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ISBN 9780671922542 (0-671-92254-8, 0671922548)

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Alice Walker

by Alice Walker

ISBN 0671922548 (0-671-92254-8)
Hardcover, Simon & Schuster

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Alice Walker: ISBN 0671922548 (0-671-92254-8)
Hardcover, Simon & Schuster

ISBN 9780345376718 (0-345-37671-4, 0345376714)

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The Autobiography of Malcolm X

by Alex Haley, Malcolm X, M. S. Handler

ISBN 0345376714 (0-345-37671-4)
Softcover, Ballantine Books

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Book summary:

Malcolm X's searing memoir belongs on the small shelf of great autobiographies. The reasons are many: the blistering honesty with which he recounts his transformation from a bitter, self-destructive petty criminal into an articulate political activist, the continued relevance of his militant analysis of white racism, and his emphasis on self-respect and self-help for African Americans. And there's the vividness with which he depicts black popular culture--try as he might to criticize those lindy hops at Boston's Roseland dance hall from the perspective of his Muslim faith, he can't help but make them sound pretty wonderful. These are but a few examples. The Autobiography of Malcolm X limns an archetypal journey from ignorance and despair to knowledge and spiritual awakening. When Malcolm tells coauthor Alex Haley, "People don't realize how a man's whole life can be changed by one book," he voices the central belief underpinning every attempt to set down a personal story as an example for others. Although many believe his ethic was directly opposed to Martin Luther King Jr.'s during the civil rights struggle of the '60s, the two were not so different. Malcolm may have displayed a most un-Christian distaste for loving his enemies, but he understood with King that love of God and love of self are the necessary first steps on the road to freedom. --Wendy Smith [via]

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ISBN 9780345350688 (0-345-35068-5, 0345350685)

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The Autobiography of Malcolm X

by Malcolm X, Alex Hailey

ISBN 0345350685 (0-345-35068-5)
Softcover, Ballantine Books

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Book summary:

Malcolm X's searing memoir belongs on the small shelf of great autobiographies. The reasons are many: the blistering honesty with which he recounts his transformation from a bitter, self-destructive petty criminal into an articulate political activist, the continued relevance of his militant analysis of white racism, and his emphasis on self-respect and self-help for African Americans. And there's the vividness with which he depicts black popular culture--try as he might to criticize those lindy hops at Boston's Roseland dance hall from the perspective of his Muslim faith, he can't help but make them sound pretty wonderful. These are but a few examples. The Autobiography of Malcolm X limns an archetypal journey from ignorance and despair to knowledge and spiritual awakening. When Malcolm tells coauthor Alex Haley, "People don't realize how a man's whole life can be changed by one book," he voices the central belief underpinning every attempt to set down a personal story as an example for others. Although many believe his ethic was directly opposed to Martin Luther King Jr.'s during the civil rights struggle of the '60s, the two were not so different. Malcolm may have displayed a most un-Christian distaste for loving his enemies, but he understood with King that love of God and love of self are the necessary first steps on the road to freedom. --Wendy Smith [via]

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ISBN 9781400033416 (1-4000-3341-1, 1400033411)

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Beloved

by Toni Morrison

ISBN 1400033411 (1-4000-3341-1)
Softcover, Random House Inc

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Book summary:

Toni Morrison gently reads her own Pulitzer Prize-winning work in the unabridged version of this riveting tale of ex-slave Sethe and the beloved ghost that haunts her. While Morrison makes occasional odd pauses in her reading, what is lost in smoothness is more than made up for in quiet intensity as the author reads words obviously deeply felt. Her intimate knowledge of the characters and their motivations lends this reading an authority that helps the listener sort out the breaks in time and dialogue in this complex story of a woman coming to terms with her enslaved past and the loss of her husband and baby daughter. (Running time: 12 hours, eight cassettes) --Kimberly Heinrichs [via]

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ISBN 9780451192035 (0-451-19203-6, 0451192036)

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Black Like Me: Library Edition

by John Howard Griffin

ISBN 0451192036 (0-451-19203-6)
Softcover, Signet

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Book summary:

In the Deep South of the 1950s, journalist John Howard Griffin decided to cross the color line. Using medication that darkened his skin to deep brown, he exchanged his privileged life as a Southern white man for the disenfranchised world of an unemployed black man. His audacious, still chillingly relevant eyewitness history is a work about race and humanity-that in this new millennium still has something important to say to every American.

