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  • Alcott, Louisa May: 8 Cousins
    8 Cousins
    by Louisa May Alcott
    ISBN 0316030910 (0-316-03091-0)
    Hardcover, Little Brown & Co

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  • The Accidental Tourist
    by Anne Tyler
    ISBN 0345452003 (0-345-45200-3)
    Softcover, Ballantine Books

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    "POIGNANT . . . FUNNY . . . THE ACCIDENTAL TOURIST IS ONE OF HER BEST. . . . [TYLER] HAS NEVER BEEN STRONGER." - The New York Times Macon Leary is a travel writer who hates both travel and anything out of the ordinary. He is grounded by loneliness and an unwillingness to compromise his creature comforts when he meets Muriel, a deliciously peculiar dog-obedience trainer who up-ends Macon's insular world-and thrusts him headlong into a remarkable engagement with life. "BITTERSWEET . . . EVOCATIVE . . . It's easy to forget this is the warm lull of fiction; you half-expect to run into her characters at the dry cleaners . . . Tyler [is] a writer of great compassion." - The Boston Globe "Tyler has given us an endlessly diverting book whose strength gathers gradually to become a genuinely thrilling one." - Los Angeles Times "A DELIGHT . . . A GRACEFUL COMIC NOVEL ABOUT GETTING THROUGH LIFE." - The Wall Street Journal [via]

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  • The Accidental Tourist and Ladder of Years
    by Anne Tyler
    ISBN 0345487648 (0-345-48764-8)
    Softcover, Random House Publishing Group

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  • Amy and Isabelle
    by Elizabeth Strout
    ISBN 0375705198 (0-375-70519-8)
    Softcover, Random House Inc

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    "It was terribly hot the summer Mr. Robertson left town." For Amy Goodrow and her mother, Isabelle, the heat of that summer is the least of their problems. Other citizens in the New England mill town of Shirley Falls are bothered by the heat and by "other things too: Further up the river crops weren't right--pole beans were small, shriveled on the vine, carrots stopped growing when they were no bigger than the fingers of a child; and two UFOs had apparently been sighted in the north of the state." But Amy and Isabelle have a more private misery: a seemingly unbridgeable chasm has opened between this once-close mother and daughter and nothing will ever be the same again. For Amy has fallen in love with her high-school math teacher, Mr. Robertson, who has gone way beyond the bounds of propriety by encouraging the crush. When Isabelle finds out, she is horrified to realize that her anger at him is dwarfed by her rage at her own daughter for "enjoying the sexual pleasures of a man while she herself had not."

    Mother-daughter novels can, by virtue of their subject matter, often seem claustrophobic, a little overwrought; Elizabeth Strout masterfully avoids this problem by placing Amy and Isabelle in the larger context of the community they inhabit. Though her main focus is on the Goodrow women, Strout often detours into the lives and thoughts of her many secondary characters: Isabelle's coworkers Dottie Brown and Fat Bev; Amy's best friend, Stacy Burrows; Stacy's ex-boyfriend, Paul Bellows; and women from Isabelle's church such as Peg Dunlap and Barbara Rawley. She also introduces a chilling frisson of menace with the unsolved abduction of a 12-year-old girl and a mysterious obscene phone-caller. Like the best of Alice Hoffman, Amy and Isabelle offers up a moving yet resolutely unsentimental portrait of people coming to terms with their lives, finding unsuspected nobility in themselves and unexpected kindness in others along the way. Elizabeth Strout has written a gem of a novel. --Alix Wilber [via]

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  • Angels & Demons
    by Dan Brown
    ISBN 037543318X (0-375-43318-X)
    Hardcover, Random House Large Print

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    It takes guts to write a novel that combines an ancient secret brotherhood, the Swiss Conseil Européen pour la Recherche Nucléaire, a papal conclave, mysterious ambigrams, a plot against the Vatican, a mad scientist in a wheelchair, particles of antimatter, jets that can travel 15,000 miles per hour, crafty assassins, a beautiful Italian physicist, and a Harvard professor of religious iconology. It takes talent to make that novel anything but ridiculous. Kudos to Dan Brown (Digital Fortress) for achieving the nearly impossible. Angels & Demons is a no-holds-barred, pull-out-all-the-stops, breathless tangle of a thriller--think Katherine Neville's The Eight (but cleverer) or Umberto Eco's Foucault's Pendulum (but more accessible).

    Harvard symbologist Robert Langdon is shocked to find proof that the legendary secret society, the Illuminati--dedicated since the time of Galileo to promoting the interests of science and condemning the blind faith of Catholicism--is alive, well, and murderously active. Brilliant physicist Leonardo Vetra has been murdered, his eyes plucked out, and the society's ancient symbol branded upon his chest. His final discovery, antimatter, the most powerful and dangerous energy source known to man, has disappeared--only to be hidden somewhere beneath Vatican City on the eve of the election of a new pope. Langdon and Vittoria, Vetra's daughter and colleague, embark on a frantic hunt through the streets, churches, and catacombs of Rome, following a 400-year-old trail to the lair of the Illuminati, to prevent the incineration of civilization.

    Brown seems as much juggler as author--there are lots and lots of balls in the air in this novel, yet Brown manages to hurl the reader headlong into an almost surreal suspension of disbelief. While the reader might wish for a little more sardonic humor from Langdon, and a little less bombastic philosophizing on the eternal conflict between religion and science, these are less fatal flaws than niggling annoyances--readers should have no trouble skimming past them and immersing themselves in a heck of a good read. "Brain candy" it may be, but my! It's tasty. --Kelly Flynn [via]

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  • Annie John
    by Jamaica Kincaid
    ISBN 0374525102 (0-374-52510-2)
    Softcover, Farrar Straus & Giroux

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    Jamaica Kincaid beautifully delineates hatred and fear, because she knows they are often a step away from love and obsession. At the start of Annie John, her 10-year-old heroine is engulfed in family happiness and safety. Though Annie loves her father, she is all eyes for her mother. When she is almost 12, however, the idyll ends and she falls into deep disfavor. This inexplicable loss mars both lives, as each grows adept at public falsity and silent betrayal. The pattern is set, and extended: "And now I started a new series of betrayals of people and things I would have sworn only minutes before to die for." In front of Annie's father and the world, "We were politeness and kindness and love and laughter." Alone they are linked in loathing. Annie tries to imagine herself as someone in a book--an orphan or a girl with a wicked stepmother. The trouble is, she finds, those characters' lives always end happily. Luckily for us, though not perhaps for her alter ego, Kincaid is too truthful a writer to provide such a finale. [via]

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  • The Autobiography of Benjamin Franklin: With Related Documents
    by Louis P. Masur
    ISBN 0312404158 (0-312-40415-8)
    Softcover, Bedford/st Martins

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    Book summary:

    This new edition of "The Autobiography of Benjamin Franklin" is built around J.A. Leo Lemay and P.R. Zall's text. Louis Masur's introduction sets the work in its historical context. Masur also discusses America after Franklin and why the autobiography has had such a tremendous impact on 19th- and 20th-century society and culture. The book prompts students to think critically about the text by raising fundamental issues, such as the inherent distortion that occurs in autobiography. The book also contains six portraits of Franklin. Louis Masur is the author of "Rites of Execution: Capital Punishment and the Transformation of American Culture, 1776-1865". [via]

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  • Bee Season
    by Myla Goldberg
    ISBN 0307276856 (0-307-27685-6)
    Softcover, Random House Inc

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    In Myla Goldberg's outstanding first novel, a family is shaken apart by a small but unexpected shift in the prospects of one of its members. When 9-year-old Eliza Naumann, an otherwise indifferent student, takes first prize in her school spelling bee, it is as if rays of light have begun to emanate from her head. Teachers regard her with a new fondness; the studious girls begin to save a place for her at lunch. Even Eliza can sense herself changing. She had "often felt that her outsides were too dull for her insides, that deep within her there was something better than what everyone else could see."

