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› Find signed collectible books: 'An Age of Barns'
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› Find signed collectible books: 'Alice in Wonderland Classic Library'
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› Find signed collectible books: 'Alice's Adventures in Wonderland'
That Alice. When she's not traipsing after a rabbit into Wonderland, she's gallivanting off into the topsy-turvy world behind the drawing-room looking glass. In Through the Looking Glass, Lewis Carroll's masterful and zany sequel to Alice's Adventures in Wonderland, she makes more eccentric acquaintances, including Tweedledee and Tweedledum, the White Queen, and a somewhat grumpy Humpty Dumpty. Through a giant and elaborate chess game, Alice explores this odd country, where one must eat dry biscuits to quench thirst, and run like the wind to stay in one place. As in life, Alice must stay on her toes to learn the rules of this game. Through the Looking Glass immediately took its rightful place beside its partner on the shelf of eternal classics. And luckily for generations of enraptured children, Carroll was again able to persuade John Tenniel to create the fantastic woodblock engravings that have become so indelibly associated with the Alice stories. For almost 130 years, Alice's curious adventures have amused, perplexed, and delighted readers, young and old. This gorgeous, deluxe boxed set of both volumes contains engravings from Tenniel's original woodblocks that were discovered in a London bank in 1985, and reproduced for the first time here. "'What is the use of a book,' thought Alice, 'without pictures?'" What indeed? (All ages) [via]
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› Find signed collectible books: 'Alice's Adventures in Wonderland and Through the Looking-Glass and What Alice Found There'
"And what is the use of a book," thought Alice, "without pictures or conversations?"
Taking to heart his charming, insatiably curious heroine's words, Lewis Carroll worked many long hours (days, months...) with illustrator Sir John Tenniel to create the most perfect pictures imaginable for what were to become instant classics: Alice's Adventures in Wonderland and Through the Looking-Glass. When thinking about Alice and her dreamy surrealistic adventures down the rabbit hole and behind the looking-glass, who can help picturing the golden-haired girl in her lilac dress and striped stockings, gazing up at the Cheshire Cat or arguing with Tweedledum and Tweedledee? Tenniel's drawings remained black and white for over 40 years until 1911, when eight prints in each book were hand colored. Now, for the first time, every remaining illustration has been colored, making these the first editions to feature all of the original art in full color. Traditionalists need not worry: colorist Diz Wallis colored proofs taken from Tenniel's carefully preserved woodblocks, remaining faithful to his original drawings. The beautiful tones of these new hardcover editions look as natural as can be; they could just as easily be from the 19th century. (Ages 9 and older) --Emilie Coulter [via]
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› Find signed collectible books: 'Alice's Adventures in Wonderland : And, Through the Looking Glass'
That Alice. When she's not traipsing after a rabbit into Wonderland, she's gallivanting off into the topsy-turvy world behind the drawing-room looking glass. In Through the Looking Glass, Lewis Carroll's masterful and zany sequel to Alice's Adventures in Wonderland, she makes more eccentric acquaintances, including Tweedledee and Tweedledum, the White Queen, and a somewhat grumpy Humpty Dumpty. Through a giant and elaborate chess game, Alice explores this odd country, where one must eat dry biscuits to quench thirst, and run like the wind to stay in one place. As in life, Alice must stay on her toes to learn the rules of this game. Through the Looking Glass immediately took its rightful place beside its partner on the shelf of eternal classics. And luckily for generations of enraptured children, Carroll was again able to persuade John Tenniel to create the fantastic woodblock engravings that have become so indelibly associated with the Alice stories. For almost 130 years, Alice's curious adventures have amused, perplexed, and delighted readers, young and old. This gorgeous, deluxe boxed set of both volumes contains engravings from Tenniel's original woodblocks that were discovered in a London bank in 1985, and reproduced for the first time here. "'What is the use of a book,' thought Alice, 'without pictures?'" What indeed? (All ages) [via]
