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› Find signed collectible books: 'Adorno'

› Find signed collectible books: 'Adorno: A Political Biography'
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› Find signed collectible books: 'Adorno: An Introduction'
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› Find signed collectible books: 'Adorno: Disenchantment and Ethics'
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› Find signed collectible books: 'The Adorno Reader'
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› Find signed collectible books: 'Adorno: The Stars Down to Earth and Other Essays on the Irrational in Culture'
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› Find signed collectible books: 'Adorno's Aesthetic Theory: The Redemption of Illusion'
Theodor Adorno's Aesthetic Theory is a vast labyrinth that anyone interested in modern aesthetic theory must at some time enter. Because of his immense difficulty of the same order as Derrida - Adorno's reception has been slowed by the lack of a comprehensive and comprehensible account of the intentions of his aesthetics. This is the first book to put Aesthetic Theory into context and outline the main ideas and relevant debates, offering readers a valuable guide through this huge, difficult, but revelatory work. Its extended argument is that, despite Adorno's assumptions of autonomism, cognitivism, and aesthetic modernism, his idea of artistic truth content offers crucial insights for contemporary philosophical aesthetics.The eleven chapters are divided into three parts: Context, Content, and Critique. The first part offers a brief biography, describes Adorno's debates with Benjamin, Brecht, and Lukács, and outlines his philosophical program. The second part is an interpretation of Adorno's aesthetics, examining how he situates art in society, production, politics, and history and uncovering the social, political, and historical dimensions of his idea of artistic truth. The third part evaluates Adorno's contribution by confronting it with the critiques of Peter Bürger, Frederic Jameson, and Albrecht Wellmer.Lambert Zuidervaart is Professor of Philosophy at Calvin College.
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› Find signed collectible books: 'Aesthetic Theory'
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› Find signed collectible books: 'Aesthetics and Politics'
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› Find signed collectible books: 'Aesthetics And Politics'
An intense and lively debate on literature and art between thinkers who became some of the great figures of twentieth-century philosophy and literature.
No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history. [via]More editions of Aesthetics And Politics:

› Find signed collectible books: 'Between Cultures : Tension in the Struggle for Recognition'
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› Find signed collectible books: 'Crisis and the Crash: Soviet Studies of the West,1917-1939'
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› Find signed collectible books: 'Critical Models: Interventions And Catchwords'
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› Find signed collectible books: 'Critical Theory'
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› Find signed collectible books: 'Critique, Norm, and Utopia: A Study of the Foundations of Critical Theory'
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› Find signed collectible books: 'The Culture Industry: Selected Essays on Mass Culture'
The creation of the Frankfurt School of critical theory in the 1920s saw the birth of some of the most exciting and challenging writings of the twentieth century. It is out of this background that the great critic Theodor Adorno emerged. His finest essays are collected here, offering the reader unparalleled insights into Adorno's thoughts on culture. He argued that the culture industry commodified and standardized all art. In turn this suffocated individuality and destroyed critical thinking. At the time, Adorno was accused of everything from overreaction to deranged hysteria by his many detractors. In today's world, where even the least cynical of consumers is aware of the influence of the media, Adorno's work takes on a more immediate significance. The Culture Industry is an unrivalled indictment of the banality of mass culture. [via]
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› Find signed collectible books: 'Dialectic of Enlightenment'
This celebrated work is the keystone of the thought of the Frankfurt School. It is a wide-ranging philosophical and psychological critique of the Western categories of reason and nature, from Homer to Nietzsche. "A classic of twentieth-century thought". TIMES LITERARY SUPPLEMENT. [via]
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› Find signed collectible books: 'Dialectic of Enlightenment: Philosophical Fragments'
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› Find signed collectible books: 'Dialektik Der Aufklarung: Philosophische Fragmente'
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› Find signed collectible books: 'Enchantment of Modern Life: Attachments, Crossings, and Ethics'
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› Find signed collectible books: 'Essays on Music: Theodor W. Adorno ; Selected, With Introduction, Commentary, and Notes by Richard Leppert ; New Translations by Susan H. Gillespie'
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› Find signed collectible books: 'The Essential Frankfurt School Reader'
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› Find signed collectible books: 'Exact Imagination, Late Work: On Adorno's Aesthetics'
Most English-language writing on Theodor Adorno has attempted to place him in various contexts and to differentiate him from other thinkers. Such work, while important, marks our failure to appropriate Adorno's ideas imaginatively. In Exact Imagination, Late Work, Nicholsen proposes such an appropriation through a focus on the centrality of the aesthetic dimension in Adorno.
