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› Find signed collectible books: 'The Analects of Confucius: Lun Yu'
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› Find signed collectible books: 'As You Like It'
The new editions contain new sections: Classwork and Examinations and Background to Shakespeare's England . There are also short sections on Date and Text, and Source. [via]
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› Find signed collectible books: 'Between Dignity and Despair: Jewish Life in Nazi Germany'
As the old saying goes, hindsight is always 20-20; people looking back on the Holocaust and the events leading up to it often wonder why the Jews didn't flee Nazi Germany or why they put up with the prejudice and degradation inflicted upon them by the Nazis. From our perspective, 50 years later, it seems almost incredible that the victims of genocide didn't see it coming and made little effort to escape. But as Marion Kaplan makes clear in her powerful book, Between Dignity and Despair, the choices were much murkier at the time. The Jews didn't leave because Germany was their home and had been for centuries; like everyone else, they had responsibilities and commitments to family, jobs and communities that kept them there. Nor, in the early days of Hitler's regime, could the Jews of Nazi Germany have foreseen the terrible humiliations they would suffer or imagined the horror of the Final Solution.
Kaplan's sensitive narrative, supported by a host of letters, memoirs, and interviews, aims to give a balanced account of German Jewry under the Nazi regime. She convincingly shows how it was German society (indoctrinated by Nazi propaganda) that dealt the first crippling moral blow to the Jewish psyche, before any laws dictated their actions. The Jews succumbed to daily humiliations, ranging from little boys being maliciously teased for being circumcised to older Jews being treated like social pariah's by one-time friends who fell easily into the mindset of racial enmity. Hatred breeds hatred; slowly the German populace strangled the pride of the Jews, creating resentment, distrust and disharmony. Kaplan conveys a poignant, yet subtle message: the fundamental de-facto abandonment of decency and moral civility by the gentile Germans was the catalyst which allowed Nazi leadership to proceed with more aggressive policies that ultimately led to the Holocaust. [via]
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› Find signed collectible books: 'Breakfast of Champions'
"We are healthy only to the extent that our ideas are humane." So reads the tombstone of downtrodden writer Kilgore Trout, but we have no doubt who's really talking: his alter ego Kurt Vonnegut. Health versus sickness, humanity versus inhumanity--both sets of ideas bounce through this challenging and funny book. As with the rest of Vonnegut's pure fantasy, it lacks the shimmering, fact-fueled rage that illuminates Slaughterhouse-Five. At the same time, that makes this book perhaps more enjoyable to read.
Breakfast of Champions is a slippery, lucid, bleakly humorous jaunt through (sick? inhumane?) America circa 1973, with Vonnegut acting as our Virgil-like companion. The book follows its main character, auto-dealing solid-citizen Dwayne Hoover, down into madness, a condition brought on by the work of the aforementioned Kilgore Trout. As Dwayne cracks, then crumbles, Breakfast of Champions coolly shows the effects his dementia has on the web of characters surrounding him. It's not much of a plot, but it's enough for Vonnegut to air unique opinions on America, sex, war, love, and all of his other pet topics--you know, the only ones that really count. [via]
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› Find signed collectible books: 'Candide'
Political satire doesn't age well, but occasionally a diatribe contains enough art and universal mirth to survive long after its timeliness has passed. Candide is such a book. Penned by that Renaissance man of the Enlightenment, Voltaire, Candide is steeped in the political and philosophical controversies of the 1750s. But for the general reader, the novel's driving principle is clear enough: the idea (endemic in Voltaire's day) that we live in the best of all possible worlds, and apparent folly, misery and strife are actually harbingers of a greater good we cannot perceive, is hogwash.
Telling the tale of the good-natured but star-crossed Candide (think Mr. Magoo armed with deadly force), as he travels the world struggling to be reunited with his love, Lady Cunegonde, the novel smashes such ill-conceived optimism to splinters. Candide's tutor, Dr. Pangloss, is steadfast in his philosophical good cheer, in the face of more and more fantastic misfortune; Candide's other companions always supply good sense in the nick of time. Still, as he demolishes optimism, Voltaire pays tribute to human resilience, and in doing so gives the book a pleasant indomitability common to farce. Says one character, a princess turned one-buttocked hag by unkind Fate: "I have wanted to kill myself a hundred times, but somehow I am still in love with life. This ridiculous weakness is perhaps one of our most melancholy propensities; for is there anything more stupid than to be eager to go on carrying a burden which one would gladly throw away, to loathe one's very being and yet to hold it fast, to fondle the snake that devours us until it has eaten our hearts away?"--Michael Gerber [via]
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› Find signed collectible books: 'The Complete Oxford Shakespeare: Histories, Comedies, Tragedies'
Hailed in The Washington Post Book World as "a definitive synthesis of the best editions of recent decades," the massive one-volume Oxford Shakespeare was based on eight years of full-time research by a team of distinguished British and American scholars. The result of the most fundamental rethinking of the text and presentation of Shakespeare's works ever undertaken, it offered many remarkable innovations features, including a new chronological order, revised stage directions, modern spelling and punctuation, and two full versions of King Lear--as originally written and as revised later for performance.
