books tagged “american lit” (American lit)

If you liked the eerie whimsy of Italo Calvino's Invisible Cities, Steven Millhauser's Little Kingdoms, or Jorge Luis Borges's Labyrinths, you will love Alan Lightman's ethereal yet down-to-earth book Einstein's Dreams. Lightman teaches physics and writing at the Massachusetts Institute of Technology, helping bridge the light-year-size gap between science and the humanities, the enemy camps C.P. Snow famously called The Two Cultures.

Einstein's Dreams became a bestseller by delighting both scientists and humanists. It is technically a novel. Lightman uses simple, lyrical, and literal details to locate Einstein precisely in a place and time--Berne, Switzerland, spring 1905, when he was a patent clerk privately working on his bizarre, unheard-of theory of relativity. The town he perceives is vividly described, but the waking Einstein is a bit player in this drama.

The book takes flight when Einstein takes to his bed and we share his dreams, 30 little fables about places where time behaves quite differently. In one world, time is circular; in another a man is occasionally plucked from the present and deposited in the past: "He is agonized. For if he makes the slightest alteration in anything, he may destroy the future ... he is forced to witness events without being part of them ... an inert gas, a ghost ... an exile of time." The dreams in which time flows backward are far more sophisticated than the time-tripping scenes in Kurt Vonnegut's Slaughterhouse-Five, though science-fiction fans may yearn for a sustained yarn, which Lightman declines to provide. His purpose is simply to study the different kinds of time in Einstein's mind, each with its own lucid consequences. In their tone and quiet logic, Lightman's fables come off like Bach variations played on an exquisite harpsichord. People live for one day or eternity, and they respond intelligibly to each unique set of circumstances. Raindrops hang in the air in a place of frozen time; in another place everyone knows one year in advance exactly when the world will end, and acts accordingly.

"Consider a world in which cause and effect are erratic," writes Lightman. "Scientists turn reckless and mutter like gamblers who cannot stop betting.... In this world, artists are joyous." In another dream, time slows with altitude, causing rich folks to build stilt homes on mountaintops, seeking eternal youth and scorning the swiftly aging poor folk below. Forgetting eventually how they got there and why they subsist on "all but the most gossamer food," the higher-ups at length "become thin like the air, bony, old before their time."

There is no plot in this small volume--it's more like a poetry collection than a novel. Like Stephen Hawking's A Brief History of Time, it's a mind-stretching meditation by a scientist who's been to the far edge of physics and is back with wilder tales than Marco Polo's. And unlike many admirers of Hawking, readers of Einstein's Dreams have a high probability of actually finishing it. [via]

"One of the sassiest, most appealing of the recent spate of female gunshoes . . . 'G' is for glorious, galloping read, and I can't wait for 'H' ."
--Louise Bernikow, Cosmopolitan

Good and bad things seem to be coming in threes for Kinsey Millhone: on her thirty-third birthday she moves back into her renovated apartment, gets hired to find an elderly lady supposedly living in the Mojave Desert by herself, and makes the top of ex-con Tyrone Patty's hit list. It's the last that convinces Kinsey even she can't handle whoever's been hired to whack her, and she gets herself a bodyguard: Robert Dietz, a Porsche-driving P.I. who takes guarding Kinsey's body very seriously. With Dietz watching her for the merest sign of her usual recklessness, Kinsey plunges into her case. And before it's over, she'll unearth the gruesome truth about a long-buried betrayal and, in the process, come fact-to-face with her own mortality. . . .

"Wit is the most versatile weapon in Sue Grafton's well-stocked arsenal, and she uses it with disarming precision. . . . Grafton excels in this milieu."
--Newsweek

"The story is complex; the body-count high; the sexual encounters feverish; and the villains chilling--in another can't-put-it-down outing for this talented author."
--Kirkus Reviews [via]

Long before the John Travolta film of The General's Daughter (which the author extols in the foreword), Nelson DeMille's seventh mystery was the breakout hit of his career. The rapid-fire dialogue and scenes are cinematic, and the storytelling puts most movies to shame.