    Eliza's father, Saul, a scholar and cantor, had long since given up expecting sparks of brilliance on her part. While her brother, Aaron, had taken pride in reciting his Bar Mitzvah prayers from memory, she had typically preferred television reruns to homework or reading. This belated evidence of a miraculous talent encourages Saul to reassess his daughter. And after she wins the statewide bee, he begins tutoring her for the national competition, devoting to Eliza the hours he once spent with Aaron. His daughter flowers under his care, eventually coming to look at life "in alphabetical terms." "Consonants are the camels of language," she realizes, "proudly carrying their lingual loads."

    Vowels, however, are a different species, the fish that flash and glisten in the watery depths. Vowels are elastic and inconstant, fickle and unfaithful.... Before the bee, Eliza had been a consonant, slow and unsurprising. With her bee success, she has entered vowelhood.
    When Saul sees the state of transcendence that she effortlessly achieves in competition, he encourages his daughter to explore the mystical states that have eluded him--the influx of God-knowledge (shefa) described by the Kabbalist Abraham Abulafia. Although Saul has little idea what he has set in motion, "even the sound of Abulafia's name sets off music in her head. A-bu-la-fi-a. It's magic, the open sesame that unblocked the path to her father and then to language itself."

    Meanwhile, stunned by his father's defection, Aaron begins a troubling religious quest. Eliza's brainy, compulsive mother is also unmoored by her success. The spelling champion's newfound gift for concentration reminds Miriam of herself as a girl, and she feels a pang for not having seen her daughter more clearly before. But Eliza's clumsy response to Miriam's overtures convinces her mother that she has no real ties to her daughter. This final disappointment precipitates her departure into a stunning secret life. The reader is left wondering what would have happened if the Naumanns' spiritual thirsts had not been set in restless motion. A poignant and exceptionally well crafted tale, Bee Season has a slow beginning but a tour-de-force conclusion. --Regina Marler [via]

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  • The Best Short Stories by Black Writers; The Classic Anthology from 1899 to 1967
    by Langston Hughes
    ISBN 0316380318 (0-316-38031-8)
    Softcover, Little Brown & Co

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    Book summary:

    THE BEST SHORT STORES BY BLACK WRITERS FROM 1899-1967 [via]

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  • The Big Sleep
    by Raymond Chandler
    ISBN 0345245652 (0-345-24565-2)
    Softcover, Ballantine Books

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    "His thin, claw-like hands were folded loosely on the rug, purple-nailed. A few locks of dry white hair clung to his scalp, like wild flowers fighting for life on a bare rock." Published in 1939, when Raymond Chandler was 50, this is the first of the Philip Marlowe novels. Its bursts of sex, violence, and explosively direct prose changed detective fiction forever. "She was trouble. She was tall and rangy and strong-looking. Her hair was black and wiry and parted in the middle. She had a good mouth and a good chin. There was a sulky droop to her lips and the lower lip was full." [via]

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  • Norman, Howard: The Bird Artist
    The Bird Artist
    by Howard Norman
    ISBN 0312130279 (0-312-13027-9)
    Softcover, St Martins Pr

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    Though judging a book by its cover is ill-advised, assessing The Bird Artist by its first paragraph is a safe bet. Howard Norman's second novel lives up to all expectations promised by the kind of beginning that makes a reader beg for more and then panic that the rest will not be as good: "My name is Fabian Vas. I live in Witless Bay, Newfoundland. You would not have heard of me." "Obscurity is not necessarily failure, though; I am a bird artist, and have more or less made a living at it. Yet I murdered the lighthouse keeper, Botho August, and that is an equal part of how I think of myself."

    There are echoes of Vladimir Nabokov's infamous narrator, Humbert Humbert, in Fabian's confessional tone, witty humor, and emotional detachment from the series of bizarre events he describes. Set at the turn of the century in a remote cod-fishing community, The Bird Artist is a love story of sorts, filled with curious characters and a chowder restaurant. The men wear "knitted underwear all year round lined with fleece calico" and periodically escape the island to pursue their livelihoods on the sea. But the women are land bound. Helen Twombly suspects fellow villagers of stealing her milk bottles. Alaric Vas suffers from arthritis that no liniment relieves and plots her son's arranged marriage with a fourth cousin in Richibucto, New Brunswick. Meanwhile, Fabian's childhood love, Margaret Handle, propels herself and the plot forward with unwieldy energy. How did things for a mild-mannered man who just likes "to wake up early, wash my face, and get out and draw birds" go so wrong?

    Norman, a folklorist and naturalist, presents us with the possible explanations in the form of fine details from an island life he researched while living in a remote Inuit whale-hunting community. He carefully examines the inner isolation of his characters. The severe landscape and the weather serve as the perfect metaphor. If you're looking for linguistic pyrotechnics, Norman's economy won't suit you. In The Bird Artist--a finalist for the 1994 National Book Award--there is as much to admire on the page as what's not. --Cristina Del Sesto [via]

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  • Breathing Lessons
    by Anne Tyler
    ISBN 0345485572 (0-345-48557-2)
    Softcover, Ballantine Books

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    Maggie Moran's mission is to connect and unite people, whether they want to be united or not. Maggie is a meddler and as she and her husband, Ira, drive 90 miles to the funeral of an old friend, Ira contemplates his wasted life and the traffic, while Maggie hatches a plant to reunite her son Jesse with his long-estranged wife and baby. As Ira explains, "She thinks the people she loves are better than they really are, and so then she starts changing things around to suit her view of them." Though everyone criticizes her for being "ordinary," Maggie's ability to see the beauty and potential in others ultimately proves that she is the only one fighting the resignation they all fear. The book captured the Pulitzer Prize for literature in 1989. [via]

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  • Burr
    by Gore Vidal
    ISBN 0375708731 (0-375-70873-1)
    Softcover, Vintage Books

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    "An extraordinarily intelligent and entertaining novel!"
    NEWSWEEK
    Brilliantly realized, enormously readable, Gore Vidal's #1 best seller paints a fascinating portrait of Aaron Burr, who lived out his long life partly as a suspected traitor and partly as one of the most heroic and colorful of the founding fathers.
    A fictional memoir based on actual facts, BURR describes the early struggles and endless intrigues of the United States. Vidal writes with so much drama and vigor that history comes alive, and the concerns of a new nation read like today's headlines. [via]

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  • Cider House Rules
    by John Irving
    ISBN 0345387651 (0-345-38765-1)
    Softcover, Ballantine Books

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    First published in 1985, The Cider House Rules is set in rural Maine in the first half of the twentieth century. The novel tells the story of Dr. Wilbur Larch-saint and obstetrician, founder and director of the orphanage in the town of St. Cloud's, ether addict and abortionist. This is also the story of Dr. Larch's favorite orphan, Homer Wells, who is never adopted. [via]

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  • Jewett, Sarah Orne: The Country of the Pointed Firs and Other Stories
    The Country of the Pointed Firs and Other Stories
    by Sarah Orne Jewett, Suzannah Lessard
    ISBN 037575671X (0-375-75671-X)
    Softcover, Random House Inc

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  • The Dante Club
    by Matthew Pearl
    ISBN 034549038X (0-345-49038-X)
    Softcover, Ballantine Books

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    A New York Times Bestseller
    Words can bleed.

