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› Find signed collectible books: 'Academies, Museums and Canons of Art'
This volume examines the ways in which works of art have achieved a position in the canon of Western art. Focusing on art and institutions in Britain and France from the 17th to the 19th century, the contributors explore the construction and evolution of canonical values. [via]
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› Find signed collectible books: 'Anonymous Was a Woman'
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› Find signed collectible books: 'Anonymous Was a Woman: A Celebration in Words and Images of Traditional American Art and the Women Who Made It'
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› Find signed collectible books: 'The Art and Architecture of Ancient Egypt'
The civilization of Ancient Egypt extended from the fourth millennium BC to the conquest of Alexander. The Egyptians in their tombs recreated life for the dead in a naturalistic way, often against the background of the landscape in which they lived. They also left revealing portraits ranging from the civil servants of the kings to the kings and queens themselves who built the pyramids at Giza and Saqqara; the tombs at Thebes, including the treasure-filled burial-place of Tut-ankh-amon; the temples of Luxor and Karnak and the palaces of Akhenaten at Tell el Amarna and of Amenhotep III at Thebes. These monuments with their decoration as well as many other works of art are reproduced in over 400 illustrations. Appendices deal with Scottish architecture before the union and buildings in the 13 colonies of America. [via]
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› Find signed collectible books: 'The Art and Architecture of China'
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› Find signed collectible books: 'The Art and Architecture of Islam 1250-1800'
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› Find signed collectible books: 'The Art of Murder'
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› Find signed collectible books: 'The Art of Murder'
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› Find signed collectible books: 'The Art of Return of the Jedi, Star Wars: Including the Complete Script of the Film by Lawrence Kasdan and George Lucas'
The ART OF STAR WARS: RETURN OF THE JEDI is a lavish, full-color volume that commemorates the creative genius and technical wizardry behind RETURN OF THE JEDI, the dazzling space epic. Illustrating the original screenplay are hundreds of sketches, storyboards, matte paintings, blueprints, production paintings, and costume designs -- the work of the conceptual artists and designers whose skill and imagination gave rise to the wonders seen on the screen by the whole world. [via]
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› Find signed collectible books: 'The Art of Star Wars: Return of the Jedi/Episode VI'
The ART OF STAR WARS: RETURN OF THE JEDI is a lavish, full-color volume that commemorates the creative genius and technical wizardry behind RETURN OF THE JEDI, the dazzling space epic. Illustrating the original screenplay are hundreds of sketches, storyboards, matte paintings, blueprints, production paintings, and costume designs -- the work of the conceptual artists and designers whose skill and imagination gave rise to the wonders seen on the screen by the whole world. [via]
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› Find signed collectible books: 'The Art of the Brothers Hildebrandt'
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› Find signed collectible books: 'The Art of the Return of the Jedi'
The ART OF STAR WARS: RETURN OF THE JEDI is a lavish, full-color volume that commemorates the creative genius and technical wizardry behind RETURN OF THE JEDI, the dazzling space epic. Illustrating the original screenplay are hundreds of sketches, storyboards, matte paintings, blueprints, production paintings, and costume designs -- the work of the conceptual artists and designers whose skill and imagination gave rise to the wonders seen on the screen by the whole world. [via]
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› Find signed collectible books: 'Bachelors'
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› Find signed collectible books: 'Baroness Elsa: Gender, Dada, and Everyday Modernity A Cultural Biography'
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› Find signed collectible books: 'Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective'
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› Find signed collectible books: 'The Blaue Reiter Almanac'
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› Find signed collectible books: 'Byzantium: Faith and Power (1261-1557)'
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› Find signed collectible books: 'Cezanne in Provence'
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› Find signed collectible books: 'Chip Kidd'
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› Find signed collectible books: 'The City of Falling Angels'
Past Midnight: John Berendt on the Mysteries of Venice
Just as John Berendt's first book, Midnight in the Garden of Good and Evil, was settling into its remarkable four-year run on The New York Times bestseller list, he discovered a new city whose local mysteries and traditions were more than a match for Savannah, whose hothouse eccentricities he had celebrated in the first book. The new city was Venice, and he spent much of the last decade wandering through its canals and palazzos, seeking to understand a place that any native will tell you is easy to visit but hard to know. For travelers to Venice, whether by armchair or vaporetto, he has selected his 10 (actually 11) Books to Read on Venice. And he took the time to answer a few of our questions about his charming new book, The City of Falling Angels:
Amazon.com: The lush, cloistered southern city of Savannah was the locale of Midnight in the Garden of Good and Evil. Venice, the setting for The City of Falling Angels, is vastly different. Was it the difference itself that drew you to Venice?