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The Color Purple

by Alice Walker

ISBN 1568496281 (1-56849-628-1)
Hardcover, Buccaneer Books

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Book summary:

Celie is a poor black woman whose letters tell the story of 20 years of her life, beginning at age 14 when she is being abused and raped by her father and attempting to protect her sister from the same fate, and continuing over the course of her marriage to "Mister," a brutal man who terrorizes her. Celie eventually learns that her abusive husband has been keeping her sister's letters from her and the rage she feels, combined with an example of love and independence provided by her close friend Shug, pushes her finally toward an awakening of her creative and loving self. [via]

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ISBN 9780385334587 (0-385-33458-3, 0385334583)

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Giovanni's Room

by James Baldwin

ISBN 0385334583 (0-385-33458-3)
Softcover, Bantam Dell Pub Group

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Book summary:

Set in the contemporary Paris of American expatraites, liasons, and violence, a young man finds himself caught between desire and conventional morality. James Baldwin's brilliant narrative delves into the mystery of loving with a sharp, probing imagination, and he creates a moving, highly controversial story of death and passion that reveals the unspoken complexities of the heart. [via]

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ISBN 9780385334570 (0-385-33457-5, 0385334575)

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Go Tell It on the Mountain

by James Baldwin

ISBN 0385334575 (0-385-33457-5)
Softcover, Delta

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First published in 1953 when James Baldwin was nearly 30, Go Tell It on the Mountain is a young man's novel, as tightly coiled as a new spring, yet tempered by a maturing man's confidence and empathy. It's not a long book, and its action spans but a single day--yet the author packs in enough emotion, detail, and intimate revelation to make his story feel like a mid-20th-century epic. Using as a frame the spiritual and moral awakening of 14-year-old John Grimes during a Saturday night service in a Harlem storefront church, Baldwin lays bare the secrets of a tormented black family during the depression. John's parents, praying beside him, both wrestle with the ghosts of their sinful pasts--Gabriel, a preacher of towering hypocrisy, fathered an illegitimate child during his first marriage down South and refused to recognize his doomed bastard son; Elizabeth fell in love with a charming, free-spirited young man, followed him to New York, became pregnant with his son, and lost him before she could reveal her condition.

Baldwin lays down the terrible symmetries of these two blighted lives as the ironic context for John's dark night of the soul. When day dawns, John believes himself saved, but his creator makes it clear that this salvation arises as much from blindness as revelation: "He was filled with a joy, a joy unspeakable, whose roots, though he would not trace them on this new day of his life, were nourished by the wellspring of a despair not yet discovered."

Though it was hailed at publication for its groundbreaking use of black idiom, what is most striking about Go Tell It on the Mountain today is its structure and its scope. In peeling back the layers of these damaged lives, Baldwin dramatizes the story of the great black migration from rural South to urban North. "Behind them was the darkness," Baldwin writes of Gabriel and Elizabeth's lost generation, "nothing but the darkness, and all around them destruction, and before them nothing but the fire--a bastard people, far from God, singing and crying in the wilderness!" This is Baldwin's music--a music in which rhapsody is rooted anguish--and there is none finer in American literature. --David Laskin [via]

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ISBN 9780553279375 (0-553-27937-8, 0553279378)

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I Know Why the Caged Bird Sings

by Maya Angelou

ISBN 0553279378 (0-553-27937-8)
Softcover, Bantam Books

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Book summary:

In this first of five volumes of autobiography, poet Maya Angelou recounts a youth filled with disappointment, frustration, tragedy, and finally hard-won independence. Sent at a young age to live with her grandmother in Arkansas, Angelou learned a great deal from this exceptional woman and the tightly knit black community there. These very lessons carried her throughout the hardships she endured later in life, including a tragic occurrence while visiting her mother in St. Louis and her formative years spent in California--where an unwanted pregnancy changed her life forever. Marvelously told, with Angelou's "gift for language and observation," this "remarkable autobiography by an equally remarkable black woman from Arkansas captures, indelibly, a world of which most Americans are shamefully ignorant." [via]

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ISBN 9780791077689 (0-7910-7768-3, 0791077683)

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I know Why the Caged Bird Sings (Blooms Guides)

by Harold Bloom

ISBN 0791077683 (0-7910-7768-3)
Softcover, Facts on File

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I know Why the Caged Bird Sings (Blooms Guides): ISBN 0791077683 (0-7910-7768-3)
Softcover, Facts on File

ISBN 9780679732761 (0-679-73276-4, 0679732764)

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Invisible Man

by Ralph Ellison

ISBN 0679732764 (0-679-73276-4)
Softcover, Random House Inc

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Book summary:

A classic from the moment it first appeared in 1952, The Invisible Man chronicles the travels of its narrator, a young, nameless black man, as he moves through the hellish levels of American intolerance and cultural blindness. Searching for a context in which to know himself, he exists in a very peculiar state. "I am an invisible man," he says in his prologue, "When they approach me they see only my surroundings, themselves, or figments of their imagination--indeed, everything and anything except me." But this is hard-won self-knowledge, earned over the course of many years.