    In 1865 Boston, the literary geniuses of the Dante Clubpoets and Harvard professors Henry Wadsworth Longfellow, Dr. Oliver Wendell Holmes, and James Russell Lowell, along with publisher J. T. Fieldsare finishing Americas first translation of The Divine Comedy and preparing to unveil Dantes remarkable visions to the New World. The powerful Boston Brahmins at Harvard College are fighting to keep Dante in obscurity, believing that the infiltration of foreign superstitions into American minds will prove as corrupting as the immigrants arriving at Boston Harbor.

    The members of the Dante Club fight to keep a sacred literary cause alive, but their plans fall apart when a series of murders erupts through Boston and Cambridge. Only this small group of scholars realizes that the gruesome killings are modeled on the descriptions of Hells punishments from Dantes Inferno. With the lives of the Boston elite and Dantes literary future in America at stake, the Dante Club members must find the killer before the authorities discover their secret.

    Dr. Oliver Wendell Holmes and an outcast police officer named Nicholas Rey, the first black member of the Boston police department, must place their careers on the line to end the terror. Together, they discover that the source of the murders lies closer to home than they ever could have imagined.

    The Dante Club is a magnificent blend of fact and fiction, a brilliantly realized paean to Dantes continued grip on our imagination, and a captivating thriller that will surprise readers from beginning to end. [via]

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  • Dress Your Family in Corduroy and Denim
    by David Sedaris
    ISBN 0316010790 (0-316-01079-0)
    Softcover, Little Brown & Co

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    It just isnt fair: most of us would be lucky to be able to express ourselves in writing half as well as David Sedaris does in his new book, Dress Your Family in Corduroy and Denim. But on top of his skills with the written word, the author also has substantial gifts as a performer, and he proves this on the audio version of the book. In his essay The Change in Me,Sedaris remembers that his mother was good at imitating people, and its clear that he takes after her. Whether hes doing impressions of high-voiced brother Paul, or recalling times when he and his sisters tried to win good karma by speaking and acting like well-behaved, fairytale children, Sedariss nuanced performance hits the right note on both the opening, comedic stories, and the more poignant essays that tend to come later in the reading. In fact, for those who have already read some of the best stories in other publications including The New Yorker, the CD or cassette version of this collection is probably the best bet for furthering your appreciation of the material.

    Sedariss career is closely linked with two things: audio (he was discovered by NPRs Ira Glass), and the personal lives of himself and his family. In Dress Your Family in Corduroy and Denim, he describes fights with his boyfriend, and his sister-in-laws difficult pregnancy. When sister Lisa complains about the stories involving the family, he writes about that, too. Sedaris's latest provides more evidence that he is a great humorist, memoirist and raconteur, and readers are lucky to have the opportunity to know him so well. Perhaps they are luckier still not to know him personally. --Leah Weathersby [via]

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  • Schwarz, Christina: Drowning Ruth
    Drowning Ruth
    by Christina Schwarz
    ISBN 0345439104 (0-345-43910-4)
    Softcover, Ballantine Books

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  • Updike, John: The Early Stories 1953-1975
    The Early Stories 1953-1975
    by John Updike
    ISBN 0345463366 (0-345-46336-6)
    Softcover, Ballantine Books

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  • Yates, Richard: The Easter Parade
    The Easter Parade
    by Richard Yates
    ISBN 0312278284 (0-312-27828-4)
    Softcover, Picador USA

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  • Eight Cousins, or the Aunt Hill
    by Louisa May Alcott
    ISBN 0316030864 (0-316-03086-4)
    Softcover, Little Brown & Co

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    Rose Campbell, tired and ill, has come to live at "The Aunt Hill" after the death of her beloved father. Six aunts fussing and fretting over her are bad enough, but what is a quiet 13-year-old girl to do with seven boisterous boy cousins? [via]

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  • Empire Falls
    by Richard Russo
    ISBN 0375726403 (0-375-72640-3)
    Softcover, Vintage Books

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    Like most of Richard Russo's earlier novels, Empire Falls is a tale of blue-collar life, which increasingly resembles a kind of high-wire act performed without the benefit of any middle-class safety nets. This time, though, the author has widened his scope, producing a comic and compelling ensemble piece. There is, to be sure, a protagonist: fortysomething Miles Robey, proprietor of the local greasy spoon and the recently divorced father of a teenage daughter. But Russo sets in motion a large cast of secondary characters, drawn from every social stratum of his depressed New England mill town. We meet his ex-wife Janine, his father Max (another of Russo's cantankerous layabouts), and a host of Empire Grill regulars. We're also introduced to Francine Whiting, a manipulative widow who owns half the town--and who takes a perverse pleasure in pointing out Miles' psychological defects.

    Miles does indeed have a tendency to take it on the chin. And his role as Mr Nice Guy thrusts him into all sorts of clashes with his not-so-nice contemporaries, even as the reader patiently waits for him to blow his top. It would be impossible to summarise Russo's multiple plot lines here. Suffice it to say that he touches on love and marriage, lust and loss and small-town economics, with more than a soupcon of class resentment stirred into the broth. This is, in a sense, an epic of small and large frustrations: "After all, what was the whole wide world but a place for people to yearn for their heart's impossible desires, for those desires to become entrenched in defiance of logic, plausibility and even the passage of time, as eternal as polished marble?" Yet Russo's comedic timing keeps the novel from collapsing into an orgy of breast-beating, and his dialogue--snappy and natural and efficiently poignant--is itself sufficient cause to put Empire Falls on the map. --Bob Brandeis, Amazon.com [via]

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  • Dunn, Katherine: Geek Love
    Geek Love
    by Katherine Dunn
    ISBN 0375713344 (0-375-71334-4)
    Softcover, Vintage Books

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  • Grendel
    by John Champlin Gardner
    ISBN 0345288653 (0-345-28865-3)
    Softcover, Ballantine Books

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    Grendel is a beautiful and heartbreaking modern retelling of the Beowulf epic from the point of view of the monster, Grendel, the villain of the 8th-century Anglo-Saxon epic. This book benefits from both of Gardner's careers: in addition to his work as a novelist, Gardner was a noted professor of medieval literature and a scholar of ancient languages. [via]

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  • The Heart of a Woman
    by Maya Angelou
    ISBN 0375500723 (0-375-50072-3)
    Hardcover, Random House Inc

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    Millions have read Maya Angelou's national bestseller The Heart of a Woman, and now you can hear her fascinating story in the author's own voice. Angelou exposes a turbulent period of her life as she struggles to raise a child, fulfill her goals as a writer, and fight for civil rights in an age of social injustice; Angelou's rich and resonating voice draws the listener into the unexpected details of her life. Working as a nightclub singer in Los Angeles, Angelou decides to move to New York with her son Guy in hopes of building stronger ties with the black art community. In an attempt to find stability for Guy and make a name for herself, her love life takes wild turns. Should she marry the bail bondsman who's as dry as stale bread or run away with the African freedom fighter? Her heart takes her to Africa, where her writing career blossoms but her marriage sours. The Heart of a Woman is filled with beautiful prose and songs; Angelou displays her music talent in several vignettes, most memorably in a scene with Billie Holiday: Angelou is performing at a nightclub when Holiday shrieks, "Stop her, stop her... she sounds like my mama!" [via]

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  • The Heart of Darkness
    by Joseph Conrad, Ross C. Murfin
    ISBN 0312114915 (0-312-11491-5)
    Softcover, Bedford/st Martins

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    Written several years after Conrad's grueling sojourn in the Belgian Congo, the novel tells the story of Marlow, a seaman who undertakes his own journey into the African jungle to find the tormented white trader Kurtz.

