society. Certain rules applied to who was eligible and who was not, how one courted and married and what one expected afterwards. To flout these rules was to tear at the basic fabric of society, and the consequences could be terrible. Each of the six novels she completed in her lifetime are, in effect, comic cautionary tales that end happily for those characters who play by the rules and badly for those who don't. In Mansfield Park, for example, Austen gives us Fanny Price, a poor young woman who has grown up in her wealthy relatives' household without ever being accepted as an equal. The only one who has truly been kind to Fanny is Edmund Bertram, the younger of the family's two sons.
Into this Cinderella existence comes Henry Crawford and his sister, Mary, who are visiting relatives in the neighborhood. Soon Mansfield Park is given over to all kinds of gaiety, including a daring interlude spent dabbling in theatricals. Young Edmund is smitten with Mary, and Henry Crawford woos Fanny. Yet these two charming, gifted, and attractive siblings gradually reveal themselves to be lacking in one essential Austenian quality: principle. Without good principles to temper passion, the results can be disastrous, and indeed, Mansfield Park is rife with adultery, betrayal, social ruin, and ruptured friendships. But this is a comedy, after all, so there is also a requisite happy ending and plenty of Austen's patented gentle satire along the way. Describing the switch in Edmund's affections from Mary to Fanny, she writes: "I purposely abstain from dates on this occasion, that everyone may be at liberty to fix their own, aware that the cure of unconquerable passions, and the transfer of unchanging attachments, must vary much as to time in different people." What does not vary is the pleasure with which new generations come to Jane Austen. --Alix Wilber [via]
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› Find signed collectible books: 'The Mayor of Casterbridge'
One of the Wessex tales, this tells the story of the brooding, and sometimes brutal Michael Henchard and the women with whom he searches for happiness in the harsh world of 19th-century rural England. [via]
› Find signed collectible books: 'Moon and Sixpence'
On a trip to research French artist Paul Gauguin, Maugham sailed into Tahiti's Papeet harbor, where he imagined an exotic tale of the ultimate outsider, one who rejects his entire way of life to pursue an obsession. The result of his efforts is a story of rebellion and escape from civilization which continues to attract and captivate readers to this day. Introduction by Perry Meisel. [via]
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› Find signed collectible books: 'Northanger Abbey'
Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.
Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber [via]
› Find signed collectible books: 'The Pfizer Guide: Pharmacy Career Opportunities'
A true account of three young men and their six-month voyage along Labrador's graveyard of a coast. One of the greatest sea stories ever written. [via]
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› Find signed collectible books: 'The Pickwick Papers'
The Pickwick Papers is Dickens' first novel and widely regarded as one of the major classics of comic writing in English. Originally serialised in monthly instalments, it quickly became a huge popular success with sales reaching 40,000 by the final part. In the century and a half since its first appearance, the characters of Mr Pickwick, Sam Weller and the whole of the Pickwickian crew have entered the consciousness of all who love English literature in general, and the works of Dickens in particular. [via]

› Find signed collectible books: 'Plain Tales from the Hills'
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› Find signed collectible books: 'Posthumous Papers of the Pickwick Club'
Uniquely designed, this 6" X 9" deluxe edition of Signature Classics features a padded leatherette casing enhanced by gold gilding on all three sides. Highlighted by a full color picture insert on the cover surrounded by gold foil stamping, this series is sure to become a collectable. A standard Jacketed Edition is also available. [via]
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› Find signed collectible books: 'The Return of the Native'
The central figure of this novel is the returning "native", Clym Yeobright, and his love for the beautiful but capricious Eustacia Vye. As character after character is driven to self-destruction, the presence of Egdon Heath becomes all-embracing, while Clym becomes a preacher. [via]
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› Find signed collectible books: 'Room at the Top'
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› Find signed collectible books: 'The Sea, the Sea'
› Find signed collectible books: 'Silas Marner'
This Townsend Library classic has been carefully edited to be more accessible to today's students. It includes a background note about the book, an author's biography, and a lively afterword. Acclaimed by educators nationwide, the Townsend Library is helping millions of young adults discover the pleasure and power of reading. [via]