As the book gets started, the narrator is expelled from his Southern Negro college for inadvertently showing a white trustee the reality of black life in the south, including an incestuous farmer and a rural whorehouse. The college director chastises him: "Why, the dumbest black bastard in the cotton patch knows that the only way to please a white man is to tell him a lie! What kind of an education are you getting around here?" Mystified, the narrator moves north to New York City, where the truth, at least as he perceives it, is dealt another blow when he learns that his former headmaster's recommendation letters are, in fact, letters of condemnation.

What ensues is a search for what truth actually is, which proves to be supremely elusive. The narrator becomes a spokesman for a mixed-race band of social activists called "The Brotherhood" and believes he is fighting for equality. Once again, he realises he's been duped into believing what hethought was the truth, when in fact it is only another variation. Of the Brothers, he eventually discerns: "They were blind, bat blind, moving only by the echoed sounds of their voices. And because they were blind they would destroy themselves.... Here I thought they accepted me because they felt that colour made no difference, when in reality it made no difference because they didn't see either colour or men".

Invisible Man is certainly a book about race in America, andsadly enough, few of the problems it chronicles have disappeared even now. But Ellison's first novel transcends such a narrow definition. It's also a book about the human race stumbling down the path to identity, challenged and successful to varying degrees. None of us can ever be sure of the truth beyond ourselves, and possibly not even there. The world isa tricky place, and no one knows this better than the invisible man, who leaves us with these chilling, provocative words: "And it is this which frightens me: Who knows but that, on the lower frequencies, I speak for you?" --Melanie Rehak, Amazon.com [via]

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ISBN 9780791036662 (0-7910-3666-9, 0791036669)

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Maya Angelou's I Know Why the Caged Bird Sings

by Harold Bloom

ISBN 0791036669 (0-7910-3666-9)
Hardcover, Facts on File

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Book summary:

Maya Angelou's I Know Why the Caged Bird Sings accomplishes a controlled poignance in representing a portrait of the young artist as a black woman. Her novel is the focus of this edition of Bloom's Notes. Along with a collection of some of the best criticism available on his work, this text includes a brief biography of the author, structural and thematic analysis, an index of themes and ideas, and more. This series is edited by Harold Bloom, Sterling Professor of the Humanities, Yale University; Henry W. and Albert A. Berg Professor of English, New York University Graduate School. These texts are the ideal aid for all students of literature, presenting concise, easy-to-understand biographical, critical, and bibliographical information on a specific literary work. Also provided are multiple sources for book reports and term papers with a wealth of information on literary works, authors, and major characters. [via]

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Maya Angelou's I Know Why the Caged Bird Sings: ISBN 0791036669 (0-7910-3666-9)
Hardcover, Facts on File

ISBN 9781568496948 (1-56849-694-X, 156849694X)

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Native Son

by Wright

ISBN 156849694X (1-56849-694-X)
Hardcover, Buccaneer Books

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Book summary:

Bigger Thomas is doomed, trapped in a downward spiral that will lead to arrest, prison, or death, driven by despair, frustration, poverty, and incomprehension. As a young black man in the Chicago of the '30s, he has no way out of the walls of poverty and racism that surround him, and after he murders a young white woman in a moment of panic, these walls begin to close in. There is no help for him--not from his hapless family; not from liberal do-gooders or from his well-meaning yet naive friend Jan; certainly not from the police, prosecutors, or judges. Bigger is debased, aggressive, dangerous, and a violent criminal. As such, he has no claim upon our compassion or sympathy. And yet...

A more compelling story than Native Son has not been written in the 20th century by an American writer. That is not to say that Richard Wright created a novel free of flaws, but that he wrote the first novel that successfully told the most painful and unvarnished truth about American social and class relations. As Irving Howe asserted in 1963, "The day Native Son appeared, American culture was changed forever. It made impossible a repetition of the old lies [and] brought out into the open, as no one ever had before, the hatred, fear and violence that have crippled and may yet destroy our culture."

