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› Find signed collectible books: '20th Century Photography'
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› Find signed collectible books: '20th Century Photography: Museum Ludwig Cologne'
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› Find signed collectible books: 'Addicted to Mediocrity: 20th Century Christians and the Arts'
In this provocative book, Franky Schaeffer shows how Christians today have sacrificed the artistic prominence they enjoyed for centuries and settled instead for mediocrity. The evidence for this sad state of affairs abounds. We are flooded with "Christian" doodads, trinkets, t-shirts, bumper stickers, etc., that use God's name as an advertising slogan--"Things Go Better with Jesus"--putting the Creator of the universe on the same level as soda pop! Moreover, Schaeffer writes, "Whenever Christians, and evangelicals in particular, have attempted to 'reach the world' through the media--TV, film, publishing and so on--the thinking public gets the firm idea that, like soup in a bad restaurant, Christians' brains are best left unstirred."
But it doesn't have to be this way. Schaeffer shows how Christians who care can begin to reverse the slide toward mediocrity: by demanding excellence in the arts and media, and in all areas of life; by giving our time, talents and money to those things which are worthy of our support and are truly honoring to God; by staying away from the cheap, the shoddy, and the make-a-fast-buck mentality.
Schaeffer offers not only an unflinching critique, but specific and practical direction for becoming "unaddicted," and for recovering artistic excellence. The punch, humor and satire of the text is effectively enhanced by nineteen original drawings by Chicago artist Kurt Mitchell.
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› Find signed collectible books: 'All God's Children and Blue Suede Shoes: Christians & Popular Culture'
Where did popular culture come from? Why is it the way it is? How does it influence Americans in general and Christians in particular? Ken Myers provides fascinating answers to these questions. He sees pop culture as a culture of diversion, preventing people from asking questions about their origin and destiny and about the meaning of life. Two aspects stand outa quest for novelty and a desire for instant gratification. In addition, this culture offers something very appealingthe illusion that you set your own standards, you can choose, you are the master of your fate, you deserve a break, you're worth it.
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› Find signed collectible books: 'Antoni Gaudi'
This guidebook is a travelling companion for those setting out to explore the creations of Carlo Scarpa, a Venetian architect. The introductory essay is followed by a complete catalogue of the buildings he built. [via]
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› Find signed collectible books: 'Art and Soul: Signposts for Christians in the Arts'
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› Find signed collectible books: 'Art for God's Sake: A Call to Recover the Arts'
The creation sings to us with the visual beauty of God s handiwork. But what of man-made art? Much of it is devoid of sacred beauty and is often rejected by Christians. Christian artists struggle to find acceptance within the church.
If all of life is to be viewed as under the lordship of Christ, can we rediscover what God s plan is for the arts? Philip Graham Ryken brings into sharp focus a biblical view of the arts and the artists who make art for God s sake. This is a concise yet comprehensive treatment of the major issue of the arts for all who seek answers. [via]
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› Find signed collectible books: 'The Artist's Way: A Spiritual Path to Higher Creativity'
With the basic principle that creative expression is the natural direction of life, Julia Cameron and Mark Bryan lead you through a comprehensive twelve-week program to recover your creativity from a variety of blocks, including limiting beliefs, fear, self-sabotage, jealousy, guilt, addictions, and other inhibiting forces, replacing them with artistic confidence and productivity.
This book links creativity to spirituality by showing how to connect with the creative energies of the universe, and has, in the four years since its publication, spawned a remarkable number of support groups for artists dedicated to practicing the exercises it contains. [via]
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› Find signed collectible books: 'The Artist's Way: A Spiritual Path to Higher Creativity'
With the basic principle that creative expression is the natural direction of life, Julia Cameron and Mark Bryan lead you through a comprehensive twelve-week program to recover your creativity from a variety of blocks, including limiting beliefs, fear, self-sabotage, jealousy, guilt, addictions, and other inhibiting forces, replacing them with artistic confidence and productivity.
