books tagged “american fiction” (American Fiction)

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  • The 158-Pound Marriage
    by John Irving
    ISBN 034536743X (0-345-36743-X)
    Softcover, Ballantine Books

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    "Irving looks cunningly beyond the eye-catching gyrations of the mating dance to the morning-after implications."
    --The Washington Post

    The darker vision and sexual ambiguities of this erotic, ironic tale about a ménage a quatre in a New England university town foreshadow those of The World According to Garp; but this very trim and precise novel is a marked departure from the author's generally robust, boisterous style. Though Mr. Irving's cool eye spares none of his foursome, he writes with genuine compassion for the sexual tests and illusions they perpetrate on each other; but the sexual intrigue between them demonstrates how even the kind can be ungenerous, and even the well-intentioned, destructive.

    "One of the most remarkable things about John Irving's first three novels, viewed from the vantage of The World According to Garp, is that they can be read as one extended fictional enterprise. . . . The 158-Pound Marriage is as lean and concentrated as a mine shaft."
    --Terrence Des Pres [via]

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  • Ada: Or, Ardor a Family Chronicle
    by Vladimir Nabokov
    ISBN 0297179357 (0-297-17935-7)
    Hardcover, Weidenfeld & Nicolson

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    On the country estate of his art-collecting uncle, Van Veen meets Ada, his beautiful cousin. Their relationship flourishes, but both were born into one of America's illustrious families, a vast over-extended empire, and this causes problems for the lovers. [via]

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  • Adventures of Augie March
    by Saul Bellow
    ISBN 0380009617 (0-380-00961-7)
    Softcover, Harpercollins

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    [MP3CD audiobook format in vinyl case.]

    [Read by Tom Parker - aka - Grover Gardner]

    Winner of the National Book Award

    This grand-scale heroic comedy tells the story of the exuberant young Augie, a poor Chicago boy growing up during the Depression. While his neighborhood friends all settle down into their various chosen professions, Augie, as particular as an aristocrat, demands a special destiny. He latches on to a wild succession of occupations, proudly rejecting each one as too limiting. It is not until he tangles with a glamorous perfectionist named Thea, a huntress with a trained eagle, that his independence is seriously threatened. Luckily, his nature, like the eagle's, breaks down under the strain. He goes on to recruit himself to even more outlandish projects, but always ducks out in time to continue improvising his unconventional career.

    With a jaunty sense of humor embedded in a serious moral view, Bellow's story both celebrates and satirizes the irrepressible American spirit. [via]

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  • American Gods
    by Neil Gaiman
    ISBN 0380789035 (0-380-78903-5)
    Softcover, Harpercollins

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    American Gods is Neil Gaiman's best and most ambitious novel yet, a scary, strange, and hallucinogenic road-trip story wrapped around a deep examination of the American spirit. Gaiman tackles everything from the onslaught of the information age to the meaning of death, but he doesn't sacrifice the razor-sharp plotting and narrative style he's been delivering since his Sandman days.

    Shadow gets out of prison early when his wife is killed in a car crash. At a loss, he takes up with a mysterious character called Wednesday, who is much more than he appears. In fact, Wednesday is an old god, once known as Odin the All-father, who is roaming America rounding up his forgotten fellows in preparation for an epic battle against the upstart deities of the Internet, credit cards, television, and all that is wired. Shadow agrees to help Wednesday, and they whirl through a psycho-spiritual storm that becomes all too real in its manifestations. For instance, Shadow's dead wife Laura keeps showing up, and not just as a ghost--the difficulty of their continuing relationship is by turns grim and darkly funny, just like the rest of the book.

    Armed only with some coin tricks and a sense of purpose, Shadow travels through, around, and underneath the visible surface of things, digging up all the powerful myths Americans brought with them in their journeys to this land as well as the ones that were already here. Shadow's road story is the heart of the novel, and it's here that Gaiman offers up the details that make this such a cinematic book--the distinctly American foods and diversions, the bizarre roadside attractions, the decrepit gods reduced to shell games and prostitution. "This is a bad land for Gods," says Shadow.

    More than a tourist in America, but not a native, Neil Gaiman offers an outside-in and inside-out perspective on the soul and spirituality of the country--our obsessions with money and power, our jumbled religious heritage and its societal outcomes, and the millennial decisions we face about what's real and what's not. --Therese Littleton [via]

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  • Bee Season
    by Myla Goldberg
    ISBN 0307276856 (0-307-27685-6)
    Softcover, Random House Inc

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    In Myla Goldberg's outstanding first novel, a family is shaken apart by a small but unexpected shift in the prospects of one of its members. When 9-year-old Eliza Naumann, an otherwise indifferent student, takes first prize in her school spelling bee, it is as if rays of light have begun to emanate from her head. Teachers regard her with a new fondness; the studious girls begin to save a place for her at lunch. Even Eliza can sense herself changing. She had "often felt that her outsides were too dull for her insides, that deep within her there was something better than what everyone else could see."

    Eliza's father, Saul, a scholar and cantor, had long since given up expecting sparks of brilliance on her part. While her brother, Aaron, had taken pride in reciting his Bar Mitzvah prayers from memory, she had typically preferred television reruns to homework or reading. This belated evidence of a miraculous talent encourages Saul to reassess his daughter. And after she wins the statewide bee, he begins tutoring her for the national competition, devoting to Eliza the hours he once spent with Aaron. His daughter flowers under his care, eventually coming to look at life "in alphabetical terms." "Consonants are the camels of language," she realizes, "proudly carrying their lingual loads."

    Vowels, however, are a different species, the fish that flash and glisten in the watery depths. Vowels are elastic and inconstant, fickle and unfaithful.... Before the bee, Eliza had been a consonant, slow and unsurprising. With her bee success, she has entered vowelhood.
    When Saul sees the state of transcendence that she effortlessly achieves in competition, he encourages his daughter to explore the mystical states that have eluded him--the influx of God-knowledge (shefa) described by the Kabbalist Abraham Abulafia. Although Saul has little idea what he has set in motion, "even the sound of Abulafia's name sets off music in her head. A-bu-la-fi-a. It's magic, the open sesame that unblocked the path to her father and then to language itself."