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› Find signed collectible books: 'Alice's Adventures in Wonderland, and Through the Looking Glass, and the Hunting of the Snark'
, 292 pages including Prefatory Notes at rear, illustrated throughout with numerous black and white illustrations within the text [via]
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› Find signed collectible books: 'Amazing Adventures of Kavalier and Clay'
Like the comic books that animate and inspire it, The Amazing Adventures of Kavalier & Clay is both larger than life and of it too. Complete with golems and magic and miraculous escapes and evil nemeses and even hand-to-hand Antarctic battle, it pursues the most important questions of love and war, dreams and art, across pages brimming with longing and hope. Samuel Klayman--self-described little man, city boy, and Jew--first meets Josef Kavalier when his mother shoves him aside in his own bed, telling him to make room for their cousin, a refugee from Nazi-occupied Prague. It's the beginning, however unlikely, of a beautiful friendship. In short order, Sam's talent for pulp plotting meets Joe's faultless, academy-trained line, and a comic-book superhero is born. A sort of lantern-jawed equalizer clad in dark blue long underwear, the Escapist "roams the globe, performing amazing feats and coming to the aid of those who languish in tyranny's chains!" Before they know it, Kavalier and Clay (as Sam Klayman has come to be known) find themselves at the epicenter of comics' golden age.
But Joe Kavalier is driven by motives far more complex than your average hack. In fact, his first act as a comic-book artist is to deal Hitler a very literal blow. (The cover of the first issue shows the Escapist delivering "an immortal haymaker" onto the Führer's realistically bloody jaw.) In subsequent years, the Escapist and his superhero allies take on the evil Iron Chain and their leader Attila Haxoff--their battles drawn with an intensity that grows more disturbing as Joe's efforts to rescue his family fail. He's fighting their war with brush and ink, Joe thinks, and the idea sustains him long enough to meet the beautiful Rosa Saks, a surrealist artist and surprisingly retrograde muse. But when even that fiction fails him, Joe performs an escape of his own, leaving Rosa and Sammy to pick up the pieces in some increasingly wrong-headed ways.
More amazing adventures follow--but reader, why spoil the fun? Suffice to say, Michael Chabon writes novels like the Escapist busts locks. Previous books such as The Mysteries of Pittsburgh and Wonder Boys have prose of equal shimmer and wit, and yet here he seems to have finally found a canvas big enough for his gifts. The whole enterprise seems animated by love: for his alternately deluded, damaged, and painfully sincere characters; for the quirks and curious innocence of tough-talking wartime New York; and, above all, for comics themselves, "the inspirations and lucubrations of five hundred aging boys dreaming as hard as they could." Far from negating such pleasures, the Holocaust's presence in the novel only makes them more pressing. Art, if not capable of actually fighting evil, can at least offer a gesture of defiance and hope--a way out, in other words, of a world gone completely mad. Comic-book critics, Joe notices, dwell on "the pernicious effect, on young minds, of satisfying the desire to escape. As if there could be any more noble or necessary service in life." Indeed. --Mary Park [via]
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› Find signed collectible books: 'Amphigorey Again'
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› Find signed collectible books: 'Amphigorey Also'
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› Find signed collectible books: 'Architecture: The Natural and the Manmade'
Scully is a pioneer of 20th century architecture. This volume is the grand sum of his career. It is not only the history of great edifices, but also a book that explores the unique dialogue between human beings and their buildings and the natural world. 500 color/b&w photos. [via]
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› Find signed collectible books: 'The Art of Describing'
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› Find signed collectible books: 'The Art of Leo and Diane Dillon'
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› Find signed collectible books: 'The Art of Leo and Diane Dillon'
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› Find signed collectible books: 'The Art of Star Wars, Episode II, Attack of the Clones'
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› Find signed collectible books: 'Arts and Ideas'