This book links creativity to spirituality by showing how to connect with the creative energies of the universe, and has, in the four years since its publication, spawned a remarkable number of support groups for artists dedicated to practicing the exercises it contains. [via]
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› Find signed collectible books: 'The Artist's Way at Work: Riding the Dragon'
Adapting their techniques for fostering creativity as a means to spiritual fulfillment for the workplace, the authors of The Artist's Way at Work have shown that people can thrive at their jobs when they take time to nurture their spirit and listen to their thoughts. The book features psychological guidance, anecdotes, and exercises to assist the reader in sorting out the multitude of happenings, commitments, and choices in one's life. Again, these authors of the enormously successful The Artist's Way recommend their fundamental technique of "morning pages"--a kind of free-form journaling--to unravel thoughts and feelings, focus energy, and direct action. The beautiful surprise of this deceivingly simple exercise is that it actually works! It's making the time to do morning pages that's the real battle. But, if you, like so many others, feel swept up by the tidal wave of our fast-paced, noisy culture, then the authors' slow and steady steps toward reclaiming the spiritual self are invaluable. Some of the suggestions and exercises are a bit out of touch with the complex, and often emotionally-charged, political maneuverings of corporate culture, but the aim of cultivating an individual's ingenuity and resourcefulness is effective and expertly structured. Overall, the authors' philosophy boils down to change that begins with a constantly emerging self. With this book's help, you'll not only find how that new self spawns clarity and grace, but how widely their effects can reverberate throughout the workplace. --Karen Karleski [via]
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› Find signed collectible books: 'The Artist's Way Creativity Kit'
Like the book on which it is based, The Artist's Way Creativity Kit is an empowering tool for aspiring and working artists alike. The elements within this exquisite box are designed to encourage the establishment of a personal ritual surrounding your creative time. The words of Julia Cameron, author of the best-selling book The Artist's Way, will set you on your way. Inside you will find a contemplative writing journal featuring quotations from creative souls from Shakti Gawain to Leo Tolstoy on the nature of creativity and accompanying questions that allow you apply their wisdom to your life, 75 cards with creative tasks geared toward spontaneity and play, and a packet of sandalwood incense. [via]
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› Find signed collectible books: 'Artists of the Renaissance: An Illustrated Selection'
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› Find signed collectible books: 'Between Heaven and Hell: The Story of a Thousand Years of Artistic Life in Russia'
This slim volume tackles an overwhelming subject: 1,000 years of Russian achievements in the arts, from medieval ikons to the novels of Tolstoy to the films of Eisenstein. Much has been written about the subject over the years, but Lincoln poses himself a slightly different task: to depict not so much the history of Russian arts as the history of the country's "artistic experience," including the "social and political forces" that shaped artistic creation. Author of such histories as Romanovs and Nicholas I, Lincoln ably provides the context such a task requires. Unfortunately, Lincoln's purple prose can sometimes be distracting. No one ever seems to merely wear a medal, they wear it "proudly"; a building is not simply painted turquoise when it can be "brilliant" turquoise. Here, for instance, is Lincoln on the music of Rimsky-Korsakov: "Oceans churned, storms thundered, the sun sparkled in wintry forests, and in the new warmth of spring nightingales sang and golden fish leaped from crystal streams." Overall, however, Lincoln's marriage of history and the arts is a happy one, demonstrating how the peculiarly Russian tension between East and West and between politics and the arts helped produce artistic works that were both uniquely beautiful and uniquely Russian. [via]
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› Find signed collectible books: 'Celtic Design : The Dragon and the Griffin'
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› Find signed collectible books: 'Creative Form Drawing: Workbook 1'
Anyone wanting to develop their drawing skills, as well as artists, teachers and students, will enjoy the creative challenge of form drawing. Regular practise can help discover what the art of line can mean. Drawing skills are developed through systematic exercises, and can develop self-confidence, balance and tranquillity. Simple form drawing is used in Steiner?Waldorf schools as a companion discipline to handwriting and drawing skills. It offers a healthy antidote to screen culture. [via]
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› Find signed collectible books: 'Creative Form Drawing: Workbook 2'