The Complete Oxford Shakespeare divides this excellent book into three handy volumes. It contains all the innovative features of the original, including a lucid General Introduction by Stanley Wells, and brief introductions to each work. It has been organized into Histories (including the poems and sonnets), Comedies, and Tragedies, with the plays grouped in chronological order in each volume.
Attractively bound, with gold stamping on front and spine, and beautifully designed, these handsome volumes will undoubtably become a treasure for lovers of Shakespeare throughout the English-speaking world. [via]
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› Find signed collectible books: 'The Complete Works'
The second Oxford edition of Shakespeare's Complete Works reconsiders every detail of their text and presentation in the light of modern scholarship. The nature and authority of the early documents are re-examined, and the canon and chronological order of composition freshly established. Spelling and punctuation are modernized, and there is a brief introduction to each work, as well as an illuminating and informative General Introduction. Included here for the first time is the play The Reign of King Edward the Third as well as the full text of Sir Thomas More. This new edition also features an essay on Shakespeare's language by David Crystal, and a bibliography of foundational works. [via]

› Find signed collectible books: 'The Concise Oxford Companion to American Theatre'
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› Find signed collectible books: 'The Concise Oxford Companion to the English Language'
First published in 1992, The Oxford Companion to the English Language was described by The Times as an `excellent guide to the history, geography and contours of English', one that `immediately establishes itself as a necessary book'. A carefully-planned shorter version of the Oxford Companion to the English Language, this new Concise concentrates on the central themes in the language: grammar, usage, dialect, pronunciation, and the history of English. Within each theme all the key subjects are covered, and individual entries offer all the most essential information from the parent Companion.
With nearly 2,000 articles in A-Z format the Concise Companion is an ideal reference for both students and general readers wanting access to the highly readable scholarship of the Companion in a portable and affordable format. [via]
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› Find signed collectible books: 'Coriolanus'
This edition is fully annotated, with the notes facing the text. There are helpful sections at the front, and at the back there is a very wide range of questions for students, as well as the background to "Shakespeare's England". [via]

› Find signed collectible books: 'Crabgrass Frontier: The Suburbanization of the United States'
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› Find signed collectible books: 'Designing Visual Language: Strategies for Professional Communicators'
More often workplace writing and document design takes a backseat in a company's mission/product. This book offers strategies and tools for document design of ALL types. Readers will extend to visual design the approach they assimilate in their writing and editing. It focuses on the kinds of situations and practical documents that employees encounter daily, with a special focus on audience, purpose, and context of the message. Topics include: perception and design; visual analysis; extra-textual design; pictures, and more. Writers and editors who design documents. Part of the Allyn & Bacon Series in Technical Writing, edited by Sam Dragga, Texas Tech University.
[via]More editions of Designing Visual Language: Strategies for Professional Communicators:
› Find signed collectible books: 'A Dictionary of Modern English Usage'
A guide to precise phrases, grammar, and pronunciation can be key; it can even be admired. But beloved? Yet from its first appearance in 1926, Fowler's was just that. Henry Watson Fowler initially aimed his Dictionary of Modern English Usage, as he wrote to his publishers in 1911, at "the half-educated Englishman of literary proclivities who wants to know Can I say so-&-so?" He was of course obsessed with, in Swift's phrase, "proper words in their proper places." But having been a schoolmaster, Fowler knew that liberal doses of style, wit, and caprice would keep his manual off the shelf and in writers' hands. He also felt that description must accompany prescription, and that advocating pedantic "superstitions" and "fetishes" would be to no one's advantage. Adepts will have their favorite inconsequential entries--from burgle to brood, truffle to turgid. Would that we could quote them all, but we can't resist a couple. Here Fowler lays into dedicated:
He is that rara avis a dedicated boxer. The sporting correspondent who wrote this evidently does not see why the literary critics should have a monopoly of this favourite word of theirs, though he does not seem to think that it will be greatly needed in his branch of the business.Needless to say, later on rara avis is also smacked upside the head! And practically fares no better: "It is unfortunate that practically should have escaped from its true meaning into something like its opposite," Fowler begins. But our linguistic hero also knew full well when to put a crimp on comedy. Some phrases and proper uses, it's clear, would always be worth fighting for, and the guide thus ranges from brief definitions to involved articles. Archaisms, for instance, he considered safe only in the hands of the experienced, and meaningless words, especially those used by the young, "are perhaps more suitable for the psychologist than for the philologist." Well, youth might respond, "Whatever!"--though only after examining the keen differences between that phrase and what ever. (One can only imagine what Fowler would have made of our late-20th-century abuses of like.) This is where Robert Burchfield's 1996 third edition comes in. Yes, Fowler lost the fight for one r in guerrilla and didn't fare too well when it came to quashing such vogue words as smear and seminal. But he knew--and makes us ever aware--that language is a living, breathing (and occasionally suffocating) thing, and we hope that he would have welcomed any and all revisions. Fowlerphiles will want to keep their first (if they're very lucky) or second editions at hand, but should look to Burchfield for new entries on such phrases as gay, iron curtain, and inchoate--not to mention girl. --Kerry Fried [via]