John Berendt: Savannah and Venice actually have quite a lot in common. Both are uniquely beautiful. Both are isolated geographically, culturally, and emotionally from the world outside. Venice sits in the middle of a lagoon; Savannah is surrounded by marshes, piney woods, and the ocean. Venetians think of themselves as Venetian first, Italian second; Savannahians rarely even venture forth as far as Atlanta or Charleston. So both cities offer a writer a rich context in which to set a story, and the stories provide readers a means of escape from their own environment into another world.
Amazon.com: I enjoyed your rather declarative author's note: that this is a work of nonfiction, and that you used everyone's real names. In your previous book you did use pseudonyms for some characters and you explained that you took a few small liberties in the service of the larger truth of the story. Why the change this time?
Berendt: When I wrote Midnight I thought I would do a few people the favor of changing their names for the sake of privacy. But when the book came out, several of the pseudonymous characters told me they wished I'd used their real names instead. So this time, no pseudonyms. As for the storytelling liberties I took in writing Midnight, they were minor and did not change the story, but my mention of it in the author's note caused some confusion, with the result that Midnight is sometimes referred to now as a novel, which it most certainly is not. Neither is The City of Falling Angels. In fact, I dispensed with the liberties this time and made it as close to the truth as I could get it.
Amazon.com: In The City of Falling Angels, a number of fascinating people serve as guides to the city, each with a different idea of the true nature of Venice. Who was your favorite?
Berendt: I don't have a favorite, but Count Girolamo Marcello is certainly a memorable, highly quotable commentator. "Everyone in Venice is acting," he told me. "Everyone plays a role, and the role changes. The key to understanding Venetians is rhythm, the rhythm of the lagoon, the water, the tides, the waves. It's like breathing. High water, high pressure: tense. Low water, low pressure: relaxed. The tide changes every six hours."
I nodded that I understood.
"How do you see a bridge?" he went on.
"Pardon me?" I asked, "A bridge?"
"Do you see a bridge as an obstacle--as just another set of steps to climb to get from one side of a canal to the other? We Venetians do not see bridges as obstacles. To us, bridges are transitions. We go over them very slowly. They are part of the rhythm. They are the links between two parts of a theater, like changes in scenery. Our role changes as we go over bridges. We cross from one reality ... to another reality. From one street ... to another street. From one setting ... to another setting."
Once I had absorbed that notion, Count Marcello continued: "Sunlight on a canal is reflected up through a window onto the ceiling, then from the ceiling onto a vase, and from the vase onto a glass. Which is the real sunlight? Which is the real reflection? What is true? What is not true? The answer is not so simple, because the truth can change. I can change. You can change. That is the Venice effect."
I was not terribly surprised when he later told me, "Venetians never tell the truth. We mean precisely the opposite of what we say."
Amazon.com: Now that you know Venice well enough to be a guide yourself, what would you say to a visitor looking for insight into the character of the city?
Berendt: Tourists generally shuffle along, on narrow streets so crowded as to be nearly impassable, between the major sights of St. Mark's Square, the Rialto Bridge, and the Accademia Museum. All you have to do is to step off these heavily traveled alleyways, and in a few moments you will find yourself in quiet, much emptier surroundings. This is more like the real Venice. Another thing to do is to go into the wine bars where Venetians stand around drinking and talking. They will very likely be speaking the Venetian dialect, so you won't be able to understand them, but you will get a sampling of the true Venetian ambiance enlivened by the pronounced sing-song rhythm of the language. I'd also suggest stopping someone in the street and asking for directions. Almost invariably, you will be rewarded with a genial smile and the instructions, Sempre diritto, meaning "Straight ahead." This will only leave you more confused, because when you attempt to follow a straight line, you will be confronted by more twists and turns and forks in the road than you thought possible, given the instructions. This is part of what Count Marcello described as "the Venice effect."