Anyone wanting to develop their drawing skills, as well as artists, teachers and students, will enjoy the creative challenge of form drawing. Regular practise can help discover what the art of line can mean. Drawing skills are developed through systematic exercises, and can develop self-confidence, balance and tranquillity. Simple form drawing is used in Steiner?Waldorf schools as a companion discipline to handwriting and drawing skills. It offers a healthy antidote to screen culture. [via]
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› Find signed collectible books: 'Creative Form Drawing: Workbook 3'
Anyone wanting to develop their drawing skills, as well as artists, teachers and students, will enjoy the creative challenge of form drawing. Regular practise can help discover what the art of line can mean. Drawing skills are developed through systematic exercises, and can develop self-confidence, balance and tranquillity. Simple form drawing is used in Steiner?Waldorf schools as a companion discipline to handwriting and drawing skills. It offers a healthy antidote to screen culture. [via]
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› Find signed collectible books: 'The Creators/a History of Heroes of the Imagination'
Historian Daniel J. Boorstin brings his customary depth and range to this compelling book on Western art, taking on everything from European megaliths (Stonehenge, for example) to Benjamin Franklin's autobiography ("the first American addition to world literature"). Boorstin does not aim at being comprehensive--he much prefers to linger over certain "heroes of the imagination" as he surveys human accomplishment in the fields of architecture, music, painting, sculpting, and writing--yet The Creators certainly feels comprehensive, as Boorstin carefully places everything he describes within a grand tradition of aesthetic achievement.
Boorstin knows that good history demands good writing, and his prose makes this big book easy to absorb. "This is a story," he writes, "of how creators in all the arts have enlarged, embellished, fantasized, and filigreed our experience"--an apt description of the role art plays in our life and an equally apt description of the way Boorstin interprets it for readers. (The Creators also is the second volume of a trilogy that starts with The Discoverers and concludes with The Seekers, although none of these books requires any knowledge of the others.) --John J. Miller [via]
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› Find signed collectible books: 'Cue the Elephant! : Backstage Tales at the CBC'
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› Find signed collectible books: 'Drawing on the Right Side of the Brain'
Revised edition of Betty Edwards' drawing instruction book, in large format with colour illustrations. [via]
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› Find signed collectible books: 'Drawing on the Right Side of the Brain: A Course in Enhancing Creativity and Artistic Confidence'
Edwards uses the latest in brain research to explain how anyone can learn to draw more accurately and creatively. This edition contains a new illustrated section in color, several fully revised chapters, new sample drawings, and a new section on handwriting. [via]
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› Find signed collectible books: 'The Dustbin of History'
Noted critic Greil Marcus contemplates the connections between history and popular culture in this thoughtful collection of essays. He writes about how the Beat Generation is marketed in a three-CD boxed set and ponders the meaning of John Wayne. He recounts his own personal discovery of the work of blues legend Robert Johnson, provoking the reader to consider how one small thing -- in this case an old phonograph record -- can profoundly change a life. And those who marvel at Marcus' ability for close analysis of the seemingly simple may marvel at his brilliant essay, "Dylan as Historian," which analyzes just one apparently simple yet deeply layered song, Bob Dylan's "Blind Willie McTell." [via]
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› Find signed collectible books: 'Exchanging Hats: Paintings'
Elizabeth Bishop was a great poet. It turns out that she was also a rather good painter, even though she insisted that her paintings were anything but art. Her visual creations offer intimate and unexpected insights into the magic of familiar places and beloved friends. Exchanging Hats provides both veteran Bishop admirers and those meeting her for the first time with an extraordinary examination of her paintings and drawings. [via]
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› Find signed collectible books: 'Fractals for the Classroom'
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› Find signed collectible books: 'Fractals for the Classroom: Strategic Activities'
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› Find signed collectible books: 'Gardner's Art Through the Ages With Infotrac: The Western Perspective'