Intended for courses in Western Humanities, this best-selling text chronologically explores the major styles as they appear in painting, sculpture, architecture, literature, music, and philosophy from antiquity to present. Using lively anecdotes, Fleming shows how the styles are linked together by common purposes, themes, and ideas. [via]
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› Find signed collectible books: 'Becoming Mona Lisa : The Making of a Global Icon'
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› Find signed collectible books: 'The Bernini Bust'
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› Find signed collectible books: 'The Birth of Tragedy'
In The Birth of Tragedy Nietzsche expounds on the origins of Greek tragedy and its relevance to the German culture of its time. He declares it to be the expression of a culture which has achieved a delicate but powerful balance between Dionysian insight into the chaos and suffering which underlies all existence and the discipline and clarity of rational Apollonian form. In order to promote a return to these values, Nietzsche critiques complacent rationalism of late nineteenth-century German culture and makes an impassioned plea for the regenerative potential of the music of Wagner. A wide ranging discussion of the nature of art, science, and religion, The Birth of Tragedy's argument raises important questions about the problematic nature of cultural origins which are still valid today. [via]
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› Find signed collectible books: 'Book of Jones: A Tribute to the Mercurial, Manic, and Utterly Seductive Cat'
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› Find signed collectible books: 'Chinese Art'
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› Find signed collectible books: 'The Comedy of Dante Alighieri'
Dante (12651321) is the greatest of Italian poets, and his Divine Comedy is the finest of all Christian allegories. To the consternation of his more academic admirers, who believed Latin to be the only proper language for dignified verse, Dante wrote his Comedy in colloquial Italian, wanting it to be a poem for the common reader. Taking two threads of a story that everybody knew and loved the story of a vision of Hell, Purgatory and Paradise, and the story of the lover who has to brave the Underworld to find his lost lady he combined them into a great allegory of the souls search for God. He made it swift, exciting and topical, lavishing upon it all his learning and wit, all his tenderness, humour and enthusiasm, and all his poetry. In Paradise, which T. S. Eliot among others has found either incomprehensible or intensely exciting, Dante journeys through the encircling spheres of heaven towards God. Translated by and introduced by Dorothy L. Sayers [via]
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› Find signed collectible books: 'Comedy of Dante Alighieri: The Florentine Cantica II Purgatory'
Beginning with Dante's liberation from Hell, Purgatory relates his ascent, accompanied by Virgil, of the Mount of Purgatory a mountain of nine levels, formed from rock forced upwards when God threw Satan into depths of the earth. As he travels through the first seven levels, Dante observes the sinners who are waiting for their release into Paradise, and through these encounters he is himself transformed into a stronger and better man. For it is only when he has learned from each of these levels that he can ascend to the gateway to Heaven: the Garden of Eden. The second part of one of the greatest epic poems, Purgatory is an enthralling Christian allegory of sin, redemption and ultimate enlightenment. [via]
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› Find signed collectible books: 'Costume and Fashion: A Concise History'
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› Find signed collectible books: 'Dante Alighieri's Divine Comedy'
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› Find signed collectible books: 'Dear Theo: The Autobiography of Vincent Van Gogh'
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› Find signed collectible books: 'The Divine Comedy'
This splendid verse translation by Allen Mandelbaum provides an entirely fresh experience of Dante's great poem of penance and hope. As Dante ascends the Mount of Purgatory toward the Earthly Paradise and his beloved Beatrice, through "that second kingdom in which the human soul is cleansed of sin, " all the passion and suffering, poetry and philosophy are rendered with the immediacy of a poet of our own age. With extensive notes and commentary prepared especially for this edition.
"The English Dante of choice."--Hugh Kenner.
"Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths."--Robert Fagles, Princeton University.
