books tagged “america”

Un magnífico retrato de heroicidad en un mundo decadente.

Esta es la historia del millonario hecho a sí mismo, Jay Gatsby, a quien sólo le mueve una obsesión: recuperar un amor de juventud. Pero Daisy es hoy una muchacha que forma parte de una sociedad frívola y aburrida de sí misma, una criatura encantadora y también dañina. Un magnífico retrato de heroicidad en un mundo decadente. [via]

In 1922, F. Scott Fitzgerald announced his decision to write "something new--something extraordinary and beautiful and simple + intricately patterned." That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald's finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author's generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald's--and his country's--most abiding obsessions: money, ambition, greed, and the promise of new beginnings. "Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms farther.... And one fine morning--" Gatsby's rise to glory and eventual fall from grace becomes a kind of cautionary tale about the American Dream.

It's also a love story, of sorts, the narrative of Gatsby's quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying, but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means--and to the pursuit of Daisy, which amounts to the same thing. "Her voice is full of money," Gatsby says admiringly, in one of the novel's more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy's patrician East Egg address, throws lavish parties, and waits for her to appear. When she does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbor Nick Carraway acting as chorus throughout. Spare, elegantly plotted, and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem. [via]

A guide to reading "The Great Gatsby" with a critical and appreciative mind encouraging analysis of plot, style, form, and structure. Also includes background on the author's life and times, sample tests, term paper suggestions, and a reading list. [via]

On any given day, one out of four Americans opts for a quick and cheap meal at a fast-food restaurant, without giving either its speed or its thriftiness a second thought. Fast food is so ubiquitous that it now seems as American, and harmless, as apple pie. But the industry's drive for consolidation, homogenization, and speed has radically transformed America's diet, landscape, economy, and workforce, often in insidiously destructive ways. Eric Schlosser, an award-winning journalist, opens his ambitious and ultimately devastating exposé with an introduction to the iconoclasts and high school dropouts, such as Harlan Sanders and the McDonald brothers, who first applied the principles of a factory assembly line to a commercial kitchen. Quickly, however, he moves behind the counter with the overworked and underpaid teenage workers, onto the factory farms where the potatoes and beef are grown, and into the slaughterhouses run by giant meatpacking corporations. Schlosser wants you to know why those French fries taste so good (with a visit to the world's largest flavor company) and "what really lurks between those sesame-seed buns." Eater beware: forget your concerns about cholesterol, there is--literally--feces in your meat.

Schlosser's investigation reaches its frightening peak in the meatpacking plants as he reveals the almost complete lack of federal oversight of a seemingly lawless industry. His searing portrayal of the industry is disturbingly similar to Upton Sinclair's The Jungle, written in 1906: nightmare working conditions, union busting, and unsanitary practices that introduce E. coli and other pathogens into restaurants, public schools, and homes. Almost as disturbing is his description of how the industry "both feeds and feeds off the young," insinuating itself into all aspects of children's lives, even the pages of their school books, while leaving them prone to obesity and disease. Fortunately, Schlosser offers some eminently practical remedies. "Eating in the United States should no longer be a form of high-risk behavior," he writes. Where to begin? Ask yourself, is the true cost of having it "your way" really worth it? --Lesley Reed [via]

On any given day, one out of four Americans opts for a quick and cheap meal at a fast-food restaurant, without giving either its speed or its thriftiness a second thought. Fast food is so ubiquitous that it now seems as American, and harmless, as apple pie. But the industry's drive for consolidation, homogenization, and speed has radically transformed America's diet, landscape, economy, and workforce, often in insidiously destructive ways. Eric Schlosser, an award-winning journalist, opens his ambitious and ultimately devastating exposé with an introduction to the iconoclasts and high school dropouts, such as Harlan Sanders and the McDonald brothers, who first applied the principles of a factory assembly line to a commercial kitchen. Quickly, however, he moves behind the counter with the overworked and underpaid teenage workers, onto the factory farms where the potatoes and beef are grown, and into the slaughterhouses run by giant meatpacking corporations. Schlosser wants you to know why those French fries taste so good (with a visit to the world's largest flavor company) and "what really lurks between those sesame-seed buns." Eater beware: forget your concerns about cholesterol, there is--literally--feces in your meat.