More editions of A Dictionary of Modern English Usage:
› Find signed collectible books: 'A Dictionary of Modern English Usage'
A guide to precise phrases, grammar, and pronunciation can be key; it can even be admired. But beloved? Yet from its first appearance in 1926, Fowler's was just that. Henry Watson Fowler initially aimed his Dictionary of Modern English Usage, as he wrote to his publishers in 1911, at "the half-educated Englishman of literary proclivities who wants to know Can I say so-&-so?" He was of course obsessed with, in Swift's phrase, "proper words in their proper places." But having been a schoolmaster, Fowler knew that liberal doses of style, wit, and caprice would keep his manual off the shelf and in writers' hands. He also felt that description must accompany prescription, and that advocating pedantic "superstitions" and "fetishes" would be to no one's advantage. Adepts will have their favorite inconsequential entries--from burgle to brood, truffle to turgid. Would that we could quote them all, but we can't resist a couple. Here Fowler lays into dedicated:
He is that rara avis a dedicated boxer. The sporting correspondent who wrote this evidently does not see why the literary critics should have a monopoly of this favourite word of theirs, though he does not seem to think that it will be greatly needed in his branch of the business.Needless to say, later on rara avis is also smacked upside the head! And practically fares no better: "It is unfortunate that practically should have escaped from its true meaning into something like its opposite," Fowler begins. But our linguistic hero also knew full well when to put a crimp on comedy. Some phrases and proper uses, it's clear, would always be worth fighting for, and the guide thus ranges from brief definitions to involved articles. Archaisms, for instance, he considered safe only in the hands of the experienced, and meaningless words, especially those used by the young, "are perhaps more suitable for the psychologist than for the philologist." Well, youth might respond, "Whatever!"--though only after examining the keen differences between that phrase and what ever. (One can only imagine what Fowler would have made of our late-20th-century abuses of like.) This is where Robert Burchfield's 1996 third edition comes in. Yes, Fowler lost the fight for one r in guerrilla and didn't fare too well when it came to quashing such vogue words as smear and seminal. But he knew--and makes us ever aware--that language is a living, breathing (and occasionally suffocating) thing, and we hope that he would have welcomed any and all revisions. Fowlerphiles will want to keep their first (if they're very lucky) or second editions at hand, but should look to Burchfield for new entries on such phrases as gay, iron curtain, and inchoate--not to mention girl. --Kerry Fried [via]
More editions of A Dictionary of Modern English Usage:
› Find signed collectible books: 'The Divine Comedy of Dante Alighieri: Inferno'
This first volume of Robert Durling's new translation of The Divine Comedy brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with all its terror, pathos, and humor. Remarkably true to both the letter and spirit of this central work of Western literature, Durling's is a prose translation (the first to appear in twenty-five years), and is thus free of the exigencies of meter and rhyme that hamper recent verse translations. As Durling notes, "the closely literal style is a conscious effort to convey in part the nature of Dante's Italian, notoriously craggy and difficult even for Italians." Rigorously accurate as to meaning, it is both clear and supple, while preserving to an unparalleled degree the order and emphases of Dante's complex syntax. The Durling-Martinez Inferno is also user-friendly. The Italian text, newly edited, is printed on each verso page; the English mirrors it in such a way that readers can easily find themselves in relation to the original terza rima . Designed with the first-time reader of Dante in mind, the volume includes comprehensive notes and textual commentary by Martinez and Durling: both are life-long students of Dante and other medieval writers (their Purgatorio and Paradiso will appear next year). Their introduction is a small masterpiece of its kind in presenting lucidly and concisely the historical and conceptual background of the poem. Sixteen short essays are provided that offer new inquiry into such topics as the autobiographical nature of the poem, Dante's views on homosexuality, and the recurrent, problematic body analogy (Hell has a structure parallel to that of the human body). The extensive notes, containing much new material, explain the historical, literary, and doctrinal references, present what is known about the damned souls Dante meets --from the lovers who spend eternity in the whirlwind of their passion, to Count Ugolino, who perpetually gnaws at his enemy's skull--disentangle [via]
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› Find signed collectible books: 'Fowler's Modern English Usage'
For generations, lovers of the English language have turned to trusty copies of Fowler's to settle nagging grammatical questions, or, for true hard-core language junkies, for the sheer fun of reading H. W. Fowler's classic outrage contained in entries on "Hackneyed Phrases" or "Pedantic-Humour Words."