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› Find signed collectible books: 'Silas Marner: The Weaver of Raveloe'
Introduction and Notes by R.T. Jones, Honorary Fellow of the University of York Although the shortest of George Eliot's novels, Silas Marner is one of her most admired and loved works. It tells the sad story of the unjustly exiled Silas Marner - a handloom linen weaver of Raveloe in the agricultural heartland of England - and how he is restored to life by the unlikely means of the orphan child Eppie. Silas Marner is a tender and moving tale of sin and repentance set in a vanished rural world and holds the reader's attention until the last page as Eppie's bonds of affection for Silas are put to the test. [via]
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› Find signed collectible books: 'The Woman in White'
With an Introduction and Notes by Dr Scott Brewster, University of Central Lancashire Wilkie Collins is a master of mystery, and The Woman in White is his first excursion into the genre. When the hero, Walter Hartright, on a moonlit night in North London, encounters a solitary, terrified and beautiful woman dressed in white, he feels impelled to solve the mystery of her distress. The intricate plot is peopled with a finely characterised cast, from the peevish invalid Mr Fairlie to the corpulent villain Count Fosco and the enigmatic woman herself. [via]
› Find signed collectible books: 'Harry Potter Y El Prisionero De Azkaban / Harry Potter And the Prisoner of Azkaban'
Harry Potter no es un chico común, extraña el colegio en el verano. Pero su colegio es un colegio de magia y Harry es un mago. Este es el tercer episodio de la serie de novelas que ha causado un impacto mundial. [via]
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› Find signed collectible books: 'Harry Potter Y La Orden Del Fenix / Harry Potter and the Order of the Phoenix'
Book Details:
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› Find signed collectible books: 'Inglaterra, Inglaterra'
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› Find signed collectible books: 'Luces Del Norte/ The Golden Compass'
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› Find signed collectible books: 'Primer Suplemento a La Biblioteca Genealogica Guatemalteca: Notas, Comentarios, Adiciones'
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› Find signed collectible books: 'Harry Potter Et La Coupe De Feu / Harry Potter and the Goblet of Fire'
768 pages. [via]
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› Find signed collectible books: 'Harry Potter Et Le Prisonnaire D'azkaban / Harry Potter and the Prisoner of Azkaban'
Les titres de ce lot sont : Harry Potter et le prisonnier d'Azkaban Harry Potter et la chambre des Secrets Harry Potter à l'école des sorciers Harry Potter et la Coupe De Feu [via]
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› Find signed collectible books: 'Quand Nous Etions Orphelins'
383pages. 17x10,8x2,4cm. Poche. Christopher Banks, Anglais né à Shanghai à l'aube du XXe siècle, est devenu orphelin à 9 ans, à la suite de la disparition énigmatique de ses parents. Envoyé en Grande-Bretagne pour y poursuivre ses études, il devient un détective célèbre, résolvant les affaires les plus difficiles, avant de décider finalement de revenir sur les lieux de son enfance pour s'attaquer à l'énigme qui n'a cessé de le hanter : pourquoi ses parents ont-ils été enlevés ? Cet événement lourd de conséquences serait-il lié au trafic d'opium ? Mais est-il possible de cerner la vérité à partir de souvenirs évanescents, qui plus est dans une ville quotidiennement défigurée par les ravages de la guerre sino-japonaise ? Et peut-on faire confiance à un homme certes rigoureux, mais forcément impliqué émotionnellement dans son enquête ? Le lecteur est alors amené à endosser lui aussi l'habit de détective, en quête des bribes de vérité que livre la conscience labyrinthique du personnage. L'auteur virtuose des Vestiges du Jour explore ainsi à nouveau le territoire du dédale de la mémoire. Avec originalité et subtilité, perspicacité et finesse d'humour, il nous livre un roman remarquable, riche en émotions et en rebondissements. Le lecteur se laisse emporter avec plaisir par le souffle de cette ?uvre à l'atmosphère désenchantée, et qui invite à profiter des plaisirs minuscules de la vie. Un très bon cru, à consommer sans modération. -Nathalie Gouiffès [via]
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› Find signed collectible books: 'Les Royaumes Du Nord'
Il est au départ déstabilisant, le monde dans lequel nous invite Philip Pullman, c'est celui de Lyra, la jeune héroïne. Il ressemble étrangement au nôtre, et s'en sépare tout à la fois, étrangement, par des détails qui apparaissent au fil du récit. On voyage en zeppelin, on rencontre des sorcières, des ours en armure... Chaque personnage est accompagné d'un "daemon", sorte d'animal familier mais qui est bien plus que cela : le daemon fait partie de son compagnon humain, il est le reflet de son âme. L'un ne peut survivre à l'autre. Celui de Lyra s'appelle Pantalaimon. Il la suivra dans toutes ses aventures jusque dans les Royaumes du Nord, en quête de la vérité sur la mystérieuse "Poussière".