Adorno uses the term "exact imagination" to mark the conjunction of knowledge, subjective experience, and aesthetic form. Exact imagination, as distinct from creative imagination, thus describes a form of nondiscursive rationality. According to Adorno, exact imagination discovers or produces truth by reconfiguring the material at hand; thus, knowledge is inseparable from the configurational form imagination gives it. "Late work" is characterized by the disjunction of subjectivity and objectivity. In its attempt to grasp late phenomena, Adorno's oeuvre itself takes on the form of late work.
Exact imagination and late work mark the bounds of Nicholsen's exploration. The five interlocked essays, based on material from Adorno's "aesthetic writings," take up such issues as subjective aesthetic experience, the historicity of artworks and our experience of them, Adorno's conception of language, the nature of configurational or constellational form in Adorno's work, and the relation between the artwork, aesthetic experience, and philosophy. A subtext is the unraveling of Adorno's use of the ideas of his colleague Walter Benjamin. Nicholsen's essays themselves can be perceived as a constellation of their own around the central issue of the inseparability of form in its aesthetic dimension and nondiscursive rationality. [via]
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› Find signed collectible books: 'The Fate of Art: Aesthetic Alienation from Kant to Derrida and Adorno'
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› Find signed collectible books: 'The Frankfurt School: Its History, Theories, and Political Significance'
This is the definitive study of the history and accomplishments of the Frankfurt School. It offers elegantly written portraits of the major figures in the school's history as well as overviews of the various positions and directions they developed from the founding years just after World War I until the death of Theodor Adorno in 1969.The book is based on documentary and biographical materials that have only recently become available. As the narrative follows the Institute for Social Research from Frankfurt am Main to Geneva, New York, and Los Angeles, and then back to Frankfurt, Wiggershaus continually ties the evolution of the school to the changing intellectual and political contexts in which it operated. He also interweaves these accounts with incisive summaries of substantive works by Horkheimer, Adorno, Benjamin, Fromm, Kirchheimer, Lowenthal, Marcuse, Neumann, Pollock, and Habermas.The book is self-contained and can serve as a general introduction to critical theory, but it also has a wealth of new material to offer those who are familiar with this tradition but would like to learn more about its history and context.Studies in Contemporary German Social Thought
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› Find signed collectible books: 'Giving an Account of Oneself'
What does it mean to lead a moral life?In her first extended study of moral philosophy, Judith Butler offers a provocative outline for a new ethical practice-one responsive to the need for critical autonomy and grounded in a new sense of the human subject.Butler takes as her starting point one's ability to answer the questions What have I done?and What ought I to do?She shows that these question can be answered only by asking a prior question, Who is this 'I' who is under an obligation to give an account of itself and to act in certain ways?Because I find that I cannot give an account of myself without accounting for the social conditions under which I emerge, ethical reflection requires a turn to social theory.In three powerfully crafted and lucidly written chapters, Butler demonstrates how difficult it is to give an account of oneself, and how this lack of self-transparency and narratibility is crucial to an ethical understanding of the human. In brilliant dialogue with Adorno, Levinas, Foucault, and other thinkers, she eloquently argues the limits, possibilities, and dangers of contemporary ethical thought.Butler offers a critique of the moral self, arguing that the transparent, rational, and continuous ethical subject is an impossible construct that seeks to deny the specificity of what it is to be human. We can know ourselves only incompletely, and only in relation to a broader social world that has always preceded us and already shaped us in ways we cannot grasp. If inevitably we are partially opaque to ourselves, how can giving an account of ourselves define the ethical act? And doesn't an ethical system that holds us impossibly accountable for full self-knowledge and self-consistency inflict a kind of psychic violence, leading to a culture of self-beratement and cruelty? How does the turn to social theory offer us a chance to understand the specifically social character of our own unknowingness about ourselves?In this invaluable book, by recasting ethics as a project in which being ethical means becoming critical of norms under which we are asked to act, but which we can never fully choose, Butler illuminates what it means for us as fallible creaturesto create and share an ethics of vulnerability, humility, and ethical responsiveness. Judtith Butler is the Maxine Elliot Professor of Rhetoric and Comparative Literature at the University of California, Berkeley. The most recent of her books are Precarious Life: The Power of Mourning and Violence and Undoing Gender. [via]
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› Find signed collectible books: 'Giving an Account of Oneself: A Critique of Ethical Violence'
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› Find signed collectible books: 'Hegel: Three Studies'
This short masterwork in twentieth-century philosophy provides both a major reinterpretation of Hegel and insight into the evolution of Adorno's critical theory. The first study focuses on the relationship of reason, the individual, and society in Hegel, defending him against the criticism that he was merely an apologist for bourgeois society. The second study examines the experiential content of Hegel's idealism, considering the notion of experience in relation to immediacy, empirical reality, science, and society. The third study, "Skoteinos," is an unusual and fascinating essay in which Adorno lays out his thoughts on understanding Hegel. In his reflections, which spring from his experience teaching at the Goethe University in Frankfurt, questions of textual and philosophical interpretation are intertwined.