    Meanwhile, stunned by his father's defection, Aaron begins a troubling religious quest. Eliza's brainy, compulsive mother is also unmoored by her success. The spelling champion's newfound gift for concentration reminds Miriam of herself as a girl, and she feels a pang for not having seen her daughter more clearly before. But Eliza's clumsy response to Miriam's overtures convinces her mother that she has no real ties to her daughter. This final disappointment precipitates her departure into a stunning secret life. The reader is left wondering what would have happened if the Naumanns' spiritual thirsts had not been set in restless motion. A poignant and exceptionally well crafted tale, Bee Season has a slow beginning but a tour-de-force conclusion. --Regina Marler [via]

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  • Hawthorne, Nathaniel: The Blithedale Romance
    The Blithedale Romance
    by Nathaniel Hawthorne
    ISBN 0192836978 (0-19-283697-8)
    Softcover, Oxford Univ Pr

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    The Blithedale Romance, considered one of Hawthorne's major novels, explores the limitations of human nature set against an experiment in communal living. From mesmerism to illicit love, The Blithedale Romance represents one of Hawthorne's best and most sharply etched works, one that Henry James called his "brightest" and "liveliest" novel, and that Roy Male, acclaimed Americanist scholar, said is "one of the most underrated works in American fiction."

    This Modern Library Paperback Classics edition is set from the definitive Ohio State University Press Centenary edition of the novel. [via]

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  • Bluest Eye
    by Toni Morrison
    ISBN 0307278441 (0-307-27844-1)
    Softcover, Vintage Books

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    Oprah Book Club® Selection, April 2000: Originally published in 1970, The Bluest Eye is Toni Morrison's first novel. In an afterword written more than two decades later, the author expressed her dissatisfaction with the book's language and structure: "It required a sophistication unavailable to me." Perhaps we can chalk up this verdict to modesty, or to the Nobel laureate's impossibly high standards of quality control. In any case, her debut is nothing if not sophisticated, in terms of both narrative ingenuity and rhetorical sweep. It also shows the young author drawing a bead on the subjects that would dominate much of her career: racial hatred, historical memory, and the dazzling or degrading power of language itself.

    Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear:

    You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.... And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it.
    There are far uglier things in the world than, well, ugliness, and poor Pecola is subjected to most of them. She's spat upon, ridiculed, and ultimately raped and impregnated by her own father. No wonder she yearns to be the very opposite of what she is--yearns, in other words, to be a white child, possessed of the blondest hair and the bluest eye.

    This vein of self-hatred is exactly what keeps Morrison's novel from devolving into a cut-and-dried scenario of victimization. She may in fact pin too much of the blame on the beauty myth: "Along with the idea of romantic love, she was introduced to another--physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." Yet the destructive power of these ideas is essentially colorblind, which gives The Bluest Eye the sort of universal reach that Morrison's imitators can only dream of. And that, combined with the novel's modulated pathos and musical, fine-grained language, makes for not merely a sophisticated debut but a permanent one. --James Marcus [via]

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  • A Box of Matches
    by Nicholson Baker
    ISBN 0375706038 (0-375-70603-8)
    Softcover, Random House Inc

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    One man's simple, colloquial meditations on his past, his family, and his life's daily minutia are the substance of Nicholson Baker's A Box of Matches. Feeling that life is passing him by, Emmett, a middle-aged medical textbook editor, decides to wake up early each day to sit by a fire in his country house and record his thoughts in a diary. "Good morning," Emmett begins, "it's January and its 4:17 a.m., and I'm going to sit here in the dark." From this vantage point, Emmett reflects stream-of-consciousness style on whatever occurs to him, no matter how mundane: his recent trip to Home Depot, how he met his wife, the habits of the family duck. Routines, such as how he makes his morning coffee in the dark or picks up his underwear with his toes, are described with childlike reverence and directness. All told, nothing much happens in A Box of Matches, which seems to be the point. Baker is more interested in the idea that for many, life is made up of such apparent trivialities, and that only by pausing to appreciate them can anyone gain any lasting satisfaction. Baker emphasizes this through the moments of understated wisdom and joy that Emmett derives from ordinary occurrences, such as the daylight through the window: "a simple light that goes everywhere but with no heat, aware that it is taken for granted and content to be so." This is the philosophical equivalent of a one-joke premise, however, and there are moments when Emmett's naiveté and laundry list-like narrative wear thin. Likely understanding this, Baker has wisely kept things short. A curious, often charming novel, A Box of Matches will inspire some readers, while inspiring frustration in others. --Ross Doll [via]

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  • Breakfast of Champions
    by Kurt Vonnegut
    ISBN 0385334206 (0-385-33420-6)
    Softcover, Bantam Dell Pub Group

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    "We are healthy only to the extent that our ideas are humane." So reads the tombstone of downtrodden writer Kilgore Trout, but we have no doubt who's really talking: his alter ego Kurt Vonnegut. Health versus sickness, humanity versus inhumanity--both sets of ideas bounce through this challenging and funny book. As with the rest of Vonnegut's pure fantasy, it lacks the shimmering, fact-fueled rage that illuminates Slaughterhouse-Five. At the same time, that makes this book perhaps more enjoyable to read.

    Breakfast of Champions is a slippery, lucid, bleakly humorous jaunt through (sick? inhumane?) America circa 1973, with Vonnegut acting as our Virgil-like companion. The book follows its main character, auto-dealing solid-citizen Dwayne Hoover, down into madness, a condition brought on by the work of the aforementioned Kilgore Trout. As Dwayne cracks, then crumbles, Breakfast of Champions coolly shows the effects his dementia has on the web of characters surrounding him. It's not much of a plot, but it's enough for Vonnegut to air unique opinions on America, sex, war, love, and all of his other pet topics--you know, the only ones that really count. [via]

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  • Breathing Lessons
    by Anne Tyler
    ISBN 0345485572 (0-345-48557-2)
    Softcover, Ballantine Books

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    Maggie Moran's mission is to connect and unite people, whether they want to be united or not. Maggie is a meddler and as she and her husband, Ira, drive 90 miles to the funeral of an old friend, Ira contemplates his wasted life and the traffic, while Maggie hatches a plant to reunite her son Jesse with his long-estranged wife and baby. As Ira explains, "She thinks the people she loves are better than they really are, and so then she starts changing things around to suit her view of them." Though everyone criticizes her for being "ordinary," Maggie's ability to see the beauty and potential in others ultimately proves that she is the only one fighting the resignation they all fear. The book captured the Pulitzer Prize for literature in 1989. [via]

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  • The Broom of the System
    by David Foster Wallace
    ISBN 0380719916 (0-380-71991-6)
    Softcover, HarperCollins Publishers

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    An original and exciting debut, set in 1990 Cleveland, where a bewitching heroine who works for a screwed-up publishing firm is caught up with her not-so-hot lover/boss, her grandmother--who has just run away from her nursing home--and her pet cockatiel, whose verbal banter makes him a target for religious fundamentalists. [via]