Schlosser's investigation reaches its frightening peak in the meatpacking plants as he reveals the almost complete lack of federal oversight of a seemingly lawless industry. His searing portrayal of the industry is disturbingly similar to Upton Sinclair's The Jungle, written in 1906: nightmare working conditions, union busting, and unsanitary practices that introduce E. coli and other pathogens into restaurants, public schools, and homes. Almost as disturbing is his description of how the industry "both feeds and feeds off the young," insinuating itself into all aspects of children's lives, even the pages of their school books, while leaving them prone to obesity and disease. Fortunately, Schlosser offers some eminently practical remedies. "Eating in the United States should no longer be a form of high-risk behavior," he writes. Where to begin? Ask yourself, is the true cost of having it "your way" really worth it? --Lesley Reed [via]

This book takes a pictorial look at the nation from above, with dazzling full-color photographs of each region of the United States of America. These territories continue to reach out to settlers and travelers, challenging those who would try to conquer its mountains, rivers, and canyons as well as those who try get to know its patchwork quilt of people and regional cultural variations. The reader takes a thrilling journey over mountains, deserts, mighty rivers, swaths of farmland, and the great cities and landmark skyscrapers, all shown from an aerial vantage point. The design of the pages is carefully planned to bring out the panoramic qualities of the exceptionally beautiful photographs. The reduced album format of the book has been chosen to emphasize the wide-angle approach of the pictures. [via]

The Great Gatsby, a novel by American author F. Scott Fitzgerald that takes place from spring to autumn 1922, during the Roaring Twenties and Prohibition. [via]

An assortment of articles treating issues surrounding the Great Gatsby. Part I - From This Side of Paradise to Great Gatsby, Part II, The Great Gatsby and its world, Part III, The Great Gatsby, and Part IV, The Permanence of the Great Gatsby. Includes a bibliography. [via]

FOR USE IN SCHOOLS AND LIBRARIES ONLY. A guide to reading ""To Kill A Mockingbird"" with a critical and appreciative mind. Includes background on the author's life and times, sample tests, term paper suggestions, and a reading list. [via]

Plot synopsis of this classic is made meaningful with analysis and quotes by noted literary critics, summaries of the work's main themes and characters, a sketch of the author's life and times, a bibliography, suggested test questions, and ideas for essays and term papers. [via]

A travelogue by Bill Bryson is as close to a sure thing as funny books get. The Lost Continent is no exception. Following an urge to rediscover his youth (he should know better), the author leaves his native Des Moines, Iowa, in a journey that takes him across 38 states. Lucky for us, he brought a notebook.

With a razor wit and a kind heart, Bryson serves up a colorful tale of boredom, kitsch, and beauty when you least expect it. Gentler elements aside, The Lost Continent is an amusing book. Here's Bryson on the women of his native state: "I will say this, however--and it's a strange, strange thing--the teenaged daughters of these fat women are always utterly delectable ... I don't know what it is that happens to them, but it must be awful to marry one of those nubile cuties knowing that there is a time bomb ticking away in her that will at some unknown date make her bloat out into something huge and grotesque, presumably all of a sudden and without much notice, like a self-inflating raft from which the pin has been yanked."

Yes, Bill, but be honest: what do you really think? [via]

Sometimes it seems like every standup comedian worth his or her salt just has to do the book thing, and you might feel that yet another warmed-over stage routine is the last thing you need taking up valuable bookshelf space. Jon Stewart's book will come as an extremely pleasant surprise. He eschews the standard standup patter and instead gives us 18 short comic essays in a variety of styles that recall the prose work of Woody Allen, only with a few more references to genitals. Stewart proves himself a remarkably nimble humorist with a sharp eye for parody, whether he's writing "A Very Hanson Christmas" or "Adolf Hitler: The Larry King Interview."

HITLER: ...Larry, look, I was a bad guy. No question. I hate that Hitler. The yelling, the finger pointing, I don't know ... I was a very angry guy.

KING: And this ... new Hitler?

HITLER: I get up at seven, have half a melon, do the jumble in the morning paper and then let the day take me where it will.... Me!! The inventor of the Blitzkrieg... When you stop having to control everything it's very freeing.