Rescuing the truth value of Hegel's work is a recurring theme of the critical theory of the Frankfurt School, and nowhere is this goal pursued with more insight than in these three studies. The core problem Adorno sets for himself is how to read Hegel in a way that comprehends both the work and its historical context, thereby allowing conclusions to be drawn that may seem on the surface to be exactly opposed to what Hegel wrote but that are, nevertheless, valid as the present truth of the work. It is the elaboration of this method of interpretation, a negative dialectic, that was Adorno's underlying goal.
Adorno's efforts to salvage the contemporaneity of Hegel's thought form part of his response to the increasingly tight net of social control in the aftermath of World War II. In this, his work is related to the very different attempts to undermine reified thinking undertaken by the various French theorists. The continued development of what Adorno called "the administered world" has only increased the relevance of his efforts. [via]
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› Find signed collectible books: 'Ideology: An Introduction'
The best guide available to this complex concept.
Ideology has never before been so much in evidence as a fact and so little understood as a concept as it is today. In this now classic work, originally written for both newcomers to the topic and for those already familiar with the debate, Terry Eagleton unravels the many different definitions of ideology, and explores the concept's torturous history from the Enlightenment to postmodernism.
The book provides lucid accounts of the thought of key Marxist thinkers, as well as of Schopenhauer, Nietzsche, Freud and the various post-structuralists. Now updated in the light of current theoretical debates, this essential text by one of our most important contemporary critics clarifies a notoriously confused subject.
Ideology is core reading for students and teachers of literature and politics.
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› Find signed collectible books: 'In Search of Wagner'
› Find signed collectible books: 'The Jargon of Authenticity'
Theodor Adorno was no stranger to controversy. In The Jargon of Authenticity he gives full expression to his hostility to the language employed by certain existentialist thinkers such as Martin Heidegger. With his customary alertness to the uses and abuses of language, he calls into question the jargon, or 'aura', as his colleague Walter Benjamin described it, which clouded existentialists' thought. He argued that its use undermined the very message for meaning and liberation that it sought to make authentic. Moreover, such language - claiming to address the issue of freedom - signally failed to reveal the lack of freedom inherent in the capitalist context in which it was written. Instead, along with the jargon of the advertising jingle, it attributed value to the satisfaction of immediate desire. Alerting his readers to the connection between ideology and language, Adorno's frank and open challenge to directness, and the avoidance of language that 'gives itself over either to the market, to balderdash, or to the predominating vulgarity', is as timely today as it ever has been. [via]
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› Find signed collectible books: 'Late Marxism: Adorno Or, the Persistence of the Dialectic'
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› Find signed collectible books: 'The Limits of Disenchantment: Essays on Contemporary European Philosophy'
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› Find signed collectible books: 'Mahler: A Musical Physiognomy'
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› Find signed collectible books: 'Marxism And Totality: The Adventures of a Concept from Lukacs to Habermas'
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› Find signed collectible books: 'Minima Moralia'
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› Find signed collectible books: 'Minima Moralia: Reflections on a Damaged Life'
A reflection on everyday existence in the 'sphere of consumption of late capitalism', this work is Adorno's literary and philosophical masterpiece. [via]
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› Find signed collectible books: 'Negative Dialectics'
› Find signed collectible books: 'The Origin of Negative Dialectics: Theodore W. Adorno, Walter Benjamin, and the Frankfurt Institute'
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› Find signed collectible books: 'Philosophy of Modern Music'
A landmark work from the founder of the Frankfurt School. A key work in the study of Adorno, of interest to students and general readers alike. [via]
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› Find signed collectible books: 'Prisms'
Prisms, essays in cultural criticism and society, is the work of a critic and scholar who has had a marked influence on contemporary American and German thought. It displays the unusual combination of intellectual depth, scope, and philosophical rigor that Adorno was able to bring to his subjects, whether he was writing about astrology columns in Los Angeles newspapers, the special problems of German academics immigrating to the United States during the Nazi years, or Hegel's influence on Marx.