"Tough and supple, tender and violent . . . vigorous, vernacular . . . Mandelbaum's Dante will stand high among modern translations."-- "The Christian Science Monitor" [via]
› Find signed collectible books: 'The Divine Comedy'
This single volume, blank verse translation of The Divine Comedy includes an introduction, maps of Dante's Italy, Hell, Purgatory, Geocentric Universe, and political panorama of the thirteenth and early fourteenth century, diagrams and notes providing the reader with invaluable guidance. Described as the "fifth gospel" because of its evangelical purpose, this spiritual autobiography creates a world in which reason and faith have transformed moral and social chaos into order. It is one of the most important works in the literature of Western Europe and is considered the greatest poem of the European Middle Ages. [via]
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› Find signed collectible books: 'The Divine Comedy of Dante Alighieri'
This splendid verse translation by Allen Mandelbaum provides an entirely fresh experience of Dante's great poem of penance and hope. As Dante ascends the Mount of Purgatory toward the Earthly Paradise and his beloved Beatrice, through "that second kingdom in which the human soul is cleansed of sin, " all the passion and suffering, poetry and philosophy are rendered with the immediacy of a poet of our own age. With extensive notes and commentary prepared especially for this edition.
"The English Dante of choice."--Hugh Kenner.
"Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths."--Robert Fagles, Princeton University.
"Tough and supple, tender and violent . . . vigorous, vernacular . . . Mandelbaum's Dante will stand high among modern translations."-- "The Christian Science Monitor" [via]
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› Find signed collectible books: 'The Divine Comedy of Dante Alighieri'
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› Find signed collectible books: 'The Divine Comedy of Dante Alighieri: Inferno'
This first volume of Robert Durling's new translation of The Divine Comedy brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with all its terror, pathos, and humor. Remarkably true to both the letter and spirit of this central work of Western literature, Durling's is a prose translation (the first to appear in twenty-five years), and is thus free of the exigencies of meter and rhyme that hamper recent verse translations. As Durling notes, "the closely literal style is a conscious effort to convey in part the nature of Dante's Italian, notoriously craggy and difficult even for Italians." Rigorously accurate as to meaning, it is both clear and supple, while preserving to an unparalleled degree the order and emphases of Dante's complex syntax. The Durling-Martinez Inferno is also user-friendly. The Italian text, newly edited, is printed on each verso page; the English mirrors it in such a way that readers can easily find themselves in relation to the original terza rima . Designed with the first-time reader of Dante in mind, the volume includes comprehensive notes and textual commentary by Martinez and Durling: both are life-long students of Dante and other medieval writers (their Purgatorio and Paradiso will appear next year). Their introduction is a small masterpiece of its kind in presenting lucidly and concisely the historical and conceptual background of the poem. Sixteen short essays are provided that offer new inquiry into such topics as the autobiographical nature of the poem, Dante's views on homosexuality, and the recurrent, problematic body analogy (Hell has a structure parallel to that of the human body). The extensive notes, containing much new material, explain the historical, literary, and doctrinal references, present what is known about the damned souls Dante meets --from the lovers who spend eternity in the whirlwind of their passion, to Count Ugolino, who perpetually gnaws at his enemy's skull--disentangle [via]
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› Find signed collectible books: 'The Divine Comedy of Dante Alighieri: Purgatorio'
The second volume of Oxford's new Divine Comedy presents the Italian text of the Purgatorio and, on facing pages, a new prose translation. Continuing the story of the poet's journey through the medieval Other World under the guidance of the Roman poet Virgil, the Purgatorio culminates in the regaining of the Garden of Eden and the reunion there with the poet's long-lost love Beatrice. This new edition of the Italian text takes recent critical editions into account, and Durling's prose translation, like that of the Inferno, is unprecedented in its accuracy, eloquence, and closeness to Dante's syntax.
Martinez' and Durling's notes are designed for the first-time reader of the poem but include a wealth of new material unavailable elsewhere. The extensive notes on each canto include innovative sections sketching the close relation to passages--often similarly numbered cantos--in the Inferno. Fifteen short essays explore special topics and controversial issues, including Dante's debts to Virgil and Ovid, his radical political views, his original conceptions of homosexuality, of moral growth, and of eschatology. As in the Inferno, there is an extensive bibliography and four useful indexes.
