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› Find signed collectible books: 'Anthills of the Savannah'
Achebe writes about the political and social problems facing newly independent African states.
Anthills of the Savannah transports the reader to the West African country of Kangan, a fictional Nigeria, in the wake of a revolutionary coup that overthrew a dictator. Achebe discusses the strict balance of power that must be maintained in order to sustain a democracy, and the fine the line that is tread between leader and dictator. [via]
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› Find signed collectible books: 'Autumn Quail'
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› Find signed collectible books: 'Children of Gebelaawi'
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› Find signed collectible books: 'Children of Gebelawi'
› Find signed collectible books: 'Cloud Nine'
Sharp comedy and serious purpose combine in amusing,provocative study of sexual politics in this play. [via]

› Find signed collectible books: 'The Concubine'
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› Find signed collectible books: 'Creole'
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› Find signed collectible books: 'Crime as Work'
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› Find signed collectible books: 'Cry, the Beloved Country'
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› Find signed collectible books: 'David's Story'
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› Find signed collectible books: 'Desgracia'
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› Find signed collectible books: 'Disgrace'
David Lurie is hardly the hero of his own life, or anyone else's. At 52, the protagonist of Disgrace is at the end of his professional and romantic game, and seems to be deliberately courting disaster. Long a professor of modern languages at Cape Town University College, he has recently been relegated to adjunct professor of communications at the same institution, now pointedly renamed Cape Technical University:
Although he devotes hours of each day to his new discipline, he finds its first premise, as enunciated in the Communications 101 handbook, preposterous: "Human society has created language in order that we may communicate our thoughts, feelings and intentions to each other." His own opinion, which he does not air, is that the origins of speech lie in song, and the origins of song in the need to fill out with sound the overlarge and rather empty human soul.Twice married and twice divorced, his magnetic looks on the wane, David rather cruelly seduces one of his students, and his conduct unbecoming is soon uncovered. In his eighth novel, J.M. Coetzee might have been content to write a searching academic satire. But in Disgrace he is intent on much more, and his art is as uncompromising as his main character, though infinitely more complex. Refusing to play the public-repentance game, David gets himself fired--a final gesture of contempt. Now, he thinks, he will write something on Byron's last years. Not empty, unread criticism, "prose measured by the yard," but a libretto. To do so, he heads for the Eastern Cape and his daughter's farm. In her mid-20s, Lucy has turned her back on city sophistications: with five hectares, she makes her living by growing flowers and produce and boarding dogs. "Nothing," David thinks, "could be more simple." But nothing, in fact, is more complicated--or, in the new South Africa, more dangerous. Far from being the refuge he has sought, little is safe in Salem. Just as David has settled into his temporary role as farmworker and unenthusiastic animal-shelter volunteer, he and Lucy are attacked by three black men. Unable to protect his daughter, David's disgrace is complete. Hers, however, is far worse.
There is much more to be explored in Coetzee's painful novel, and few consolations. It would be easy to pick up on his title and view Disgrace as a complicated working-out of personal and political shame and responsibility. But the author is concerned with his country's history, brutalities, and betrayals. Coetzee is also intent on what measure of soul and rights we allow animals. After the attack, David takes his role at the shelter more seriously, at last achieving an unlikely home and some measure of love. In Coetzee's recent Princeton lectures, The Lives of Animals, an aging novelist tells her audience that the question that occupies all lab and zoo creatures is, "Where is home, and how do I get there?" David, though still all-powerful compared to those he helps dispose of, is equally trapped, equally lost.
Disgrace is almost willfully plain. Yet it possesses its own lean, heartbreaking lyricism, most of all in its descriptions of unwanted animals. At the start of the novel, David tells his student that poetry either speaks instantly to the reader--"a flash of revelation and a flash of response"--or not at all. Coetzee's book speaks differently, its layers and sadnesses endlessly unfolding. --Kerry Fried [via]
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› Find signed collectible books: 'The Dreams'
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› Find signed collectible books: 'Elizabeth Costello'
Elizabeth Costello es una reconocida novelista australiana cuya dilatada vida se nos revela a través de una ingeniosa serie de ocho conferencias. Desde el discurso de aceptación de un premio en una facultad de letras de Nueva Inglaterra y una conferencia sobre el mal celebrada en Amsterdam, hasta una lectura del poeta Robert Duncan plena de alusiones sexuales, Coetzee conduce al lector inexorablemente hacia un final que, como es habitual en este autor, nos impulsa a la reflexión más profunda.
