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› Find signed collectible books: 'Alan Moore'
Alan Moore: Portrait of an Extraordinary Gentleman contains comicstrips, illustrations, essays, articles, anecdotes and other pieces contributedby top American, English, and international comics creators paying tribute tothe master of comic book writing, Alan Moore (creator of Watchmen andFrom Hell), as he celebrates his 50th year.Over a hundred contributors include Neil Gaiman, Will Eisner, BillSienkiewicz, Dave Gibbons, Denis Kitchen, David Lloyd, Jim Valentino, SergioToppi, Bryan Talbot, Steve Parkhouse, Mark Millar, Howard Cruse, James Kochalka,José Villarrubia, Sam Kieth, Dave Sim, Oscar Zarate, DJ Paul Gambaccini,and novelist Darren Shan, to name just a few. The book jacket will feature a newphotgraph by Piet Corr and other features will include interviews, biographies,and new and rare photographs. [via]
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› Find signed collectible books: 'Alan Moore'
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› Find signed collectible books: 'Alan Moore Magic Words 1'
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› Find signed collectible books: 'Alan Moore's Another Suburban Romance'
For the first time ever, Alan Moore's performance works that make up the play Another Suburban Romance are put in print and lavishly illustrated as full sequential stories. These works range from a tale of 1920's Chicago style killings in "Old Gangsters Never Die, " to the ruminations on modern life in the namesake piece "Another Suburban Romance." [via]
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› Find signed collectible books: 'Alan Moore's Writing for Comics'
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› Find signed collectible books: 'The Ballad Of Halo Jones'
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› Find signed collectible books: 'Batman'
The Killing Joke, one of my favorite Batman stories ever, stirred a bit of controversy because the story involves the Joker brutally, pointlessly shooting Commissioner Gordon's daughter in the spine. This is a no-holds-barred take on a truly insane criminal mind, masterfully written by British comics writer Alan Moore. The art by Brian Bolland is so appealing that his depiction of the Joker became a standard and was imitated by many artists to follow. [via]
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› Find signed collectible books: 'A Blazing World: The Unofficial Companion To The League Of Extraordinary Gentlemen'
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› Find signed collectible books: 'Captain Britain'
This book is by ALAN DAVIS, and NOT by ALAN MOORE [via]
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› Find signed collectible books: 'The Complete Ballad of Halo Jones'
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› Find signed collectible books: 'The Complete Ballad of Halo Jones'
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› Find signed collectible books: 'The Complete D. R. and Quinch'
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› Find signed collectible books: 'DC Universe: The Stories of Alan Moore'
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› Find signed collectible books: 'A Disease of Language'
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› Find signed collectible books: 'The Extraordinary Works of Alan Moore'
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› Find signed collectible books: 'From Hell'
The mad, shaggy genius of the comics world dips deeply into the well of history and pulls up a cup filled with blood in From Hell. Alan Moore did a couple of Ph.D.'s worth of research into the Whitechapel murders for this copiously annotated collection of the independently published series. The web of facts, opinion, hearsay, and imaginative invention draws the reader in from the first page. Eddie Campbell's scratchy ink drawings evoke a dark and dirty Victorian London and help to humanize characters that have been caricatured into obscurity for decades. Moore, having decided that the evidence best fits the theory of a Masonic conspiracy to cover up a scandal involving Victoria's grandson, goes to work telling the story with relish from the point of view of the victims, the chief inspector, and the killer--the Queen's physician. His characterization is just as vibrant as Campbell's; even the minor characters feel fully real. Looking more deeply than most, the author finds in the "great work" of the Ripper a ritual magic working intended to give birth to the 20th century in all its horrid glory. Maps, characters, and settings are all as accurate as possible, and while the reader might not ultimately agree with Moore and Campbell's thesis, From Hell is still a great work of literature. --Rob Lightner [via]