Other books had focused on the experience of growing up black in America--including Wright's own highly successful Uncle Tom's Children, a collection of five stories that focused on the victimization of blacks who transgressed the code of racial segregation. But they suffered from what he saw as a kind of lyrical idealism, setting up sympathetic black characters in oppressive situations and evoking the reader's pity. In Native Son, Wright was aiming at something more. In Bigger, he created a character so damaged by racism and poverty, with dreams so perverted, and with human sensibilities so eroded, that he has no claim on the reader's compassion:

"I didn't want to kill," Bigger shouted. "But what I killed for, I am! It must've been pretty deep in me to make me kill! I must have felt it awful hard to murder.... What I killed for must've been good!" Bigger's voice was full of frenzied anguish. "It must have been good! When a man kills, it's for something... I didn't know I was really alive in this world until I felt things hard enough to kill for 'em. It's the truth..."

Wright's genius was that, in preventing us from feeling pity for Bigger, he forced us to confront the hopelessness, misery, and injustice of the society that gave birth to him. --Andrew Himes [via]

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ISBN 9780679749868 (0-679-74986-1, 0679749861)

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Race Matters

by Cornel West

ISBN 0679749861 (0-679-74986-1)
Softcover, Random House Inc

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Book summary:

First published in 1993 on the one-year anniversary of the L.A. riots, Race Matters has since become an American classic. Beacon Press is proud to present this hardcover edition with a new introduction by Cornel West. The issues that it addresses are as controversial and urgent as before, and West's insights remain fresh, exciting, and timely. Now more than ever, Race Matters is a book for all Americansone that will help us build a genuine multiracial democracy. [via]

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ISBN 9780812035209 (0-8120-3520-8, 0812035208)

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Ralph Ellison's Invisible Man

by Anthony S. Abbott, P. Ellison

ISBN 0812035208 (0-8120-3520-8)
Softcover, Barrons Educational Series Inc

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Book summary:

A guide to reading "Invisible Man" with a critical and appreciative mind encouraging analysis of plot, style, form, and structure. Also includes background on the author's life and times, sample tests, term paper suggestions, and a reading list. [via]

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Ralph Ellison's Invisible Man: ISBN 0812035208 (0-8120-3520-8)
Softcover, Barrons Educational Series Inc

ISBN 9780737703207 (0-7377-0320-2, 0737703202)

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Readings on Native Son

by Richard Wright, Hayley R. Mitchell

ISBN 0737703202 (0-7377-0320-2)
Hardcover, Greenhaven Pr

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Book summary:

"An anthology of essays by scholars representing various perspectives and interpretation of the novel. The book(s) provides criticism and discussions of meaning, structure, and the historical content...as well as biographical information. It is organized in such a way that will give students a plethora of information in a largely accessible format. Each chapter heading is annotated, giving readers a chance to sample the content of the essays. Furthermore, each selection is introduced with background biographical data on the essay's author alongwith a summary of the content and the particular point of view represented. A reader-friendly and comprehensive resouce for students and teachers of world literature."
-- School Library Journal ( November 2001) (School Library Journal 20011015) [via]

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Readings on Native Son: ISBN 0737703202 (0-7377-0320-2)
Hardcover, Greenhaven Pr

ISBN 9781555460556 (1-55546-055-0, 1555460550)

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Richard Wright's Native Son

by Harold Bloom

ISBN 1555460550 (1-55546-055-0)
Hardcover, Facts on File

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Book summary:

Bigger Thomas is doomed, trapped in a downward spiral that will lead to arrest, prison, or death, driven by despair, frustration, poverty, and incomprehension. As a young black man in the Chicago of the '30s, he has no way out of the walls of poverty and racism that surround him, and after he murders a young white woman in a moment of panic, these walls begin to close in. There is no help for him--not from his hapless family; not from liberal do-gooders or from his well-meaning yet naive friend Jan; certainly not from the police, prosecutors, or judges. Bigger is debased, aggressive, dangerous, and a violent criminal. As such, he has no claim upon our compassion or sympathy. And yet...