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  • The Chamber
    by John Grisham
    ISBN 0385339666 (0-385-33966-6)
    Softcover, Bantam Dell Pub Group

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    At first listen, the narration of this abridged version of John Grisham's The Chamber seems flat and uninvolved. But Michael Beck has chosen his vocal style well, purposely eschewing unnecessary adornment and allowing this searing indictment of racism and murder to unfold on its own terms. Beck uses character voices sparingly, adding subtle emphasis to the already charged plot. The story begins with a Klan-sponsored bombing and then traces a trail of rigged acquittals stretching over three decades, until a young lawyer with secrets of his own brings the case to a powerful conclusion. --George Laney Amazon.com [via]

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  • Complete Stories and Poems of Edgar Allan Poe
    by Edgar Allan Poe
    ISBN 0385074077 (0-385-07407-7)
    Hardcover, Bantam Dell Pub Group

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    This single volume brings together all of Poe's stories and poems, and illuminates the diverse and multifaceted genius of one of the greatest and most influential figures in American literary history.

    [via]

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  • Banks, Russell: Continental Drift
    Continental Drift
    by Russell Banks
    ISBN 0345330218 (0-345-33021-8)
    Softcover, Random House Publishing Group

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  • Daisy Miller and Other Stories
    by Henry James
    ISBN 0192835432 (0-19-283543-2)
    Softcover, Oxford Univ Pr

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    "Daisy Miller" is one of Henry James's most popular tales, it is the story of a young American woman who while traveling in Europe is courted by Frederick Winterbourne. Originally published in The Cornhill Magazine in 1878, "Daisy Miller" is a novel that plays upon the contrast between American and European society, a theme common to James's work. The title character's youthful innocence is sharply contrasted with the sophistication of European society in this fatefully tragic tale. Also included in this volume are three additional shorter works by Henry James. They include "Pandora", "The Patagonia", and "Four Meetings". [via]

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  • Cooper, James Fenimore: The Deerslayer
    The Deerslayer
    by James Fenimore Cooper
    ISBN 0375760873 (0-375-76087-3)
    Softcover, Random House Inc

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    The Deerslayer (1841) is the last of the Leatherstocking Tales, but the first in the development of the hero Natty Bumppo. This novel marks Cooper's return to historical romance after more than a decade given largely to social and political commentary. This edition provides the authoritative text of the novel and prefaces to The Deerslayer (1841 and 1850) and to the Leatherstocking Tales (1850). [via]

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  • The Emperor's Children
    by Claire Messud
    ISBN 030726419X (0-307-26419-X)
    Hardcover, Random House Inc

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  • The Firm
    by John Grisham
    ISBN 0375433465 (0-375-43346-5)
    Hardcover, Random House Large Print

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    D.W. Moffett uses his youthful voice to outstanding effect in this excellent abridgment of Grisham's bestselling thriller about a Harvard Law grad aggressively recruited by a curiously obscure firm. "We're small and very selective... we screened over two thousand third-year law students at the best schools. Only one letter was sent." They've decided he's their man and to get him they offer top dollar, dangle a BMW, and woo his wife with offers impossible to refuse. But as the wide-eyed youngsters soon discover, there's a catch. Moffett gives an excellent performance, bringing the story to life with vibrant and believable characterizations and a smooth, knowing narrative. (Running time: 3 hours, 2 cassettes) --George Laney [via]

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  • Dunn, Katherine: Geek Love
    Geek Love
    by Katherine Dunn
    ISBN 0375713344 (0-375-71334-4)
    Softcover, Vintage Books

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  • The Ghost Writer
    by Philip Roth
    ISBN 0374161895 (0-374-16189-5)
    Hardcover, Farrar Straus & Giroux

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    A middle-aged writer recalls his younger self. At 23, Nathan Zuckerman has had four stories published and a small, flattering Saturday Review up-and-coming-author profile (complete with a photo of him playing with his ex-girlfriend's cat), which he purports to scorn. As genuine and polite as he seems, Zuckerman has already hurt his family with his autobiographical art and ruined his relationship with adultery and honesty. Visiting his reclusive idol (famed for his "blend of sympathy and pitilessness") in the Berkshires, the writer watches himself watching himself and attempts to confront his work and life. Instead he finds himself turning reality into metafiction. A quote he happens upon from Henry James only complicates matters further: "We work in the dark--we do what we can--we give what we have. Our doubt is our passion and our passion is our task. The rest is the madness of art." Events, however, have their revenge, weaving more out of control than even he can anticipate or ask for. Philip Roth is the master of the uncomfortable, and his alter ego a connoisseur of self-involvement, self-loathing, and self-examination. ("Virtuous reader, if you think that after intercourse all animals are sad, try masturbating on the daybed in E. I. Lonoff's study and see how you feel when it's over.") [via]

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  • Giovanni's Room
    by James Baldwin
    ISBN 0385334583 (0-385-33458-3)
    Softcover, Bantam Dell Pub Group

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    Set in the 1950s Paris of American expatriates, liaisons, and violence, a young man finds himself caught between desire and conventional morality. With a sharp, probing imagination, James Baldwin's now-classic narrative delves into the mystery of loving and creates a moving, highly controversial story of death and passion that reveals the unspoken complexities of the human heart. [via]

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  • Ellis, Bret Easton: Glamorama
    Glamorama
    by Bret Easton Ellis
    ISBN 0375703845 (0-375-70384-5)
    Softcover, Random House Inc

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    Glamorama is a satirical mass-murder opus more ambitious than Bret Easton Ellis's 1990 American Psycho. It starts as a spritz-of-consciousness romp about kid-club entrepreneur Victor Ward, "the It boy of the moment," an actor-model up for Flatliners II. Ellis has perfect pitch for glam-speak, and he gives nightlife the fizz, pace, and shimmer it lacks in drab reality. Anyone could cite the right celeb names and tunes, but like a rock-polishing machine, his prose gives literary sheen to fame-chasing air-kissers. He's coldly funny: when Victor's girl tries to argue him out of a breakup, she angrily snorts six bumps of coke, stops, mutters, "Wrong vial," snorts four corrective doses from whatever she has in her other fist, then objects to a rival at the party wearing the same dress she's wearing.