This new alternative, GARDNER'S WESTERN ART THROUGH THE AGES, offers instructors and students a brief, strictly Western approach to art history and retains all of the hallmark features of the market-leading Eleventh Edition in a concise 23-chapter format (also available in a two-volume split). Unique to books with a Western Art focus, the authors retain the chapter on Islam, providing students with insightful coverage of the Islamic tradition's impact on Western culture and art history. Featuring an outstanding art program with more color photos than any comparable art history survey textbook, the authors focus on the context and function of the role of art. [via]
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› Find signed collectible books: 'Gardners Art Through the Ages With Infotrac'
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› Find signed collectible books: 'Gardners Western Art Through the Ages With Infotrac'
This new alternative, GARDNER'S WESTERN ART THROUGH THE AGES, offers instructors and students a brief, strictly Western approach to art history and retains all of the hallmark features of the market-leading Eleventh Edition in a concise 23-chapter format (also available in a two-volume split). Unique to books with a Western Art focus, the authors retain the chapter on Islam, providing students with insightful coverage of the Islamic tradition's impact on Western culture and art history. Featuring an outstanding art program with more color photos than any comparable art history survey textbook, the authors focus on the context and function of the role of art. [via]
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› Find signed collectible books: 'Gaudi: 1852-1926 Antoni Gaudi i Cornet - A Life Devoted to Architecture'
The complete works of the great Antoni Gaudi (TASCHEN's 25th anniversary special edition) Anyone who visits Barcelona today will come across the works of Antoni Gaudi - the architect who has attracted art-lovers from all over the world to Spain, it was here, in the capital of Catalonia, that the famous master of architecture produced nearly all of his works, including villas for the well-to-do bourgeoisle, the expansive Guell Park (which today is open to the public), and the famous church designed in honour of the Holy Family - a project which was begun over 100 years ago and has yet to be completed. Antoni Gaudi's life was full of contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single church. As a young man Gaudi had a liking for the glamour of social life and the looks of a dandy; in old age, on the other hand, he lived a spartan life. Gaudi never married and devoted his life entirely to his art: architecture. His works have been acclaimed as "soothing oases in a desert of functional buildings," as "precious gems in the uniform grey of rows of houses," and the master himself was acclaimed as the "Dante of architecture". This book provides a sweeping study of his entire career, presenting his complete works via texts and illustrations. [via]
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› Find signed collectible books: 'Gaudi : The Complete Buildings'
A detailed description of Antoni Gaudí - the man and his work
Wherever they go, anyone who visits Barcelona today will come across the works of Antoni Gaudí - the architect who has attracted art-lovers from all over the world to Spain. It was here, in the capital of Catalonia, that the famous master of architecture produced nearly all of his works. Villas for the well-to-do bourgeoisie, the expansive Güell Park (which today is open to the public), and the famous church designed in honour of the Holy Family - a project which was begun over 100 years ago and has yet to be completed.
Antoni Gaudí's life was full of contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single church. As a young man Gaudí had a liking for the glamour of social life and the looks of a dandy; in old age, on the other hand, he lived a spartan life.
Antoni Gaudí never married and devoted his life entirely to his art - architecture. His works have been acclaimed as "soothing oases in a desert of functional buildings", as "precious gems in the uniform grey of rows of houses," and the master himself was acclaimed as the "Dante of architecture".
This book provides a detailed description of Gaudí the man and his work. The complete works are documented in a wide range of colour photos. [via]
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› Find signed collectible books: 'The Heart of the Artist: A Character-Building Guide for You and Your Ministry Team'
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› Find signed collectible books: 'How Should We Then Live?: The Rise and Decline of Western Thought and Culture'
Drawing upon forty years of study in theology, philosophy, history, sociology and the arts, Dr. Schaeffer contemplates the reasons for modern society's sorry state of affairs and argues for total affirmation of the Bible's morals, values, and meaning. [via]
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› Find signed collectible books: 'The Humanities: Cultural Roots and Continuities'
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› Find signed collectible books: 'The Humanities: Cultural Roots and Continuities'
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› Find signed collectible books: 'The Humanities Through the Arts'
The Humanities Through the Arts is intended for introductory-level, interdisciplinary courses offered across the curriculum in the humanities, philosophy, art, English, music, and education departments.
