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› Find signed collectible books: 'The Absolute Bourgeois: Artists and Politics in France 1848-1851'
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› Find signed collectible books: 'The Absolute Bourgeois:Artists and Politics in France, 1848-1851: Artists and Politics in France, 1848-1851'
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› Find signed collectible books: 'Absorption and Theatricality: Painting and Beholder in the Age of Diderot'
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› Find signed collectible books: 'Abstract Art in the Late Twentieth Century'
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› Find signed collectible books: 'Abstract Expressionism'
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› Find signed collectible books: 'Art in Theory 1648-1815: An Anthology of Changing Ideas'
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› Find signed collectible books: 'Art in Theory 1815-1900: An Anthology of Changing Ideas'
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› Find signed collectible books: 'Art School : A Complete Painters Course'
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› Find signed collectible books: 'Art Since 1900: Modernism, Antimodernism, Postmodernism'
Adopting a year-by-year approach, this title presents more than one hundred (c 3,000 words) essays, each focusing on a crucial event such as the creation of a seminal work, the publication of an artistic manifesto, or the opening of a major exhibition to tell the story of the period from 1900 to this day. [via]
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› Find signed collectible books: 'Art without Boundaries, 1950-70;'
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› Find signed collectible books: 'Art Works: Place'
Everyone wants to find their own place in the world. But where is it and what is it? How do we recognize place as being significant and not just merely space? And what is it that makes one place special and another not? These are questions that have taxed philosophers as far back as ancient Greece. But they are also much more than philosophical investigations. In a world where neighbours fight over a stretch of land, or where some groups can feel safe only in certain locations, place is a living reality that can be either the cause for violent conflict or the glue that binds communities together. This exhibition in a book presents some of the most challenging art to address the function of place in the contemporary world. Arranged into themed 'rooms', it reflects a wide variety of artistic attitudes and practices. Some artists find inspiration in the heterogeneity of the crowded city street, while others celebrate the wilds of nature as a counter to urban life. Some present imagined or fantastic worlds of their own invention, or explore the way place is often a creation of the mind. Others investigate the deep marks that myth and history can leave on the land, or consider how place can be used as a form of political control. Territorial divisions demarcating one place from another, often with terrible consequences, are the chosen subject-matter of many artists; others prefer to look at itinerant wanderers with no claims on the earth, or to focus on anonymous non-places that lack any real identity of their own. All of the artists in this book - among them Thomas Demand, Allan Sekula, Luc Tuymans, Steve McQueen, Roni Horn and Susan Hiller - use art to puzzle out the complicated ways in which place can shape and affect us. All of them help us to understand the world in which we live. [via]
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› Find signed collectible books: 'Avant-Garde Gambits 1888-1893: Gender and the Color of Art History'
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› Find signed collectible books: 'Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective'
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› Find signed collectible books: 'The Birth and Rebirth of Pictorial Space'
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› Find signed collectible books: 'The Body Imaged: The Human Form and Visual Culture Since the Renaissance'
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› Find signed collectible books: 'Calligram: Essays in New Art History from France Series Cambridge New Art History and Criticism'
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› Find signed collectible books: 'The Collected Writings of Robert Motherwell'
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› Find signed collectible books: 'Conceptual Art: Theory, Myth, and Practice'
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› Find signed collectible books: 'A Concise History of Modern Painting'
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› Find signed collectible books: 'The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change'