    You had to be there; Ellis makes you feel you are. But such satire is a very smart bomb targeting a very large barn. Models' status anxiety doesn't merit Ellis's Tom Wolfe-esque expertise. Glamorama gets better when Victor gets drafted into a mysterious group of model-terrorists who bomb 747s and the Ritz in Paris, wearing Kevlar-lined Armani suits. Oh, they still behave like shallow snobs, pronouncing "cool" as if it had 12 o's. But now when somebody swills Cristal, it's apt to be poisoned, to horrific effect, which Ellis expertly, affectlessly describes. His enfant-terrible debut, Less Than Zero, aped Joan Didion. Now Ellis has grown into a lesser Don DeLillo--and that's high praise. --Tim Appelo [via]

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  • Go Tell It on the Mountain
    by James Baldwin
    ISBN 0385334575 (0-385-33457-5)
    Softcover, Delta

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    First published in 1953 when James Baldwin was nearly 30, Go Tell It on the Mountain is a young man's novel, as tightly coiled as a new spring, yet tempered by a maturing man's confidence and empathy. It's not a long book, and its action spans but a single day--yet the author packs in enough emotion, detail, and intimate revelation to make his story feel like a mid-20th-century epic. Using as a frame the spiritual and moral awakening of 14-year-old John Grimes during a Saturday night service in a Harlem storefront church, Baldwin lays bare the secrets of a tormented black family during the depression. John's parents, praying beside him, both wrestle with the ghosts of their sinful pasts--Gabriel, a preacher of towering hypocrisy, fathered an illegitimate child during his first marriage down South and refused to recognize his doomed bastard son; Elizabeth fell in love with a charming, free-spirited young man, followed him to New York, became pregnant with his son, and lost him before she could reveal her condition.

    Baldwin lays down the terrible symmetries of these two blighted lives as the ironic context for John's dark night of the soul. When day dawns, John believes himself saved, but his creator makes it clear that this salvation arises as much from blindness as revelation: "He was filled with a joy, a joy unspeakable, whose roots, though he would not trace them on this new day of his life, were nourished by the wellspring of a despair not yet discovered."

    Though it was hailed at publication for its groundbreaking use of black idiom, what is most striking about Go Tell It on the Mountain today is its structure and its scope. In peeling back the layers of these damaged lives, Baldwin dramatizes the story of the great black migration from rural South to urban North. "Behind them was the darkness," Baldwin writes of Gabriel and Elizabeth's lost generation, "nothing but the darkness, and all around them destruction, and before them nothing but the fire--a bastard people, far from God, singing and crying in the wilderness!" This is Baldwin's music--a music in which rhapsody is rooted anguish--and there is none finer in American literature. --David Laskin [via]

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  • James, Henry: The Golden Bowl
    The Golden Bowl
    by Henry James, Virginia Llewellyn Smith
    ISBN 0192835424 (0-19-283542-4)
    Softcover, Oxford Univ Pr

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    'A thing to marvel at, a thing to be grateful for.'

    A rich American art-collector and his daughter Maggie buy in for themselves and to their greater glory a beautiful young wife and noble husband. They do not know that Charlotte and Prince Amerigo were formerly lovers, nor that on the eve of the Prince's marriage they had discovered, in a Bloomsbury antique shop, a golden bowl with a secret flaw. The superstitious Amerigo, fearing for his gilded future, refuses to accept it as a wedding gift from Charlotte. 'Don't you think too much of "cracks,"' she is later to say to him, 'aren't you too afraid of them? I risk the cracks...' When the golden bowl is broken, Maggie must leave the security of her childhood and try to reassemble the pieces of her shattered happiness.

    In this, the last of his three great poetic masterpieces, James combined with a dazzling virtuosity elements of social comedy, of mystery, terror, and myth. "The Golden Bowl" is the most controversial, ambiguous, and sophisticated of James's novels.

    The text of this World's Classics paperback is that of the first English edition (1905). James's Preface is included, and a new introduction, notes, and selected variant readings. [via]

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  • Good Faith
    by Jane Smiley
    ISBN 0375412174 (0-375-41217-4)
    Hardcover, Knopf Publishing Group

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    Jane Smiley brings her extraordinary gifts-comic timing, empathy, emotional wisdom, an ability to deliver slyly on big themes and capture the American spirit-to the seductive, wishful, wistful world of real estate, in which the sport of choice is the mind game. Her funny and moving new novel is about what happens when the American Dream morphs into a seven-figure American Fantasy.Joe Stratford is someone you like at once. He makes an honest living helping nice people buy and sell nice houses. His not-very-amicable divorce is finally settled, and he's ready to begin again. It's 1982. He is pretty happy, pretty satisfied. But a different era has dawned; Joe's new friend, Marcus Burns from New York, seems to be suggesting that the old rules are ready to be repealed, that now is the time you can get rich quick. Really rich. And Marcus not only knows that everyone is going to get rich, he knows how. Because Marcus just quit a job with the IRS.But is Joe ready for the kind of success Marcus promises he can deliver? And what's the real scoop on Salt Key Farm? Is this really the development opportunity of a lifetime?And then there's Felicity Ornquist, the lovely, feisty, winning and married daughter of Joe's mentor and business partner. She has finally owned up to her feelings for Joe: she's just been waiting for him to be available. The question Joe asks himself, over and over, is, Does he have the gumption? Does he have the smarts and the imagination and the staying power to pay attention-to Marcus and to Felicity-and reap the rewards? Good Faith captures the seductions and illusions that can seize America during our periodic golden ages every Main Street an El Dorado . To follow Joe as he does deals and is dealt with in this newly liberated world of anything goes is a roller-coaster ride through the fun park of the 1980s. It is Jane Smiley in top form.4/2003 [via]

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  • Group
    by Mary McCarthy
    ISBN 0156372088 (0-15-637208-8)
    Softcover, Harcourt

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    Written with a trenchant, sardonic edge, The Group is a dazzlingly outspoken novel and a captivating look at the social history of America between two world wars.

     

    Mary McCarthys most celebrated novel follows the lives of eight Vassar graduates, known simply to their classmates as the group. An eclectic mix of personalities and upbringings, they meet a week after graduation to watch Kay Strong get married. After the ceremony, the women begin their adult livestraveling to Europe, tackling the worlds of nursing and publishing, and finding love and heartbreak in the streets of New York City. Through the years, some of the friends grow apart and some become entangled in each other's affairs, but all vow not to become like their mothers and fathers. It is only when one of them passes away that they all come back together again to mourn the loss of a friend, a confidante, and most importantly, a member of the group. [via]

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  • Hannibal
    by Thomas Harris
    ISBN 0385339488 (0-385-33948-8)
    Softcover, Bantam Dell Pub Group

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    Horror lit's head chef Harris serves up another course in his Hannibal "The Cannibal" Lecter trilogy, and it's a pièce de résistance for those with strong stomachs. In the first book, Red Dragon (filmed as Manhunter), Hannibal diabolically helps the FBI track a fascinating serial killer. (Takes one to know one.) In The Silence of the Lambs, he advises fledgling FBI manhunter Clarice Starling, then makes a bloody, brilliant escape.