Arranged topically by art form - from painting, sculpture, photography, and architecture to literature, music, theater, film, and dance - this beautifully illustrated text helps students learn how to actively engage a work of art.
The Fifth Edition is the most extensive revision in the history of this title, yet it retains the popular focus on the arts as an expression of cultural and personal values. [via]
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› Find signed collectible books: 'Imagine: A Vision for Christians in the Arts'
Imagine art that is risky, complex and subtle! Imagine music, movies, books and paintings of the highest quality! Imagine art that permeates society, challenging conventional thinking and standard morals to their core! Imagine that it is all created by Christians! This is the bold vision of Steve Turner, someone who has worked among artists--many Christian and many not--for three decades. He believes Christians should confront society and the church with the powerful impact art can convey. He believes art can faithfully chronicle the lives of ordinary people and equally express the transcendence of God. He believes that Christians should be involved in every level of the art world and in every media. Yet art and artists have not always been held in high esteem by conservative Christians. Art rarely seems to communicate clear propositional truth, rarely deals with certainties and absolutes. And the lifestyles of artists too frequently seem at odds with the gospel. So the arts have often been discouraged among Christians. Throughout this stimulating book, however, Turner builds a compelling case against such a perspective. He shows that if Jesus is Lord of all of life and creation, then art is not out of bounds for Christians. Rather it can and should be a way of expressing faith in creatively, beautifully, truthfully arranged words, sounds and sights. This stirring call is must reading for every Christian who has been drawn to the arts or been influenced by them. [via]
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› Find signed collectible books: 'Kings and Connoisseurs: Collecting Art in Seventeenth-Century Europe'
Old master paintings are now considered to be the most valuable and prestigious of the visual arts, and the best examples command the highest prices of any luxury commodity. In this series of lectures Jonathan Brown tells in vivid detail the story of the rise of painting to this exalted status. The result is an exciting narrative of greed and passion, played out against a background of international politics and intrigue. This book, which is an essay in cultural and art history, is completed by a postscript showing why important old master paintings have now virtually disappeared from the art market.
The transformation of painting from an inexpensive to a costly art form reached a crucial stage in the royal courts of Europe in the seventeenth century, where rulers and aristocrats assembled huge collections, often in short periods of time. Brown traces this process in Madrid, Paris, London, and Brussels, beginning with the dispersal of the great English collections in the aftermath of the Civil War, including those of Charles I, the Earl of Arundel, and the Dukes of Buckingham and Hamilton. Hundreds of great pictures were all at once available to continental collectors and were acquired by Cardinal Jules Mazarin, Louis XIV of France, Archduke Leopold William of Austria, and Philip IV of Spain, as well as lesser-known collectors, including Everhard Jabach and Luis de Haro. Through comparative analysis of collecting and collectors at these courts, Brown explains the formation of new attitudes toward pictures, as well as the mechanisms that supported the enterprise of collecting, including the emergence of the art dealer, the development of connoisseurship, and the publication of sumptuous picture books of various collections.
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› Find signed collectible books: 'The Liberated Imagination: Thinking Christianly about the Arts'
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› Find signed collectible books: 'The Lost Painting'
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› Find signed collectible books: 'The Lost Painting : The Quest for a Caravaggio Masterpiece'
In 1992 a young art student uncovered a clue in an obscure Italian archive that led to the discovery of Caravaggio's original The Taking of the Christ, a painting that had been presumed lost for over 200 years. How this clue--a single entry in an old listing of family possessions--led to a residence in Ireland and the subsequent restoration of this Italian Baroque masterpiece is the subject of this brisk and enthralling detective story. The Lost Painting reads more like a historical novel than art history, as Harr smoothly weaves several narratives together to bring the story alive. Though he does not provide an in-depth examination of the painting itself--the book is not aimed specifically at art experts--Harr does include many details for lay readers about restoration, the various methods used to track artwork through history, how originals are distinguished from copies, and an inside view of the art world, past and present. He also discusses various forensic approaches, including X ray, infrared reflectography, chemical analysis of the paints and canvas, and other modern techniques. But most of the book is focused on more primitive methods, including dogged research through dusty archives and meticulous attention to detail.