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› Find signed collectible books: 'Heroes & Monsters: The Unofficial Companion to the League of Extraordinary Gentlemen'
This book-length celebration and analysis of the Artistic Event of the Century includes an exclusive interview and introduction by League of Extraordinary Gentlemen co-creator and author Alan Moore; commentary by co-creator and illustrator Kevin O'Neill: detailed, panel-by-panel annotations of the first League of Extraordinary Gentlemen series. [via]
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› Find signed collectible books: 'The League of Extraordinary Gentlemen'
Alan Moore and Kevin ONeills epic Victorian adventure continues in grand fashion as our intrepid band of heroesMina Murray, Allan Quatermain, Captain Nemo, Mr. Edward Hyde, Dr. Thomas Jekyll and the Invisible Man (a.k.a. Hawley Griffin)once again must face a most dire threatbut this time its not just the fate of an empire that hangs in the balance, but that of the entire world! The first volume contains the thrilling graphic novel, complete with the Almanac of fantastic places, and the second contains Alan Moores entire script for the graphic novel, a rare and wonderful treat for any fan of sequential storytelling. This two-volume hardcover set is enclosed within an attractive slipcase. [via]
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› Find signed collectible books: 'League of Extraordinary Gentlemen'
Proving that mainstream comics could be infused with past literary/cultural ideals and still be bestsellers, the America's Best Comics imprint took the dilapidated superhero genre and created three vastly entertaining hybrids with Tom Strong, Promethea and Top Ten. Now, a stunning coup de grace is delivered with this masterful pairing of Victorian adventure fiction's greatest characters and the old war-horse of the super-group. With the stunning The League of Extraordinary Gentlemen, it would be no exaggeration to say that Alan Moore has produced a near-perfect piece of adventure fiction that is clever, literate, rich with excitement and hard to put down.
It's 1898 and at the behest of M, the mysterious head of the secret Service, Campion Bond is dispatched to procure the services of Miss Mina Murray (nee Harker), adventurer Allan Quartermain, "Science-Pirate" Captain Nemo, Henry Jekyll (and his monstrous alter ego) and Hawley Griffin (a.k.a. the Invisible Man). Together, they must combat an insidious threat that will decide supremacy of the London skies, but their success may unleash a far greater threat. With no shortage of action, Moore and O' Neill sustain a high level of suspense, intrigue, mystery and terrific wit that all contribute to an indispensable read. O'Neill's art, so memorable in Marshal Law, produces a London filled with vivid, magnificent architecture and a malevolent atmosphere ripe with thrills and danger. An unmitigated triumph--pure and simple. --Danny Graydon [via]
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› Find signed collectible books: 'League of Extraordinary Gentlemen 1898'
Proving that mainstream comics could be infused with past literary/cultural ideals and still be bestsellers, the America's Best Comics imprint took the dilapidated superhero genre and created three vastly entertaining hybrids with Tom Strong, Promethea and Top Ten. Now, a stunning coup de grace is delivered with this masterful pairing of Victorian adventure fiction's greatest characters and the old war-horse of the super-group. With the stunning The League of Extraordinary Gentlemen, it would be no exaggeration to say that Alan Moore has produced a near-perfect piece of adventure fiction that is clever, literate, rich with excitement and hard to put down.
It's 1898 and at the behest of M, the mysterious head of the secret Service, Campion Bond is dispatched to procure the services of Miss Mina Murray (nee Harker), adventurer Allan Quartermain, "Science-Pirate" Captain Nemo, Henry Jekyll (and his monstrous alter ego) and Hawley Griffin (a.k.a. the Invisible Man). Together, they must combat an insidious threat that will decide supremacy of the London skies, but their success may unleash a far greater threat. With no shortage of action, Moore and O' Neill sustain a high level of suspense, intrigue, mystery and terrific wit that all contribute to an indispensable read. O'Neill's art, so memorable in Marshal Law, produces a London filled with vivid, magnificent architecture and a malevolent atmosphere ripe with thrills and danger. An unmitigated triumph--pure and simple. --Danny Graydon [via]
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› Find signed collectible books: 'Lost Girls'