    Years later, posing as scholarly Dr. Fell, curator of a grand family's palazzo, Hannibal lives the good life in Florence, playing lovely tunes by serial killer/composer Henry VIII and killing hardly anyone himself. Clarice is unluckier: in the novel's action-film-like opening scene, she survives an FBI shootout gone wrong, and her nemesis, Paul Krendler, makes her the fall guy. Clarice is suspended, so, unfortunately, the first cop who stumbles on Hannibal is an Italian named Pazzi, who takes after his ancestors, greedy betrayers depicted in Dante's Inferno.

    Pazzi is on the take from a character as scary as Hannibal: Mason Verger. When Verger was a young man busted for raping children, his vast wealth saved him from jail. All he needed was psychotherapy--with Dr. Lecter. Thanks to the treatment, Verger is now on a respirator, paralyzed except for one crablike hand, watching his enormous, brutal moray eel swim figure eights and devour fish. His obsession is to feed Lecter to some other brutal pets.

    What happens when the Italian cop gets alone with Hannibal? How does Clarice's reunion with Lecter go from macabre to worse? Suffice it to say that the plot is Harris's weirdest, but it still has his signature mastery of realistic detail. There are flaws: Hannibal's madness gets a motive, which is creepy but lessens his mystery. If you want an exact duplicate of The Silence of the Lambs's Clarice/Hannibal duel, you'll miss what's cool about this book--that Hannibal is actually upstaged at points by other monsters. And if you think it's all unprecedentedly horrible, you're right. But note that the horrors are described with exquisite taste. Harris's secret recipe for success is restraint. --Tim Appelo [via]

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  • House of Leaves
    by Mark Z. Danielewski
    ISBN 0375703764 (0-375-70376-4)
    Softcover, Random House Inc

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    Had The Blair Witch Project been a book instead of a film, and had it been written by, say, Nabokov at his most playful, revised by Stephen King at his most cerebral, and typeset by the futurist editors of Blast at their most avant-garde, the result might have been something like House of Leaves. Mark Z. Danielewski's first novel has a lot going on: notably the discovery of a pseudoacademic monograph called The Navidson Record, written by a blind man named Zampanò, about a nonexistent documentary film--which itself is about a photojournalist who finds a house that has supernatural, surreal qualities. (The inner dimensions, for example, are measurably larger than the outer ones.) In addition to this Russian-doll layering of narrators, Danielewski packs in poems, scientific lists, collages, Polaroids, appendices of fake correspondence and "various quotes," single lines of prose placed any which way on the page, crossed-out passages, and so on.

    Now that we've reached the post-postmodern era, presumably there's nobody left who needs liberating from the strictures of conventional fiction. So apart from its narrative high jinks, what does House of Leaves have to offer? According to Johnny Truant, the tattoo-shop apprentice who discovers Zampanò's work, once you read The Navidson Record,

    For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how.
    We'll have to take his word for it, however. As it's presented here, the description of the spooky film isn't continuous enough to have much scare power. Instead, we're pulled back into Johnny Truant's world through his footnotes, which he uses to discharge everything in his head, including the discovery of the manuscript, his encounters with people who knew Zampanò, and his own battles with drugs, sex, ennui, and a vague evil force. If The Navidson Record is a mad professor lecturing on the supernatural with rational-seeming conviction, Truant's footnotes are the manic student in the back of the auditorium, wigged out and furiously scribbling whoa-dude notes about life.

    Despite his flaws, Truant is an appealingly earnest amateur editor--finding translators, tracking down sources, pointing out incongruities. Danielewski takes an academic's--or ex-academic's--glee in footnotes (the similarity to David Foster Wallace is almost too obvious to mention), as well as other bogus ivory-tower trappings such as interviews with celebrity scholars like Camille Paglia and Harold Bloom. And he stuffs highbrow and pop-culture references (and parodies) into the novel with the enthusiasm of an anarchist filling a pipe bomb with bits of junk metal. House of Leaves may not be the prettiest or most coherent collection, but if you're trying to blow stuff up, who cares? --John Ponyicsanyi [via]

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  • House of Sand and Fog
    by Andre Dubus
    ISBN 0375727345 (0-375-72734-5)
    Softcover, Bantam Dell Pub Group

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    Andre Dubus III wastes no time in capturing the dark side of the immigrant experience in America at the end of the 20th century. House of Sand and Fog opens with a highway crew composed of several nationalities picking up litter on a hot California summer day. Massoud Amir Behrani, a former colonel in the Iranian military under the Shah, reflects on his job-search efforts since arriving in the U.S. four years before: "I have spent hundreds of dollars copying my credentials; I have worn my French suits and my Italian shoes to hand-deliver my qualifications; I have waited and then called back after the correct waiting time; but there is nothing." The father of two, Behrani has spent most of the money he brought with him from Iran on an apartment and furnishings that are too expensive, desperately trying to keep up appearances in order to enhance his daughter's chances of making a good marriage. Now the daughter is married, and on impulse he sinks his remaining funds into a house he buys at auction, thus unwittingly putting himself and his family on a trajectory to disaster. The house, it seems, once belonged to Kathy Nicolo, a self-destructive alcoholic who wants it back. What starts out as a legal tussle soon escalates into a personal confrontation--with dire results.

    Dubus tells his tragic tale from the viewpoints of the two main adversaries, Behrani and Kathy. To both of them, the house represents something more than just a place to live. For the colonel, it is a foot in the door of the American dream; for Kathy, a reminder of a kinder, gentler past. In prose that is simple yet evocative, House of Sand and Fog builds to its inevitable denouement, one that is painfully dark but unfailingly honest. --Alix Wilber [via]

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  • The Human Stain
    by Philip Roth
    ISBN 0375726349 (0-375-72634-9)
    Softcover, Random House Inc

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    Athena College was snoozing complacently in the Berkshires until Coleman Silk--formerly "Silky Silk," undefeated welterweight pro boxer--strode in and shook the place awake. This faculty dean sacked the deadwood, made lots of hot new hires, including Yale-spawned literary-theory wunderkind Delphine Roux, and pissed off so many people for so many decades that now, in 1998, they've all turned on him. Silk's character assassination is partly owing to what the novel's narrator, Nathan Zuckerman, calls "the Devil of the Little Place--the gossip, the jealousy, the acrimony, the boredom, the lies."