Stewart is not afraid to flirt with bad taste, in fact, some of the pieces in this collection do for "flirting with bad taste" what Bill Clinton did for "not having sexual relations." But it's wonderful to see an edgy comedian taking on the traditionally cozy genre of the humorous essay, creating work that combines the wit of Robert Benchley with the energy and attitude of the best modern standup. Naked Pictures of Famous People proves that Jon Stewart is as comfortable, and accomplished, in front of a word processor as he is in front of an audience. --Simon Leake [via]

For much of his life, historian Howard Zinn has been chronicling American history from the bottom up, throwing out the official version taught in schools -- with its emphasis on great men in high places -- to focus on the street, the home, and the workplace.

Its a wonderful, splendid booka book that should be read by every American, student or otherwise, who wants to understand his country, its true history, and its hope for the future. Howard Fast, author of Spartacus and The Immigrants

[It] should be required reading. Eric Foner, New York Times Book Review

Library Journal calls Howard Zinns iconic A People's History of the United States a brilliant and moving history of the American people from the point of view of those&whose plight has been largely omitted from most histories. Packed with vivid details and telling quotations, Zinns award-winning classic continues to revolutionize the way American history is taught and remembered. Frequent appearances in popular media such as The Sopranos, The Simpsons, Good Will Hunting, and the History Channel documentary The People Speak testify to Zinns ability to bridge the generation gap with enduring insights into the birth, development, and destiny of the nation. [via]

Few works of American history have done more to change the way in which recent generations have looked at their past than Howard Zinn's A People's History of the United States. Currently in its 25th printing, Zinn's work presents more than five hundred years of American social and cultural history, going well beyond the wars and presidencies of traditional texts to tell the stories of working men and women. For the first time, Zinn has abridged the original text for classroom use. Questions and activities to encourage critical thinking, topics for writing and discussion, and a bibliography of related materials by educator Kathy Emery accompany each chapter covering American history from Columbus to Clinton. [via]

Zinn's classic work in its most innovative format: myth-busting posters.

Few works of American history have done more to change the way in which recent generations have looked at their past than Howard Zinn's A People's History of the United States. With millions of copies sold, Zinn's social history fleshes out the bare skeleton of traditional historical texts with the stories of working men and women throughout this country's history.

A People's History of the United States: The Wall Charts is a set of two posters and an explanatory booklet designed to bring the contents of the original People's History to an even broader audience. Illustrated in full color, they portray over five hundred years of American social and cultural history. Organized thematically as well as chronologically, they allow the reader to trace the developments of specific topicsfrom slavery and resistance to the role of womenthrough images and quotations that go well beyond the wars and presidencies of traditional American history.

A People's History of the United States: The Wall Charts creates a unique tool for learning about American history from the celebrated book that turned history on its head. [via]

"When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow.... When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident. I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out."

Set in the small Southern town of Maycomb, Alabama, during the Depression, To Kill a Mockingbird follows three years in the life of 8-year-old Scout Finch, her brother, Jem, and their father, Atticus--three years punctuated by the arrest and eventual trial of a young black man accused of raping a white woman. Though her story explores big themes, Harper Lee chooses to tell it through the eyes of a child. The result is a tough and tender novel of race, class, justice, and the pain of growing up.

Like the slow-moving occupants of her fictional town, Lee takes her time getting to the heart of her tale; we first meet the Finches the summer before Scout's first year at school. She, her brother, and Dill Harris, a boy who spends the summers with his aunt in Maycomb, while away the hours reenacting scenes from Dracula and plotting ways to get a peek at the town bogeyman, Boo Radley. At first the circumstances surrounding the alleged rape of Mayella Ewell, the daughter of a drunk and violent white farmer, barely penetrate the children's consciousness. Then Atticus is called on to defend the accused, Tom Robinson, and soon Scout and Jem find themselves caught up in events beyond their understanding. During the trial, the town exhibits its ugly side, but Lee offers plenty of counterbalance as well--in the struggle of an elderly woman to overcome her morphine habit before she dies; in the heroism of Atticus Finch, standing up for what he knows is right; and finally in Scout's hard-won understanding that most people are essentially kind "when you really see them." By turns funny, wise, and heartbreaking, To Kill a Mockingbird is one classic that continues to speak to new generations, and deserves to be reread often. --Alix Wilber [via]