The book has three heroes: Paul Brenner and Cynthia Sunhill of the army's Criminal Investigation Division and Capt. Ann Campbell, found dead with her underpants around her neck on the firing range at Fort Hadley, Georgia. Brenner and Sunhill are lowly warrant officers, but as investigators they can theoretically arrest their superiors--as long as their case is airtight. This ups the tension level, as does the fact that Brenner and Sunhill once had an adulterous affair.

The chief problem, though, is too many suspects. Capt. Campbell, the daughter of the general who runs the base, is literally a poster woman for the New Army, a West Point grad and Gulf War hero who posed in a life-size recruitment poster. It's pinned up on her basement wall--and when the sleuths touch the poster it swings back to reveal a hidden playroom stocked with sex toys and videos of many army guys in pig masks and the captain in high heels. She was a high-IQ "two percenter"--and Brenner finds that two percenters often wind up on his desk as homicide suspects. Why is this one a victim? It has something to do with the collected works of Nietzsche on her bookshelf, corruption in high places, and the rag and bone shop of the heart.

This is one racy read, and it crackles with authenticity. DeMille is a Vietnam veteran who does for military justice what John Grisham does for civilians. --Tim Appelo [via]

Borrowing a phrase from Hamlet for the title of his 1999 nonfiction collection, John Updike may perhaps have been dropping hints about his fictional work in progress. He has, in any case, now delivered Gertrude and Claudius--and his variation on what is arguably the Bard's greatest hit sits very handsomely in the Shakespearean shadows. As its title suggests, this is a prelude to the actual play, focusing not on the sulky star but on his mother and fratricidal stepfather (think of it as a Danish, death-struck version of The Parent Trap). Updike's great achievement here is to turn our customary sympathies on their heads. This time around, Gertrude is a decent, long-suffering wife, whose consciousness happens to be raised to the boiling point by her sexy brother-in-law. And Claudius, too, seems half a victim of this fatal attraction, with a strong neo-Platonic accent to his lust:

The amused play of her mouth and eyes, the casual music of her considerate voice, a glimpse of her bare feet and rosy morning languor were to him amorous nutrition enough: at this delicate stage the image of more would have revolted him.... What we love, he understood from the poetry of Provence, where his restless freelancing had more than once taken him, is less the gift bestowed, the moon-mottled nakedness and wet-socketed submission, than the Heavenly graciousness of bestowal.

Gertrude and Claudius also amounts to a running theological argument, in which men constantly impale themselves on metaphysical principle while the adulterous queen is willing "to accept the world at face value, as a miracle daily renewed." (That would explain Gertrude's snap diagnosis of her neurotic son: "Too much German philosophy.") A superlative satellite to Shakespeare's creation, Updike's novel is likely to retain a kind of subordinate rank, even within his own capacious body of work. Still, it's packed with enough post-Elizabethan insight about men and women, parents and children, to suggest that the play's not the thing--not always, anyway. --James Marcus [via]

"THE LADY CAN WRITE . . .

Any reader who needs a smart and sassy P.I. would do well to hire Sue Grafton's Kinsey Millhone. . . . H' is for Homicide continues to show the author in strong storytelling form. . . . [It] finds Kinsey Millhone working on a case involving the death of a claims adjuster for a California insurance company. The story takes her into the Los Angeles barrio in pursuit of a violent criminal, into jails and hospitals, and into a grungy bar named the Meat Locker. . . . Count on Millhone not only to corner the murderer but also to make a statement against the foibles of the insurance game."
--The New York Times

"The eighth in Grafton's bestselling series is perhaps the wildest ride yet. . . . Grafton's skill with dialogue, her vivid characterizations and California scenery are priceless. . . . There are moments when the tension becomes so unbearable that you are tempted to skip paragraphs out of self-preservation."
--USA Today

"One of the best . . . A vivid, funny portrait of life in an ethnic underworld, viewed without judgment. Suspense there is, plentifully, and a final suggestion that Kinsey will be exploring different mischiefs next time. Outstanding."
--Los Angeles Times


From the Paperback edition. [via]

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"One of Kinsey's most electryfing adventures to date...Another irresistible installment of Ms. Grafton's series."
THE BALTIMORE SUN
Fired by the insurance agency for whom she investigates, Kinsey is forced to take on a last-minute murder investigation in which the ex-husband of a murdered artist claims that David Barney, her current husband, is guilty as sin. Barney gets to Kinsey and insists he's innocent. But if he is, who's guilty? In trying to learn who's been getting away with murder, Kinsey may be courting her own....