This entertaining book boasts an engaging cast of characters, all of whom are inflicted with the "Caravaggio disease," including some of the foremost Caravaggio scholars in the world, persistent students, obsessive restorers, and most of all, the artist himself. Mercurial, supremely gifted, and prone to violence, Caravaggio lived like an outlaw and a pauper most of his troubled life. Yet even when he attained wealth and fame--and briefly, respectability--he was still hounded by the law (for murder) and numerous vengeful enemies. Harr does an admirable job of bringing the man alive in these pages while keeping his long-lost painting at the center of the action. --Shawn Carkonen [via]
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› Find signed collectible books: 'The Master And Margarita'
A mysterious stranger and his retinue have astonished the locals of Stalins Moscow with the magic show to end all magic shows and have quite literally set the town alight. But whats the real purpose behind their visit?
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› Find signed collectible books: 'MASTER AND MARGARITA'
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park [via]
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› Find signed collectible books: 'The Master and Margarita'
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park [via]
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› Find signed collectible books: 'Master I Margarita'
› Find signed collectible books: 'Mind Of The Maker'
Best known for her Lord Peter Wimsey mysteries, Dorothy Sayers was also a playwright, essayist, and a translator of Dante. C.S. Lewis said that he liked her "for the extraordinary zest and edge of her conversation--as I like a high wind." The reader gets a fair taste of that wind in this book, her study of the human (and divine) creative process. Beginning with some stingingly humorous words for the education process (which has produced, she says, "a generation of mental slatterns") she then explores the Trinitarian nature of creativity. Here she identifies the Christian concept of the Holy Trinity--God, Son, Holy Spirit--with three elements of creation. First, the Idea: "passionless, timeless, beholding the whole work complete at once, the end in the beginning"; then the Creative Energy: "begotten of that idea, working in time from the beginning to end," manifesting the Idea in matter; and finally the Creative Power: "the meaning of the work and its response in the lively soul"--in essence, what she calls "the indwelling Spirit."
In a plain, matter-of-fact style that readers will recognize from her mysteries, she reflects on the question of free will and miracle, evil, and, ultimately, "the worth of the work." It is especially here, I think, in this final chapter that the book remains both timeless and profoundly timely. The artist stands for the true worker, she writes, who, while requiring payment for his work, as an artist "retains so much of the image of God that he is in love with his creation for its own sake." So too, ultimately, should it be for all human work: "That the eyes of all workers should behold the integrity of the work is the sole means to make that work good in itself and so good for mankind. This is only another way of saying that the work must be measured by the standard of eternity." --Doug Thorpe [via]
› Find signed collectible books: 'The New Drawing on the Right Side of the Brain'
When Drawing on the Right Side of the Brain was first published in 1979, it hit the New York Times bestseller list within two weeks and stayed there for more than a year. In 1989, when Dr. Betty Edwards revised the book, it went straight to the Times list again. Now Dr. Edwards celebrates the twentieth anniversary of her classic book with a second revised edition.
Over the last decade, Dr. Edwards has refined her material through teaching hundreds of workshops and seminars. Truly The New Drawing on the Right Side of the Brain, this edition includes:
Translated into thirteen languages, Drawing on the Right Side of the Brain is the world's most widely used drawing-instruction guide. People from just about every walk of lifeartists, students, corporate executives, architects, real estate agents, designers, engineershave applied its revolutionary approach to problem solving. The Los Angeles Times said it best: Drawing on the Right Side of the Brain is "not only a book about drawing, it is a book about living. This brilliant approach to the teaching of drawing . . . should not be dismissed as a mere text. It emancipates."