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› Find signed collectible books: 'Dear Theo: The Autobiography of Vincent Van Gogh'
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› Find signed collectible books: 'The Design of Everyday Things'
Anyone who designs anything to be used by humans--from physical objects to computer programs to conceptual tools--must read this book, and it is an equally tremendous read for anyone who has to use anything created by another human. It could forever change how you experience and interact with your physical surroundings, open your eyes to the perversity of bad design and the desirability of good design, and raise your expectations about how things should be designed. [via]
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› Find signed collectible books: 'Diane Arbus Revelations'
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› Find signed collectible books: 'Early Christian and Byzantine Architecture'
The appreciation of early Christian and Byzantine Art as a sublime expression of religious thought and feeling is a comparatively modern phenomenon. Byzantine art is both static and dynamic: static in the sense that once an image was established it was felt that no improvement was necessary; dynamic in the sense that there was never one style and these styles or modes were constantly changing. The story is not only complex in its unravelling but ranges widely over various media: mosaic, wall painting and painted panels, sculpture in marble and ivory, manuscript illumination, gold, silver, and precious stones, jewellery, silk and rich vestments. This is an account by a medieval art-historian. [via]
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› Find signed collectible books: 'Egon Schiele: The Leopold Collection, Vienna'
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› Find signed collectible books: 'Encounters and Reflections: Art in the Historical Present'
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› Find signed collectible books: 'Face Forward'
"Makeup should be fun, not fascist," celebrity makeup artist Kevyn Aucoin avers in Face Forward, his third book. One of the most adored stylists among fashionistas, entertainment divas, and high-society jet setters, Southern-born Aucoin arrived on the New York fashion scene in the early '80s, a period he ridicules for its '50s-era conservatism and McCarthyist us-against-them values. His career since has been motivated by the feel-good ideals of acceptance, diversity, and self-love, and the vain world of beauty has eagerly participated in his vision. While one may puzzle on how it is he finds fulfillment in an industry known for its superficiality and elitism, Aucoin's words are nonetheless infectious and the touches of his brushes inspired.
Conceived as an exploration of the past, present, and future of beauty, Face Forward is an ingenious showcase of the transformative, creative possibilities of makeup, with portraits of everyone from Julia Roberts to Sharon Stone, Martha Stewart to his mother, Thelma. His crafted visages range from minimal-application makeovers of friends to elaborate re-creations of such Hollywood icons as Audrey Hepburn (Calista Flockhart), James Dean (Gwyneth Paltrow), and Veronica Lake (shockingly, Martha Stewart) and such pop-culture personalities as Cher (socialite Alexandra von Furstenberg) and Siouxsie Sioux (Winona Ryder). The final pages present his ideas for looks to come, such as "Explorer," Mary J. Blige covered in eggplant body makeup with a rainbow of metallic eye shadows over her eyes and thickly glossed red lips; "Floralia," a freckled Lucy Liu resembling a sprite from A Midsummer's Night Dream; and "Venusian de Milo," Sharon Stone as an orange-haired, one-breast-baring sci-fi femme fatale. Throughout, Aucoin augments an already colorful book with step-by-step instruction, chatty commentary on each look and model, and riffs on such topics as friendship, politics (he repeatedly applauds the Clinton Administration for embracing diversity in the '90s), and the environment.