The New Fowler's Modern English Usage, the first revision in more than 30 years, has not arrived without controversy. Some language (and Fowler) purists complain that the book is too liberal at times, noting that usage is common as opposed to correct. Those points are debatable, and, indeed, they're what makes the book's nearly 900 pages so interesting to peruse. The currency of the new Fowler's extends to, in the entry on "Vogue Words," such novelties as "couch potato," "flavour of the month," "on a roll," and the notorious "parameter." [via]
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› Find signed collectible books: 'Gabriel Garcia Marquez's 100 Years of Solitude: A Casebook'
Casebooks in Criticism offer analytical and interpretive frameworks for understanding key texts in world literature and film. Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts.
Gabriel García Márquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on García Márquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with García Márquez. [via]
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› Find signed collectible books: 'Henry V'
The "Oxford School Shakespeare" is a well-established series which helps students understand and enjoy Shakespeare's plays. As well as the complete and unabridged text, each play in this series has an extensive range of student's notes. These include detailed and clear explanations of difficult words and passages, a synopsis of the plot, summaries of individual scenes and notes on the main characters. [via]
› Find signed collectible books: 'Henry V'
[series copy] This exclusive collection of the Bard's works has been designed specifically for readers new to Shakespeare's rich literary legacy. Each of the plays is presented unabridged and in large print, copiously annotated and preceded by a character summary and commentary. Brief scene synopses clarify confusing plots, while incisive essays describe the historical context and Shakespeare's sources. The explanatory notes are written clearly and simply, illustrated, and positioned right next to the text--no more flipping pages back and forth to squint over microscopic footnotes! Topics for further discussion, critical comments, related essays, and a chronology of Shakespeare's life and work are included among the appendices to each volume. The books boast fine black and white photographs of stagings of the plays at Shakespeare Festivals around the globe. From the wide margins and big print to the extensive explanatory notes--the full text of each play is presented in the clearest and most accessible format available. [via]
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› Find signed collectible books: 'The House of the Spirits'
We begin - at the turn of the century, in an unnamed South American country - in the childhood home of the woman who will be the mother and grandmother of the clan, Clara del Valle. A warm-hearted, hypersensitive girl, Clara has distinguished herself from an early age with her telepathic abilities - she can read fortunes, make objects move as if they had lives of their own, and predict the future. Following the mysterious death of her sister, the fabled Rosa the Beautiful, Clara has been mute for nine years, resisting all attempts to make her speak. When she breaks her silence, it is to announce that she will be married soon. Her husband-to-be is Esteban Trueba, a stern, willful man, given to fits of rage and haunted by a profound loneliness. At the age of thirty-five, he has returned to the capital from his country estate to visit his dying mother and to find a wife. (He was Rosa's fiance, and her death has marked him as deeply as it has Clara.) This is the man Clara has foreseen - has summoned - to be her husband; Esteban, in turn, will conceive a passion for Clara that will last the rest of his long and rancorous life. We go with this couple as they move into the extravagant house he builds for her, a structure that everyone calls "the big house on the corner," which is soon populated with Clara's spiritualist friends, the artists she sponsors, the charity cases she takes an interest in, with Esteban's political cronies, and, above all, with the Trueba children: Blanca, a practical, self-effacing girl who will, to the fury of her father, form a lifelong liaison with the son of his foreman, and the twins, Jaime and Nicolas, the former a solitary, taciturn boy who becomes a doctor to the poor and unfortunate; the latter a playboy, a dabbler in Eastern religions and mystical disciplines and, in the third generation, the child Alba, Blanca's daughter (the family does not recognize the real father for years, so great is Esteban's anger), a child who is fondled and indulged and instructed by them all. For all their good fortune, their natural (and supernatural) talents, and their powerful attachments to one another, the inhabitants of "the big house on the corner" are not immune to the larger forces of the world. And, as the twentieth century beats on, as Esteban becomes more strident in his opposition to Communism, as Jaime becomes the friend and confidant of the Socialist leader known as the Candidate, as Alba falls in love with a student radical, the Truebas become actors - and victims - in a tragic series of events that gives The House of the Spirits a deeper resonance and meaning. [via]
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› Find signed collectible books: 'An Introduction to Modern Astrophysics'
This exciting text opens the entire field of modern astrophysics to the reader by using only the basic tools of physics. Designed for the junior- level astrophysics course, each topic is approached in the context of the major unresolved questions in astrophysics. The core chapters have been designed for a course in stellar structure and evolution, while the extended chapters provide additional coverage of the solar system, galactic structure, dynamics, evolution, and cosmology. [via]
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› Find signed collectible books: 'Introductory Statistics'
3 Rd Edition 1991 Weiss / Hassett [via]
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› Find signed collectible books: 'King Richard II: The Life and Death of King Richard the Second the First Folio of 1623 and a Parallel Modern Edition'
This is the latest edition in this successful series. It is fully annotated, with the notes facing the text. There are helpful sections at the front, and at the back there is a very wide range of questions for students, as well as the background to Shakespeare's England. This book is intended for interest age: 14-16 [via]
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› Find signed collectible books: 'The Life and Death of King John/The Famous History of the Life of King Henry VIII: 2 in 1'
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› Find signed collectible books: 'The Little, Brown Compact Handbook'
An accessible writing guide for all writing issues, this handbook provides coverage of the writing process, grammar, mechanic, punctuation, the research paper and writing across the disciplines. The text is one the student can use in English courses and beyond. This second edition expands coverage of key grammar topics and new discussions of critical reading, argument, computer resources and writing about literature, as well as augmented ESL coverage. [via]
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› Find signed collectible books: 'Measure for Measure'
The Oxford School Shakespeare has become the preferred introduction to the literary legacy of the greatest playwright in the English language. This exclusive collection of the Bard's best works has been designed specifically for readers new to Shakespeare's rich literary legacy. Each play is presented complete and unabridged, in large print. Every book is well illustrated, and starts with a commentary and character summary. Scene synopses and character summaries clarify confusing plots, while incisive essays explore the historical context and Shakespeare's sources. Each book ends with a complete list of Shakespeare's plays and a brief chronology of the Bard's life. The detailed explanatory notes are written clearly and positioned right next to the text--no more squinting at microscopic footnotes or flipping pages back and forth in search of endnotes!