From the Paperback edition. [via]

A beautifully crafted, acerbic, and moving hymn to a dazed and confused era of American life. In 1973, after a freak winter storm hits an affluent Connecticut suburb, fathers and mothers swap partners, and their children experiment with drugs, sex--even suicide. Into this chaos, two families come face-to-face with emotions seething just below the surface. [via]

Native American Sherman Alexie's new novel is a departure in tone from his lyrical and funny earlier work, which include The Lone Ranger and Tonto Fistfight in Heaven and Reservation Blues. The main character is an Indian serial killer who incites racial tension by murdering whites in retribution for his people's history. The killer leaves clear signs of his motives by scalping his victims, and leaving feathers as gestures of Indian defiance. The killer is a conflicted creation--raised by loving white parents, but twisted by loss of his identity as an Indian. Alexie layers the story with complications and ancillary characters, from a rabid talk show host, to vengeance seeking whites, to liberals who find their patronizing espousal of Indian causes no longer so easy. [via]

"Ms. Grafton writes a smart story and wraps it up with a wry twist."
THE NEW YORK TIMES BOOK REVIEW
Wendell Jaffe has been dead for five years--until his former insurance agent spots him in a dusty resort bar. Now California Fidelity wants Kinsey Millhone to track down the dead man. Just two months before, his widow collected on Jaffe's $500,000 life insurance policy--her only legacy since Jaffe went overboard, bankrupt and about to be indicted for his fraudulent real estate schemes. As Kinsey pushes deeper into the mystery surrounding Wendell Jaffe's pseudocide, she explores her own past, discovering that in family matters, as in crime, sometimes it's better to reserve judgment....
A MAIN SELECTION OF THE LITERARY GUILD


From the Paperback edition. [via]

When Kinsey Millhone answers her office door late one night, she lets in more darkness than she realizes. Janice Kepler is a grieving mother who can't let the death of her beautiful daughter Lorna alone. The police agree that Lorna was murdered, but a suspect was never apprehended and the trail is now ten months cold. Kinsey pieces together Lorna's young life: a dull day job a the local water treatment plant spiced by sidelines in prostitution and pornography. She tangles with Lorna's friends: a local late-night DJ; a sweet, funny teenaged hooker; Lorna's sloppy landlord and his exotic wife. But to find out which one, if any, turned killer, Kinsey will have to inhabit a netherworld from which she may never return.


From the Paperback edition. [via]

When Marilla Cuthbert's brother, Matthew, returns home to Green Gables with a chatty redheaded orphan girl, Marilla exclaims, "But we asked for a boy. We have no use for a girl." It's not long, though, before the Cuthberts can't imagine how they could ever do without young Anne of Green Gables--but not for the original reasons they sought an orphan. Somewhere between the time Anne "confesses" to losing Marilla's amethyst pin (which she never took) in hopes of being allowed to go to a picnic, and when Anne accidentally dyes her hated carrot-red hair green, Marilla says to Matthew, "One thing's for certain, no house that Anne's in will ever be dull." And no book that she's in will be, either. This adapted version of the classic, Anne of Green Gables, introduces younger readers to the irrepressible heroine of L.M. Montgomery's many stories. Adapter M.C. Helldorfer includes only a few of Anne's mirthful and poignant adventures, yet manages to capture the freshness of one of children's literature's spunkiest, most beloved characters. There's just enough to make beginning readers want more--luckily, there's a lot more in the originals! Illustrator Ellen Beier creates vibrant pictures to portray the beauty of the land around Green Gables and the spirited nature of Anne herself. (Ages 5 to 8) --Emilie Coulter [via]

At the close of legal-thriller novelist Scott Turow's second book, The Burden of Proof, Sonia Klonsky was a young prosecutor in Kindle County Courthouse with a failing marriage, an infant daughter, and a single mastectomy. Now, as the narrator of Turow's latest novel, she's a Superior Court Judge presiding over the murder trial of one Nile Eddgar, accused of arranging the slaying of his ghetto-activist mother, June. Turow attempts a sort of social history of the 60s in this ambitious mystery, but the most vivid passages come when the gangbangers of the Black Saints Disciples take center stage. [via]