"Appreciating (even highlighting) individuality is one of the great things about makeup," asserts Aucoin, and Face Forward is a dazzling testament to that belief. For those who see the fun of makeup and are eager to experiment with the virtually unlimited possibilities of it, this book is a boon. --Rebecca Wright [via]

› Find signed collectible books: 'The Faces of Fantasy'
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› Find signed collectible books: 'Fairfield Porter: A Life in Art'
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› Find signed collectible books: 'Faking It'
Setting: Columbus, Ohio
Sensuality: 7
Mural artist Tilda Goodnight is struggling to pay off the mortgage on the family business and keep the Goodnight secrets safely hidden. Juggling her life gets even more complicated when she hides in Clea Lewis's closet and collides with sexy Davy Dempsey. Tilda is in Clea's bedroom to steal back a forged painting; Davy's there to steal Clea's account codes and retrieve the $3 million the larcenous blonde stole from him. Somehow, Tilda finds herself exchanging a mind-blowing kiss with her fellow burglar, and when Davy follows her home and rents a room from her mother, she's forced to deal with the charming con man. Everyone in Tilda's world is pretending to be someone else, including her daydreaming mother, her split-personality sister, and her cross-dressing ex-brother-in-law. All of them, including Tilda and Davy, are Faking It. What will happen when all the secrets are out and everyone knows the truth about everyone else? Will Davy recover his 3 million? Will Tilda recover all the forged paintings and find her true artistic calling? Will Tilda's mother run off to Aruba with a hit man named Ford? And exactly what is the difference between a man labeled a "doughnut" and one who deserves the title "muffin"?
Faking It is a hilarious, warm novel with a cast of quirky and wonderful characters that endear while they charm. Readers who met the Dempsey siblings in Crusie's Welcome To Temptation will be delighted to revisit the family and discover what happens to Davy Dempsey when he meets his romantic nemesis, Tilda Goodnight. --Lois Faye Dyer [via]

› Find signed collectible books: 'Fantastic Science-Fiction Art, 1926-1954'
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› Find signed collectible books: 'Full Moon'
In Full Moon, one of the best science photography books ever published, Michael Light presents a voyage in images to the Moon and back. Light took NASA's master negatives of photos taken by Apollo astronauts and scanned them electronically. The resulting pictures are so vivid they seem more clear than real life. Light orders the photos sequentially, selecting the most arresting images from each mission, to create a truly cinematic experience. In the first section, depicting blastoff, you can almost feel the violent shaking of the rocket as it strains to escape Earth's gravity. Then you see the quiet stillness of weightlessness, the astronauts' view down at a perfectly silent Earth, boundless oceans contrasting with bright white clouds. A spacewalk adds vertigo--the astronaut looks fragile and very alone as he floats outside his capsule far above his home planet. Then comes the waiting, as the long voyage toward the Moon continues.
As you watch the cratered surface get closer and closer, you have no sense of scale until you see the miniscule silver and gold lander dropping gently to land on the Moon. Leaving the cluttered interior of the capsule in bulky, awkward suits, the astronauts bring delicate tracings of color--gold on the lander; red, white, and blue on the spacesuits' flag patches--to this black-and-white world. Five huge gatefolds in this section give you indescribable views of the intricately scarred surface of the Moon.
You return to space for the reuniting of the lander and capsule, and a repetition of the tedious journey back home. Finally, you watch a chaotic splashdown in the riot of colors that is Earth.
A nice section in the back of the book explains each photo with a detailed caption, and an essay by author Andrew Chaikin (A Man on the Moon) adds more written context to this stunning visual experience. The book is printed on very high-quality paper, with matte black frames for the photos and a gorgeous, wordless cover. Every space fan should have a copy. --Therese Littleton [via]
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› Find signed collectible books: 'Full Moon'
The most thrilling of all journeys--the missions of the Apollo astronauts to the surface of the Moon and back--yielded 32,000 extraordinarily beautiful photographs, the record of a unique human achievement. Until recently, only a handful of these photographs had been released for publication; but now, for the first time, NASA has allowed a selection of the master negatives and transparencies to be scanned electronically, rendering the sharpest images of space that we have ever seen. Michael Light has woven 129 of these stunningly clear images into a single composite voyage, a narrative of breathtaking immediacy and authenticity that begins with the launch and is followed by a walk in space, an orbit of the Moon, a lunar landing and exploration, and a return to Earth with an orbit and splashdown.