    But shocking, intensely dramatized events precipitate Silk's crisis. He remarks of two students who never showed up for class, "Do they exist or are they spooks?" They turn out to be black, and lodge a bogus charge of racism exploited by his enemies. Then, at 71, Viagra catapults Silk into "the perpetual state of emergency that is sexual intoxication," and he ignites an affair with an illiterate janitor, Faunia Farley, 34. She's got a sharp sensibility, "the laugh of a barmaid who keeps a baseball bat at her feet in case of trouble," and a melancholy voluptuousness. "I'm back in the tornado," Silk exults. His campus persecutors burn him for it--and his main betrayer is Delphine Roux.

    In a short space, it's tough to convey the gale-force quality of Silk's rants, or the odd effect of Zuckerman's narration, alternately retrospective and torrentially in the moment. The flashbacks to Silk's youth in New Jersey are just as important as his turbulent forced retirement, because it turns out that for his entire adult life, Silk has been covering up the fact that he is a black man. (If this seems implausible, consider that the famous New York Times book critic Anatole Broyard did the same thing.) Young Silk rejects both the racism that bars him from Woolworth's counter and the Negro solidarity of Howard University. "Neither the they of Woolworth's nor the we of Howard" is for Coleman Silk. "Instead the raw I with all its agility. Self-discovery--that was the punch to the labonz.... Self-knowledge but concealed. What is as powerful as that?"

    Silk's contradictions power a great Philip Roth novel, but he's not the only character who packs a punch. Faunia, brutally abused by her Vietnam vet husband (a sketchy guy who seems to have wandered in from a lesser Russell Banks novel), scarred by the death of her kids, is one of Roth's best female characters ever. The self-serving Delphine Roux is intriguingly (and convincingly) nutty, and any number of minor characters pop in, mouth off, kick ass, and vanish, leaving a vivid sense of human passion and perversity behind. You might call it a stain. --Tim Appelo [via]

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  • Asimov, Isaac: I, Robot
    I, Robot
    by Isaac Asimov
    ISBN 0345331397 (0-345-33139-7)
    Softcover, Random House Publishing Group

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    In this collection, one of the great classics of science fiction, Asimov set out the principles of robot behavior that we know as the Three Laws of Robotics. Here are stories of robots gone mad, mind-reading robots, robots with a sense of humor, robot politicians, and robots who secretly run the world, all told with Asimov's trademark dramatic blend of science fact and science fiction. [via]

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  • Jonathan Livingston Seagull
    by Richard Bach
    ISBN 0380012863 (0-380-01286-3)
    Softcover, Avon Books

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    "Most gulls don't bother to learn more than the simplest facts of flight--how to get from shore to food and back again," writes author Richard Bach in this allegory about a unique bird named Jonathan Livingston Seagull. "For most gulls it is not flying that matters, but eating. For this gull, though, it was not eating that mattered, but flight." Flight is indeed the metaphor that makes the story soar. Ultimately this is a fable about the importance of seeking a higher purpose in life, even if your flock, tribe, or neighborhood finds your ambition threatening. (At one point our beloved gull is even banished from his flock.) By not compromising his higher vision, Jonathan gets the ultimate payoff: transcendence. Ultimately, he learns the meaning of love and kindness. The dreamy seagull photographs by Russell Munson provide just the right illustrations--although the overall packaging does seem a bit dated (keep in mind that it was first published in 1970). Nonetheless, this is a spirituality classic, and an especially engaging parable for adolescents. --Gail Hudson [via]

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  • Maggie
    by Stephen Crane, Kevin J. Hayes
    ISBN 0312152663 (0-312-15266-3)
    Softcover, Bedford/st Martins

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    This definitive, annotated edition of Maggie is based on Crane's original 1893 text and provides instructors with everything they need to teach the work in its historical and cultural context. Over 175 pages of documents are organized into thematic units on late-nineteenth and turn of the century American society to give the reader a context for Maggie. The various chapters in this edition cover topics such as tenement life; shops, saloons, concert-halls; working women from the perspectives of others; working women tell their own stories; prostitution; realism; and slum fiction.
    [via]

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  • Crane, Stephen: Maggie, a Girl of the Streets
    Maggie, a Girl of the Streets
    by Stephen Crane
    ISBN 0375756892 (0-375-75689-2)
    Softcover, Random House Inc

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  • Main Street
    by Sinclair Lewis
    ISBN 0151555478 (0-15-155547-8)
    Hardcover, Harcourt

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    With Commentary by E. M. Forster, Dorothy Parker,
    H. L. Mencken, Lewis Mumford, Rebecca West,
    Sherwood Anderson, Malcolm Cowley, Alfred Kazin, Constance Rourke, and Mark Schorer

    Main Street is the climax of civilization," Sinclair Lewis declared with a typical blend of seriousness and irony. "That this Ford car might stand in front of the Bon Ton Store, Hannibal invaded Rome and Erasmus wrote in Oxford cloisters." Main Street, the story of an idealistic young woman's attempts to reform her small town, brought Lewis immediate acclaim when it was published in 1920. It remains one of the essential texts of the American scene. Lewis Mumford observed: "In Main Street an American had at last written of our life with something of the intellectual rigor and critical detachment that had seemed so cruel and unjustified [in Charles Dickens and Matthew Arnold]. Young people had grown up in this environment, suffocated, stultified, helpless, but unable to find any reason for their spiritual discomfort. Mr. Lewis released them."

    Sinclair Lewis (1885-1951), was born in Sauk Centre, Minne-sota, and graduated from Yale in 1907; in 1930 he became the first American recipient of the Nobel Prize in Literature. Main Street (1920) was his first critical and commercial success. Lewis's other noted books include Babbitt (1922), Arrowsmith (1925), Elmer Gantry (1927), Dodsworth (1929), and It Can't Happen Here (1935). [via]

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  • My Antonia
    by Willa Cather, Janet Sharistanian
    ISBN 019283200X (0-19-283200-X)
    Softcover, Oxford Univ Pr

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    It seems almost sacrilege to infringe upon a book as soulful and rich as Willa Cather's My Ántonia by offering comment. First published in 1918, and set in Nebraska in the late 19th century, this tale of the spirited daughter of a Bohemian immigrant family planning to farm on the untamed land ("not a country at all but the material out of which countries are made") comes to us through the romantic eyes of Jim Burden. He is, at the time of their meeting, newly orphaned and arriving at his grandparents' neighboring farm on the same night her family strikes out to make good in their new country. Jim chooses the opening words of his recollections deliberately: "I first heard of Ántonia on what seemed to be an interminable journey across the great midland plain of North America," and it seems almost certain that readers of Cather's masterpiece will just as easily pinpoint the first time they heard of Ántonia and her world. It seems equally certain that they, too, will remember that moment as one of great light in an otherwise unremarkable trip through the world.

