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› Find signed collectible books: '1984'
Among the seminal texts of the 20th century, Nineteen Eighty-Four is a rare work that grows more haunting as its futuristic purgatory becomes more real. Published in 1949, the book offers political satirist George Orwell's nightmare vision of a totalitarian, bureaucratic world and one poor stiff's attempt to find individuality. The brilliance of the novel is Orwell's prescience of modern life--the ubiquity of television, the distortion of the language--and his ability to construct such a thorough version of hell. Required reading for students since it was published, it ranks among the most terrifying novels ever written. [via]
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› Find signed collectible books: '1984'
Among the seminal texts of the 20th century, Nineteen Eighty-Four is a rare work that grows more haunting as its futuristic purgatory becomes more real. Published in 1949, the book offers political satirist George Orwell's nightmare vision of a totalitarian, bureaucratic world and one poor stiff's attempt to find individuality. The brilliance of the novel is Orwell's prescience of modern life--the ubiquity of television, the distortion of the language--and his ability to construct such a thorough version of hell. Required reading for students since it was published, it ranks among the most terrifying novels ever written. [via]
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› Find signed collectible books: 'The Authority'

› Find signed collectible books: 'The Authority'
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› Find signed collectible books: 'The Authority'
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› Find signed collectible books: 'Authority'
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› Find signed collectible books: 'Between Past and Future'
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› Find signed collectible books: 'The Blue Angel'
› Find signed collectible books: 'The Castle'
They are perhaps the most famous literary instructions never followed: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread...." Thankfully, Max Brod did not honor his friend Franz Kafka's final wishes. Instead, he did everything within his power to ensure that Kafka's work would find publication--including making some sweeping changes in the original texts. Until recently, the world has known only Brod's version of Kafka, with its altered punctuation, word order, and chapter divisions. Restoring much of what had previously been expunged, as well as the fluid, oral quality of Kafka's original German, Mark Harman's new translation of The Castle is a major literary event.
One of three unfinished novels left after Kafka's death, The Castle is in many ways the writer's most enduring and influential work. In Harman's muscular translation, Kafka's text seems more modern than ever, the words tumbling over one another, the sentences separated only by commas. Harman's version also ends the same way as Kafka's original manuscript--that is, in mid-sentence: "She held out her trembling hand to K. and had him sit down beside her, she spoke with great difficulty, it was difficult to understand her, but what she said--." For anyone used to reading Kafka in his artificially complete form, the effect is extraordinary; it is as if Kafka himself had just stepped from the room, leaving behind him a work whose resolution is the more haunting for being forever out of reach. [via]
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› Find signed collectible books: 'Castle'
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› Find signed collectible books: 'The Castle : A New Translation Based on the Restored Text'
They are perhaps the most famous literary instructions never followed: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread...." Thankfully, Max Brod did not honor his friend Franz Kafka's final wishes. Instead, he did everything within his power to ensure that Kafka's work would find publication--including making some sweeping changes in the original texts. Until recently, the world has known only Brod's version of Kafka, with its altered punctuation, word order, and chapter divisions. Restoring much of what had previously been expunged, as well as the fluid, oral quality of Kafka's original German, Mark Harman's new translation of The Castle is a major literary event.
One of three unfinished novels left after Kafka's death, The Castle is in many ways the writer's most enduring and influential work. In Harman's muscular translation, Kafka's text seems more modern than ever, the words tumbling over one another, the sentences separated only by commas. Harman's version also ends the same way as Kafka's original manuscript--that is, in mid-sentence: "She held out her trembling hand to K. and had him sit down beside her, she spoke with great difficulty, it was difficult to understand her, but what she said--." For anyone used to reading Kafka in his artificially complete form, the effect is extraordinary; it is as if Kafka himself had just stepped from the room, leaving behind him a work whose resolution is the more haunting for being forever out of reach. [via]
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› Find signed collectible books: 'The Castle: Classic Collection'
They are perhaps the most famous literary instructions never followed: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread...." Thankfully, Max Brod did not honor his friend Franz Kafka's final wishes. Instead, he did everything within his power to ensure that Kafka's work would find publication--including making some sweeping changes in the original texts. Until recently, the world has known only Brod's version of Kafka, with its altered punctuation, word order, and chapter divisions. Restoring much of what had previously been expunged, as well as the fluid, oral quality of Kafka's original German, Mark Harman's new translation of The Castle is a major literary event.