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› Find signed collectible books: 'The Nude: A Study in Ideal Form'
The author traces the history of the depiction of the human body from the earliest civilized times to the present day. Starting with the Greeks who used the nude to express certain fundamental human needs, such as the need for harmony and order (Apollo), and the need to sublimate desire (Venus), he shows how these types of bodily expression were revived in 15th-century Italy and given new urgency by Michelangelo, whose genius almost exhausted the possibilities of the male nude. The female body, however, through Titian, Rubens, Ingres and Renoir has continued to be a source of pictorial inspiration, and the author examines the uneasy relationship with the nude of such moderns as Matisse and Picasso. [via]
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› Find signed collectible books: 'Orientalism: History, Theory and the Arts'
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› Find signed collectible books: 'Photography of the 20th Century'
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› Find signed collectible books: 'Pleasures of the Imagination: English Culture in the Eighteenth Century'
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› Find signed collectible books: 'Readings in the Western Humanities'
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› Find signed collectible books: 'Readings in the Western Humanities'
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› Find signed collectible books: 'Romanticism'
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› Find signed collectible books: 'Scribbling in the Sand: Christ and Creativity'
"To this day we have not the slightest idea what it was Jesus twice scribbled in the sand. By and large the commentaries have asked the wrong question through the ages. They labor over the content, over what he might have written. They ask what, without ever realizing the real question is why? It was not the content that mattered but why he did it. Unexpected. Irritating. Creative." Singer, songwriter and diligent student of Scripture, Michael Card is well known for the depth of his lyrics and the artistry of his music. But far more significant than the songs he has penned is the source of his inspiration--the creativity embodied in Jesus Christ, the incarnate Word of God. In his book Card explores the biblical foundations of true Christian creativity. Whether we think of ourselves as creative or not, all of us are created in the image of our Creator God, and thus creativity is a vital expression of our discipleship. This companion study guide provides eight sessions to help individuals and groups interact with the themes of Michael Cards book. With discussion questions, inductive Bible studies and creative exercises, each session provides opportunities for reflection, discovery and application. The user-friendly format makes this guide ideal for small groups, Sunday school classes or anyone who wants to enter into a life of Christian creativity. [via]
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› Find signed collectible books: 'A Short Guide To Writing About Art'
Key Benefit: A Short Guide to Writing About Art, Eighth Edition, the best-selling book of its kind, equips students to analyze pictures (drawings, paintings, photographs), sculptures and architecture, and prepares them with the tools they need to present their ideas in effective writing. Key Topics:This concise yet thorough guide to seeing and saying addresses a wealth of fundamental matters, such as distinguishing between description and analysis, writing a comparison, using peer review, documenting sources, and editing the final essay. Market: This book is a perfect complement to any art course where writing is involved
[via]More editions of A Short Guide To Writing About Art:

› Find signed collectible books: 'State of the Arts: From Bezalel to Mapplethorpe'
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› Find signed collectible books: 'Thriving As An Artist In The Church: Hope And Help For You And Your Ministry Team'
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› Find signed collectible books: 'Vivien: The Life of Vivien Leigh'
Leigh retains her hold over the imagination as Scarlett O'Hara, as a great screen beauty, and as a notable actor. This biography is a serious assessment, which reads well, with a novelist's sense of telling scene and strong dialogue. Through new source material, it argues a coherent view of this troubled actor, showing her fated to self-destruction from her early impulsiveness, through her physical illnesses, to her later manic-depressive episodes. The lavishness, the emotional recklessness, and the artistic competitiveness are clearly delineated. But she was a tragic figure, playing out her own doom. The book is apparently well researched [via]
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› Find signed collectible books: 'The Voices of Silence'
"Not simply one of [Malraux's] best productions but perhaps one of the really great books of our time."--Edmund Wilson [via]
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› Find signed collectible books: 'Voices of Silence: Man and His Art'
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› Find signed collectible books: 'Walking on Water'
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› Find signed collectible books: 'Walking on Water: Reflections on Faith and Art'
Walking on Water collects 12 brief meditations by Madeleine L'Engle on the nature of art and its relation to faith. L'Engle, the beloved author of A Wrinkle In Time among others, has written and spoken widely and wisely about the connection between religion and art. The gist of her understanding is as follows:
To try to talk about art and about Christianity is for me one and the same thing, and it means attempting to share the meaning of my life, what gives it, for me, its tragedy and its glory. It is what makes me respond to the death of an apple tree, the birth of a puppy, northern lights shaking the sky, by writing stories.She believes that "[b]asically there can be no categories such as 'religious' art and 'secular' art because all true art is incarnational, and therefore 'religious.'" And "incarnation," in L'Engle's view, means "God's revelation of himself through particularity." In this book there is some slippage between L'Engle's autobiographical and critical voices. As a result, she often claims Christian significance for works whose meaning is not intentionally Christian. She admits this freely:
[B]ecause I am a struggling Christian, it's inevitable that I superimpose my awareness of all that happened in the life of Jesus upon what I'm reading, upon Buber, upon Plato, upon the Book of Daniel. But I'm not sure that's a bad thing. To be truly Christian means to see Christ everywhere, to know him as all in all.-- Michael Joseph Gross [via]
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› Find signed collectible books: 'What Good Are the Arts?'