Robert Turner's illustrations include maps, diagrams of Purgatory and the cosmos, and line drawings of objects and places mentioned in the poem. [via]
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› Find signed collectible books: 'Drawing Human Anatomy'
"at least since michelangelo, serious artists of the genre have known the value of a clinical study of anatomy.... Begins with the structural characteristics of bones and muscle mass. Hundreds of drawings illustrate both the underlying structure and the exterior of the face, torso, arms, legs, hands, and feet in a wide range of poses, complete with proper scientific terminology."-library journal. [via]
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› Find signed collectible books: 'Ed Emberley's Drawing Book'
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› Find signed collectible books: 'Ed Emberley's Drawing Book : Make a World'
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› Find signed collectible books: 'Egyptian Art'
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› Find signed collectible books: 'The Elements of Style'
Composition teachers throughout the English-speaking world have been pushing this book on their students since it was first published in 1957. Co-author White later revised it, and it remains the most compact and lucid handbook we have for matters of basic principles of composition, grammar, word usage and misusage, and writing style. [via]
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› Find signed collectible books: 'Enchanted World'
› Find signed collectible books: 'Epiplectic Bicycle'
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› Find signed collectible books: 'The Forest Lover'
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› Find signed collectible books: 'Fra Filippo Lippi: The Carmelite Painter'
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› Find signed collectible books: 'Georgia O'Keefe: American and Modern'
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› Find signed collectible books: 'The Headless Bust : A Melancholy Meditation for the False Millennium'
With The Headless Bust, Edmund Gravel and the Bahum Bug from Gorey's "Dispirited and Distasteful" Christmas tale, The Haunted Tea-Cosy, have returned to usher in the New Year. The story, told in verse, takes up just after Edmund's riotous party. He and the Bug are whisked off to a faraway village for another round of strange and vaguely eerie encounters. Fans of Gorey's distinctive ink drawings, tending toward the well-dressed and slightly mad, will not be disappointed--they make for an engrossing book with or without the accompanying deliciously odd text. ("Reversing at a tango tea/ In Snogg's Casino-not-on-Sea/ L-- tripped and cried, 'I am afraid/ They tampered with the marmalade.'") There is also plenty to be had for aficionados of the mysterious little rituals, mentioned nonchalantly, that seem so logical to the inhabitants of Gorey's bizarre world--the Bandage Folder's Ball being a head-cocking highlight. The Headless Bust is perfect for a winter's read by the fireplace, just before drifting off into fruitcake-induced dreams. --Ali Davis [via]
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› Find signed collectible books: 'Hogarth: A Life and a World'
Combining in-depth history with perceptive explication of the references encoded in William Hogarth's images, Jenny Uglow enables modern readers to fully understand the society that shaped the art of William Hogarth (1697-1764). Hugely popular engravings such as A Rake's Progress and Marriage A-La-Mode commented on the tumultuous changes sweeping through 18th-century English society; Hogarth was appreciated as a moralist as much as a painter. Uglow colorfully recreates a vanished world, as well as the prickly nature of a man who revolutionized the role and the status of British artists. [via]
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› Find signed collectible books: 'I, Juan De Pareja'

› Find signed collectible books: 'In Ruins'
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› Find signed collectible books: 'Leonardo'

› Find signed collectible books: 'Leonardo on Painting: An Anthology of Writings by Leonardo Da Vinci With a Selection of Documents Relating to His Career As an Artist'
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› Find signed collectible books: 'Lewis Carroll's Alice's Adventures in Wonderland'
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› Find signed collectible books: 'Limewood Sculptors of Renaissance Germany'