Fruto de una imaginación vívida y escrita en una prosa certera, Elizabeth Costello es, en apariencia, la historia de una mujer en su faceta de madre, hermana, amante y escritora. Pero es también una incisiva y cautivadora meditación sobre la esencia de narrar historias, y una defensa de la necesidad de ponerse en lugar del otro para comprender que la humanidad es única. Solo un escritor de la talla de Coetzee puede llevar a cabo dicha tarea.
«El surafricano J. M. Coetzee es uno de los mejores novelistas vivos y no digo el mejor porque, para hacer una afirmación semejante, habría que haberlos leído a todos.»
MARIO VARGAS LLOSA [via]
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› Find signed collectible books: 'Foe'
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› Find signed collectible books: 'Fools and Other Stories'
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› Find signed collectible books: 'Gifts'
Though he has lived in exile for the last 20 years, Nuruddin Farah's eye never strays far from his native Somalia. In Maps and Secrets, the first and third volumes in his Blood in the Sun trilogy, he explored the devastating effects of tribal hatred and civil war on his society; the middle volume, Gifts, however, is of a different stripe altogether. Though also set in Somalia, it is a sunnier, more optimistic novel, and a love story, to boot. The protagonist is Duniya, a nurse at a maternity hospital in Mogadishu. Once widowed and once divorced, she has experienced the injustices heaped upon women in her culture--as a young girl Duniya was given by her father to an elderly man to be his wife; after his death she remarried, only to have her child taken from her by her alcoholic husband's family when they divorced. Free at last, she has no intentions of getting entangled again--until she meets Bosaaso, an American-educated economist who has returned to Somalia to help his country during its economic crisis:
Duniya thought that marriage was a place she had been to twice already, but love was a palace she hadn't had the opportunity to set foot in before now. If what she and Bosaaso were doing was the beginning of a long courtship that might eventually lead to such a many-roomed mansion of love, so be it. So far she had only seen glimpses of it, in a rear-view mirror, in the eyes of a driver who wasn't a taxi driver.But love is not all Nuruddin has on his mind. He constantly reexamines the theme of gifts, from the personal gifting of one's body or heart to the impersonal "aid" bestowed by wealthy nations upon the poorer ones. But Gifts is hardly a political tract, for it consistently eschews the general in favor of the particular. In tracing Duniya's budding relationship with Bosaaso, Nuruddin not only tells the love story of two individuals but also etches a remarkable portrait of women in Somalia. The relationship between Duniya and Bosaaso is sweet, funny, and tender, but it is in her ties to her women friends and daughters that the book shines. As she learns to swim and drive, to stand up to her overbearing former in-laws and to trust her heart, it is within the context of an extended web of friends and family. Maps and Secrets expose the uglier aspects of war-torn Somalia; Gifts, on the other hand, offers its hidden strengths. --Alix Wilber [via]
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› Find signed collectible books: 'God Dies by the Nile'
Nawal el Saadawi's classic tale attempts to square Islam with a society in which women are respected as equals is as relevant today as ever.
'People have become corrupt everywhere. You can search in vain for Islam, or a devout Muslim. They no longer exist.'
Kafr El Teen is a beautiful, sleepy village on the banks of the Nile. Yet at its heart it is tyrannical and corrupt. The Mayor, Sheikh Hamzawi of the mosque, and the Chief of the Village Guard are obsessed by wealth and use and abuse the women of the village, taking them as slaves, marrying them and beating them. Resistance, it seems, is futile. Zakeya, an ordinary villager, works in the fields by the Nile and watches the world, squatting in the dusty entrance to her house, quietly accepting her fate. It is only when her nieces fall prey to the Mayor that Zakeya becomes enraged by the injustice of her society and possessed by demons. Where is the loving and peaceful God in whom Zakeya believes?