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. [via]

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. [via]

If you thought The Notebook was a tearjerker, get out the hankies, pull up a chair, and get ready to have your heart monkey-wrenched by Nicholas Sparks's second star-crossed love story, Message in a Bottle. When Theresa Osborne takes a much-needed summer holiday at Cape Cod, she finds a lot more than a break from the hustle and bustle. On an early-morning jog along Cape Cod Bay, she comes across a corked bottle with a scrolled-up message inside that reads, "My Dearest Catherine, I miss you, my darling, as I always do, but today is especially hard because the ocean has been singing to me, and the song is that of our life together..." It bobbles around in the same vein for several more paragraphs and ends with "...am alone on the pier and I do not care what others think as I bow my head and cry and cry and cry. Garret."

Garret may eat quiche, but no bother--before you can say "Look! I found two more letters!" Theresa is hot on his trail and determined to find this mysterious yet sensitive message-in-a-bottle man. She finds him at a sleepy North Carolina port, working on his beloved sailboat, The Happenstance. From there, a romance buds and blossoms into a colorful bouquet of emotional baggage. Theresa has problems with her past--or, more accurately, her past is a problem. She is so scarred from her "I'm a super churchgoing guy now that I've run out on my wife" ex-husband that she hasn't tried to date since her divorce some three or four years before. And who is Catherine? And what's Garret's bag, anyway? When Theresa finds out, she plunges to the depths of her soul and uncorks a whopper of a secret about herself, bringing Garret to terms with who he really is.

Message in a Bottle has the earmarks of sentimental tongue-wagging at its finest and should please romantics and cynics alike--it's sure to bring romantics to their knees, while cynics will be slapping theirs in laughter. --Rebekah Warren [via]

"Memorable...A book profound in its vision of humanity, of religion, and of art." THE WALL STREET JOURNAL Here is the original, deeply moving story of Asher Lev, the religious boy with an overwhelming need to draw, to paint, to render the world he knows and the pain he feels, on canvas for everyone to see. A loner, Asher has an extroardinary God-given gift that possesses a spirit all its own. It is this force that must learn to master without shaming his people or relinquishing any part of his deeply felt Judaism. It will not be easy for him, but he knows, too, that even if it is impossible, it must be done.... "A novel of finely articulated tragic power...Little short of a work of genius." THE NEW YORK TIMES BOOK REVIEW [via]

"Somewhere," muses Noah Calhoun, while sitting on his porch in the moonight, "there were people making love." Anyway, head elsewhere for Great Literature, but if you're in the market to get your heartstrings plucked, look no further. The Notebook, a Southern-fried story of love-lost-and-found-again, revolves around a single time-honored romantic dilemma: will beautiful Allison Nelson stay with Mr. Respectability (to whom she happens to be engaged), or will she hook up with Noah, the romantic rascal she left so many years ago? We're not telling, but you have two guesses and the first one doesn't count. Decades later, after Allison develops Alzheimer's, her beau uses "the notebook" to read her the story of the great love she's plumb forgot. The Notebook--film rights already sold, thank you very much--is a little glazed doughnut of a book: sticky- sweet, satisfying, not much nourishment. But who cares? Take an extra vitamin and indulge. [via]

Wise-cracking, staunchly independent, and chronically curious, Grafton's gritty gumshoe Kinsey Millhone is back. This time, the alphabet series star will take on the toughest case to date: her past. What begins as a random phone call from a "storage space scavenger" (someone who buys the contents of defaulted storage units) leads Kinsey to a box of old papers and personal effects that her ex-husband, Mickey Magruder, left behind. Inside, she finds a 15-year-old unsent letter from a bartender that, among other things, reveals her former hubby was having an affair. The letter also contains details about the murder of a transient--a crime for which Mickey was blamed. Although never convicted, Mickey was ruined--losing his job, wife, and friends. But 15 years later, Kinsey realizes that foul play may have been involved in the murder, a deadly temptation for her.

Die-hard fans will especially enjoy Kinsey's self-disclosure--something she's infamous for not doing--about her childhood, the fate of her parents, and the randy details of her first marriage. A very vulnerable and interesting side to Kinsey's character is also revealed when her obsessive-compulsive fact-finding bent is mixed up with matters of the heart.