Graced by five 45-inch-wide gatefolds that display the lunar landscape, from above the surface and at eye level, in unprecedented detail and clarity, Full Moon conveys on each page the excitement, disorientation, and awe that the astronauts themselves felt as they were shot into space and then as they explored an alien landscape and looked back at their home planet from hundreds of thousands of miles away.
Published on the thirtieth anniversary of Apollo 11--the first landing on the Moon--this remarkable and mesmerizing volume is, like the voyages it commemorates and re-creates, an experience both intimate and monumental. [via]
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› Find signed collectible books: 'Gustav Klimt: Landscapes'
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› Find signed collectible books: 'Holbein's Ambassadors'
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› Find signed collectible books: 'The Illusion of Orderly Progress'
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› Find signed collectible books: 'The Image of Christ'
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› Find signed collectible books: 'Interviews With American Artists'
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› Find signed collectible books: 'J. M. W. Turner: Ackroyd's Brief Lives'
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› Find signed collectible books: 'King of the Confessors'
This book is in good condition! RustyRiver offers fast daily shipping and 100% customer satisfaction GUARANTEED! Slight wear to cover. [via]
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› Find signed collectible books: 'Late Modern: The Visual Arts Since 1945'
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› Find signed collectible books: 'The Legacy: Tradition and Innovation in Northwest Coast Indian Art'
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› Find signed collectible books: 'Leonardo's Nephew: Essays on Art and Artists'
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› Find signed collectible books: 'Let Us Now Praise Famous Men'
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› Find signed collectible books: 'Life in the English Country House: A Social and Architectural History'
The English country house has flourished over the centuries because of its ability to adapt to the changes in English society. This book is an account of the ways in which the upper-class life style were reflected in the houses in which the wealthy and powerful lived. First published in 1978, this is a history of the English country house from the point of view of its owners and users. Ranging from the Middle Ages to the world of Evelyn Waugh, the author also discusses and illustrates how the life of the upper classes shaped their country hosues, how they entertained and were served, how they ran the country and their estates and how they reconciled personal privacy and public display. [via]
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› Find signed collectible books: 'The Madonna of the Future: Essays in a Pluralistic Art World'
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› Find signed collectible books: 'Masters of American Comics'
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› Find signed collectible books: 'Matisse and Picasso: A Friendship in Art'
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› Find signed collectible books: 'A Medieval Miscellany'
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› Find signed collectible books: 'Mermaids'
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› Find signed collectible books: 'Modern Art in the Common Culture'
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› Find signed collectible books: 'Modernism in Dispute: Art since the Forties'
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› Find signed collectible books: 'Painting and Sculpture in Europe 1880-1940'
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› Find signed collectible books: 'Picture This'
"Mr. Heller treats the whole panorama of history past and present with the bravado of Mark Twain in one of his sassier moods." The New York Times Book Review
A keenly satirical look at the world of art and museums by the author of the modern classic, Catch-22. [via]
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› Find signed collectible books: 'Pre Raphaelite Art and Design'
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› Find signed collectible books: 'Queen Victoria's Sketchbook'
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› Find signed collectible books: 'Reading the Pre-Raphaelites'
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› Find signed collectible books: 'The Reconfigured Eye: Visual Truth in the Post-Photographic Era'
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› Find signed collectible books: 'Renaissance Portraits: European Portrait - Painting in the 14th, 15th, and 16th Centuries'
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› Find signed collectible books: 'Renaissance Rivals: Michelangelo, Leonardo, Raphael, Titian'