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› Find signed collectible books: 'Houseboy'
"Houseboy" is written in the form of a diary kept by Toundi, an innocent Cameroonian houseboy who is fascinated and awed by the white world, the world of his masters. When the head of his mission is killed in an accident, Toundi becomes the "boy" of the local Commandant. In an effort to improve himself, Toundi studies his new world closely---too closely. Gradually his eyes are opened to its realities, and in the end it destroys him. [via]
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› Find signed collectible books: 'Infancia/Boyhood'
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› Find signed collectible books: 'Juventud'
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› Find signed collectible books: 'Kafka's Curse'
› Find signed collectible books: 'Links'
Jeebleh is returning to Mogadiscio from New York for the first time in twenty years. It is not a nostalgia trip for him-Jeebleh's last residence here was a jail cell. And who could feel nostalgic for a city like this? The U.S. troops have recently come and gone, and the decimated city is ruled by clan warlords and patrolled by qaat-chewing gangs who shoot civilians to relieve their adolescent boredom.
Jeebleh is returning to visit his mother's grave and to settle her outstanding accounts-but more urgently, the youngest member of his oldest friend's family has been abducted. Though they have not seen each other in two decades, Jeebleh knows from their childhood that his friend-a virtual brother, who remained in Somalia when Jeebleh left-will need Jeebleh to step in. Jeebleh is determined to cut through the swirling violence and corruption to rescue the little girl-and, perhaps, a piece of his own identity.
Gripping, provocative, and revelatory, Links is the finest work yet from Farah, a novel that will secure his place in the international literary firmament and stand as a classic of modern world literature. [via]
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› Find signed collectible books: 'Maps'
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› Find signed collectible books: 'Nervous Conditions'
Set in the late 1960's -- 1970's, Tsitsi Dangarembga's 1988 novel "Nervous Conditions" (1988) tells the story of an adolescent girl growing up in rural Rhodesia (Zimbabwe). The author is a Zimbabwe native who earned a medical degree and lived in Germany and England before returning to her native country. She has become a full-time writer of novels, plays, and films. "Nervous Conditions" is the first book of a projected trilogy. The second book "The Book of Not" was published in 2006. [via]
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› Find signed collectible books: 'Pale Native: Memories of a Renegade Reporter'
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› Find signed collectible books: 'Poisonwood Bible'
Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: "We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle," says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse?
In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years.
The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate--teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo.
Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. --Alix Wilber [via]
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› Find signed collectible books: 'Possessing the Secret of Joy'
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› Find signed collectible books: 'Purple Hibiscus'
Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in beautiful house, with a caring family, and attend an exclusive missionary school. They're completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at homea home that is silent and suffocating.
As the country begins to fall apart under a military coup, Kambili and Jaja are sent to their aunt, a university professor outside the city, where they discover a life beyond the confines of their fathers authority. Books cram the shelves, curry and nutmeg permeate the air, and their cousins laughter rings throughout the house. When they return home, tensions within the family escalate, and Kambili must find the strength to keep her loved ones together.
Purple Hibiscus is an exquisite novel about the emotional turmoil of adolescence, the powerful bonds of family, and the bright promise of freedom. [via]

› Find signed collectible books: 'A Question of Power'
› Find signed collectible books: 'The Radiance of the King'
At the beginning of this masterpiece of African literature, Clarence, a white man, has been shipwrecked on the coast of Africa. Flush with self-importance, he demands to see the king, but the king has just left for the south of his realm. Traveling through an increasingly phantasmagoric landscape in the company of a beggar and two roguish boys, Clarence is gradually stripped of his pretensions, until he is sold to the royal harem as a slave. But in the end Clarences bewildering journey is the occasion of a revelation, as he discovers the image, both shameful and beautiful, of his own humanity in the alien splendor of the king [via]
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› Find signed collectible books: 'Season of Migration to the North'
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› Find signed collectible books: 'The Story of an African Farm'
The full African moon poured down its light from the blue sky into the wide lonely plain. The dry sandy earth with its coating of stunted karoo bushes a few inches high the low hills that skirted the plain the milk-bushes with their long finger-like leaves all were touched by a weird and an almost oppressive beauty as they lay in the white light.' (Excerpt from Chapter 1) [via]
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› Find signed collectible books: 'A Sunday at the Pool in Kigali'
Look, for people whore going to be dead soon, were not doing too badly.