For more than a century, Alice, Wendy and Dorothy have been our guides through the Wonderland, Neverland and Land of Oz of our childhoods. Now like us, these three lost girls have grown up and are ready to guide us again, this time through the realms of our sexual awakening and fulfillment. Through their familiar fairytales they share with us their most intimate revelations of desire in its many forms, revelations that shine out radiantly through the dark clouds of war gathering around a luxury Austrian hotel. Drawing on the rich heritage of erotica, Lost Girls is the rediscovery of the power of ecstatic writing and art in a sublime union that only the medium of comics can achieve. Exquisite, thoughtful, and human, Lost Girls is a work of breathtaking scope that challenges the very notion of art fettered by convention. This is erotic fiction at its finest. Similar to DC's Absolute editions of Watchmen and The League of Extraordinary Gentlemen, Lost Girls will be published as three, 112-page, super-deluxe, ovesized hardcover volumes, all sealed in a gorgeous slipcase. It will truly be an edition for the ages. [via]
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› Find signed collectible books: 'Love and Death'
What Alan Moore, Stephen Bissette, and John Totleben accomplished during their time on the comic book series Swamp Thing shouldn't be underestimated in the history of comics and, specifically, the history of horror comics. The modern comics landscape has been changed by the Vertigo line of books--an imprint that traces its roots back to this version of Swamp Thing. By taking a horror character fully entrenched in a superhero world (as silly as that might seem), this creative team put a new face on horror comics and on horror in general. Swamp Thing: Love and Death is the second collection of the team's work on the series, presented here in full color. Don't let the mediocre Swamp Thing movies fool you, this book is filled with sophisticated suspense and terror. [via]
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› Find signed collectible books: 'The Mirror of Love'
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› Find signed collectible books: 'Promethea'
Collectible Comic. Long out of print. Comes shipped in protective comic bag. [via]
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› Find signed collectible books: 'Promethea'
Written by Alan Moore; Art and cover by J.H. Williams III & Mick Gray The third thrilling collection of the critically acclaimed, award-winning PROMETHEA is back, offered as a softcover version of the original hardcover! PROMETHEA BOOK THREE is a 224-page trade paperback from AMERICA'S BEST COMICS reprinting PROMETHEA #13-18, written by Alan Moore with art and cover by J.H. Williams III & Mick Gray. Featuring the first half of a cosmic road trip, this volume finds Promethea and Barbara traveling an unlikely path. Their wanderings take them through the many realms of Heaven and Hell, visiting manifestations of great visions and visionaries. Meanwhile, back on Earth, Stacia is the acting Promethea - protecting and serving the people of New York while Promethea is away. Is she up to the task? [via]
› Find signed collectible books: 'Promethea Bk. 1: The New Collection by the Author of Watchmen'
Alan Moore, like Neil Gaiman, constantly flirts with the too-smart-for-his-own-good aesthetic without alienating his readers. Promethea weaves Moore's trademark scholarly mysticism with wild, fun swipes at post-everything culture in a complex tale based on the importance of story. Following a teenage girl, whose interest in an obscure and possibly real heroine leads to her assumption of the heroine's role, Promethea draws on a century of comics art to express themes of history and fiction. Action, intimacy, fantasy, and ennui all find their place, and when it's over, the reader will hunger for the next collection. --Rob Lightner [via]
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› Find signed collectible books: 'Promethea Book 2'
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› Find signed collectible books: 'The Saga of Swamp Thing'
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› Find signed collectible books: 'Saga of the Swamp Thing'
Before WATCHMEN, Alan Moore made his debut in the U.S. comic book industry with the revitalization of the horror comic book THE SWAMP THING. His deconstruction of the classic monster stretched the creative boundaries of the medium and became one of the most spectacular series in comic book history.
With modern-day issues explored against a backdrop of horror, SWAMP THING's stories became commentaries on environmental, political and social issues, unflinching in their relevance. SAGA OF THE SWAMP THING Book One collects issues #20-27 of this seminal series including the never-before-reprinted SAGA OF THE SWAMP THING #20, where Moore takes over as writer and concludes the previous storyline.
Book One begins with the story "The Anatomy Lesson," a haunting origin story that reshapes SWAMP THING mythology with terrifying revelations that begin a journey of discovery and adventure that will take him across the stars and beyond.