A fast, fun read, O Is for Outlaw is packed with Grafton's clear, colorful imagery and signature metaphors: "Our recollection of the past is not simply distorted by our faulty perception of events remembered, but skewed by those forgotten. The memory is like orbiting twin stars, one visible, one dark, the trajectory of what's evident forever affected by the gravity of what's concealed." --Rebekah Warren [via]

Orchidelirium is the name the Victorians gave to the flower madness that is for botanical collectors the equivalent of gold fever. Wealthy orchid fanatics of that era sent explorers (heavily armed, more to protect themselves against other orchid seekers than against hostile natives or wild animals) to unmapped territories in search of new varieties of Cattleya and Paphiopedilum. As knowledge of the family Orchidaceae grew to encompass the currently more than 60,000 species and over 100,000 hybrids, orchidelirium might have been expected to go the way of Dutch tulip mania. Yet, as journalist Susan Orlean found out, there still exists a vein of orchid madness strong enough to inspire larceny among collectors.

The Orchid Thief centers on south Florida and John Laroche, a quixotic, charismatic schemer once convicted of attempting to take endangered orchids from the Fakahatchee swamp, a state preserve. Laroche, a horticultural consultant who once ran an extensive nursery for the Seminole tribe, dreams of making a fortune for the Seminoles and himself by cloning the rare ghost orchid Polyrrhiza lindenii. Laroche sums up the obsession that drives him and so many others:

I really have to watch myself, especially around plants. Even now, just being here, I still get that collector feeling. You know what I mean. I'll see something and then suddenly I get that feeling. It's like I can't just have something--I have to have it and learn about it and grow it and sell it and master it and have a million of it.

A Pictorial history of the writer in America, with more than 500 illustrations. [via]

Octavia E. Butler, the grande dame of science fiction, writes extraordinary, inspirational stories of ordinary people. Parable of the Sower is a hopeful tale set in a dystopian future United States of walled cities, disease, fires, and madness. Lauren Olamina is an 18-year-old woman with hyperempathy syndrome--if she sees another in pain, she feels their pain as acutely as if it were real. When her relatively safe neighborhood enclave is inevitably destroyed, along with her family and dreams for the future, Lauren grabs a backpack full of supplies and begins a journey north. Along the way, she recruits fellow refugees to her embryonic faith, Earthseed, the prime tenet of which is that "God is change." This is a great book--simple and elegant, with enough message to make you think, but not so much that you feel preached to. [via]

Octavia Butler tackles the creation of a new religion, the making of a god, and the ultimate fate of humanity in her Earthseed series, which began with Parable of the Sower, and now continues with Parable of the Talents. The saga began with the near-future dystopian tale of Sower, in which young Lauren Olamina began to realize her destiny as a leader of people dispossessed and destroyed by the crumbling of society. The basic principles of Lauren's faith, Earthseed, were contained in a collection of deceptively simple proverbs that Lauren used to recruit followers. She teaches that "God is change" and that humanity's ultimate destiny is among the stars.

In Parable of the Talents, the seeds of change that Lauren planted begin to bear fruit, but in unpredictable and brutal ways. Her small community is destroyed, her child is kidnapped, and she is imprisoned by sadistic zealots. She must find a way to escape and begin again, without family or friends. Her single-mindedness in teaching Earthseed may be her only chance to survive, but paradoxically, may cause the ultimate estrangement of her beloved daughter. Parable of the Talents is told from both mother's and daughter's perspectives, but it is the narrative of Lauren's grown daughter, who has seen her mother made into a deity of sorts, that is the most compelling. Butler's writing is simple and elegant, and her storytelling skills are superb, as usual. Fans will be eagerly awaiting the next installment in what promises to be a moving and adventurous saga. --Therese Littleton [via]

A carrier pigeon furnishes Nancy with a clue to a mysterious retreat. [via]

Nelson DeMille's narrative engine is one of the best in the business, and it chugs away in grand style in this story of buried treasure and biological warfare on a tiny spit of land off Long Island. As told by a wry, wounded New York City detective who is drafted to explore a couple of murders, Plum Island is a rich pudding of flavorful (if familiar) ingredients, including a ferocious storm at sea. Other DeMille epics in paperback include By the Rivers of Babylon, The General's Daughter, The Gold Coast, Spencerville, and Word of Honor. [via]