The novel of the year is what La Presse called this extraordinary book, a love story that takes place in the days leading up to the 1994 genocide in Rwanda. A first work of fiction by one of French Canadas most admired journalists, Gil Courtemanche, it was first published in Quebec in 2000, spent more than a year on bestseller lists and won the Prix des Libraires, the booksellers award for outstanding book of the year. Rights were sold to publishers in over twenty countries in Europe and around the world. This humanist story of an unlikely love affair set against a holocaust has become an internationally acclaimed phenomenon, worthy of comparison with the work of Graham Greene and Albert Camus.
The swimming pool of the Mille-Collines hotel, Kigali, in the early 1990s, draws a regular crowd of assorted aid workers, strutting Rwandan officials, Belgian businessmen, French paratroops and Canadian expats. Among them is Bernard Valcourt, a documentary filmmaker from Quebec, on a mission to set up a television station in the capital. Valcourt, who for two decades has earned his living from wars and famines, lingers around the pool drinking warm beer and watching football; but most of all, watching Gentille, a beautiful young waitress, who is a Hutu but often mistaken for a Tutsi because of her familys strange history.
The trouble coming stems from a long conflict, instigated in colonial times by Whites who treated Tutsis as superior to Hutus. The Hutu government is now openly encouraging violence against Tutsis. The physical traits of the Tutsis make them easy prey, but they are not the only ones in danger. Too many people are already dying in Rwanda daily: of AIDS, of malaria, and increasingly at roadblocks at the hands of drunken militia, or pulled from their homes. The hotel staff and prostitutes sense trouble and death drawing closer as they continue providing drinks and meals and sex.
The story of this developing catastrophe is revealed through the lives of a handful of Rwandans who befriend Valcourt. They confide in him because he listens, and because his interviews offer them a chance to try to change the way things are by telling the world. Their candour and warmth begin to make his heart glow. He meets people like Méthode, who knows a bloodbath is brewing and would rather die of AIDS in the comfort of a hotel room than by a machete. Threatened, frightened, sick, they dont want to talk and act like theyre dying. Poor as they are, they want to have some moments of pleasure and celebrate life.
As Kigali life continues in its resourcefulness and persistence, Valcourt is falling in love with Rwanda, and with Gentille, who loves him because he sees her as no-one has seen her before. Even as the worst horrors begin, as friends are raped and murdered, he starts to feel a strange peace in this land of a thousand hills, though he repudiates the outside world for its failure to intervene. Because Gentille is thought to be Tutsi, her life is in danger. Still, no-one can believe that the extremists will go too far, that brothers and sisters will kill brothers and sisters, and that 800,000 civilians will be massacred.
A hard-hitting chronicle of an overlooked chapter of recent history, told with skill and compassion, A Sunday at the Pool in Kigali is also a celebration of living in the moment, of the integrity of friendship and the courage of everyday heroes. Harrowing, unsettling, challenging, but beautiful and moving, it is a book that cannot leave the reader untouched; as a Quill & Quire reviewer said, it is full of real people that demand to be remembered. [via]
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› Find signed collectible books: 'Sundiata - an Epic of Old Mali'
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› Find signed collectible books: 'Tea in the Harem'
This novel describes the plight of Madjid, a second-generation Algerian growing up in Paris, who is caught between two cultures. In his desperate attempts to make sense of unfamiliar surroundings, Madjid enters into French life, despite his feelings that the culture rejects and insults Arabs. [via]
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› Find signed collectible books: 'Things Fall Apart'
Things Fall Apart tells two intertwining stories, both centering on Okonkwo, a "strong man" of an Ibo village in Nigeria. The first, a powerful fable of the immemorial conflict between the individual and society, traces Okonkwo's fall from grace with the tribal world. The second, as modern as the first is ancient, concerns the clash of cultures and the destruction of Okonkwo's world with the arrival of aggressive European missionaries. These perfectly harmonized twin dramas are informed by an awareness capable of encompassing at once the life of nature, human history, and the mysterious compulsions of the soul. [via]
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› Find signed collectible books: 'Things Fall Apart'