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› Find signed collectible books: 'The Limewood Sculptors of Renaissance Germany, 1475-1525: Images and Circumstances'
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› Find signed collectible books: 'Lives of the Artists'
In his "Lives of the Artists of the Italian Renaissance", Vasari demonstrated a literary talent that outshone even his outstanding abilities as a painter and architect. Through character sketches and anecdotes he depicts Piero di Cosimo shut away in his derelict house, living only to paint; Giulio Romano's startling painting of Jove striking down the giants; and his friend Francesco Salviati, whose biography also tells us much about Vasari's own early career. Vasari's original and soaring vision plus his acute aesthetic judgments have made him one of the most influential art historians of all time. [via]
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› Find signed collectible books: 'Manet/Velazquez: The French Taste for Spanish Painting'
After an exhausting trip to Madrid to see paintings by Diego Velásquez, Édouard Manet declared in a letter that the seventeenth-century master was "the greatest artist," He was also the greatest influence on Manet, whose bold handling of color and space had revolutionized figure painting. Manet/Velásquez: The French Taste for Spanish Painting accompanied an landmark exhibition that opened in Paris in 2002 and traveled to the Metropolitan Museum of Art in New York. Lavishly illustrated--with nearly 400 color reproductions and more than 300 in black-and-white--the book is a consolation prize for art lovers who missed the show. Actually, the Manet-Velásquez connection is just one aspect of this wide-ranging survey of French 19th-century culture, bolstered by a detailed chronology. (This inclusive outlook even extends to the influence of Spanish painting on nineteenth-century American artists.) Most essays are packed with scholarly details likely to be of more interest to specialists than to the general reader. Still, the historical outline is intriguing. For generations, the only foreign artists the French thought worthy of interest were the Italians and the Dutch. Napoleon changed all that, inadvertently, when he invaded Spain and brought back artistic plunder for the fledgling Louvre. Although the museum's Spanish art holdings subsequently had a checkered history, the die was cast. French Romantic artists and poets found a soul mate in Goya, the eighteenth-century artist whose hallucinatory vision and social commentary seemed tailor-made for the 1830s. Three decades later, the shrewd pictorial intelligence of Velásquez was the key that unlocked a new directness in art. Cathy Curtis [via]
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› Find signed collectible books: 'Meditations on a Hobby Horse: And Other Essays on the Theory of Art'
Prompted by modern critical discussions, the fourteen papers, lectures and articles assembled in this volume revolve around issues raised by twentieth-century art and theory. [via]
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› Find signed collectible books: 'Michelangelo'

› Find signed collectible books: 'Mirror of the Gods'
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› Find signed collectible books: 'Modern European Art'
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› Find signed collectible books: 'Modern Times, Modern Places : A Monumental Study of the Transformation of Art and Life in the Twentieth Century'
"The earth," said Gertrude Stein in 1938, "is not the same as in the 19th century." And how. Covering a staggeringly vast distance, Peter Conrad traces the development of modern consciousness during the 20th century through the art and thought of Vienna, Paris, Berlin, and Tokyo. He compares the progress to that of a human life, passing from youthful zest to maturity, but only by way of anguish and torment. This sounds simplistic; the book is not. Conrad's prose is as fluid as his ideas are sharp, and the scope of his reference is vast, its application unassailable. This is intellectual writing at its most accessible. He considers Freud and Chaplin, Stravinsky and Einstein, as he pursues his theme of a planet that has shrunk, as we have grown, to a size that we can manipulate and, as Hiroshima showed, we can destroy. Society's greatest advances have been technological, he argues, yet at the expense of reducing the individualism of humankind, of "dumbing down" to a sedative senility. Wisely avoiding the business of prediction, his declaration of faith in laughter when facing the future, and in the reinterpretation of the past in order to escape it, provides a pleasantly unexpected conclusion.