Your initial reaction to Bill Bryson's reading of A Walk in the Woods may well be "Egads! What a bore!" But by sentence three or four, his clearly articulated, slightly adenoidal, British/American-accented speech pattern begins to grow on you and becomes quite engaging. You immediately get a hint of the humor that lies ahead, such as one of the innumerable reasons he longed to walk as many of the 2,100 miles of the Appalachian Trail as he could. "It would get me fit after years of waddlesome sloth" is delivered with glorious deadpan flair. By the time our storyteller recounts his trip to the Dartmouth Co-op, suffering serious sticker shock over equipment prices, you'll be hooked.

When Bryson speaks for the many Americans he encounters along the way--in various shops, restaurants, airports, and along the trail--he launches into his American accent, which is whiny and full of hard r's. And his southern intonations are a hoot. He's even got a special voice used exclusively when speaking for his somewhat surprising trail partner, Katz. In the 25 years since their school days together, Katz has put on quite a bit of weight. In fact, "he brought to mind Orson Welles after a very bad night. He was limping a little and breathing harder than one ought to after a walk of 20 yards." Katz often speaks in monosyllables, and Bryson brings his limited vocabulary humorously to life. One of Katz's more memorable utterings is "flung," as in flung most of his provisions over the cliff because they were too heavy to carry any farther.

The author has thoroughly researched the history and the making of the Appalachian Trail. Bryson describes the destruction of many parts of the forest and warns of the continuing perils (both natural and man-made) the Trail faces. He speaks of the natural beauty and splendor as he and Katz pass through, and he recalls clearly the serious dangers the two face during their time together on the trail. So, A Walk in the Woods is not simply an out-of-shape, middle-aged man's desire to prove that he can still accomplish a major physical task; it's also a plea for the conservation of America's last wilderness. Bryson's telling is a knee-slapping, laugh-out-loud funny trek through the woods, with a touch of science and history thrown in for good measure. (Running time: 360 minutes, four cassettes) --Colleen Preston [via]

Your initial reaction to Bill Bryson's reading of A Walk in the Woods may well be "Egads! What a bore!" But by sentence three or four, his clearly articulated, slightly adenoidal, British/American-accented speech pattern begins to grow on you and becomes quite engaging. You immediately get a hint of the humor that lies ahead, such as one of the innumerable reasons he longed to walk as many of the 2,100 miles of the Appalachian Trail as he could. "It would get me fit after years of waddlesome sloth" is delivered with glorious deadpan flair. By the time our storyteller recounts his trip to the Dartmouth Co-op, suffering serious sticker shock over equipment prices, you'll be hooked.

When Bryson speaks for the many Americans he encounters along the way--in various shops, restaurants, airports, and along the trail--he launches into his American accent, which is whiny and full of hard r's. And his southern intonations are a hoot. He's even got a special voice used exclusively when speaking for his somewhat surprising trail partner, Katz. In the 25 years since their school days together, Katz has put on quite a bit of weight. In fact, "he brought to mind Orson Welles after a very bad night. He was limping a little and breathing harder than one ought to after a walk of 20 yards." Katz often speaks in monosyllables, and Bryson brings his limited vocabulary humorously to life. One of Katz's more memorable utterings is "flung," as in flung most of his provisions over the cliff because they were too heavy to carry any farther.

The author has thoroughly researched the history and the making of the Appalachian Trail. Bryson describes the destruction of many parts of the forest and warns of the continuing perils (both natural and man-made) the Trail faces. He speaks of the natural beauty and splendor as he and Katz pass through, and he recalls clearly the serious dangers the two face during their time together on the trail. So, A Walk in the Woods is not simply an out-of-shape, middle-aged man's desire to prove that he can still accomplish a major physical task; it's also a plea for the conservation of America's last wilderness. Bryson's telling is a knee-slapping, laugh-out-loud funny trek through the woods, with a touch of science and history thrown in for good measure. (Running time: 360 minutes, four cassettes) --Colleen Preston [via]