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› Find signed collectible books: 'Workplay: Playing to Learn and Learning to Play'
WorkPlay offers you some of the most enjoyable and educational games and exercises you'll find anywhere. More than "just another" collection of structured activities, this reproducible volume includes a provocative discussion of the serious impact of fun and games on the adult learner.
WorkPlay provides training in: Leadership, team building, change, problem solving, creativity, decision making, goal setting, trust, risk taking, and more!
WorkPlay is designed to provide program designers, workshop presenters, facilitators, and consultants with creative, structured learning experiences and detailed guidance on how to use them for effective training, conferences, and workshops. It is a practical handbook containing 27 varied and versatile activities that cover a comprehensive range of learning themes. Although these activities are particularly well-suited to team building, group problem solving, and leadership training, they can be used for communication, decision making, creativity, resource management, and a multitude of other learning purposes. Each activity can serve a range of training needs and agendas. Each activity has applicability to a variety of learning themes, some of which can be explored in depth using the activity alone or in conjunction with suggested companion exercises. They can be implemented either at different times for different purposes or used singularly to accomplish a variety of related learning objectives.
WorkPlay includes:
27 reproducible activities in a convenient 3-ring binder.
Exercises include icebreakers, energizers and closing activities, scenario-based activities, and general activities for multiple objectives.
Observer/judge sheets for participants to learn by observing
Guidelines for ensuring that physically challenged participants can safely and enjoyably take part in the activities
Requirements for set-up, time, group size, materials, constraints, and safety considerations.
Development
Experiential activities can transform learning into adventure for adults in conference, academic, and work training settings. Learning is an emotional, physical and cognitive experience. Movement and feelings affect learning. Play can engage the mind and body and provoke a positive, emotional response during exercises that are designed to enhance skills and elucidate concepts and theories. Almost any topic can be explored through gaming. Learning that involves skill building and behavioral change, such as group dynamics, communication, leadership, problem solving, teamwork, and decision making are particularly well-suited to gaming.
Playing games for the serious purpose of learning creates a paradoxical situation in which participants are simultaneously involved in serious play and playful seriousness. The object of gaming is knowledge, not fun. However, the process is enjoyable and thus conducive to learning. This type of play entails the lighthearted yet earnest pursuit of educational aims within a fun-and-games context. The paradoxical nature of gaming to learn allows players freedom to experiment with new approaches, change old approaches, and even fail with impunity. After all, learning is a risky business. Safety is ensured in the imaginative realm of play.
Conducting the Activities
Each activity provides all the information necessary to conduct the experience, including directions and other handouts that can be easily copied for the participants. Some of the games do not require these handouts for participants or may have handouts to be used by the facilitator as a guide. These handouts contain all the pertinent information necessary for the group considerations. They also ensure that the group cannot project responsibility for its performance on faulty facilitator instructions, insulating the facilitator from being unwittingly drawn into authority issues that properly belong in the group.
Many of the activities are designed to accommodat [via]
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