A more compelling story than Native Son has not been written in the 20th century by an American writer. That is not to say that Richard Wright created a novel free of flaws, but that he wrote the first novel that successfully told the most painful and unvarnished truth about American social and class relations. As Irving Howe asserted in 1963, "The day Native Son appeared, American culture was changed forever. It made impossible a repetition of the old lies [and] brought out into the open, as no one ever had before, the hatred, fear and violence that have crippled and may yet destroy our culture."

Other books had focused on the experience of growing up black in America--including Wright's own highly successful Uncle Tom's Children, a collection of five stories that focused on the victimization of blacks who transgressed the code of racial segregation. But they suffered from what he saw as a kind of lyrical idealism, setting up sympathetic black characters in oppressive situations and evoking the reader's pity. In Native Son, Wright was aiming at something more. In Bigger, he created a character so damaged by racism and poverty, with dreams so perverted, and with human sensibilities so eroded, that he has no claim on the reader's compassion:

"I didn't want to kill," Bigger shouted. "But what I killed for, I am! It must've been pretty deep in me to make me kill! I must have felt it awful hard to murder.... What I killed for must've been good!" Bigger's voice was full of frenzied anguish. "It must have been good! When a man kills, it's for something... I didn't know I was really alive in this world until I felt things hard enough to kill for 'em. It's the truth..."

Wright's genius was that, in preventing us from feeling pity for Bigger, he forced us to confront the hopelessness, misery, and injustice of the society that gave birth to him. --Andrew Himes [via]

More editions of Richard Wright's Native Son:

ISBN 9781400033423 (1-4000-3342-X, 140003342X)

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Song Of Solomon

by Toni Morrison

ISBN 140003342X (1-4000-3342-X)
Softcover, Random House Inc

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Book summary:

The third novel from one America's most powerful writers turns 20 years old in 1997, but Song of Solomon long ago ascended to the top shelf in the ranks of great literature. This Everyman's Library hardcover edition of the Nobel Prize-winning Morrison's lyrical, powerful, and erudite novel contains a chronology that situates the book in its historical context, and an introduction from author Reynolds Price. [via]

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ISBN 9780060838676 (0-06-083867-1, 0060838671)

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Their Eyes Were Watching God

by Zora Neale Hurston, Gates, Henry Louis (AFT), Edwidge Danticat

ISBN 0060838671 (0-06-083867-1)
Softcover, Harpercollins

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Book summary:

At the height of the Harlem Renaissance during the 1930s, Zora Neale Hurston was the preeminent black woman writer in the United States. She was a sometime-collaborator with Langston Hughes and a fierce rival of Richard Wright. Her stories appeared in major magazines, she consulted on Hollywood screenplays, and she penned four novels, an autobiography, countless essays, and two books on black mythology. Yet by the late 1950s, Hurston was living in obscurity, working as a maid in a Florida hotel. She died in 1960 in a Welfare home, was buried in an unmarked grave, and quickly faded from literary consciousness until 1975 when Alice Walker almost single-handedly revived interest in her work.

Of Hurston's fiction, Their Eyes Were Watching God is arguably the best-known and perhaps the most controversial. The novel follows the fortunes of Janie Crawford, a woman living in the black town of Eaton, Florida. Hurston sets up her characters and her locale in the first chapter, which, along with the last, acts as a framing device for the story of Janie's life. Unlike Wright and Ralph Ellison, Hurston does not write explicitly about black people in the context of a white world--a fact that earned her scathing criticism from the social realists--but she doesn't ignore the impact of black-white relations either:

It was the time for sitting on porches beside the road. It was the time to hear things and talk. These sitters had been tongueless, earless, eyeless conveniences all day long. Mules and other brutes had occupied their skins. But now, the sun and the bossman were gone, so the skins felt powerful and human. They became lords of sounds and lesser things. They passed nations through their mouths. They sat in judgment.

One person the citizens of Eaton are inclined to judge is Janie Crawford, who has married three men and been tried for the murder of one of them. Janie feels no compulsion to justify herself to the town, but she does explain herself to her friend, Phoeby, with the implicit understanding that Phoeby can "tell 'em what Ah say if you wants to. Dat's just de same as me 'cause mah tongue is in mah friend's mouf."

Hurston's use of dialect enraged other African American writers such as Wright, who accused her of pandering to white readers by giving them the black stereotypes they expected. Decades later, however, outrage has been replaced by admiration for her depictions of black life, and especially the lives of black women. In Their Eyes Were Watching God Zora Neale Hurston breathes humanity into both her men and women, and allows them to speak in their own voices. --Alix Wilber [via]

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