Voilà un roman résolument original, lyrique, poétique en même temps que passionnant. À la croisée des mondes, les croyances et les cultures se frottent, se lient ou se heurtent, les certitudes y vacillent, jusqu'à un dénouement en forme de suspense... suite au prochain épisode : La Tour des anges. À partir de 11 ans. --Pascale Wester [via]
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› Find signed collectible books: 'Das Buch Ruth'
Willkommen im Reich der postmodernen Narrativität ( Narri! Narro!). Nun gut, Scherz beiseite, wer Ishiguro kennt, wird, auch wenn es sich wie hier um eine Kriminalgeschichte handelt, ohnehin keinen Schlaf raubenden Reißer erwarten. Kunst darf (muss?) schließlich auch ein wenig anstrengen.
Was uns erwartet: Christopher Banks, der Protagonist des Romans, ist, nach erfolgreichem Universitätsbesuch, zum berühmtesten Londoner Detektiv der 30er Jahre geworden. Er ist ein Philosoph, ein Metaphysiker des Detektivischen. Doch was treibt ihn ins Investigative? Wir erfahren es mittels ausführlicher Rückblenden. Banks verbringt Kindheit und Jugend in Shanghai und muss erleben, dass eines Tages seine Eltern verschwunden sind. Er ist besessen davon, das Geheimnis dieses Verschwindens zu ergründen. Nach und nach wird jedoch deutlich, dass diese scheinbar präzisen Erinnerungen in den zahllosen Rückblenden nicht so sehr der Aufhellung der Vergangenheit, als der Konstruktion eines Idealbildes seiner Kindheit dienen. Wir hören, dezent, dezent, die postmoderne Nachtigall trapsen: Nicht die Geschichte als solche ist besonders wichtig, sondern die Beschreibung des postmodernen Ego im Prozess seiner Selbstfindung, seines Bemühens, Ordnung ins allgegenwärtige Chaos zu bringen.
In gewissem Sinne steht dieser Roman in einer Tradition des Kafkaesken ( nicht Kafkas!!): der Beschreibung des Unwirklichen und Unlogischen im vorgeblich Sinnhaften.
Lesbar und wider Erwarten unterhaltsam wird dieses Buch durch Ishiguros parodistisches Talent, auch wenn die manchmal unambitionierte bis fantasielose Übersetzung dem hohen literarischen Rang dieses Autors nicht immer gerecht wird. Trost und Versprechen zum Schluss: Das Mysterium des elterlichen Verschwindens wird tatsächlich enträtselt. --Dietrich Clausen [via]
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› Find signed collectible books: 'Harry Potter: 4 und der Feuerkelch'
Auch der vierte Harry Potter-Band wurde von den Fans sehnsüchtig erwartet, als er am 14. Oktober 2000 auf Deutsch erschien (am 08. Juli 2000 in der englischen Originalausgabe). 800 Seiten voller Abenteuer: u. a. werden die Fragen nach dem Gewinner des Quidditch-Worldcups beantwortet, außerdem in wen Harry sich verliebt und wer derjenige von den altvertrauten Figuren ist, der das Ende von Band 4 nicht überleben wird.
Die Weltmeisterschaft im Quidditch ist nicht nur ein sportlicher Höhepunkt, sondern auch eine organisatorische Meisterleistung (wie geben Tausende von Zauberern und Zauberinnen sich den Anschein, eine ganz harmlose Versammlung von Muggels zu sein?). Und der im Titel erwähnte Feuerkelch spielt eine nicht unbedeutende Rolle dabei, dass die Zauberschule Hogwarts im Wettbewerb mit zwei anderen Schulen einen gewissen Vorteil erhält. Sie haben richtig gelesen: Zwar haben wir uns bisher kein einziges Mal gefragt, ob es noch andere Zauberschulen außer Hogwarts gibt -- mit seinem weiten Gelände, das sich zwischen den Gewächshäusern der Botanik-Lehrerin Prof. Sprout, dem See und Hagrids Hütte mit seinem Zoo an absonderlichen magischen Kreaturen erstreckt, schien es uns wie ein kleines perfektes Universum. Aber so wie Joanne K. Rowling die Schüler aus dem noblen Beauxbatons und dem abgelegenen Durmstrang beschreibt, die in Hogwarts zu Gast sind, muss man ihr einfach glauben, dass es die reine Wahrheit und irgendwie schon immer so gewesen ist, so wie wir ihr auch jede Menge Poltergeister, Hauselfen, Einhörner, Zentauren und sonstige magische Wesen glauben.