For the great Renaissance masters, the creation of art was not only an intellectual or aesthetic exercise. It was a contest. The artists of 16th-century Italy knew each other's work, knew each other's patrons, and knew each other - sometimes as friends and colleagues, sometimes as enemies, but always as rivals. This volume views the lives and greatest works of Michelangelo, Leonardo, Raphael and Titian through the prism of their ardent rivalry. Rona Goffen, scholar of the Italian Renaissance, seeks to bring the artists to life in this account of their impassioned strivings to outdo both living competitors and the masters of antiquity. Rivalry was the leitmotif of the Renaissance masters' careers, Goffen shows, and Michelangelo's art was their competitive point of reference. Quoting from poems, letters, treatises, contracts, and other contemporary writings, the author demonstrates the extent to which artists, as well as their patrons and colleagues, characteristically thought about art in the context of rivalry. Renaissance patrons often stipulated in contracts with artists that their commissions be more beautiful than works made for other patrons. The artists themselves, motivated sometimes by the immediate and pragmatic advantages of patronage and at other times by the hope of immortal fame, competed for commissions ranging from highly public projects at the Vatican to small works intended for the intimate setting of a collector's study. These masters conceived their works in dialogue with each other's inventions, evoking their rivals' ideas precisely with the intention of surpassing them. Goffen brings into sharp focus the immediacy, intensity and complexity of artistic rivalry among the Renaissance masters, recovering for us the emotional and professional circumstances that brought about their magnificent creations. [via]
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› Find signed collectible books: 'Return of the Jedi Sketchbook'
1983: by Joe Johnston and others- Original drawings from the most exciting chapter in the greatest space fantasy of all times. [via]
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› Find signed collectible books: 'Return of the Jedi : The Art of Star Wars'
The ART OF STAR WARS: RETURN OF THE JEDI is a lavish, full-color volume that commemorates the creative genius and technical wizardry behind RETURN OF THE JEDI, the dazzling space epic. Illustrating the original screenplay are hundreds of sketches, storyboards, matte paintings, blueprints, production paintings, and costume designs -- the work of the conceptual artists and designers whose skill and imagination gave rise to the wonders seen on the screen by the whole world. [via]
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› Find signed collectible books: 'The Return of the Prodigal Son: A Story of Homecoming'
A chance encounter with a reproduction of Rembrandt's The Return of the Prodigal Son catapulted Henri Nouwen on a long spiritual adventure. Here he shares the deeply personal and resonant meditation that led him to discover the place within where God has chosen to dwell. In seizing the inspiration that came to him through Rembrandt's depiction of the powerful Gospel story, Henri Nouwen probes the several movements of the parable; the younger son's return, the father's restoration of sonship, the elder son's vengefulness, and the father's compassion. In his reflection on Rembrandt in light of his own life journey, the author evokes the powerful drama of the parable in a rich, captivating way that is sure to reverberate in the hearts of readers. The themes of homecoming, affirmation, and reconciliation will be newly discovered by all who have known loneliness, dejection, jealousy, or anger. The challenge to love as the father and be loved as the son will be seen as the ultimate revelation of the parable known to Christians throughout time, and here represented with a vigor and power fresh for our times. [via]

› Find signed collectible books: 'Sacred Circles: Two Thousand Years of North American Indian Art Nelson Gallery of Art-Atkins Museum of Fine Arts, Kansas City, Missouri'
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› Find signed collectible books: 'A Season of Giants: Michelangelo, Leonardo, Raphael, 1492-1508'
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› Find signed collectible books: 'The Seuss, the Whole Seuss and Nothing but the Seuss: A Visual Biography of Theodor Seuss Geisel'