One of three unfinished novels left after Kafka's death, The Castle is in many ways the writer's most enduring and influential work. In Harman's muscular translation, Kafka's text seems more modern than ever, the words tumbling over one another, the sentences separated only by commas. Harman's version also ends the same way as Kafka's original manuscript--that is, in mid-sentence: "She held out her trembling hand to K. and had him sit down beside her, she spoke with great difficulty, it was difficult to understand her, but what she said--." For anyone used to reading Kafka in his artificially complete form, the effect is extraordinary; it is as if Kafka himself had just stepped from the room, leaving behind him a work whose resolution is the more haunting for being forever out of reach. [via]
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› Find signed collectible books: 'The Castle: Classic Collection'
They are perhaps the most famous literary instructions never followed: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread...." Thankfully, Max Brod did not honor his friend Franz Kafka's final wishes. Instead, he did everything within his power to ensure that Kafka's work would find publication--including making some sweeping changes in the original texts. Until recently, the world has known only Brod's version of Kafka, with its altered punctuation, word order, and chapter divisions. Restoring much of what had previously been expunged, as well as the fluid, oral quality of Kafka's original German, Mark Harman's new translation of The Castle is a major literary event.
One of three unfinished novels left after Kafka's death, The Castle is in many ways the writer's most enduring and influential work. In Harman's muscular translation, Kafka's text seems more modern than ever, the words tumbling over one another, the sentences separated only by commas. Harman's version also ends the same way as Kafka's original manuscript--that is, in mid-sentence: "She held out her trembling hand to K. and had him sit down beside her, she spoke with great difficulty, it was difficult to understand her, but what she said--." For anyone used to reading Kafka in his artificially complete form, the effect is extraordinary; it is as if Kafka himself had just stepped from the room, leaving behind him a work whose resolution is the more haunting for being forever out of reach. [via]
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› Find signed collectible books: 'El Castillo'
El castillo es una novela de Franz Kafka. Publicada póstumamente, se trata de una obra inconclusa que Kafka había empezado a escribir en enero de 1922.
Su protagonista, conocido solamente como K., lucha para acceder a las misteriosas autoridades de un castillo que gobierna el pueblo al cual K. ha llegado a trabajar como agrimensor. En líneas generales, El castillo trata sobre la alienación, la burocracia, y la frustración, aparentemente interminable, de los intentos de un hombre de oponerse al sistema.
[via]
› Find signed collectible books: 'El Principe / the Prince'
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![[???]: George Orwell Complete & Unabridged [???]: George Orwell Complete & Unabridged](http://ecx.images-amazon.com/images/P/0905712048.01._SL160_SCLZZZZZZZ__.jpg)
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› Find signed collectible books: 'George Orwell's 1984'
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› Find signed collectible books: 'Great Books of the Western World'
The Iliad (Ancient Greek ?????, Ilias) is, together with the Odyssey, one of two ancient Greek epic poems attributed to Homer, a supposedly blind Ionian poet. The epics are considered by most modern scholars to be the oldest literature in the Greek language. The Iliad concerns events during the tenth and final year in the siege of the city of Ilion, or Troy, by the Greeks. The Odyssey (Greek: ????????, Odusseia)is commonly dated circa 800 to 600 BC. The poem is, in part, a sequel to Homer's Iliad and mainly concerns the events that befall the Greek hero Odysseus (or Ulysses) in his long journeys after the fall of Troy and when he at last returns to his native land of Ithaca. [via]
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› Find signed collectible books: 'Jenny Sparks: The Secret History of the Authority'
Was the spirit of the 20th century really anarchist? In Jenny Sparks: The Secret History of the Authority it seems not only plausible but inevitable. The book spans our heroine's 100-year life, focusing on key elements in the development of the Authority metahuman team, and pointing out the mischief that she made along the way. True to the series' larger-than-life aesthetic, Sparks finds herself befriending a young Hitler, arranging for the destruction of a sentient Kansas City, and sticking it to the man every chance she gets. While not all of the details contained in the book will be clear to readers unfamiliar with the Authority or Stormwatch, it's still great fun and should inspire a few return trips to the 20th century. --Rob Lightner [via]