    [via]

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  • Heart of Darkness
    by Ross C. Murfin, Joseph Conrad
    ISBN 0312007612 (0-312-00761-2)
    Softcover, Palgrave Macmillan

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    If asked to describe the way in which the study of literature is changing, most of us willing to venture an answer would say that it is becoming more theortical. Without some kind of theoretical underpinning, literary criticism runs the riskof being impressionistic, even illogical [via]

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  • Heart of Darkness & Selections from the Congo Diary
    by Joseph Conrad, Caryl Phillips
    ISBN 037575377X (0-375-75377-X)
    Softcover, Modern Library

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    Introduction by Caryl PhillipsCommentary by H. L. Mencken, E. M. Forster, Virginia Woolf, Ernest Hemingway, Bertrand Russell, Lionel Trilling, Chinua Achebe, and Philip GourevitchOriginally published in 1902, Heart of Darkness remains one of this century's most enduring works of fiction. Written several years after Joseph Conrad's grueling sojourn in the Belgian Congo, the novel is a complex meditation on colonialism, evil, and the thin line between civilization and barbarity. This edition contains selections from Conrad's Congo Diary of 1890-the first notes, in effect, for the novel, which was composed at the end of that decade. Virginia Woolf wrote of Conrad: "His books are full of moments of vision. They light up a whole character in a flash. . . . He could not write badly, one feels, to save his life." [via]

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  • Bradfield, Scott: The History of Luminous Motion
    The History of Luminous Motion
    by Scott Bradfield
    ISBN 0312140894 (0-312-14089-4)
    Softcover, St Martins Pr

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  • Holes
    by Louis Sachar
    ISBN 0374332657 (0-374-33265-7)
    Hardcover, Farrar Straus & Giroux

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    "If you take a bad boy and make him dig a hole every day in the hot sun, it will turn him into a good boy." Such is the reigning philosophy at Camp Green Lake, a juvenile detention facility where there is no lake, and there are no happy campers. In place of what used to be "the largest lake in Texas" is now a dry, flat, sunburned wasteland, pocked with countless identical holes dug by boys improving their character. Stanley Yelnats, of palindromic name and ill-fated pedigree, has landed at Camp Green Lake because it seemed a better option than jail. No matter that his conviction was all a case of mistaken identity, the Yelnats family has become accustomed to a long history of bad luck, thanks to their "no-good-dirty-rotten-pig-stealing-great-great-grandfather!" Despite his innocence, Stanley is quickly enmeshed in the Camp Green Lake routine: rising before dawn to dig a hole five feet deep and five feet in diameter; learning how to get along with the Lord of the Flies-styled pack of boys in Group D; and fearing the warden, who paints her fingernails with rattlesnake venom. But when Stanley realizes that the boys may not just be digging to build character--that in fact the warden is seeking something specific--the plot gets as thick as the irony.

    It's a strange story, but strangely compelling and lovely too. Louis Sachar uses poker-faced understatement to create a bizarre but believable landscape--a place where Major Major Major Major of Catch-22 would feel right at home. But while there is humor and absurdity here, there is also a deep understanding of friendship and a searing compassion for society's underdogs. As Stanley unknowingly begins to fulfill his destiny--the dual plots coming together to reveal that fate has big plans in store--we can't help but cheer for the good guys, and all the Yelnats everywhere. (Ages 10 and older) --Brangien Davis [via]

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  • House of Leaves
    by Mark Z. Danielewski
    ISBN 0375703764 (0-375-70376-4)
    Softcover, Random House Inc

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    Had The Blair Witch Project been a book instead of a film, and had it been written by, say, Nabokov at his most playful, revised by Stephen King at his most cerebral, and typeset by the futurist editors of Blast at their most avant-garde, the result might have been something like House of Leaves. Mark Z. Danielewski's first novel has a lot going on: notably the discovery of a pseudoacademic monograph called The Navidson Record, written by a blind man named Zampanò, about a nonexistent documentary film--which itself is about a photojournalist who finds a house that has supernatural, surreal qualities. (The inner dimensions, for example, are measurably larger than the outer ones.) In addition to this Russian-doll layering of narrators, Danielewski packs in poems, scientific lists, collages, Polaroids, appendices of fake correspondence and "various quotes," single lines of prose placed any which way on the page, crossed-out passages, and so on.

    Now that we've reached the post-postmodern era, presumably there's nobody left who needs liberating from the strictures of conventional fiction. So apart from its narrative high jinks, what does House of Leaves have to offer? According to Johnny Truant, the tattoo-shop apprentice who discovers Zampanò's work, once you read The Navidson Record,

    For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how.
    We'll have to take his word for it, however. As it's presented here, the description of the spooky film isn't continuous enough to have much scare power. Instead, we're pulled back into Johnny Truant's world through his footnotes, which he uses to discharge everything in his head, including the discovery of the manuscript, his encounters with people who knew Zampanò, and his own battles with drugs, sex, ennui, and a vague evil force. If The Navidson Record is a mad professor lecturing on the supernatural with rational-seeming conviction, Truant's footnotes are the manic student in the back of the auditorium, wigged out and furiously scribbling whoa-dude notes about life.

    Despite his flaws, Truant is an appealingly earnest amateur editor--finding translators, tracking down sources, pointing out incongruities. Danielewski takes an academic's--or ex-academic's--glee in footnotes (the similarity to David Foster Wallace is almost too obvious to mention), as well as other bogus ivory-tower trappings such as interviews with celebrity scholars like Camille Paglia and Harold Bloom. And he stuffs highbrow and pop-culture references (and parodies) into the novel with the enthusiasm of an anarchist filling a pipe bomb with bits of junk metal. House of Leaves may not be the prettiest or most coherent collection, but if you're trying to blow stuff up, who cares? --John Ponyicsanyi [via]

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  • The Iceman Cometh
    by Eugene O¦neill, Harold Bloom
    ISBN 0300117434 (0-300-11743-4)
    Softcover, Yale Univ Pr

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    Eugene ONeill was the first American playwright to win the Nobel Prize in Literature. He completed The Iceman Cometh in 1939, but he delayed production until after the war, when it enjoyed a long run of performances in 1946 after receiving mixed reviews. Three years after O'Neill's death, Jason Robards starred in a Broadway revival that brought new critical attention to ONeills darkest and most nihilistic play. In the half century since, The Iceman Cometh has gained enormously in stature, and many critics now recognize it as one of the greatest plays in American drama.  The Iceman Cometh focuses on a group of alcoholics and misfits who endlessly discuss but never act on their dreams, and Hickey, the traveling salesman determined to strip them of their pipe dreams.