The new edition of the series features new covers and new illustrations, including both new drawings and photos from recent productions of Shakespeare's plays around the globe. In addition, the notes and the introductory material have been completely revised in line with new research and in order to make them clearer and more accessible. Finally, the entire text has been redesigned and reset to enhance readability. The new edition achieves the feat of unprecedented clarity of presentation without any cuts to the original text or the detailed explanations. [via]
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› Find signed collectible books: 'Modern Latin America'
The leading survey in its field, this lively interpretive history has been brought up to date in all areas, especially in its treatment of recent developments in Central America. The new edition also features a completely new chapter on the Caribbean. As before, the authors illustrate such central themes as European-Indian and European-African interaction, large-scale immigration in the late 19th and 20th centuries, populist political leadership, military takeovers, and U.S. intervention in the region, examining the influence of economic forces and social tensions on political conflict in each case and discussing recent economic developments in clear, jargon-free language. Lucidly written and enhanced by insights from social science, Modern Latin America remains the preeminent treatment of this vitally important subject. [via]
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› Find signed collectible books: 'The New Fowler's Modern English Usage'
For generations, lovers of the English language have turned to trusty copies of Fowler's to settle nagging grammatical questions, or, for true hard-core language junkies, for the sheer fun of reading H. W. Fowler's classic outrage contained in entries on "Hackneyed Phrases" or "Pedantic-Humour Words."
The New Fowler's Modern English Usage, the first revision in more than 30 years, has not arrived without controversy. Some language (and Fowler) purists complain that the book is too liberal at times, noting that usage is common as opposed to correct. Those points are debatable, and, indeed, they're what makes the book's nearly 900 pages so interesting to peruse. The currency of the new Fowler's extends to, in the entry on "Vogue Words," such novelties as "couch potato," "flavour of the month," "on a roll," and the notorious "parameter." [via]
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› Find signed collectible books: 'No God but God: Egypt and the Triumph of Islam'
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› Find signed collectible books: 'One Hundred Years of Solitude'
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› Find signed collectible books: 'Othello'
The new editions contain new sections: Classwork and Examinations and Background to Shakespeare's England. There are also short sections on Date and Text, and Source. [via]
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› Find signed collectible books: 'Othello'
The Oxford School Shakespeare is a well-established series which helps students understand and enjoy Shakespeare's plays. As well as the complete and unabridged text, each play in this series has an extensive range of students' notes. These include detailed and clear explanations of difficult words and passages, a synopsis of the plot, summaries of individual scenes, and notes on the main characters. This work also include a wide range of questions and activities for work in class, together with the historical background to Shakespeare's England, a brief biography of Shakespeare, and a complete list of his plays. Roma Gill, the series editor, has taught Shakespeare at all levels. She has acted in and directed Shakespeare's plays, and has lectured on Shakespeare all over the world. [via]
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› Find signed collectible books: 'The Oxford Companion to American Theatre'
First published in 1984, Gerald Bordman's Oxford Companion to American Theatre has established itself as the standard one-volume source on our national theatre. It has been hailed for its "wealth of authoritative information" (Back Stage), for its "fascinating picture of the volative American stage" (The Guardian), for its "well-chosen, illuminating facts" (Newsday). The distinguished actor Jose Ferrer wrote "I'm in awe of the scholarship and research that have gone into the making of this book." And The Los Angeles Times called it "the almost perfect gift book for both the student and the theatre lover."