The Condition of Postmodernity is David Harvey's seminal history of this, our most equivocal of eras. What does postmodernism mean? Where did it come from? Harvey, a Professor of Geography, and a key mover behind extending the scope and influence of the discipline of geography itself, does a thorough job here delineating the passage through to postmodernity and the economic, social and political changes that underscored and accompanied it. As he clearly states, the rise in postmodernist cultural forms is related to a new intensity in what Harvey terms "time-space compression" but this new intensity is a qualitive and not a quantitive change in social organisation and does not point to a era beyond capitalism as "the basic rules of capitalistic accumulation" remain unchanged. Unlike Fredric Jameson (whose equally rewarding Postmodernism stands as the twin pillar to Harvey's critique), who explicitly relies on Ernest Mandel's periodisation of Late Capitalism, Harvey eschews a narrowly economic focus, the limits and contradictions of production that have led to the rise in the service sector, and takes a more multidisciplinary approach to his history: as comfortable discussing Manet as he is labour markets. Harvey is an excellent writer and The Condition of Postmodernity is an exceptionally informative and enjoyable read. Mark Thwaite [via]
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› Find signed collectible books: 'Conversation Pieces: Community and Communication in Modern Art'
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› Find signed collectible books: 'Cubism and Culture'
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› Find signed collectible books: 'The Cult of the Avant-Garde Artist'
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› Find signed collectible books: 'Dada: Art and Anti Art'
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› Find signed collectible books: 'Dialogues With Marcel Duchamp'
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› Find signed collectible books: 'Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought'
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› Find signed collectible books: 'Encounters & Reflections: Art in the Historical Present'
Danto's absorbing essays probe the meaning and inspiration behind the work of some of the 20th century's most influential artists, including Georges Braque, Gustav Klimt, Robert Mapplethorpe, Pablo Picasso, Frank Stella, and Andy Warhol. Broader themes emerge within each essay. In his discussion of Warhol, for example, Danto declares, "[T]he significant art of this extraordinary period . . . has to be assessed as much on grounds of speculative theory as on those of aesthetic discrimination." He goes on to characterize the art of the 20th century as "a collective investigation by artists into the philosophical nature of art." Encounters & Reflections won a National Book Critics Circle Award in 1990. [via]
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› Find signed collectible books: 'The End of Art'
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› Find signed collectible books: 'The End Of Art'
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› Find signed collectible books: 'Enduring Creation: Art, Pain, and Fortitude'
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› Find signed collectible books: 'Essays on the Blurring of Art and Life'
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› Find signed collectible books: 'Gauguin's Intimate Journals'
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› Find signed collectible books: 'The Genesis of a Painting: Picasso's Guernica'
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› Find signed collectible books: 'The Ideology of the Aesthetic'
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› Find signed collectible books: 'Idiosyncratic Identities: Artists at the End of the Avant-Garde'
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› Find signed collectible books: 'Idolizing Pictures: Idolatry, Iconoclasm and Jewish Art'
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› Find signed collectible books: 'Image of the People: Gustave Courbet and the 1848 Revolution'
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› Find signed collectible books: 'In Defense of Humanism : Value in the Arts and Letters'
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› Find signed collectible books: 'Inside the White Cube: The Ideology of the Gallery Space'
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› Find signed collectible books: 'Internet Art'
Internet Art (World of Art) [Paperback] by Rachel Greene [via]
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› Find signed collectible books: 'Japanese Art'

› Find signed collectible books: 'The Judgement of Sense: Renaissance Naturalism and the Rise of Aesthetics'
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› Find signed collectible books: 'Kitsch World of Bad Taste'
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› Find signed collectible books: 'The Language of Art History'
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› Find signed collectible books: 'The Language of Sculpture, With 155 Illustrations'
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› Find signed collectible books: 'Laocoon: An Essay upon the Limits of Painting And Poetry'
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› Find signed collectible books: 'Matisse on Art'

› Find signed collectible books: 'Minimal Art: A Critical Anthology'
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› Find signed collectible books: 'Modern Sculpture: A Concise History'
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› Find signed collectible books: 'Movements in Art since 1945'
This classic account of the history of the visual arts from the end of World War II to the new millennium has now been completely rewritten, revised, expanded, and updated.