    [via]

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  • Jo's Boys and How They Turned Out
    by Louisa May Alcott
    ISBN 0316031038 (0-316-03103-8)
    Softcover, Little Brown & Co

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    Book summary:

    Better known for her novels "Little Women" and "Little Men," Louisa May Alcott continued the story of her feisty protagonist Jo in this final novel chronicling the adventures and misadventures of the March family. Entertaining, surprising, and overall a joy to read, "Jo's Boys" is nevertheless shaded by a bittersweet tone, for with it Alcott brought her wonderful series to an end.

    Beginning ten years after "Little Men," "Jo's Boys" revisits Plumfield, the New England school still presided over by Jo and her husband, Professor Bhaer. Jo's boys -- including rebellious Dan, sailor Emil, and promising musicain Nat -- are grown; Jo herself remains at the center of this tale, holding her boys fast through shipwreck and storm, disappointment... and even murder.

    Popular for more than a century, the series that began with "Little Women" continues to hold universal appeal with its powerful and affectionate depiction of family -- the safe haven where the prodigal can always return, adversity is never met alone, and our dreams of being cherished, no matter what our flaws, come true. With this new edition of "Jo's Boys," readers once again have access to a treasured classic by one of America's best-loved writers. [via]

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  • Little Kingdoms
    by Steven Millhauser
    ISBN 0375701435 (0-375-70143-5)
    Softcover, Random House Inc

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    Cartoons that draw their creator into another world; demonic paintings that exert a sinister influence on our own. Fairy tales that express the secret losses and anxieties of their tellers. These are the elements that Steven Millhauser employs to such marvelousand often disquietingeffect in Little Kingdoms, a collection whose three novellas suggest magical companion pieces to his acclaimed longer fictions.

    In "The Little Kingdom of J. Franklin Payne," a gentle eccentric constructs an elaborate alternate universe that is all the more appealing for being transparently unreal. "The Princess, the Dwarf, and the Dungeon" is at once a gothic tale of nightmarish jealousy and a meditation on the human need for exaltation and horror. And "Catalogue of the Exhibition" introduces us to the oeuvre of Edmund Moorash, a Romantic painter who might have been imagined by Nabokov or Poe. Exuberantly inventive, as mysterious as dreams, these novellas will delight, mesmerize, and transport anyone who reads them. [via]

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  • The Love Letter
    by Cathleen Schine
    ISBN 0312426984 (0-312-42698-4)
    Softcover, Picador USA

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    In the quaint New England town of Pequot--"an artists' colony without the artists"--a mystery unfolds in the form of a crumpled letter. Helen MacFarquhar, the divorced 42-year-old proprietor of Horatio Street Books, finds a torrid love note in a stack of mail. Creased oddly, without an accompanying envelope, addressed to "Goat" and signed "Ram," at first the letter only momentarily disrupts her routine. But Helen, usually in total control of her thoughts, can't seem to get it out of her head. Was it simply a postal error, or was it meant for her? Everyone who enters her store becomes a suspect, even her new summer employee, 20-year-old Johnny--whom she has paraded around the premises like "a turkey, perhaps, on a leash," introducing him with delighted condescension: "Look what I've got ... a college student."

    Johnny is alternately fascinated and irritated by his boss, who relies on unabashed, highly skilled flirting as her fail-safe mechanism for closing a sale. We too are drawn in by Helen's seductive charm and savvy competency, so much so that we are as genuinely surprised as she is when her idle wonderings about Johnny become something more. What could this literary, lovely face that sells a thousand books see in a college boy, 22 years her junior?

    Except for the duo's first embrace--precipitated by Helen's accidental hosing down of the hunky, shirtless undergrad--The Love Letter stays comfortably on this side of heaving-bosom romance novel. Humor reigns supreme here, as well as a warm nostalgia and thoughtful reflection on good old-fashioned letter writing: "Letters are so indiscreet, she thought. They're so exposed, so vulnerable, so naked--they're even worse than snapshots." Cathleen Schine's engaging fourth novel may even incite a few readers to forgo e-mail for the pleasant scrape of ink across paper. --Brangien Davis [via]

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  • Main Street : The Story of Carol Kennicott
    by Sinclair Lewis
    ISBN 0375753141 (0-375-75314-1)
    Softcover, Random House Publishing Group

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    Book summary:

    With Commentary by E. M. Forster, Dorothy Parker,
    H. L. Mencken, Lewis Mumford, Rebecca West,
    Sherwood Anderson, Malcolm Cowley, Alfred Kazin, Constance Rourke, and Mark Schorer

    Main Street is the climax of civilization," Sinclair Lewis declared with a typical blend of seriousness and irony. "That this Ford car might stand in front of the Bon Ton Store, Hannibal invaded Rome and Erasmus wrote in Oxford cloisters." Main Street, the story of an idealistic young woman's attempts to reform her small town, brought Lewis immediate acclaim when it was published in 1920. It remains one of the essential texts of the American scene. Lewis Mumford observed: "In Main Street an American had at last written of our life with something of the intellectual rigor and critical detachment that had seemed so cruel and unjustified [in Charles Dickens and Matthew Arnold]. Young people had grown up in this environment, suffocated, stultified, helpless, but unable to find any reason for their spiritual discomfort. Mr. Lewis released them."

    Sinclair Lewis (1885-1951), was born in Sauk Centre, Minne-sota, and graduated from Yale in 1907; in 1930 he became the first American recipient of the Nobel Prize in Literature. Main Street (1920) was his first critical and commercial success. Lewis's other noted books include Babbitt (1922), Arrowsmith (1925), Elmer Gantry (1927), Dodsworth (1929), and It Can't Happen Here (1935). [via]

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  • The Maltese Falcon, the Thin Man, Red Harvest
    by Dashiell Hammett, Robert Polito
    ISBN 0375411259 (0-375-41125-9)
    Hardcover, Knopf Publishing Group

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    (Book Jacket Status: Jacketed)

    The three classic novels published here in one volume are rich with the crisp prose, subtle characters, and intricate plots that made Dashiell Hammett one of the most admired writers of the twentieth century.

    A one-time detective and a master of deft understatement, Hammett virtually invented the hard-boiled crime novel. In The Maltese Falcon, Sam Spade, a private eye with his own solitary code of ethics, tangles with a beautiful and treacherous woman whose loyalties shift at the drop of a dime. The Thin Man introduces Hammett's wittiest creations, Nick and Nora Charles, who solve homicides in between wisecracks and martinis. And in Red Harvest, Hammett's anonymous tough-guy detective, the Continental Op, takes on the entire town of Poisonville in a deadly war against corruption.