Theodor Seuss Geisel, aka Dr. Seuss, was one of the titans of 20th century American children's literature--a legacy that shows no sign of diminishing in the 21st. But such epochal fare as The Cat in the Hat and enduring, whimsical characters as Horton, The Grinch and Sam-I-Am represent but one corner of the late writer/artist's vast artistic universe. Other Geisel biographies have detailed his remarkable life and vibrant art, but Massachusetts dentist/Seussiana collector nonpareil Charles D. Cohen serves up a "visual biography" that's part lovingly illustrated coffee table book and part insightful analysis of a creative mind and the various historical and cultural forces that shaped it. Cohen richly illustrates his compelling tribute with key, telling artifacts from his own massive collection. No corner of the author/artist's life has escaped Cohen's obsessive collector's eye, including: turn-of the-century bottles of the Geisel family brewery, Geisel's teenage writings and illustrations, later work that spans careers in cartooning advertising (successful campaigns for Esso, Flit and others), wartime propaganda (including uncredited work on the Oscar-winning Hitler Lives!) and Hollywood (The 5000 Finger of Dr. T). Indeed, in Cohen's thoughtful, lavishly illustrated analysis, Geisel's latter-day incarnation as children's author supreme was but the logical distillation of a lifetime devoted to wit, wordplay and whimsical art. --Jerry McCulley [via]
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› Find signed collectible books: 'The Sorcerer's Apprentice: Picasso, Provence, and Douglas Cooper'
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› Find signed collectible books: 'Stealing History: Tomb Raiders, Smugglers, And the Looting of the Ancient World'
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› Find signed collectible books: 'Strangeland'
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› Find signed collectible books: 'The Theory of Decorative Art: An Anthology of European & American Writings, 1750-1940'
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› Find signed collectible books: 'The Unicorn Tapestries: At The Metropolitan Museum Of Art'
The unicorn tapestries are one of the most popular attractions at The Cloisters, the medieval branch of The Metropolitan Museum of Art. Traditionally known as The Hunt of the Unicorn, this set of seven exquisite and enigmatic tapestries was likely completed between 1495 and 1505. The imaginatively conceived scenesdisplaying individualized faces of the hunters and naturalistically depicting the flora and fauna of the landscapeare beautifully captured in silk, wool, and metal yarns.
Written by one of the worlds leading authorities on medieval textiles and illustrated with many lovely color reproductions, The Unicorn Tapestries traces the origins of the tapestries as well as possible interpretations of their symbolic meaning. This is an essential book for any lover of medieval art and textiles.
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› Find signed collectible books: 'Waking Raphael'
1993: in a country rocked by corruption trials involving government, big business and the Vatican, people in the idyllic small city of Urbino, Raphael's birthplace, appear more concerned with love affairs than politics, their only worry an outbreak of spurious miracles. Then Count Malaspino returns after years away and his support for the restoration of Raphael's La Muta ('the mute woman') drives a living mute to an act of violence that triggers ugly rumours. Does this woman know something terrible about Malaspino's past? Did she witness a literally 'unspeakable' crime that could shatter the peace of Urbino? Her continued silence seems to be in everyone's interest except that of the gentle art restorer Charlotte Penton - and a television crew fronted by Donna Ricco, who can't shut up to save her life...or anyone else's. There are as many liars as 'mutes' in WAKING RAPHAELl - Charlotte's bitter divorce has left her incapable of expressing herself except through painting; her assistant, Paolo, won't confess his infatuation to the glamorous Donna for fear of exposing his dangerous private schemes; Donna, in turn, lies about her feelings for him; Fabio's response to his fascist grandfather is to pose mutely as a statue of Raphael. Francesco, the ice-cream maker, knows it is suicide to speak out against Count Malaspino, who has always remained silent about his past - and present - life. But things cannot stay the same. The result is a case which involves Italy's foremost investigators of miracles, causes charges to be made to the Italian Committee for Investigation of Claims of the Paranormal, turns Urbino into a circus of charlatans and gurus, and requires testimonies from several unlikely witnesses - two of them dead. WAKING RAPHAEL passionately evokes an Italy on the verge of a second Renaissance while illustrating the often fatal, yet redemptive, consequences of telling the truth. [via]
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› Find signed collectible books: 'The Wolves In The Walls'
Truth be told, Neil Gaiman and Dave McKean's picture book The Wolves in the Walls is terrifying. Sure, the story is fairytale-like and presented in a jaunty, casually nonsensical way, but it is absolutely the stuff of nightmares. Lucy hears wolves hustling, bustling, crinkling, and crackling in the walls of the old house where her family lives, but no one believes her. Her mother says it's mice, her brother says bats, and her father says what everyone seems to say, "If the wolves come out of the walls, it's all over." Lucy remains convinced, as is her beloved pig-puppet, and her worst fears are confirmed when the wolves actually do come out of the walls.