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› Find signed collectible books: 'Ken Kesey's One Flew over the Cuckoo's Nest'
A guide to reading "One Flew over the Cuckoo's Nest" with a critical and appreciative mind. Includes background on the author's life and times, sample tests, term paper suggestions, and a reading list. [via]
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› Find signed collectible books: 'The Last Word: Beyond The Bible Wars To A New Understanding Of The Authority Of Scripture'
While showing how both evangelicals and liberals misread Scripture, a leading Bible scholar and Anglican bishop shows how to restore the Bibles authority today for guiding the church through its many controversies. [via]
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› Find signed collectible books: 'The Last Word: Scripture and the Authority of God--Getting Beyond the Bible Wars'
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› Find signed collectible books: 'Machiavelli: Il Principe'
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› Find signed collectible books: 'Machiavelli: The Prince'
In his introduction to this new translation by Russell Price, Professor Skinner presents a lucid analysis of Machiavelli's text as a response both to the world of Florentine politics, and as an attack on the advice-books for princes published by a number of his contemporaries. This new edition includes notes on the principal events in Machiavelli's life, and on the vocabulary of The Prince, as well as biographical notes on characters in the text. [via]
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› Find signed collectible books: 'MacHiavelli's the Prince: Text and Commentary'
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› Find signed collectible books: 'Niccolo Machiavelli's the Prince'
Plot synopsis of this classic is made meaningful with analysis and quotes by noted literary critics, summaries of the work's main themes and characters, a sketch of the author's life and times, a bibliography, suggested test questions, and ideas for essays and term papers. [via]
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› Find signed collectible books: 'Nineteen Eighty-Four'
Among the seminal texts of the 20th century, Nineteen Eighty-Four is a rare work that grows more haunting as its futuristic purgatory becomes more real. Published in 1949, the book offers political satirist George Orwell's nightmare vision of a totalitarian, bureaucratic world and one poor stiff's attempt to find individuality. The brilliance of the novel is Orwell's prescience of modern life--the ubiquity of television, the distortion of the language--and his ability to construct such a thorough version of hell. Required reading for students since it was published, it ranks among the most terrifying novels ever written. [via]
› Find signed collectible books: 'Obedience to Authority'
The Dilema of Obedience
Obedience is as basic an element in the structure of social life as one can point to. Some system of authority is a requirement of all communal living, and it is only the man dwelling in isolation who is not forced to respond, through defiance or submission, to the commands of others. Obedience, as a determinant of behavior is of particular relevance to our time. It has been reliably established that from 1933 to 1945 millions of innocent people were systematically slaughtered on command. Gas chambers were built, death camps were guarded, daily quotas of corpses were produced with the same efficiency as the manufacture of appliances. These inhumane policies may have originated in the mind of a single person, but they could only have been carried out on a massive scale if a very large number of people obeyed orders.
Obedience is the psychological mechanism that links individual action to political purpose. It is the dispositional cement that binds men to systems of authority. Facts of recent history and observation in daily life suggest that for many people obedience may be a deeply ingrained behavior tendency, indeed, a prepotent impulse overriding training in ethics, sympathy, and moral conduct. C. P. Snow (1961) points to its importance when he writes:
When you think of the long and gloomy history of man, you will find more hideous crimes have been committed in the name of obedience than have ever been committed in the name of rebellion. If you doubt that, read William Sbirer's 'Rise and Fall of the Third Reich.' The German Officer Corps were brought up in the most rigorous code of obedience . . . in the name of obedience they were party to, andassisted in, the most wicked large scale actions in the history of the world. (p. 24)
The Nazi extermination of European Jews is the most extremeinstance of abhorrent immoral acts carried out by thousands ofpeople in the name of obedience. Yet in lesser degree this type ofthing is constantly recurring: ordinary citizens are ordered todestroy other people, and they do so because they consider ittheir duty to obey orders. Thus, obedience to authority, longpraised as a virtue, takes on a new aspect when it serves amalevolent cause; far from appearing as a virtue, it is transformedinto a heinous sin. Or is it?