Lord Voldemort, auch bekannt als Tom Riddle, auch bekannt als das Böse in Person (wenngleich seit einigen Jahren ohne einen eigenen Körper und quasi nur als eiskalter geistiger Hauch vorhanden) hat längst nicht aufgegeben, Harry nach dem Leben zu trachten -- und langsam, ganz langsam gelingt es ihm auch mithilfe des ihm ergebenen Wormtail, neue Kräfte zu sammeln. --Heike Reher
Harry Potter und der Feuerkelch gibt es als Normalausgabe und als Ausgabe für Erwachsene. Die beiden Ausgaben unterscheiden sich in der Umschlaggestaltung, sind aber textlich identisch. [via]
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› Find signed collectible books: 'Harry Potter und der Gefangene von Azkaban'
Dass es für ein Buch einen Erstverkaufstag gibt, ist nichts Neues, doch dass sogar eine Erstverkaufsstunde festgelegt wird, das hat es noch nicht gegeben. Als in England der dritte Band der beliebten Harry-Potter-Reihe erschien, wurde, um ein kollektives Schwänzen der Schüler zu vermeiden, bestimmt, dieses Buch nicht vor 16.30 Uhr zu veräußern. Trotzdem war nach wenigen Stunden die erste Auflage restlos ausverkauft.
Joanne Rowling knüpft auch in Deutschland mit ihrem neuen Band an ihren bisherigen Erfolg an. Harry ist mittlerweile im dritten Jahr auf der Zauberschule. Er ist so froh wie nie, als die Schule endlich wieder beginnt, denn wieder musste er seine Ferien bei den schrecklichen Dursleys verbringen. Und dann kommt auch noch die fürchterliche Tante Magda zu Besuch. Einfach grässlich. Aus Versehen lässt er sie mit einem kleinen Schwebezauber an die Decke abheben. Eigentlich bricht er damit eine Regel der Zauberer. Aber Harry droht kein Schulverweis, denn das Zauberministerium schützt ihn, da man vermutet, der gefürchtete Verbrecher Sirius Black -- aus dem gut bewachten Gefängnis Askaban entkommen -- ist hinter Harry her.
Harry rätselt, was Black mit ihm zu schaffen hat. Bei einem nächtlichen Gespräch erfährt er, dass dieser am Tod seiner Eltern beteiligt war.
Joanne Rowling lässt ihre Fantasie Purzelbäume schlagen und als erwachsener Leser kann man sich nur wünschen, immer so jung zu bleiben, dass einem dieses Buch Freude bereitet. --Manuela Haselberger
Harry Potter und der Gefangene von Askaban gibt es als Normalausgabe und als Ausgabe für Erwachsene. Die beiden Ausgaben unterscheiden sich in der Umschlaggestaltung, sind aber textlich identisch. [via]
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› Find signed collectible books: 'Harryz Zauberbox'
Die Box und die Bücher sind in einen guten gebrauchten Zustand. [via]
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› Find signed collectible books: 'Harry Potter & the Goblet of Fire'
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› Find signed collectible books: 'Harry Potter & the Prisoner of Azkaban'
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› Find signed collectible books: 'Hari Butor Wa Ka's An-nar / Harry Potter and the Goblet of Fire'
The Arabic Edition of the fascinating English thriller Harry Potter and the Order of the Phoenix [via]
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› Find signed collectible books: 'Hari Butor Wa Sajin Azkaban / Harry Potter and the Prisoner of Azkaban'
The Arabic Edition of the fascinating English thriller Harry Potter and the Prisoner of Azkaban [via]
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› Find signed collectible books: 'Quando Eravamo Orfani'
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› Find signed collectible books: 'Harry Potter and the Philosopher's Stone: Ancient Greek Edition'
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