Arranged in 30 chapters, each a rounded essay in its own right, Modern Times, Modern Places is a powerfully evocative appraisal of the 20th century and its achievements that succeeds, quite frankly, where many will fail. --David Vincent [via]
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› Find signed collectible books: 'Monet by Himself: Paintings, Drawings, Pastels, Letters'
First published in 1989 and now available in paperback, a survey of the life and work of French Impressionist Claude Monet, which combines a large selection of Monet's letters with paintings, pastels and drawings. [via]
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› Find signed collectible books: 'Museum ABC'
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› Find signed collectible books: 'The New Painting, Impressionism, 1874-1886: An Exhibition Organized by the Fine Arts Museums of San Francisco With the National Gallery of Art, Washington'
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› Find signed collectible books: 'Norm and Form: Studies in the Art of the Renaissance I'
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› Find signed collectible books: 'Northwest Coast Indian Art: An Analysis of Form'
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› Find signed collectible books: 'Of Human Bondage'
It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham," wrote Gore Vidal. "He was always so entirely there."
Originally published in 1915, Of Human Bondage is a potent expression of the power of sexual obsession and of modern man's yearning for freedom. This classic bildungsroman tells the story of Philip Carey, a sensitive boy born with a clubfoot who is orphaned and raised by a religious aunt and uncle. Philip yearns for adventure, and at eighteen leaves home, eventually pursuing a career as an artist in Paris. When he returns to London to study medicine, he meets the androgynous but alluring Mildred and begins a doomed love affair that will change the course of his life. There is no more powerful story of sexual infatuation, of human longing for connection and freedom.
"Here is a novel of the utmost importance," wrote Theodore Dreiser on publication. "It is a beacon of light by which the wanderer may be guided. . . . One feels as though one were sitting before a splendid Shiraz of priceless texture and intricate weave, admiring, feeling, responding sensually to its colors and tones."
With an Introduction by Gore Vidal
Commentary by Theodore Dreiser and Graham Greene [via]
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› Find signed collectible books: 'Originals: American Women Artists'
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› Find signed collectible books: 'The Penguin Concise Dictionary of Art History'
"Truly fun to read." (Library Journal)
The Penguin Concise Dictionary of Art History has more than 1500 entries on artists and architects from ancient times to the present, setting works, movements, and styles into their cultural contexts. With entries on leading artists, from Alberti to Ingres to Wyeth; on period techniques and terms, from Action Painting to Mezzotint to X-radiography; on significant artistic influences and events, from the Armory Show to Marxism, to the cleaning of the Sistine Chapel, this is the ideal reference for high school and college students, as well as anyone interested in art. [via]
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› Find signed collectible books: 'The Photograph'
How do we read a photograph? In this rich and fascinating work, Graham Clarke gives a clear and incisive account of the photograph's historical development, and elucidates the insights of the most engaging thinkers on the subject, such as Roland Barthes and Susan Sontag. From the first misty "heliograph" taken by Joseph Nicephore Niepce in 1826 to the classic compositions of Cartier-Bresson and Alfred Steiglitz and the striking postmodern strategies of Robert Mapplethorpe, Clarke provides a groundbreaking examination of photography's main subject areas--landscape, the city, portraiture, the body, and reportage--as well as a detailed analysis of exemplary images in terms of their cultural and ideological contexts. With over 130 illustrations, The Photograph offers a series of discussions of major themes and genres providing an up-to-date introduction to the history of photography and creating a record of the most dazzling, penetrating, and pervasive images of our time. [via]

› Find signed collectible books: 'Realism, Rationalism, Surrealism Art Between the Wars: Art Between the Wars'
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› Find signed collectible books: 'Reasons for Knocking at an Empty House: Writings 1973-1994'