    "Dashiell Hammett is a master of the detective novel, yes, but also one hell of a writer."Boston Globe

    Hammett was spare, hard-boiled, but he did over and over what only the best writers can ever do. He wrote scenes that seemed never to have been written before.Raymond Chandler

    Hammetts prose was clean and entirely unique. His characters were as sharply and economically defined as any in American fiction.The New York Times

    As a novelist of realistic intrigue, Hammett was unsurpassed in his own or any time.Ross Macdonald

    Dashiell Hammetts dialogues can be compared only with the best in Hemingway.André Gide

    Hammett is one of the best contemporary American writers.Gertrude Stein [via]

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  • A Man in Full Pt. 1: A Novel
    by Tom Wolfe
    ISBN 0374270325 (0-374-27032-5)
    Hardcover, Farrar, Straus & Giroux

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    Man in Full, A: A Novel, by Wolfe, Tom [via]

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  • Me Talk Pretty One Day
    by David Sedaris
    ISBN 0316776963 (0-316-77696-3)
    Softcover, Little Brown & Co

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    Book summary:

    David Sedaris became a star autobiographer on public radio, onstage in New York, and on bestseller lists, mostly on the strength of "SantaLand Diaries," a scathing, hilarious account of his stint as a Christmas elf at Macy's. (It's in two separate collections, both worth owning, Barrel Fever and the Christmas-themed Holidays on Ice.) Sedaris's caustic gift has not deserted him in his fourth book, which mines poignant comedy from his peculiar childhood in North Carolina, his bizarre career path, and his move with his lover to France. Though his anarchic inclination to digress is his glory, Sedaris does have a theme in these reminiscences: the inability of humans to communicate. The title is his rendition in transliterated English of how he and his fellow students of French in Paris mangle the Gallic language. In the essay "Jesus Shaves," he and his classmates from many nations try to convey the concept of Easter to a Moroccan Muslim. "It is a party for the little boy of God," says one. "Then he be die one day on two... morsels of... lumber," says another. Sedaris muses on the disputes between his Protestant mother and his father, a Greek Orthodox guy whose Easter fell on a different day. Other essays explicate his deep kinship with his eccentric mom and absurd alienation from his IBM-exec dad: "To me, the greatest mystery of science continues to be that a man could father six children who shared absolutely none of his interests."

    Every glimpse we get of Sedaris's family and acquaintances delivers laughs and insights. He thwarts his North Carolina speech therapist ("for whom the word pen had two syllables") by cleverly avoiding all words with s sounds, which reveal the lisp she sought to correct. His midget guitar teacher, Mister Mancini, is unaware that Sedaris doesn't share his obsession with breasts, and sings "Light My Fire" all wrong--"as if he were a Webelo scout demanding a match." As a remarkably unqualified teacher at the Art Institute of Chicago, Sedaris had his class watch soap operas and assign "guessays" on what would happen in the next day's episode.

    It all adds up to the most distinctively skewed autobiography since Spalding Gray's Swimming to Cambodia. The only possible reason not to read this book is if you'd rather hear the author's intrinsically funny speaking voice narrating his story. In that case, get Me Talk Pretty One Day on audio. --Tim Appelo [via]

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  • Naked
    by David Sedaris
    ISBN 0316777730 (0-316-77773-0)
    Softcover, Little Brown & Co

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    Hip radio comedy fans and theater folks who belong to the cult of Obie-winning playwright/performer David Sedaris must kill to get this book. These would be fans of the scaldingly snide Sedaris's hilariously described personal misadventures like The Santaland Diaries (a monologue about his work as an elf to a department store Santa) seen off-Broadway in 1997. In a series of similarly textured essays, Sedaris takes us along on his catastrophic detours through a nudist colony, a fruit-packing plant, his own childhood, and a dozen more of the world's little purgatories. [via]

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  • The Naked and the Dead
    by Norman Mailer
    ISBN 0312265050 (0-312-26505-0)
    Softcover, Picador USA

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    Hailed as one of the finest novels to come out of the Second World War, The Naked and the Dead received unprecedented critical acclaim upon its publication and has since become part of the American canon. This fiftieth anniversary edition features a new introduction created especially doe the occasion by Norman Mailer.

    Written in gritty, journalistic detail, the story follows an army platoon of foot soldiers who are fighting for the possession of the Japanese-held island of Anopopei. Composed in 1948, The Naked and the Dead is representative of the best in twentieth-century American writing.
    [via]

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  • No Country For Old Men
    by Cormac McCarthy
    ISBN 0375706674 (0-375-70667-4)
    Softcover, Random House Inc

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    Set in our own time along the bloody frontier between Texas and Mexico, this is Cormac McCarthys first novel since Cities of the Plain completed his acclaimed, best-selling Border Trilogy.

    Llewelyn Moss, hunting antelope near the Rio Grande, instead finds men shot dead, a load of heroin, and more than $2 million in cash. Packing the money out, he knows, will change everything. But only after two more men are murdered does a victims burning car lead Sheriff Bell to the carnage out in the desert, and he soon realizes how desperately Moss and his young wife need protection. One party in the failed transaction hires an exSpecial Forces officer to defend his interests against a mesmerizing freelancer, while on either side are men accustomed to spectacular violence and mayhem. The pursuit stretches up and down and across the border, each participant seemingly determined to answer what one asks another: how does a man decide in what order to abandon his life?

    A harrowing story of a war that society is waging on itself, and an enduring meditation on the ties of love and blood and duty that inform lives and shape destinies, No Country for Old Men is a novel of extraordinary resonance and power. [via]

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  • An Old-fashioned Girl
    by Louisa May Alcott, Jane Dyer
    ISBN 0316037753 (0-316-03775-3)
    Softcover, Little Brown & Co

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    AS a preface is the only place where an author can with propriety explain a purpose or apologize for shortcomings, I venture to avail myself of the privilege to make a statement for the benefit of my readers. As the first part of An Old-Fashioned Girl was written in 1869, the demand for a sequel, in beseeching little letters that made refusal impossible, rendered it necessary to carry my heroine boldly forward some six or seven years into the future. [via]

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  • One for the Money
    by Janet Evanovich
    ISBN 0312362080 (0-312-36208-0)
    Softcover, St Martins Pr

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    Stephanie Plum is so smart, so honest, and so funny that her narrative charm could drive a documentary on termites. But this tough gal from New Jersey, an unemployed discount lingerie buyer, has a much more interesting story to tell: She has to say that her Miata has been repossessed and that she's so poor at the moment that she just drank her last bottle of beer for breakfast. She has to say that her only chance out of her present rut is her repugnant cousin Vinnie and his bail-bond business. She has to say that she blackmailed Vinnie into giving her a bail-bond recovery job worth $10,000 (for a murder suspect), even though she doesn't own a gun and has never apprehended a person in her life. And she has to say that the guy she has to get, Joe Morelli, is the same creep who charmed away her teenage virginity behind the pastry case in the Trenton bakery where she worked after school.

    If that hard-luck story doesn't sound compelling enough, Stephanie's several unsuccessful attempts at pulling in Joe make a downright hilarious and suspenseful tale of murder and deceit. Along the way, several more outlandish (but unrelentingly real) characters join the story, including Benito Ramirez, a champion boxer who seems to be following Stephanie Plum wherever she goes.

    Janet Evanovich shares an authentic feel for the streets of Trenton in her debut mystery (she developed her talents in a string of romance novels before creating Ms. Plum), and her tough, frank, and funny first-person narrator offers a winning mix of vulgarity and sensitivity. Evanovich is certainly among the best of the new voices to emerge in the mystery field of the 1990s. --Patrick O'Kelley [via]

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  • The Optimist's Daughter
    by Eudora Welty
    ISBN 037550835X (0-375-50835-X)
    Hardcover, Random House Publishing Group

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    The Optimist's Daughter is a compact and inward-looking little novel, a Pulitzer Prize winner that's slight of page yet big of heart. The optimist in question is 71-year-old Judge McKelva, who has come to a New Orleans hospital from Mount Salus, Mississippi, complaining of a "disturbance" in his vision. To his daughter, Laurel, it's as rare for him to admit "self-concern" as it is for him to be sick, and she immediately flies down from Chicago to be by his side. The subsequent operation on the judge's eye goes well, but the recovery does not. He lies still with both eyes heavily bandaged, growing ever more passive until finally--with some help from the shockingly vulgar Fay, his wife of two years--he simply dies. Together Fay and Laurel travel to Mount Salus to bury him, and the novel begins the inward spiral that leads Laurel to the moment when "all she had found had found her," when the "deepest spring in her heart had uncovered itself" and begins to flow again.