Now available in trade paperback, "Presumed Innocent" brings to life our worst nightmare: that of an ordinary citizen facing conviction for the most terrible of crimes. Prosecutor Rusty Sabich is transformed from accuser to accused when he is handed an explosive case--that of the brutal murder of a woman who happens to be his former lover. [via]

"A superb mirror of a place, a time, and a group of people who capture our immediate interest and hold it tightly."
THE PHILADELPHIA INQUIRER
Young Reuven Malter is unsure of himself and his place in life. An unconventional scholar, he struggles for recognition from his teachers. With his old friend Danny Saunders--who himself had abandoned the legacy as the chosen heir to his father's rabbinical dynasty for the uncertain life of a healer--Reuvan battles to save a sensitive boy imprisoned by his genius and rage. Painfully, triumphantly, Reuven's understanding of himself, though the boy change, as he starts to aproach the peace he has long sought.... [via]

It's 1989, and Harry "Rabbit" Angstrom feels anything but restful. In fact he's frozen, incapacitated by his fear of death--and in the final year of the Reagan era, he's right to be afraid. His 55-year-old body, swollen with beer and munchies and racked with chest pains, wears its bulk "like a set of blankets the decades have brought one by one." He suspects that his son Nelson, who's recently taken over the family car dealership, is embezzling money to support a cocaine habit.

Indeed, from Rabbit's vantage point--which alternates between a winter condo in Florida and the ancestral digs in Pennsylvania, not to mention a detour to an intensive care unit--decay is overtaking the entire world. The budget deficit is destroying America, his accountant is dying of AIDS, and a terrorist bomb has just destroyed Pan Am Flight 103 above Lockerbie, Scotland. This last incident, with its rapid transit from life to death, hits Rabbit particularly hard:

Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bring the clinking drinks caddy... and then with a roar and giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurized hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them.

His misplaced sense of responsibility--plus his crude sexual urges and racial slurs--can make Rabbit seems less than lovable. Still, there's something utterly heroic about his character. When the end comes, after all, it's the Angstrom family that refuses to accept the reality of Rabbit's mortality. Only Updike's irreplaceable mouthpiece rises to the occasion, delivering a stoical, one-word valediction: "Enough." --Rob McDonald [via]

The life of Spokane Indian Thomas Builds-the-Fire irrevocably changes when blues legend Robert Johnson miraculously appears on his reservation and passes the misfit storyteller his enchanted guitar. Inspired by this gift, Thomas forms Coyote Springs, an all-Indian Catholic band who find themselves on a magical tour that leads from reservation bars to Seattle and New York--and deep within their own souls. [via]

In 10 strikingly original stories and a prize-winning novella, Rick Moody paints a world of frustration, yearning, lies, decay, and obsession as he introduces a dissonant band of outsiders. Meet:
-- a frenzied undergraduate who confesses his delusions in a term paper
-- a hip young media personality whose film treatment reveals a pathological self-obsession
-- an investigator whose deposition reveals his own increasingly sordid attempts to spy on his wife
-- and more.

A stunning literary achievement, these daring, surprising, energetic stories -- masterpieces of language, structure, and momentum -- will entertain and astound from beginning to end.

"Consistently inventive...a wicked eye for detail". -- The New York Times Book Review

"Expressive brilliance...written in a brilliant nightmarish style". -- Los Angeles Times [via]

In the sequel to Margaret Mitchell's classic novel, the reader returns to Tara, and to the legendary love affair of Scarlett and Rhett. Reprint. [via]

Classic Nancy Drew mystery in great condition! [via]

A special treat for Nancy Drew fans! Out just in time for Nancy's 80th anniversary, we're releasing a limited number of copies of The Secret of the Old Clock, the first book in the series. It's the exciting mystery that readers have fallen in love with for 80 years, with a terrific new look and bonus material! Collectors won't want to miss this. [via]

Renowned suspense writer and Edgar Award winner James Patterson, author of such bestsellers-turned- blockbuster-films as Along Came a Spider and as Kiss the Girls, exposes his sensitive side in his new novel, Suzanne's Diary for Nicholas. Katie Wilkinson's boyfriend Matt dumps her but to show he's not a total cad, he leaves her a gift, a diary kept by Suzanne, his first wife, for their son Nicholas. Though it's not exactly the diamond ring Katie was hoping for, she's unable to make herself destroy the diary-- against her better judgment, Katie begins to read.