Now Bordman has thoroughly revised this redoubtable volume, once again providing a completely up-to-date guide to the American stage from its beginnings to the present. Here are over 3,000 entries on playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic movements, and much more. Readers will find summaries of plays as varied as The Contrast, Francesca da Rimini, Arsenic and Old Lace, Our Town, and Who's Afraid of Virginia Woolf?; biographical sketches of Edwin Forrest and Bartley Campbell, Lillian Hellman and David Rabe, John Barrymore and Jessica Tandy, George Gershwin and Cole Porter; and entries on groups such as The Actors Studio, Christy's Minstrels, and the Provincetown Players. For the new edition, Bordman has added entries on such recent plays as Fences, M. Butterfly, The Heidi Chronicles, and The Piano Lesson, as well as biographies of Len Cariou, Dustin Hoffman, Raul Julia, Tommy Tune, and August Wilson, to name a few. And as in the previous edition, Bordman gives readers as broad a picture of American popular theatre as possible, offering extensive coverage not only of classic works (such as Death of a Salesman) but also many commercially successful plays (such as Brother Rat or Getting Gertie's Garter), plus entries on foreign figures and productions that have influenced our dramatic development (from Shakespeare to Samuel Beckett and Harold Pinter).
Accessibly and attractively arranged in the two-column, A-Z format for which the Companion series is famous, this is a volume of enormous erudition, an essential reference for everyone who has a passion for the stage. [via]
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› Find signed collectible books: 'The Oxford Companion to American Theatre'
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› Find signed collectible books: 'The Oxford Companion to British History'
From "Abbeys," monastic organizations that were important in local-level medieval government, to "Zutphen, Battle of," where the great poet Sir Philip Sidney lost his life in 1586, this 1,000-plus-page tome offers an erudite register of all things British. Editor John Cannon's emphases are sometimes idiosyncratic--the entry for the Beatles, inarguably influential in British and world history, is as short as that for "beagling," a particular kind of rabbit hunting. The Oxford Companion to British History is an invaluable and well-written resource for Anglophiles nonetheless. [via]
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› Find signed collectible books: 'The Oxford Companion to Classical Literature'
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› Find signed collectible books: 'The Oxford Companion to Twentieth-Century Poetry in English'
The first and only comprehensive work of its kind, The Companion to Twentieth Century Poetry in English charts the development of poetry from 1900 to the present, across the whole of the English-speaking world, from the United States, Great Britain, and Ireland to New Zealand, Pakistan, Singapore, Trinidad and Zimbabwe--anywhere where poets write in English. Alphabetically arranged for ease of reference, it offers biographical entries on some 1,500 individual poets, as well as over one hundred entries covering important magazines, movements, literary terms and concepts.
As readable as it is comprehensive, the Companion offers a fascinating survey of this century's shift from 'poetry' to 'poetries,' as American and British traditions of poetry have made way for a growing diversity of voices, and as the burgeoning poetries of Australia, Canada, and other English-speaking countries assert their own identities. The range of poets represented in this Companion is extraordinary. Here are in-depth discussions of Yeats, Eliot, Pound, and Joyce alongside provocative assessments of W.H. Auden, Elizabeth Bishop, Wallace Stevens, and Marianne Moore. John Ashbery, Margaret Atwood, Maya Angelou, and Mary Oliver are accounted for, as well as Carolyn Forché, David Bottoms, Jorie Graham, and many other younger poets just coming into prominence. Chinua Achebee, Jack Mapanje, Femi Oyebode and other important African poets writing in English are here, as well as poets from the Caribbean, India, and even Russia.
Readers will relish this Companion's many insightful contributions from celebrated poet-critics, writing on other poets in intriguing author-subject combinations. For example, Seamus Heaney writes on Robert Lowell ("Lowell had invented a way of getting at life, of making poetry kick and freak at the edge of contemporary reality"), Ann Stevenson discusses Sylvia Plath ("In the quarter-century following her suicide, Sylvia Plath has become a heroine and martyr of the feminist movement. In fact, she was a martyr mainly to the recurrent psychodrama that staged itself within the bell jar of her tragically wounded personality"), and Tom Paulin weighs in on Ted Hughes ("His appointment as Poet Laureate in 1984 sealed his essentially shaman-like conception of his poetic mission and enabled him to speak out on environmental issues while celebrating royal weddings and babies"). Other pairings include Jay Parini on Wallace Stevens, Jon Stallworthy on Wilfred Owen and Rupert Brook, and William H. Pritchard on Robert Frost and Randall Jarrell. Each entry includes a wealth of biographical and bibliographical information, and a select bibliography at the end of the book supplies a handy source of information on poets whose work is not otherwise in print, or readily available to readers.