The fifth edition reflects the latest developments in a wide-ranging introduction and nine new chapters that deal with the radical transformations that have taken place in contemporary art. Among the topics covered are the increasing dominance of photography, film, and video, and the emergence of a new post-Post-Expressionist group of "Abject" artists whose work stresses feelings of alienation in Western industrial societies, often through the reintroduction of narrative. The emergence of an opposing trend of idealizing classicism, particularly in Italy and Russia, is discussed, and there is increased coverage of the burgeoning practice of art "on the periphery" in Third World countries, where artists have absorbed Western modernism and then created new terms of reference for artistic expression adapted to their own cultures. Numerous additional reproductions illustrate all the recent developments in this completely redesigned edition, and there are a full bibliography and comprehensive chronologies of key events. No other account of the art of the last fifty-five years provides as much up-to-date information about art issues, developments, and players. 100 color and 190 black & white [via]More editions of Movements in Art Since 1945:

› Find signed collectible books: 'Movements in Art Since 1945: Issues and Concepts'
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› Find signed collectible books: 'Nineteenth Century Art: A Critical History'
In art as in music, literature, philosophy, and political economy, the nineteenth century was a period of questioning, experimentation, discovery, and modernization. From Goya to Blake, from David to Delacroix, from Courbet to Cezanne, artists explored the links between perception and history, and in so doing challenged the prevailing definitions of art and the existing order of society.
First published in 1994, this innovative and groundbreaking survey details the development of a critical perspective in nineteenth-century painting and sculpture. For the revised edition, a new introduction by Stephen F. Eisenman provides a cogent overview of the century, its issues, and its art. Three completely new chapters have been added, which discuss photography and its crucial role in nineteenth-century art; American and German landscape painting and its effect on the growth of romantic nationalism in each country; and Toulouse-Lautrec, whose popular appeal consists both in his work's novel technique and medium and in its exotic sexual perspectives.
Nineteenth Century Art embraces many aspects of the "new" art history -- attention to issues of class and gender, racism, and Eurocentrism -- but it also emphasizes the remarkable vitality and subversiveness of the era's best art. Indeed, nineteenth-century artists addressed many of the aesthetic, political, and moral issues that preoccupy audiences and historians today, such as the relationship between popular and elite culture, and the representation of women and non-European peoples in Western art.
This rich and diverse volume demonstrates that nineteenth-century art remains compelling today because its critical insights have rarely beensurpassed. It will prove of interest not only to the specialist but also to anyone fascinated by the art, history, and culture of the era. [via]
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› Find signed collectible books: 'Nineteenth Century Art: A Critical History'
In art, as in every field, the 19th century was a period of experimentation: in which artists divined and portrayed the crucial connections between seeing and knowing, vision and society, explored the links between perception and history. Today, this legacy has been obscured by revisionism's that have changed art history. This book embraces the "new" methods while recovering the vitality, salience and subversiveness of the era's best art. This volume suggests that 19th-century art remains compelling today because its critical insights have rarely been surpassed. It will be of interest not just to the specialist, but to anyone fascinated by this unique period. [via]
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› Find signed collectible books: 'Nineteenth Century Art: A Critical History'
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› Find signed collectible books: 'Nineteenth Century Theories of Art'
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› Find signed collectible books: 'Optical Art: Theory and Practice'
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› Find signed collectible books: 'Philosophical Aesthetics: An Introduction'
This volume contains surveys of the main issues in philosophical aesthetics, as discussed by thinkers from ancient Greece to modern times. It is written by members of the Open University and the intention throughout is to make the issues intelligible and interesting to as wide an audience as possible, including those readers with a general interest in the arts as well as more advanced students.
The volume begins with questions about the nature of art and beauty. Are there any limitations to what may count as a work of art? Are imitations and forgeries really less valuable than original works? This is followed by discussions of aesthetic experience, truth and the 'imitation of nature' in works of art. In later chapters the emphasis is on the value and evaluation of art. Should art exist for the good of society? What justification is there for censorship in the case of pornography? The final chapters deal with Marxist theories of art, and with structuralist and post-structuralist views in recent continental writings. [via]
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› Find signed collectible books: 'The Philosophy of Modern Art'
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› Find signed collectible books: 'Poetics'
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› Find signed collectible books: 'Poets on Painters: Essays on the Art of Painting by Twentieth-Century Poets'
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› Find signed collectible books: 'Pop Art'
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› Find signed collectible books: 'Postmodernism and the En-Gendering of Marcel Duchamp'
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› Find signed collectible books: 'Recording Conceptual Art'
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› Find signed collectible books: 'Recording Conceptual Art: Early Interviews With Barry, Huebler, Kaltenbach, Lewitt, Morris, Oppenheim, Siegelaub, Smithson, Weiner'
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› Find signed collectible books: 'Reenchantment of Art'
Suzi Gablik's last book, "Has Modernism Failed?", won readers with its passionate, scathing critique of an enervated contemporary art scene. Now "The Reenchantment of Art" describes her hope for a new art, born out of a new cultural paradigm embracing a revitalized sense of community, an enlarged ecological perspective, and access to mythic and archetypal sources of spiritual life. In the course of her argument, Gablik introduces the reader to a number of figures for whom this paradigm offers a fresh approach to making art: artists such as Fern Shaffer, who performs empowerment rituals to mark the seasonal equinoxes; David T. Hanson, Andy Goldsworthy and Rachel Rosenthal, whose work attempts to heal our wounded planet; and others such as Tim Rollins, Suzanne Lacy and Mierle Laderman Ukeles who address the gravest social issues. [via]

› Find signed collectible books: 'Relative Values: Or What's Art Worth?'