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› Find signed collectible books: 'A Small Killing'
Timothy Hole's future looks bright. From being a dreamy working-class boy in the English Midlands, he's risen to a prominent position in the American advertising world, and is about to take his company's diet drink sensation to the USSR. But somebody is following him - somebody who wants him dead. [via]
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› Find signed collectible books: 'Smax'
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› Find signed collectible books: 'Smax Collected Edition'
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› Find signed collectible books: 'Superman'
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› Find signed collectible books: 'Supreme : The Story of the Year'
The acclaimed Alan Moore run of Supreme is collected in trade paperback at last! This is the first of two volumes, and contains Moore's ground-breaking The Story of the Year arc in its entirety. Checker adds a never before published Alex Ross cover to create the supreme graphic novel of the season. [via]
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› Find signed collectible books: 'Supreme Vol. 2: The Return'
Alan Moore follows his Eisner-Award-winning Supreme: The Story of the Year script with Supreme: The Return, presented here in its entirety for the first time. Alan Moore's sense of irony and sense of humor combine to make a super hero comic like none you've ever seen. Collects Moore's final ten issues. [via]
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› Find signed collectible books: 'Swamp Thing'
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› Find signed collectible books: 'The Thackery T. Lambshead Pocket Guide to Eccentric and Discredited Diseases'
From Delusions of Universal Grandeur to Twentieth Century Chronoshock, this amusing pocket guide to concocted diseases - designed and illustrated by John Coulthart - features an anthology of slightly morbid, darkly humorous ailments and prognosis srved up by such renowned luminaries as Neil Gaiman, Alan Moore, Michael Moorcock, Gahan Wilson, Brian Stableford, and Michael Bishop. [via]
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› Find signed collectible books: 'Tom Strong'
Written by Alan Moore and Leah Moore Art by Chris Sprouse & Karl Story, Howard Chaykin and Shawn McManus Cover by Sprouse & Story ABC. Collecting TOM STRONG #15-19, this softcover collection brings back some old favorites and introduces some new ones! Val Var Garm kidnaps Tesla; Coleman Grey enlists Strong's aid and more! [via]

› Find signed collectible books: 'Tom Strong'
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› Find signed collectible books: 'Tom Strong - Book Six'
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› Find signed collectible books: 'Tom Strong: Book 2'
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› Find signed collectible books: 'Tomorrow Stories'
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› Find signed collectible books: 'Tomorrow Stories 2'
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› Find signed collectible books: 'Top 10 Book 1'
Written by Alan Moore; Art by Gene Ha and Zander Cannon This is the tale of Neopolis, a modern metropolis with a citizentry made up exclusively of super beings. In a city where everyone is blessed with powers, it takes a unique and powerful police force to protect and serve. In this Eisner Award-winning book, we are introduced to the extremely diverse officers of Precinct Ten; an armored and talking dog, a genetically engineered "perfect woman," a high tech cowboy, an indestructible man, and a rookie with a toy box full of "helpers." Individually they are unique personalities, together they are Neopolis' finest. [via]
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› Find signed collectible books: 'Top 10: The Forty-Niners a prequel to top 10'

› Find signed collectible books: 'Top Ten'
› Find signed collectible books: 'V for Vendetta'
V for Vendetta is, like its author's later Watchmen, a landmark in comic-book writing. Alan Moore has led the field in intelligent, politically astute (if slightly paranoid), complex adult comic-book writing since the early 1980s. He began V back in 1981 and it constituted one of his first attempts (along with the criminally neglected but equally superb Miracleman) at writing an ongoing series. It is 1998 (which was the future back then!) and a Fascist government has taken over the UK. The only blot on its particular landscape is a lone terrorist who is systematically killing all the government personnel associated with a now destroyed secret concentration camp. Codename V is out for vengeance ... and an awful lot more. V feels slightly dated like all past premonitions do. The original series was black and white and that added to the grittiness of the feel while the colouring here in the graphic novel sometimes blurs David Lloyd's fine drawing. But these are small concerns. Skilfully plotted, V is an essential read for all those who love comics and the freedom, as a medium, they allow a writer as skilled as Moore. The graphic novel contains all the V series plus two additional stories concerning V that were originally considered "interludes". This edition also contains an essay from Moore dating from 1983 explaining the creation process. For any comic fan it's a must-have. --Mark Thwaite [via]
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› Find signed collectible books: 'V for Vendetta'
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› Find signed collectible books: 'Voice of the Fire'
The dark aspect of human history is seen from the vantage point of a single place. Linked geographically within a radius of only ten miles, yet separated in time by a span of some 5000 years, each chapter in this novel brings a different voice from the ashes of the past. [via]

› Find signed collectible books: 'Voodoo, Dancing in the Dark'
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› Find signed collectible books: 'Watchmen'
Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite
A Q&A with Dave Gibbons on the Making of Watchmen
Question: You were tasked with drawing new illustrations of key shots from the new Watchmen film. Was it a difficult challenge to re-imagine your work in this movie format?