The unthinkable happens when nuclear brinksmanship spirals off into to Armageddon. Billions die as governments disintegrate, great cities are annihilated and deeply laid plans to seize unlimited power swing into action.Tom McArthur: Once a carefree individualist, he was coaxed into a position of influence and leadership by unexpected opportunity and kept there by his sense of honor. He finds himself far from home and family, separated by hundreds of miles of impossible terrain, gangs of armed bandits and a hostile government.Lynn, his wife: Beautiful and intelligent, strong willed and voluptuous, she resents Tom's abandonment of her and their children for a distant political career. Now, with nothing but her courage, wits and willpower to work with, she must fight to keep herself and her children alive.Lance: Young, handsome and lonely, trained as the ultimate warrior, he drove himself into poverty and alcohol with the memory of an unspeakable evil he was party to. Will he find love and redemption or destroy those around him? Who will live? Who will die? What will emerge when things fall apart? [via]
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› Find signed collectible books: 'Une Vie De Boy'

› Find signed collectible books: 'You Can't Get Lost in Cape Town'
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› Find signed collectible books: 'Youth'
› Find signed collectible books: 'Youth: Scenes from Provincial Life II'
After the brooding, dark menace of his Booker Prize-winning novel Disgrace, J.M. Coetzee's Youth is a slighter, more restrained work. Written in succinct, almost cold prose, it's a painfully maudlin bildsrungsroman that explores the dreary follies of youth rather than its more celebrated joys. The unprepossessing protagonist John is a South African mathematics graduate with literary aspirations, a dreamer who constantly yearns to meet a girl who will serve as his lover and muse. Having abandoned Cape Town after Sharpeville he finds Swinging '60s London grey, damp, and uninviting. Reluctantly he finds employment as a computer programmer. In between trundling from his grimy Archway bedsit to his soulless job, this autodidactic Pooter dabbles on a study of Ford Maddox Ford, composes an Ezra Pound-inspired poem (ostentatiously entitled "The Portuguese Rock-Lobster Fisherman"), and embarks on "one humiliating affair after another." Despite his artistic and romantic endeavors, John seems only able to cultivate "dull, honest, misery" and, broken by London, flees to a new programming job in Berkshire. Here he practically renounces literature and, for a while at least, concentrates on chess problems and feeding primitive computers magnetic tape. His creative and sexual drives appear to have gone, leaving him to consider the possibility that he might actually have grown up.
Like the halting, self-interrogating consciousness of John's computers, Coetzee renders his character's inner life through a series of rhetorical questions. These lend the book a curiously existentialist air but also contribute to its slightly dilatory gait. (It feels far longer than its 170-odd pages.) Coetzee's tone is so laconic it's hard, on occasions, to be entirely certain if John's poetic ambitions should be pitied or simply laughed at. However, this novel does offer an unflinchingly acute dissection of the adolescent male psyche. --Travis Elborough, Amazon.co.uk [via]
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› Find signed collectible books: 'Zayni Barakat'
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› Find signed collectible books: 'LA Biblia Envenenada / The Poisonwood Bible'
La autora des suroeste de Estados Unidos nos trae una novela de pasión, y de tragedia con un paisaje bello e inesperado. Una selección de Oprah para su club de lectores. Un bestseller de toda clase. [via]
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› Find signed collectible books: 'La Edad De Hierro/ Age of Iron'
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› Find signed collectible books: 'Hombre Lento/ Slow Man'
› Find signed collectible books: 'Infancia/Boyhood'
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› Find signed collectible books: 'Juventud/ Youth'
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› Find signed collectible books: 'Le The Au Harem D'archi Ahmed'
184pages. poche. Poche. [via]
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› Find signed collectible books: 'Un Dimanche a La Piscine a Kigali: Roman'
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› Find signed collectible books: 'Schande'
David Lurie ist schon in seinem eigenen Leben kein Held, geschweige im dem von jemand anderem. Mit 52 Jahren ist der Protagonist von Schande am Ende seines beruflichen wie auch seines Liebeslebens angelangt und scheint geradezu absichtlich mit dem Unglück zu flirten. Seit langem Professor für Neuere Philologien am Cape Town University College in Kapstadt, wurde er kürzlich zum Assistenzprofessor für Kommunikation derselben Einrichtung degradiert, die mittlerweile ostentativ in Cape Technical University umbenannt wurde.