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› Find signed collectible books: 'The Rhetoric of the Frame: Essays on the Boundaries of the Artwork'
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› Find signed collectible books: 'Russian Art of the Avant-Garde: Theory and Criticism 1902-1934'
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› Find signed collectible books: 'Six Years: The Dematerialization of the Art Object from 1966 to 1972 A Cross-Reference Book of Information on Some Esthetic Boundaries Consisting of a biblio'
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› Find signed collectible books: 'A Study of Vermeer'
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› Find signed collectible books: 'Styles, Schools And Movements: The Essential Encyclopaedic Guide To Modern Art'
Styles, Schools and Movements offers a clear and lively guide to the movements in modern art. A unique visual map of the whole period in the form of an eight page fold-out is followed by articles on 100 of the most significant movements of the modern period, with briefer entries on 200 more. To bring out the interconnections and patterns of influence, the articles are arranged in chronological order, divided into five major periods. The articles crisply narrate the rise and impact of each style, the locale and historical background, the work and lives of the leading figures, the manifestos and the exhibitions, the judgments of the critics and the delight or outrage of the general public. The ideas behind the styles are discussed, and each article is supplemented by suggestions for further reading and where to see major collections of the art works. Special emphasis is given to the illustrations, many of which are in colour, which show what standard dictionary entries often fail to, the distinctive visual features of the art itself. Arranged with plentiful cross references, the texts and illustrations allow the reader to trace fascinating patterns of influence and reaction - across time, place and media - through the whole period. 1860-1900: Rise of the Avant Gardes; 1900-1918: Modernisms for a Modern World; 1918-1945: The Search for a New Order; 1945-1960: A New Disorder 1960-2000: Beyond the Avant Gardes; 200 Key Styles: A Dictionary [via]
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› Find signed collectible books: 'Theory of Colours'
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› Find signed collectible books: 'Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O'Keeffe'
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› Find signed collectible books: 'To the Rescue of Art: Twenty Six Essays'
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› Find signed collectible books: 'Unpacking Duchamp: Art in Transit'
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› Find signed collectible books: 'Vision and Design'
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› Find signed collectible books: 'Visual Thinking'
Art, Psychology [via]
› Find signed collectible books: 'A Voyage on the North Sea : Art in the Age of the Post-Medium Condition'
Based on the 1999 Walter Neurath Memorial Lecture, this book uses the work of the Belgian artist Marcel Broodthaers to argue that the specifity of mediums, even modernist ones, can never be simply collapsed into the physicality of their support. [via]
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› Find signed collectible books: 'Women, Art and Society'
A reappraisal of the position and work of women artists from the Middle Ages to the present. It examines the way in which women's work has been perceived in the history of Western art - often in direct reference to gender - and re-examines the works themselves. Revisions and new illustrations bring this volume up-to-date, with an additional chapter focusing on issues of identity, class, race and sexuality, many of which are addressed in the work of contemporary artists. Some of those discussed are Rachel Whiteread, Mona Hatoum, Hanna Wilke, Kiki Smith, Sophie Calle and Susan Hiller. [via]
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› Find signed collectible books: 'Word and Image: French Painting of the Ancient Regime'
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