    Not much actually happens in the rest of the book--Fay's low-rent relatives arrive for the funeral, a bird flies down the chimney and is trapped in the hall--and yet Welty manages to compress the richness of an entire life within its pages. This is a world, after all, in which a set of complex relationships can be conveyed by the phrase "I know his whole family" or by the criticism "When he brought her here to your house, she had very little idea of how to separate an egg." Does such a place exist anymore? It is vanishing even from this novel, and the personification of its vanishing is none other than Fay--petulant, graceless, childish, with neither the passion nor the imagination to love. Welty expends a lot of vindictive energy on Fay and her kin, who must be the most small-minded, mean-mouthed clan since the Snopeses hit Frenchman's Bend. There's more than just class snobbery at work here (though that surely comes into it too). As Welty sees it, they are a special historical tribe who exult in grieving because they have come to be good at it, and who seethe with resentment from the day they are born. They have come "out of all times of trouble, past or future--the great, interrelated family of those who never know the meaning of what has happened to them."

    Fay belongs to the future, as she makes clear; it's Laurel who belongs to the past--Welty's own chosen territory. In her fine memoir, One Writer's Beginnings, Welty described the way art could shine a light back "as when your train makes a curve, showing that there has been a mountain of meaning rising behind you on the way you've come." Here, in one of her most autobiographical works, the past joins seamlessly with the present in a masterful evocation of grief, memory, loss, and love. Beautifully written, moving but never mawkish, The Optimist's Daughter is Eudora Welty's greatest achievement--which is high praise indeed. --Mary Park [via]

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  • The Place of Dead Roads
    by William S. Burroughs
    ISBN 0312278659 (0-312-27865-9)
    Softcover, St Martins Pr

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    A good old-fashion shoot-out in the American West of the frontier days serves as the springboard for this hyperkinetic adventure in which gunslingers, led by Kim Carson, fight for galactic freedom. The Place of Dead Roads is the second novel in the trilogy with Cities of the Red Night and The Western Lands.
    [via]

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  • Plainsong
    by Kent Haruf
    ISBN 0375705856 (0-375-70585-6)
    Softcover, Random House Inc

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  • The Princess Bride
    by William Goldman
    ISBN 0345348036 (0-345-34803-6)
    Softcover, Random House Publishing Group

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    The Princess Bride is a true fantasy classic. William Goldman describes it as a "good parts version" of "S. Morgenstern's Classic Tale of True Love and High Adventure." Morgenstern's original was filled with details of Florinese history, court etiquette, and Mrs. Morgenstern's mostly complimentary views of the text. Much admired by academics, the "Classic Tale" nonetheless obscured what Mr. Goldman feels is a story that has everything: "Fencing. Fighting. Torture. Poison. True love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest ladies. Snakes. Spiders. Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles."

    Goldman frames the fairy tale with an "autobiographical" story: his father, who came from Florin, abridged the book as he read it to his son. Now, Goldman is publishing an abridged version, interspersed with comments on the parts he cut out.

    Is The Princess Bride a critique of classics like Ivanhoe and The Three Musketeers, that smother a ripping yarn under elaborate prose? A wry look at the differences between fairy tales and real life? Simply a funny, frenetic adventure? No matter how you read it, you'll put it on your "keeper" shelf. --Nona Vero [via]

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  • The Red Badge of Courage
    by Stephen Crane
    ISBN 0307122263 (0-307-12226-3)
    Hardcover, Random House Childrens Books

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    Stephen Crane's classic work [via]

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  • The Road
    by Cormac McCarthy
    ISBN 0307265439 (0-307-26543-9)
    Hardcover, Alfred a Knopf Inc

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    Best known for his Border Trilogy, hailed in the San Francisco Chronicle as "an American classic to stand with the finest literary achievements of the century," Cormac McCarthy has written ten rich and often brutal novels, including last year's bestselling No Country for Old Men, and this year's The Road. Profoundly dark, told in spare, searing prose, The Road is a post-apocalyptic masterpiece, one of the best books we've read this year, but in case you need a second (and expert) opinion, we asked Dennis Lehane, author of equally rich, occasionally bleak and brutal novels, to read it and give us his take. Read his glowing review below. --Daphne Durham

    Guest Reviewer: Dennis Lehane

    Dennis Lehane, master of the hard-boiled thriller, generated a cult following with his series about private investigators Patrick Kenzie and Angela Gennaro, wowed readers with the intense and gut-wrenching Mystic River, blew fans away with the mind-bending Shutter Island, and switches gears with Coronado, his new collection of gritty short stories (and one play).

    Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. --Dennis Lehane

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  • A Sand County Almanac
    by Aldo Leopold, Charles W. Schwartz
    ISBN 0345345053 (0-345-34505-3)
    Softcover, Ballantine Books

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    Book summary:

    Published in 1949, shortly after the author's death, A Sand County Almanac is a classic of nature writing, widely cited as one of the most influential nature books ever published. Writing from the vantage of his summer shack along the banks of the Wisconsin River, Leopold mixes essay, polemic, and memoir in his book's pages. In one famous episode, he writes of killing a female wolf early in his career as a forest ranger, coming upon his victim just as she was dying, "in time to watch a fierce green fire dying in her eyes.... I was young then, and full of trigger-itch; I thought that because fewer wolves meant more deer, no wolves would mean hunters' paradise. But after seeing the green fire die, I sensed that neither the wolf nor the mountain agreed with such a view." Leopold's road-to-Damascus change of view would find its fruit some years later in his so-called land ethic, in which he held that nothing that disturbs the balance of nature is right. Much of Almanac elaborates on this basic premise, as well as on Leopold's view that it is something of a human duty to preserve as much wild land as possible, as a kind of bank for the biological future of all species. Beautifully written, quiet, and elegant, Leopold's book deserves continued study and discussion today. --Gregory McNamee [via]

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  • Kinsella, W. P.: Shoeless Joe
    Shoeless Joe
    by W. P. Kinsella
    ISBN 0345309219 (0-345-30921-9)
    Softcover, Random House Publishing Group

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    W. P. Kinsella plays with both myth and fantasy in his lyrical novel, which was adapted into the enormously popular movie, Field of Dreams. It begins with the magic of a godlike voice in a cornfield, and ends with the magic of a son playing catch with the ghost of his father. In Kinsella's hands, it's all about as simple, and complex, as the object of baseball itself: coming home. Like Ring Lardner and Bernard Malamud before him, Kinsella spins baseball as backdrop and metaphor, and, like his predecessors, uses the game to tell us a little something more about who we are and what we need. [via]

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  • Sirens of Titan
    by Kurt Vonnegut
    ISBN 0340028769 (0-340-02876-9)
    Hardcover, Hodder & Stoughton

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    Winston has flown his craft into a chrono-synclastic infundibulum, and been converted into pure energy. Materializing only when his waveforms intercept a planet, he only gets home once every 59 days. But at least it's some consolation that he knows all that ever has been and all that ever will be. [via]

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  • A Supposedly Fun Thing I'll Never Do Again
    by David Foster Wallace
    ISBN 0316925284 (0-316-92528-4)
    Softcover, Little Brown & Co

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    Book summary:

    David Foster Wallace made quite a splash in 1996 with his massive novel, Infinite Jest. Now he's back with a collection of essays entitled A Supposedly Fun Thing I'll Never Do Again. In addition to a razor-sharp writing style, Wallace has a mercurial mind that lights on many subjects. His seven essays travel from a state fair in Illinois to a cruise ship in the Caribbean, explore how television affects literature and what makes film auteur David Lynch tick, and deconstruct deconstructionism and find the intersection between tornadoes and tennis.