Drawn against her will into the other woman's world, Katie learns of doctor Suzanne's heart attack at age 35 and her decision to slow down, accomplished by a move to Martha's Vineyard and a new job as a simple country doctor. When love comes knocking, in the form of housepainter-cum-poet Matt Harrison, Suzanne is ready to listen to her newly repaired heart. Though painful for Katie, she begins to know and like Suzanne and her infant son Nicholas. Suzanne's devotion to Matt and their son shines through, as well as her plainspoken wisdom. While the journal helps Katie understand Matt, whether they can write a future together remains in question. --Alison Trinkle, Amazon.com [via]

Set in Italy during the dramatic finale of World War II, this new novel is the first in seven years by the bestselling author of The Sparrow and Children of God.

It is September 8, 1943, and fourteen-year-old Claudette Blum is learning Italian with a suitcase in her hand. She and her father are among the thousands of Jewish refugees scrambling over the Alps toward Italy, where they hope to be safe at last, now that the Italians have broken with Germany and made a separate peace with the Allies. The Blums will soon discover that Italy is anything but peaceful, as it becomes overnight an open battleground among the Nazis, the Allies, resistance fighters, Jews in hiding, and ordinary Italian civilians trying to survive.

Mary Doria Russell sets her first historical novel against this dramatic background, tracing the lives of a handful of fascinating characters. Through them, she tells the little-known but true story of the network of Italian citizens who saved the lives of forty-three thousand Jews during the war's final phase. The result of five years of meticulous research, A Thread of Grace is an ambitious, engrossing novel of ideas, history, and marvelous characters that will please Russell's many fans and earn her even more.


From the Hardcover edition. [via]

Set in the near future of 2020, this disconcerting philosophical fantasy depicts an America devastated by a war with China that has left its populace decimated, its government a shambles, and its natural resources tainted. The hero is Ben Turnbull, a sixty-six-year-old retired investment counselor, who, like Thoreau, sticks close to home and traces the course of one Massachusetts year in his journal. Something of a science buff, he finds that his disrupted personal history has been warped by the disjunctions and vagaries of the many-worlds hypothesis derived from the indeterminacy of quantum theory. His identity branches into variants extending back through the past and forward into the evolution of the universe, as both it and his own mortal, nature-haunted existence move toward the end of time. [via]

The year 1866 was signalised by a remarkable incident a mysterious and puzzling phenomenon which doubtless no one has yet forgotten. [via]

In the prologue to his latest novel, Nicholas Sparks makes the rather presumptuous pledge "first you will smile, and then you will cry," but sure enough, he delivers the goods. With his calculated ability to throw your heart around like a yo-yo (try out his earlier Message in the Bottle or The Notebook if you really want to stick it to yourself), Sparks pulls us back to the perfect innocence of a first love.

In 1958 Landon Carter is a shallow but well-meaning teenager who spends most of his time hanging out with his friends and trying hard to ignore the impending responsibilities of adulthood. Then Landon gets roped into acting the lead in the Christmas play opposite the most renowned goody two-shoes in town: Jamie Sullivan. Against his best intentions and the taunts of his buddies, Landon finds himself falling for Jamie and learning some central lessons in life.

Like John Irving's A Prayer for Owen Meany, Sparks maintains a delicate and rarely seen balance of humor and sentiment. While the plot may not be the most original, this boy-makes-good tearjerker will certainly reel in the fans. Look for a movie starring beautiful people or, better yet, snuggle under the covers with your tissues nearby and let your inner sap run wild. --Nancy R.E. O'Brien [via]

Connie Ramos, a woman in her mid-thirties, has been declared insane. But Connie is overwhelmingly sane, merely tuned to the future, and able to communicate with the year 2137. As her doctors persuade her to agree to an operation, Connie struggles to force herself to listen to the future and its lessons for today....


From the Paperback edition. [via]