    Ántonia, who, even as a grown woman somewhat downtrodden by circumstance and hard work, "had not lost the fire of life," lies at the center of almost every human condition that Cather's novel effortlessly untangles. She represents immigrant struggles with a foreign land and tongue, the restraints on women of the time (with which Cather was very much concerned), the more general desires for love, family, and companionship, and the great capacity for forbearance that marked the earliest settlers on the frontier.

    As if all this humanity weren't enough, Cather paints her descriptions of the vastness of nature--the high, red grass, the road that "ran about like a wild thing," the endless wind on the plains--with strokes so vivid as to make us feel in our bones that we've just come in from a walk on that very terrain ourselves. As the story progresses, Jim goes off to the University in Lincoln to study Latin (later moving on to Harvard and eventually staying put on the East Coast in another neat encompassing of a stage in America's development) and learns Virgil's phrase "Optima dies ... prima fugit" that Cather uses as the novel's epigraph. "The best days are the first to flee"--this could be said equally of childhood and the earliest hours of this country in which the open land, much like My Ántonia, was nothing short of a rhapsody in prairie sky blue. --Melanie Rehak [via]

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  • The Naked and the Dead
    by Norman Mailer
    ISBN 0312265050 (0-312-26505-0)
    Softcover, Picador USA

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    Hailed as one of the finest novels to come out of the Second World War, The Naked and the Dead received unprecedented critical acclaim upon its publication and has since become part of the American canon. This fiftieth anniversary edition features a new introduction created especially doe the occasion by Norman Mailer.

    Written in gritty, journalistic detail, the story follows an army platoon of foot soldiers who are fighting for the possession of the Japanese-held island of Anopopei. Composed in 1948, The Naked and the Dead is representative of the best in twentieth-century American writing.
    [via]

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  • Wallace, David Foster: Oblivion: Stories
    Oblivion: Stories
    by David Foster Wallace
    ISBN 0316010766 (0-316-01076-6)
    Softcover, Little Brown & Co

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    In the stories that make up Oblivion, David Foster Wallace joins the rawest, most naked humanity with the infinite involutions of self-consciousness--a combination that is dazzlingly, uniquely his. These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. [via]

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  • The Oxford Mark Twain
    by Mark Twain, Shelley Fisher Fishkin
    ISBN 0195090888 (0-19-509088-8)
    Hardcover, Oxford Univ Pr

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    Nearly nine decades after his death, Mark Twain remains an international icon. His white-maned, mustachioed image is instantly identifiable throughout the world, the very picture of probity and high spirits (which explains why he's become the poster boy for products as diverse as beer, billiard tables, sewing machines, pizza, and real estate). Perhaps more importantly, Twain's books have retained all their power to amuse and enrage. How is it possible for the creator of a 19th-century "boy's holiday book" (Twain's own description of The Adventures of Tom Sawyer) to raise so many contemporary hackles? The answer is that Twain is a contemporary writer. Not, of course, from a chronological point of view--he was born in Missouri in 1835 and died in 1910 (having insisted that "annihilation has no terrors for me"). But Twain was the first writer to elevate the American vernacular to a high art. Sidestepping the starched-shirt diction of his peers, he created an idiom that resembled (but did not precisely duplicate) the wayward, slangy, ungrammatical music of American conversation. No serious reader of Twain will want to do without the Oxford Mark Twain. This 29-volume leviathan includes not only the major works but also a treasure trove of essays and short pieces, many of them unavailable for decades. Throw in the introductions to each volume (by such heavyweights as Toni Morrison, Kurt Vonnegut, Cynthia Ozick, Gore Vidal, George Plimpton, Bobbie Ann Mason, and Walter Mosley), as well as the original illustrations, and you've got the book bargain of the millennium. [via]

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  • The Pilot's Wife
    by Anita Shreve
    ISBN 0316601950 (0-316-60195-0)
    Softcover, Little Brown & Co

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    With five novels to her credit, including the acclaimed The Weight of Water, Anita Shreve now offers a skillfully crafted exploration of the long reach of tragedy in The Pilot's Wife. News of Jack Lyons's fatal crash sends his wife into shock and emotional numbness: "Kathryn wished she could manage a coma. Instead, it seemed that quite the opposite had happened: She felt herself to be inside of a private weather system, one in which she was continuously tossed and buffeted by bits of news and information, sometimes chilled by thoughts of what lay immediately ahead, thawed by the kindness of others ... frequently drenched by memories that seemed to have no regard for circumstance or place, and then subjected to the nearly intolerable heat of reporters, photographers and curious on-lookers. It was a weather system with no logic, she had decided, no pattern, no progression, no form." The situation becomes even more dire when the plane's black box is recovered, pinning responsibility for the crash on Jack. In an attempt to clear his name, Kathryn searches for any and all clues to the hours before the flight. Yet each discovery forces her to realize that she didn't know her husband of 16 years at all. Shreve's complex and highly convincing treatment of Kathryn's dilemma, coupled with intriguing minor characters and an expertly paced plot, makes The Pilot's Wife really take off. [via]

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  • Player Piano
    by Kurt Vonnegut
    ISBN 0385333781 (0-385-33378-1)
    Softcover, Bantam Dell Pub Group

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  • Ringe, Donald: Prairie
    Prairie
    by Donald Ringe
    ISBN 0192837664 (0-19-283766-4)
    Softcover, Oxford Univ Pr

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  • The Prairie
    by James Fenimore Cooper
    ISBN 019282824X (0-19-282824-X)
    Softcover, Oxford Univ Pr

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    Set in the immense landscape of the Great Plains, The Prairie (1827) addresses many questions raised by the penetration of the American west: the displacement of the Indians, the destruction of nature, and the creation of a just society both ordered and free. Natty Bumppo, a man now in the autumn of his days, is the spokesman for the conservation of the natural environment. But as his physical prowess wanes he is ultimately unable to thwart the despoilers. In this, the last in the series of five Leatherstocking Tales, Cooper resolves the issues of The Pioneers and The Last of the Mohicans, but at the same time eloquently suggests that humility, self-control, reverence for God, and respect for nature are tragically lost on the prairie. [via]

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  • The Prince and the Pauper
    by Mark Twain, Christopher Paul Curtis
    ISBN 0375761128 (0-375-76112-8)
    Softcover, Random House Inc