From Abse and Auden to Zaturenska and Zukofsky, The Oxford Companion to Twentieth-Century Poetry in English is an essential reference for students, lovers of poetry, and for poets themselves. [via]
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› Find signed collectible books: 'Romeo and Juliet'
This is undoubtedly the greatest love story ever written, spawning a host of imitators on stage and screen, including Leonard Bernstein's smash musical West Side Story, Franco Zeffirelli's Romeo and Juliet filmed in 1968, and Baz Luhrmann's postmodern film version Romeo + Juliet. The tragic feud between "Two households, both alike in dignity/In fair Verona", the Montagues and Capulets, which ultimately kills the two young "star-crossed lovers" and their "death-marked love" creates issues which have fascinated subsequent generations. The play deals with issues of intergenerational and familial conflict, as well as the power of language and the compelling relationship between sex and death, all of which makes it an incredibly modern play. It is also an early example of Shakespeare fusing poetry with dramatic action, as he moves from Romeo's lyrical account of Juliet--"she doth teach the torches to burn bright!" to the bustle and action of a 16th-century household (the play contains more scenes of ordinary working people than any of Shakespeare's other works). It also represents an experimental attempt to fuse comedy with tragedy. Up to the third act, the play proceeds along the lines of a classic romantic comedy. The turning point comes with the death of one of Shakespeare's finest early dramatic creations--Romeo's sexually ambivalent friend Mercutio, whose "plague o' both your houses" begins the play's descent into tragedy, "For never was a story of more woe/Than this of Juliet and her Romeo". --Jerry Brotton [via]
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› Find signed collectible books: 'Selected Poems: 1965-1975'
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› Find signed collectible books: 'The Tempest'
One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage. The Epilogue, spoken by Prospero, claims that "now my charms are all o'erthrown", appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But The Tempest is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his "rough magic" to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.
However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the "poisonous slave" Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that "this island's mine, by Sycorax my mother,/ Which thou tak'st from me". This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion. --Jerry Brotton [via]
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› Find signed collectible books: 'Tragedy of Coriolanus'
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› Find signed collectible books: 'The Tragedy of King Richard III'
Richard III is one of Shakespeare's most popular plays on the stage and has been adapted successfully for film. This new and innovative edition recognizes the play's pre-eminence as a performance work: a perspective that informs every aspect of the editing. challenging traditional practice, the text is based on the 1597 Quarto which, it is argued, brings us closest to the play as it would have been staged in Shakespeare's theatre. The introduction, which is illustrated, explores the long performance history from Shakespeare's time to the present. Its critical engagement with the play responds to recent historicist and gender-based approaches. The commentary gives detailed explication of matters of language, staging, text, and historical and cultural contexts, providing coverage that is both carefully balanced and alert to nuance of meaning.
Documentation of the extensive textual variants is organized for maximum clarity: the readings of the Folio and the Quarto are presented in separate banks, and more specialist information is given at the back of the book. Appendices also include selected passages from the main source and a special index of actors and other theatrical personnel. [via]
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› Find signed collectible books: 'Troilus and Cressida'
One of Shakespeare's most notoriously difficult and cynical plays, labelled a "Problem Comedy", Troilus and Cressida has perplexed critics and theatre directors, and after Shakespeare's lifetime it was not performed again until 1907. In many ways the play's difficulty is a surprise; the story of Troilus and Cressida was a popular theme, drawn from Homer's Iliad and Chaucer's own Troilus and Criseyde, as was its classical setting, the Greek siege of Troy, led by Agamemnon, Achilles, Ajax, Diomedes and Ulysses.
Within the walls of Troy, Prince Troilus falls madly in love with Cressida, daughter of the deserter Calchas. His love is intense and frenetic--"I am giddy, expectation whirls round me," but turns to bitter disillusion when Cressida defects to the Greek camp and flirts with Diomedes. As the war and conflict over the abduction of Helen whirls around the doomed romance, the play delights in its complex syntax and cynical images of waste, decay, corruption and mutability, summed up in Ulysses' comment that, "Love, friendship, charity, are subjects all / To envious and calumniating time." The play's cynical open-ended quality has frustrated many readers, but gives the play a remarkably modern, contemporary sensibility. --Jerry Brotton [via]
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› Find signed collectible books: 'University Physics'
* A. Lewis Ford, Texas A&M * This manual includes worked-out solutions for about one-third of the problems. Volume 1 covers Chapters 1-17. Volume 2 covers Chapters 22-46. Answers to all odd-numbered problems are listed at the end of the book. [via]
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› Find signed collectible books: 'Virginia Woolf'
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› Find signed collectible books: 'William Shakespeare: Romeo and Juliet/Macbeth/Hamlet/Othello/The Taming of the Shrew/A Midsummer Night's Dream/The Merchant of Venice'
Here are all of Shakespeare's plays and poems in a compact edition that fits nearly onto your bookshelf or comfortably in your lap. And, as if all of the Bard were not enough, this reissue of an Oxford Classic offers something more: editions of the plays in their theatrical versions, as they were originally performed on the Elizabethan stage. This edition also features a brief introduction to each work, as well as an illuminating General Introduction; reconsiders every detail of the text and presentation of Shakespeare's complete works in the light of modern scholarship; re-examines the nature and authority of the early documents, and freshly establishes the canon and chronological order of composition; and modernizes spelling and punctuation to make the works more accessible to modern readers, without ever altering their original language or meter.