Obwohl er seiner neuen Disziplin täglich viele Stunden widmet, findet er deren erste Prämisse, wie sie im "Communications 101"-Handbuch formuliert ist, geradezu absurd: "Die menschliche Gesellschaft hat die Sprache erfunden, damit wir unsere Gedanken, unsere Gefühle und unsere Absichten einander mitteilen können." Seiner Ansicht nach -- die er für sich behält -- liegen die Ursprünge der Sprache im Gesang, die Ursprünge des Gesangs wiederum in der Notwendigkeit, die übergroße und ziemlich leere menschliche Seele mit Klang zu erfüllen.
David, der bereits zweimal geschieden ist und dessen äußerliche Anziehungskraft nachläßt, verführt auf ziemlich unbarmherzige Weise eine seiner Studentinnen; sein unschickliches Verhalten wird bald aufgedeckt. In seinem achten Roman wäre J.M. Coetzee vielleicht damit zufrieden gewesen, eine tiefgründige akademische Satire zu schreiben. Aber in Schande hat er sich weitaus mehr vorgenommen, und seine Kunst ist so kompromißlos wie seine Hauptfigur -- allerdings auch unendlich komplexer. Nicht bereit, das Spiel der öffentliche Reue mitzumachen, läßt sich David schließlich feuern -- eine letzte Geste der Verachtung. Nun, denkt er, kann er sich hinsetzen und etwas über Byrons letzte Lebensjahre schreiben -- keine leere, ungelesene Kritik, "Prosa als Meterware" sozusagen, sondern ein Libretto. Zu diesem Zweck reist er in die Ost-Kap-Provinz zur Farm seiner Tochter. Lucy, die Mitte Zwanzig ist, kehrte dem Schick der Stadt den Rücken und lebt nun auf fünf Hektar Land vom Blumen- und Gemüseanbau und einem Hundeasyl. "Nichts könnte einfacher sein", denkt David. In Wirklichkeit könnte nichts schwieriger sein -- oder, jetzt im neuen Südafrika, gefährlicher. Weit davon entfernt, die Zuflucht zu sein, die er gesucht hat, ist in Salem kaum etwas sicher. Gerade als sich David in seine vorübergehende Rolle als Landarbeiter und wenig begeisterter Freiwilliger im Tierheim eingelebt hat, werden er und Lucy von drei schwarzen Männern überfallen. Unfähig, seine Tochter zu beschützen, ist Davids Schande nun komplett. Ihre ist allerdings weitaus größer.
Es gibt in Coetzees schmerzlichem Roman viel mehr zu erkunden, und wenig davon ist tröstlich. Es wäre zu einfach, seinen Titel aufzugreifen und Schande als eine komplizierte Aufarbeitung persönlicher und politischer Schande und Verantwortung zu betrachten. Aber das Anliegen des Autors ist die Geschichte seines Landes, die Brutalitäten und der Verrat. Coetzee setzt sich auch mit der Frage auseinander, wieviel Seele und wieviele Rechte wir Tieren zugestehen. Nach dem Überfall nimmt David seine Rolle im Hundeasyl viel ernster und findet schließlich eine Art Zuhause und ein gewisses Maß an Liebe. In Coetzees The Lives of Animals, vor kurzem in der Schriftenreihe der Princeton University erschienen, erzählt eine alternde Romanschriftstellerin ihren Zuhörern, daß die Frage, die alle Labor- und Zootiere beschäftigt, lautet: "Wo ist mein Zuhause, und wie komme ich dorthin?" Obwohl er im Vergleich zu den ungewollten Tieren, die in seiner Obhut sind, geradezu allmächtig ist, ist David letztendlich genauso gefangen und genauso verloren wie sie.
Schande ist geradezu gewollt einfach. Und doch besitzt es seine ganz eigene magere,herzzerreißende Lyrik, vor allem in den Beschreibungen der ungewollten Tiere. Am Anfang der Geschichte erklärt David seiner Studentin, daß Lyrik den Leser entweder sofort anspricht -- "eine plötzliche Offenbarung und eine plötzliche Reaktion" -- oder überhaupt nicht. Coetzees Buch spricht da anders; seine Schichten und Traurigkeiten wickeln sich endlos ab. --Kerry Fried [via]
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