Up to this point, McKean's illustrations are spectacular, sinister collages awash in golden sepia tones evocative of the creepy beauty in The City of Lost Children. The wolves explode into the story in scratchy pen-and-ink, all jaws and eyes. The family flees to the cold, moonlit garden, where they ponder their future. (Her brother suggests, for example, that they escape to outer space where there's "nothing but foozles and squossucks for billions of miles.") Lucy wants to live in her own house...and she wants the pig-puppet she left behind.
Eventually she talks her family into moving back into the once-wolfish walls, where they peek out at the wolves who are watching their television and spilling popcorn on slices of toast and jam, dashing up the stairs, and wearing their clothes. When the family can't stand it anymore, they burst forth from the walls, scaring the wolves, who shout, "And when the people come out of the walls, it's all over!" The wolves flee and everything goes back to normal...until the tidy ending when Lucy hears "a noise that sounded exactly like an elephant trying not to sneeze." Adult fans of this talented pair will revel in the quirky story and its darkly gorgeous, deliciously shadowy trappings, but the young or faint of heart, beware! (Ages 9 and older) --Karin Snelson [via]
› Find signed collectible books: 'Women in Dada: Essays on Sex, Gender, and Identity'
This book is the first to make the case that women's changing role in European and American society was critical to Dada. Debates about birth control and suffrage, a declining male population and expanding female workforce, the emergence of the New Woman, and Freudianism were among the forces that contributed to the dadaist enterprise.Among the female dadaists discussed are the German émigré Baroness Elsa von Freytag-Loringhoven; Berlin dadaist Hannah Höch; expatriate poet and artist Mina Loy; the "Queen of Greenwich Village," Clara Tice; Margaret Anderson and Jane Heap, the lesbian couple who ran the Little Review; and Beatrice Wood, who died in 1998 at the age of 105. The book also addresses issues of colonialist racism, cross-dressing and dandyism, and the gendering of the machine.
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› Find signed collectible books: 'The Writings of Marcel Duchamp'
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› Find signed collectible books: 'The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Arles'
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› Find signed collectible books: 'The Zen Of Creativity: Cultivating Your Artistic Life'
For many of us, the return of Zen conjures up images of rock gardens and gently flowing waterfalls. We think of mindfulness and meditation, immersion in a state of being where meaning is found through simplicity. Zen lore has been absorbed by Western practitioners and pop culture alike, yet there is a specific area of this ancient tradition that hasnt been fully explored in the West. Now, in The Zen of Creativity, American Zen master John Daido Loori presents a book that taps the principles of the Zen arts and aesthetic as a means to unlock creativity and find freedom in the various dimensions of our existence. Loori dissolves the barriers between art and spirituality, opening up the possibility of meeting life with spontaneity, grace, and peace.
Zen Buddhism is steeped in the arts. In spiritual ways, calligraphy, poetry, painting, the tea ceremony, and flower arranging can point us toward our essential, boundless nature. Brilliantly interpreting the teachings of the artless arts, Loori illuminates various elements that awaken our creativity, among them still point, the center of each moment that focuses on the tranquility within; simplicity, in which the creative process is uncluttered and unlimited, like a cloudless sky; spontaneity, a way to navigate through life without preconceptions, with a freshness in which everything becomes new; mystery, a sense of trust in the unknown; creative feedback, the systematic use of an audience to receive noncritical input about our art; art koans, exercises based on paradoxical questions that can be resolved only through artistic expression. Loori shows how these elements interpenetrate and function not only in art, but in all our endeavors.
Beautifully illustrated and punctuated with poems and reflections from Looris own spiritual journey, The Zen of Creativity presents a multilayered, bottomless source of insight into our creativity. Appealing equally to spiritual seekers, artists, and veteran Buddhist practitioners, this book is perfect for those wishing to discover new means of self-awareness and expressionand to restore equanimity and freedom amid the vicissitudes of our lives. [via]
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