    These eclectic interests are enhanced by an eye (and nose) for detail: "I have seen sucrose beaches and water a very bright blue. I have seen an all-red leisure suit with flared lapels. I have smelled what suntan lotion smells like spread over 21,000 pounds of hot flesh . . ." It's evident that Wallace revels in both the life of the mind and the peculiarities of his fellows; in A Supposedly Fun Thing I'll Never Do Again he celebrates both. [via]

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  • Uncollected Stories of William Faulkner
    by William Faulkner, Joseph Blotner
    ISBN 0375701095 (0-375-70109-5)
    Softcover, Random House Inc

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    Book summary:

    These forty-five stories include not only some of Faulkner's best, but also what proved to be the testing ground for what latter became such major novels as THE UNVANQUISHED, THE HAMLET and GO DOWN MOSES. [via]

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  • The Vagina Monologues: The V-Day Edition
    by Eve Ensler
    ISBN 0375756981 (0-375-75698-1)
    Softcover, Random House Inc

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    Book summary:

    "I say vagina because I want people to respond," says playwright Eve Ensler, creator of the hilarious, disturbing soliloquies in The Vagina Monologues, a book based on her one-woman play. And respond they do--with horror, anger, censure, and sparks of wonder and pleasure. Ensler is on a fervent mission to elevate and celebrate this much mumbled-about body part. She asked hundreds of women of all ages a series of questions about their vaginas (What do you call it? How would you dress it?) that prompt some wondrous answers. Standouts among the euphemisms are tamale, split knish, choochi snorcher, Gladys Siegelman--Gladys Siegelman?--and, of course, that old standby "down there." "Down there?" asks a composite character springing from several older women. "I haven't been down there since 1953. No, it had nothing to do with [American president] Eisenhower." Two of the most powerful pieces include a jagged poem stitched together from the memories of a Bosnian woman raped by soldiers and an American woman sexually abused as a child who reclaims her vagina as a place of wild joy. [via]

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  • Gaitskill, Mary: Veronica
    Veronica
    by Mary Gaitskill
    ISBN 037572785X (0-375-72785-X)
    Softcover, Random House Inc

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  • Waiting
    by Ha Jin
    ISBN 0375706410 (0-375-70641-0)
    Softcover, Random House Inc

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    Book summary:

    "Every summer Lin Kong returned to Goose Village to divorce his wife, Shuyu." Like a fairy tale, Ha Jin's masterful novel of love and politics begins with a formula--and like a fairy tale, Waiting uses its slight, deceptively simple framework to encompass a wide range of truths about the human heart. Lin Kong is a Chinese army doctor trapped in an arranged marriage that embarrasses and repels him. (Shuyu has country ways, a withered face, and most humiliating of all, bound feet.) Nevertheless, he's content with his tidy military life, at least until he falls in love with Manna, a nurse at his hospital. Regulations forbid an army officer to divorce without his wife's consent--until 18 years have passed, that is, after which he is free to marry again. So, year after year Lin asks his wife for his freedom, and year after year he returns from the provincial courthouse: still married, still unable to consummate his relationship with Manna. Nothing feeds love like obstacles placed in its way--right? But Jin's novel answers the question of what might have happened to Romeo and Juliet had their romance been stretched out for several decades. In the initial confusion of his chaste love affair, Lin longs for the peace and quiet of his "old rut." Then killing time becomes its own kind of rut, and in the end, he is forced to conclude that he "waited eighteen years just for the sake of waiting."

    There's a political allegory here, of course, but it grows naturally from these characters' hearts. Neither Lin nor Manna is especially ideological, and the tumultuous events occurring around them go mostly unnoticed. They meet during a forced military march, and have their first tender moment during an opera about a naval battle. (While the audience shouts, "Down with Japanese Imperialism!" the couple holds hands and gazes dreamily into each other's eyes.) When Lin is in Goose Village one summer, a mutual acquaintance rapes Manna; years later, the rapist appears on a TV report titled "To Get Rich Is Glorious," after having made thousands in construction. Jin resists hammering ideological ironies like these home, but totalitarianism's effects on Lin are clear:

    Let me tell you what really happened, the voice said. All those years you waited torpidly, like a sleepwalker, pulled and pushed about by others' opinions, by external pressure, by your illusions, by the official rules you internalized. You were misled by your own frustration and passivity, believing that what you were not allowed to have was what your heart was destined to embrace.
    Ha Jin himself served in the People's Liberation Army, and in fact left his native country for the U.S. only in 1985. That a non-native speaker can produce English of such translucence and power is truly remarkable--but really, his prose is the least of the miracles here. Improbably, Jin makes an unconsummated 18-year love affair loom as urgent as political terror or war, while history-changing events gain the immediacy of a domestic dilemma. Gracefully phrased, impeccably paced, Waiting is the kind of realist novel you thought was no longer being written. --Mary Park [via]

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  • The Wizard of Oz
    by L. Frank Baum, Charles Santore
    ISBN 0345335902 (0-345-33590-2)
    Softcover, Ballantine Books

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    Book summary:

    After a cyclone transports her to the land of Oz, Dorothy must seek out the great wizard in order to return to Kansas. [via]

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Spanish

  • Mujer Del Viajero en el Tiempo
    by Audrey Niffenegger
    ISBN 0307344835 (0-307-34483-5)
    Softcover, Random House Mondadori

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    Book summary:

    Clare y Henry son en apariencia una pareja normal que lleva una vida corriente en Chicago. Él es bibliotecario y ella artista, pero la terrible verdad es que Henry sufre una extraña enfermedad que lo hace viajar en el tiempo, al pasado o al futuro sin previo aviso, normalmente fruto de una situación de estrés previa. Lo transporta desnudo, con desagradables malestares y vulnerable.
    Cuando Henry tiene 31 años y Clare 23 se encuentran por primera vez. Y allí nace en tiempo presente su historia de amor, su vida en común de la que ocasionalmente Henry se ausenta propulsado a otras épocas de su vida y revisitando otros momentos felices o tristes, a veces encontrándose a sí mismo cuando era niño, con el temor de Clare de que no regrese de uno de esos viajes.
    La historia se va desplegando contada a dos voces, bajo los puntos de vista de Clare y Henry, y enfoca las consecuencias de esta particularidad en su matrimonio y el amor apasionado que se tienen. Clare y Henry intentar llevar vidas normales, buscar una cura médica para la disfunción de Henry, ponerse objetivos a futuro, disfrutar de sus amigos y familia; aunque a veces se presenta la tentación de utilizar su capacidad de conocer el futuro para manejar el presente o evitar algún peligro... Pero todo ello está amenazado por algo que no pueden controlar ni prevenir: Henry puede viajar un día al futuro y descubrir que él ya no forma parte de ese tiempo, descubrir su propia muerte o la de sus seres queridos, ver a una Clare sola y envejecida, conocer a una hija que todavía no ha tenido y que heredará su extraña disfunción. [via]

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