Dave Gibbons: I dont think that I actually did many key shots from the film. I had to actually imagine them rather than exactly recreate what was going to be in the movie. But as far as the drawings I did for the licensing purposes, accuracy was the real key so that they looked exactly like the movie. Whereas doing the graphic novel was creating stuff afresh and being very creative, this was more the case of interpreting something that already existed. So it was rather more a commercial art job than a creative thing.
Q: How many scenes from the original graphic novel did you redraw in the new "movie" format?
DG: I kind of did them piecemeal, these licensing drawings. I did do a section of storyboarding for Zack Snyder. There is a part of the movie that isnt in the graphic novel and he wanted to see how I would have drawn it, if it had been in the graphic novel. So I redid the storyboards as three pages of comic on the nine-panel grid, also getting it coloured by John Higgins so it looked authentic. But I think there were probably only 3 or 4 scenes that I drew, which were from the movie.
Q: What was your working method for producing these new illustrations from the film? And how has it changed from when you originally illustrated Watchmen?
DG: When youre producing things from existing material, you have to look at and assemble the references... you know, keep looking backwards and forwards to make sure what youre drawing is accurate to whats in the photos. I did have lots of photos from the movie and in some cases I had more or less the illustration I was going to do in photo form, which made it a lot easier. On others I had to construct it from various references: really just the usual illustrators job of drawing something to reference. And on the original illustrations of Watchmen, I was free to come up with exactly the angles and exactly the costumes and everything that I wanted to. When youve designed a costume and drawn it a few times, you actually internalize it and you find you can draw it without having to refer to reference at all. So in some ways its more creative and in some ways its easier!
Q: In Watchmen: The Art of the Film, there are concept designs by other artists of their visions of your iconic characters. What do you think of their versions and did you offer any guidance while they were working on these?
DG: Its always really interesting to see versions of your characters drawn by other artists. You tend to see things in them that you hadnt noticed before. So I really enjoyed looking at those. I certainly didnt offer them any guidance. The purpose of getting those kinds of drawings done is to get a fresh perspective on what exists. I noticed actually that they really stuck more closely to my original designs than those, but I really enjoyed seeing them.
Q: Watchmen: Portraits is Clay Enoss stunning black and white collection of photos of each character from the Watchmen movie. What was it like looking through this book at all the characters you had conceived years ago now being brought to life by actors?
DG: Its rather interesting; you know if you look at the Watching the Watchmen book you can see these characters as fairly sketchy rough conceptual versions. Then when you look at Clays book you can actually see them right down to counting the number of pores on the skin on the end of their noses! Its incredible high focus! Its like zooming in through space and time to look at the surface of some moon of Saturn or something. I thoroughly enjoyed his book... it had a real artistic quality to it that was really so good. And of course to see these actors who so much are the embodiment of what I drew, that its a tremendous thrill to see them made flesh!
Q: Watchmen: The Film Companion features some stills from the animated version of The Black Freighter. What do you think of the look and design of this animated feature?
DG: It looks really interesting! Although I drew my version in the comic book in a kind of horror-comic style, these are very much in a savage manga style. I think they work really well... theyve got the kind of manic intensity, which I think that work should have and I really cant wait to see the whole feature. Ive seen the trailer for it and that looks great and again theyve used a lot of the compositions that I came up with but just translated them to this kind of very modern drawn animation.
Q: How much time did you spend on the set of Watchmen? Was it a surreal experience to see your work recreated like this?
DG: I was on the set of Watchmen for a couple of days and it really was surreal to walk through a door and then suddenly be in the presence of all these people in living breathing flesh! I was there for what you would call the Crimebusters meeting where they were all there in costume in the same room, which was incredible. They had obviously planned that so I would get to see everyone. It was surreal though quite a wonderful experience to see it come to life.
[via]› Find signed collectible books: 'Watchmen : The Absolute Edition'
Has any comic been as lauded as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns but Watchmen remains the critics' favourite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and recently From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to garner praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterisation is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling, rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the fine pace of the writing and its humanity mean that Watchmen more than stands up--it retains its crown as the best the genre has yet produced. --Mark Thwaite [via]
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