The moral question of whether one should obey when commands conflict with conscience was argued by Plato, dramatized in "Antigone," and treated to philosophic analysis in every historical epoch Conservative philosophers argue that the very fabric of society is threatened by disobedience, and even when the act prescribed by an authority is an evil one, it is better to carry out the act than to wrench at the structure of authority. Hobbes stated further that an act so executed is in no sense the responsibility of the person who carries it out but only of the authority that orders it. But humanists argue for the primacy of individual conscience in such matters, insisting that the moral judgments of the individual must override authority when the two are in conflict.
The legal and philosophic aspects of obedience are of enormous import, but an empirically grounded scientist eventually comes to the point where he wishes to move from abstract discourse to the careful observation of concrete instances. In order to take a close look at the act of obeying, I set up a simple experimentat Yale University. Eventually, the experiment was to involve more than a thousand participants and would be repeated at several universities, but at the beginning, the conception was simple. A person comes to a psychological laboratory and is told to carry out a series of acts that come increasingly into conflict with conscience. The main question is how far the participant will comply with the experimenter's instructions before refusing to carry out the actions required of him.
But the reader needs to know a little more detail about the experiment. Two people come to a psychology laboratory to take part in a study of memory and learning. One of them is designated as a "teacher" and the other a "learner." The experimenter explains that the study is concerned with the effects of punishment on learning. The learner is conducted into a room, seated in a chair, his arms strapped to prevent excessive movement, and an electrode attached to his wrist. He is told that he is to learn a list of word pairs; whenever he makes an error, be will receive electric shocks of increasing intensity.
The real focus of the experiment is the teacher. After watching the learner being strapped into place, he is taken into the main experimental room and seated before an impressive shock generator. Its main feature is a horizontal line of thirty switches, ranging from 15 volts to 450 volts, in 15-volt increments. There are also verbal designations which range from Slight SHOCK to Danger--Severe SHOCK. The teacher is told that he is to administer the learning test to the man in the other room. When the learner responds correctly, the teacher moves on to the next item; when the other man gives an incorrectanswer, the teacher is to give him an electric shock. He is to start at the lowest shock level ( 15 volts) and to increase the level each time the man makes an error, going through 30 volts, 45 volts, and so on.
The "teacher" is a genuinely naive subject who has come to the laboratory to participate in an experiment. The learner, or victim, is an actor who actually receives no shock at all. The point of the experiment is to see how far a person will proceed in a concrete and measurable situation in which he is ordered to inflict increasing pain on a protesting victim. [via]
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› Find signed collectible books: 'Obedience to Authority: An Experimental View'
In the 1960s Stanley Milgram carried out a series of experiments in which human subjects were given progressively more painful electro-shocks in a careful calibrated series to determine to what extent people will obey orders even when they knew them to be painful and immoral-to determine how people will obey authority regardless of consequences. These experiments came under heavy criticism at the time but have ultimately been vindicated by the scientific community. This book is Milgram2s vivid and persuasive explanation of his methods.