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    The Prince and the Pauper is one of Twain's best-known and best-loved books throughout the world. In this historical tale set in mid-nineteenth-century England, the Prince of Wales and a lookalike pauper exchange places by accident just days before Henry VIII's death. Each boy finds that his "father" believes him to be mad; each is befriended by his "sister;" and each wakes from sleep thinking that his trying experiences have been just a bad dream. Along the way each learns crucial lessons about manners, morals, justice, and compassion. Mark Twain immersed himself in English history to write this novel and passed on reference books to the artists so that their illustrations could be historically accurate. He was "enchanted" with the pictures they produced. His daughter Susy was convinced that The Prince and the Pauper, a book her father subtitled, "a tale for young people of all ages" was "the best book he has ever written." [via]

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  • Robot Trilogy : The Caves of Steel, The Naked Sun, The Robots of Dawn
    by Isaac Asimov
    ISBN 0345331192 (0-345-33119-2)
    Softcover, Random House Publishing Group

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  • The Runaway Jury
    by John Grisham
    ISBN 0375433449 (0-375-43344-9)
    Softcover, Random House Large Print

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    Millions of dollars are at stake in a huge tobacco-company case in Biloxi, and the jury's packed with people who have dirty little secrets. A mysterious young man takes subtle control of the jury as the defense watches helplessly, but they soon realize that he in turn is controlled by an even more mysterious young woman. Lives careen off course as they bend everyone in the case to their will. [via]

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  • Sea Glass
    by Anita Shreve
    ISBN 0316001449 (0-316-00144-9)
    Softcover, Grand Central Pub

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    From its opening pages, Anita Shreve's Sea Glass surrounds the reader in the surprisingly rich feeling of the New Hampshire coast in winter. Vividly evoking the life of the coastal community at the beginning of the Great Depression, Sea Glass shifts through the multiple points of view of six principal characters; it's a skillfully created story of braided lives that bounces easily (even inevitably) from character to character. We learn how these lives come together following the stock market crash of 1929 and about the struggles of mill workers on the starkly beautiful New Hampshire coast during the following year. At the novel's center is the story of Honora Beecher, a young newlywed who compulsively collects sea glass along the beach as she collects unexpected friendship in her new beachside community, and Francis, a boy who discovers a father figure in the towering character of McDermott, an Irish mill worker, at a time when he most needs direction. Each character finds unexpected new purpose beyond the struggle to survive during that turbulent year among the dunes. First their lives barely touch, then they intersect, and finally they become inextricably bound. By the powerful and unexpected final scenes of the story, every point of view, every brilliant shard of life depends deeply on all the others. It is a very satisfying read--confidently told and deeply felt--with as many subtle colors and reflections as the sea glass that permeates the narrative. --Paul Ford [via]

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  • The Shining
    by Stephen King
    ISBN 0385121679 (0-385-12167-9)
    Hardcover, Doubleday

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    Book summary:

    In MINT UNREAD condition. A first edition book club printing. Published 1977 by DoubleDay [via]

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  • Helprin, Mark: Soldier of the Great War
    Soldier of the Great War
    by Mark Helprin
    ISBN 0156031132 (0-15-603113-2)
    Softcover, Harcourt

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    Book summary:

    On his, last long walk, septuagenarian war hero, deserter, and professor Alessandro Giuliani shares his past with an illiterate young factory worker -- spinning a remarkable tale of heart-stopping escapes, of loves unrequited and won, of madmen, dwarfs, and mafiosi. But overshadowing all is hismost miraculous and terrible adventure, the Great War -- a surreal parade of horrors that devastated and defined Alessandro, yet enabled him to experience fully the magic and beauty of the absurd human comedy called life.

    From Mark Helprin bestselling author of Winter's Tale and Memoir from Antproof Case, comes a magnificent epic adventure in which the hero reckons with love, loss, beauty, honor; and mortality. [via]

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  • The Source
    by James A. Michener
    ISBN 0375760385 (0-375-76038-5)
    Softcover, Random House Inc

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    Book summary:

    In his signature style of grand storytelling, James Michener sweeps us back through time to the Holy Land, thousands of years ago. By exploring the lives and discoveries of modern archaeologists excavating the site of Tell Makor, Michener vividly re-creates life in and around an ancient city during critical periods of its existence, and traces the profound history of the Jews, including that of the early Hebrews and their persecution, the impact of Christianity on the Jewish world, the Crusades, and the Spanish Inquisition. Michener weaves his epic tale of love, strength, and faith until at last he arrives at the founding of Israel and the modern conflict in the Middle East. The Source is not only a compelling history of the Holy Land and its people but a richly written saga that encompasses the development of Western civilization and the great religious and cultural ideas that have shaped our world. [via]

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  • Brautigan, Richard: Trout Fishing in America
    Trout Fishing in America
    by Richard Brautigan
    ISBN 0385290837 (0-385-29083-7)
    Softcover, Bantam Dell Pub Group

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  • Irving, John: The Water-Method Man
    The Water-Method Man
    by John Irving
    ISBN 0345367421 (0-345-36742-1)
    Softcover, Ballantine Books

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    Book summary:

    The main character of John Irving's second novel, written when the author was twenty-nine, is a perpetual graduate student with a birth defect in his urinary tract--and a man on the threshold of committing himself to a second marriage that bears remarkable resemblance to his first....
    "Three or four times as funny as most novels."
    THE NEW YORKER


    From the Paperback edition. [via]

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  • What Makes Sammy Run?
    by Budd Schulberg
    ISBN 0375508317 (0-375-50831-7)
    Hardcover, Random House Publishing Group

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    What Makes Sammy Run?

    Everyone of us knows someone who runs. He is one of the symp-toms of our timesfrom the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run?

    This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New Yorks East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristichis congenital incapacity for friendship.

    An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening.

    When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glicks real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. To this group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation in which the reader is spared none of the grue-some details) Schulberg has poured out everything he has felt about that place. The result is a book which the publishers not only believe to be the most honest ever written about Hollywood, but a penetrating study of one kind of twentieth-century success that is peculiar to no single race of people or walk of life. [via]

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  • Zuckerman Bound
    by Philip Roth
    ISBN 0374518998 (0-374-51899-8)
    Softcover, Farrar Straus & Giroux

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    Book summary:

    With "The Prague Orgy," a new novella-length epilogue which takes the novelist Nathan Zuckerman on a quixotic journey to Prague to rescue from oblivion the stories of an unknown Jewish writer, Philip Roth concludes one of his major works of literature.
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