Chosen to represent the United States at the 46th Venice Biennale, Bill Viola, a New York artist living on the West Coast, is recognized internationally for his work in video and sound installations. This book brings together a selection of essays, notebook entries, drawings, and descriptions of projects that map Viola's personal course through the readings, observations, experiments, and associations that form the groundwork for his art. Each work illustrated is accompanied by a description by the artist, as well as comments on the work's origins from the artist's notebooks.For the last 25 years, Viola has used innovative multimedia technologies to explore the phenomena of sense perception as a language of the body and avenue to self-knowledge, integrating many disciplines and philosophies to reveal contemporary art's relevance to the modern world. His views have deep roots in mysticism, poetry, philosophy, Eastern art, shamanism, Chinese Taoism, Sufism, and Zen Buddhism. Viola's chief concerns today are to draw attention to the upset ecological balance of nature by focusing on the connection between our inner and outer lives, on the conception of the self as part of the whole.Published in association with the Anthony d'Offay Gallery, London
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› Find signed collectible books: 'Rodin'
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› Find signed collectible books: 'The Scandal of Pleasure: Art in an Age of Fundamentalism'
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› Find signed collectible books: 'Seeing Salvation: Images of Christ in Art'
None of Jesus' contemporaries made written descriptions of his appearance. Nevertheless, his image is among the most frequently and variously rendered--and perhaps the most instantly recognizable--of all the characters of Western history. Seeing Salvation: Images of Christ in Art is a richly illustrated survey of the ways that artists have imagined Jesus' appearance. Brief essays by Neil MacGregor, director of London's National Gallery, and Erika Langmuir Obe, a noted art historian, elaborate the following notion, from the book's introduction: "The greatest artists, in representing the life of Christ, did something even more difficult: they explored the fundamental experiences of every human life. Pictures about Jesus's childhood, teachings, sufferings and death are--regardless of our beliefs--in a very real sense pictures about us." Seeing Salvation offers pointed insights regarding the relationship between artists' representations of Christ and the evolution of Christian culture. This sweeping account of centuries' worth of history is enlivened by a wealth of detailed observations--such as MacGregor's essay about the ways that Michelangelo's several sculptures of the pieta record the artist's personal evolution of faith and doubt. Still, the most extraordinary things in Seeing Salvation are not its arguments but its beautifully printed illustrations of paintings and sculptures in galleries, private homes, catacombs, market stalls, and churches around the world. --Michael Joseph Gross [via]
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› Find signed collectible books: 'The Shape of a Pocket'
The Shape of a Pocket [Paperback] by Berger, John [via]
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› Find signed collectible books: 'Tate Gallery: An Illustrated Companion'
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› Find signed collectible books: 'Velazquez: Painter and Courtier'
Using the tools of art history and conservation science to establish the techniques used by Velasquez, this study attempts to show how the artist devised his techniques to express his ideas, and how both changed over time. [via]
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› Find signed collectible books: 'Vision and Design'
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› Find signed collectible books: 'Worldly Goods : A New History of the Renaissance'
Drawing from her earlier and more academic studies, Lisa Jardine approaches the challenge of creating a new history of the Renaissance with remarkable bravura and all the boldness required to deliver a fresh and highly readable story of an age we think we know so well. In Worldly Goods, Jardine argues that while the Renaissance was indeed marked by a flourishing cultural identity, it was the material and commercial spirit of the 15th and 16th centuries that set the tone. Commerce and international trade provided the enormous fortunes that funded artistic production, and luxury goods, including great works of art, became important as means of displaying newly acquired wealth and status. It was an urge to own, a ceaseless quest for new horizons and exotic treasures, that fueled the cultural output of the Renaissance, according to Jardine, and that taste for conspicuous displays of opulence characterizes the Western experience of the arts and culture to this day.
That Worldly Goods succeeds in telling a captivating new story of the Renaissance is testimony to Jardine's literary and scholarly success at a difficult task. That her book, richly illustrated and well written, makes contemplation of its subject a thrill is testimony of a very good read. [via]
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› Find signed collectible books: 'The Yale Dictionary of Art and Artists'
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› Find signed collectible books: 'Yo, Juan De Pareja'
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