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› Find signed collectible books: 'One Flew over the Cuckoo's Nest'
"Powerful, poetic realism...makes the tired old subject of life in a mental hospital into an absorbing Orwellian microcosm of all humanity."- Life . An international bestseller and the basis for a hugely successful film, Ken Kesey 's One Flew Over the Cuckoo's Nest was one of the defining works of the 1960s. This Viking Critical Library edition is accompanied by essays, discussion topics, a chronology, and a bibliography. A mordant, wickedly subversive parable set in a mental ward, the novel chronicles the head-on collision between its hell-raising, life-affirming hero Randle Patrick McMurphy and the totalitarian rule of Big Nurse. McMurphy swaggers into the mental ward like a blast of fresh air and turns the place upside down, starting a gambling operation, smuggling in wine and women, and egging on the other patients to join him in open rebellion. But McMurphy's revolution against Big Nurse and everything she stands for quickly turns from sport to a fierce power struggle with shattering results. With One Flew Over the Cuckoo's Nest , Kesey created a work without precedent in American literature, a novel at once comic and tragic that probes the nature of madness and sanity, authority and vitality. Greeted by unanimous acclaim when it was first published, the book has become and enduring favorite of readers. [via]
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› Find signed collectible books: 'The Prince'
"The Prince" has long been both praised and reviled for its message of moral relativism, and political expediency. Although a large part is devoted to the mechanics of gaining and staying in power, Machiavelli's end purpose is to maintain a just and stable government. He is not ambiguous in stating his belief that committing a small cruelty to avert a larger is not only justifiable, but required of a just ruler. Machiavelli gives a vivid portrayal of his world in the chaos and tumult of early 16th century Florence, Italy and Europe. He uses both his contemporary political situation, and that of the classical period to illustrate his precepts of statecraft. [via]
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› Find signed collectible books: 'The Prince'
(Book Jacket Status: Jacketed)
That Machiavellis name has become synonymous with cold-eyed political calculation only heightens the intrinsic fascination of The Princethe worlds preeminent how-to manual on the art of getting and keeping power, and one of the literary landmarks of the Italian Renaissance. Written in a vigorous, straightforward style that reflects its authors realism, this treatise on states, statecraft, and the ideal ruler is essential reading for anyone seeking to understand how human society actually works. [via]
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› Find signed collectible books: 'Prince And Other Writings'
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› Find signed collectible books: 'Prince Maachiavelli'
What makes this well-annotated translation stand out from others is an insightful introduction by editor Thomas G. Bergin--especially helpful for achieving a better understanding of the times and the political scene in which Machiavelli worked, lived, and wrote. Also included are a list of important dates in Machiavelli's life, an index of proper names in the text and notes, and a selected bibliography. [via]
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› Find signed collectible books: 'Summerhill: A Radical Approach to Childrearing'
book [via]
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› Find signed collectible books: 'A Tale of Three Kings'
› Find signed collectible books: '1984'
En esta novela encontramos al lider unico cuya presencia es ante todo una abstraccion, la negacion del individuo, la sustraccion de la informacion: el Gran Hermano. Es, al mismo tiempo, una advertencia y un deseo. El autor ha construido una metafora del imaginario social del siglo XX, al describir un pais carcelario, vigilado por un lugar desde donde se ve a el y a todos. [via]
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› Find signed collectible books: 'Nineteen Eighty-four'
En esta novela encontramos al lider unico cuya presencia es ante todo una abstraccion, la negacion del individuo, la sustraccion de la informacion: el Gran Hermano. Es, al mismo tiempo, una advertencia y un deseo. El autor ha construido una metafora del imaginario social del siglo XX, al describir un pais carcelario, vigilado por un lugar desde donde se ve a el y a todos. [via]
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› Find signed collectible books: 'De Principatibus: Le Prince'
Dédié à Laurent de Médicis, Le Prince est une oeuvre nourrie par l'expérience d'ambassadeur de son auteur. Machiavel y définit les fins du gouvernement : sur le plan extérieur, maintenir à tout prix son emprise sur les territoires conquis ; sur le plan intérieur, se donner les moyens de rester au pouvoir. Parce que les hommes sont égoïstes, le prince n'est pas tenu d'être moral. Il doit être craint en évitant de se faire haïr par le peuple.
La réduction de Machiavel au machiavélisme est cependant trop simpliste. On peut même lire Le Prince comme une des premières oeuvres de science politique, l'auteur ne cherchant qu'à décrire les mécanismes du pouvoir, à la manière du physicien qui détermine les lois de la gravitation. Rousseau ou encore Spinoza ont même pensé que Le Prince s'adressait en vérité au peuple pour l'avertir des stratégies utilisées par les tyrans.
Oeuvre géniale dans son ambiguïté, Le Prince peut donc être lu soit comme un traité de gouvernement à l'usage du despote, soit comme un ouvrage de science, voire comme une critique déguisée du despotisme. --Paul Klein [via]
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› Find signed collectible books: 'Il Principe'
Con un saggio di Raymond Aron su "Machiavelli e Marx". Introduzione e cronologia di Franco Melotti, note di Ettore Janni e un glossario ideologico 16mo pp. 222 broch [via]
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