The Times Higher Education Supplement called William Shakespeare: The Complete Works "the most ambitious edition of the works ever attempted," and The Times (London) hailed it as "a monument to Shakespearean scholarship." For scholars and general readers alike, this is a must-have collection for your home library. [via]
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› Find signed collectible books: 'William Shakespeare: The Complete Works'
Hailed by The Washington Post as "a definitive synthesis of the best editions" and by The Times of London as "a monument to Shakespearean scholarship," The Oxford Shakespeare is the ultimate anthology of the Bard's work: the most authoritative edition of the plays and poems ever published.
Now, almost two decades after the original volume, Oxford is proud to announce a thoroughly updated second edition, including for the first time the texts of The Reign of Edward III and Sir Thomas More, recognizing these two plays officially as authentic works by Shakespeare. This beautiful collection is the product of years of full-time research by a team of British and American scholars and represents the most thorough examination ever undertaken of the nature and authority of Shakespeare's work. The editors reconsidered every detail of the text in the light of modern scholarship and they thoroughly re-examined the earliest printed versions of the plays, firmly establishing the canon and chronological order of composition. All stage directions have been reconsidered in light of original staging, and many new directions for essential action have been added. This superb volume also features a brief introduction to each work as well as an illuminating General Introduction. Finally, the editors have added a wealth of secondary material, including an essay on language, a list of contemporary allusions to Shakespeare, an index of Shakespearean characters, a glossary, a consolidated bibliography, and an index of first lines of the Sonnets.
Compiled by the world's leading authorities, packed with information, and attractively designed, The Oxford Shakespeare is the gold standard of Shakespearean anthologies. [via]
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› Find signed collectible books: 'William Shakespeare: The Complete Works'
This beautiful new edition of Shakespeare's complete works--"The Oxford Shakespeare"--is the product of eight years of full-time research by a team of British and American scholars and represents the most thorough examination ever undertaken of the nature and authority of the early documents.
The edition abounds in unique features. It is the first volume to provide edited texts of King Lear both as Shakespeare originally wrote it and as it was revised for performance somes years later. Other plays, such as Hamlet, Othello, and Troilus and Cressida, are based on what recent research identifies as Shakespeare's revised text. Major textual alternatives--first versions of revised passages, omitted lines--are printed as additional passages. All stage directions have been reconsidered in light of original staging, and many new directions for essential action have been added. Specially designed brackets idenify conjectural stage direction and speech prefixes. In most respects, the text is identical to that of the "old-spelling" edition, but spelling and punctuation have been freshly modernized. There is a General Introduction along with brief, factual introductions to each work.
Elegantly (and Readably) designed, this book will undoubtedly become a treasure for lovers of Shakespeare throughout the English-speaking world.
About the Editors:
Stanley Wells, Head of the Shakespeare Department at OUP-UK, is a Fellow at Balliol College, Oxford. He is the author of many books and articles on Shakespeare.
Gary Taylor, who holds degrees from the Universities of Kansas and Cambridge, is the author of several books and articles on Shakespeare, including To Analyze Delight: A Hedonist Criticism of Shakespeare. [via]
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› Find signed collectible books: 'The Winter's Tale'
Completely re-edited, the New Folger Library editions of Shakespeare's plays put readers in touch with current ways of thinking about Shakespeare. Each freshly edited text is based directly on what the editors consider the best early printed version of the play. Each volume contains full explanatory notes on pages facing the text of the play, as well as a helpful introduction to Shakespeare's language. The accounts of William Shakespeare's life, his theater, and the publication of his plays present the latest scholarship, and the annotated reading lists suggest sources of further information. The illustrations of objects, clothing, and mythological figures mentioned in the plays are drawn from the Library's vast holdings of rare books. At the conclusion of each play there is a full essay by an outstanding scholar who assesses the play in light of today's interests and concerns. [via]
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› Find signed collectible books: 'Writing With Power: Techniques for Mastering the Writing Process'
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› Find signed collectible books: 'Wuthering Heights'
This popular series of readers has now been completely revised and updated, using a new syllabus and new word structure lists. Readability has been ensured by means of specially designed computer software. Words that are above level but essential to the story are explained within the text, illustrated, and then reused for maximum reinforcement. [via]
› Find signed collectible books: 'P. Ovidi Nasonis Metamorphoses'
For this edition of the Metamorphoses R. J. Tarrant has freshly collated the oldest fragments and manuscripts and has drawn more fully than previous editors on the twelfth-century manuscripts, the earliest extant witnesses to many potentially original readings. He has also given more scope to conjecture than other recent editors, and has been readier than his predecessors to identify certain verses as interpolated. This edition will be indispensable for future study of Ovid's greatest work. [via]
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