In these essays, Adorno explores a variety of topics, ranging from Aldous Huxley's Brave New World and Kafka's The Castle to Jazz, Bach, Schoenberg, Proust, Veblen's theory of conspicuous consumption, museums, Spengler, and more. His writing throughout is knowledgeable, witty, and at times archly opinionated, but revealing a sensitivity to the political, cultural, economic, and aesthetic connections that lie beneath the surfaces of everyday life.
Theodor W. Adorno (1903-1969) was a student of philosophy, musicology, psychology, and sociology at Frankfurt where he later became Professor of Philosophy and Sociology and Co-Director of the Frankfurt School. During the war years he lived in Oxford, in New York, and in Los Angeles, continuing to produce numerous books on music, literature, and culture.
Prisms is included in the series, Studies in Contemporary German Social Thought, edited by Thomas McCarthy. [via]

› Find signed collectible books: 'Quasi Una Fantasia: Essays on Modern Music'
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› Find signed collectible books: 'Rethinking Generosity: Critical Theory and the Politics of Caritas'
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› Find signed collectible books: 'Rethinking the Communicative Turn: Adorno, Habermas, and the Problem of Communicative Freedom'
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› Find signed collectible books: 'Sound Figures'
› Find signed collectible books: 'Sovereignty of Art : Aesthetic Negativity in Adorno and Derrida'
Recent discussions of aesthetics, whether in the hermeneutic or the analytic tradition, understand the place of art and aesthetic experience according to a model of "autonomy"--as just one among the many modes of experience that make up the realm of reason, situated beside the other "spheres of value." In contrast, Theodor Adorno and Jacques Derrida view art and aesthetic experience as a medium for the dissolution of nonaesthetic reason, an experientially enacted critique of reason. Art is not only autonomous, following its own law, different from nonaesthetic reason, but sovereign: it subverts the rule of reason.In this book Christoph Menke attempts to explain art's sovereign power to subvert reason without falling into an error common to Adorno's negative dialectics and Derrida's deconstruction. The error, which already appeared in romanticism, is to conceive of the sovereignty of art as reflecting the superiority of its knowledge. For art entails no knowledge and its negativity toward reason cannot be articulated as an insight into the nature of reason: art is sovereign not despite, but because of, its autonomy. Menke brings to his arguments a firm grounding in both philosophy and literary studies, as well as familiarity with German, French, and American sources.
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› Find signed collectible books: 'The Stars Down to Earth: And Other Essays on the Irrational in Culture'
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› Find signed collectible books: 'Stations of the Cross: Adorno and Christian Right Radio'
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› Find signed collectible books: 'Toward a Theory of Radical Origin: Essays on Modern German Thought'
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› Find signed collectible books: 'Briefe Und Briefwechsel'
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› Find signed collectible books: 'Das Eingedenken Der Natur Im Subjekt: Zur Dialektik Von Vernunft Und Natur in Der Kritischen Theorie Horkheimers, Adornos Und Marcuses'
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› Find signed collectible books: 'Metaphysik: Begriff Und Probleme (1965)'
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› Find signed collectible books: 'Das Passagen-Werk'
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› Find signed collectible books: 'Phantastische Nachte: Traumerfahrungen in Poesie Und Prosa'
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› Find signed collectible books: 'Theodor W. Adorno'
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› Find signed collectible books: 'El Condenado Por Desconfiado'
Condenado por desconfiado es un drama teológico sobre la predestinación, el libre albedrío y la salvación humana. Paulo, el protagonista, es un ermitaño que duda de su destino y, tentado por el demonio, se hace bandolero y pierde su alma. [via]
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› Find signed collectible books: 'Ons Ontbreken Heilige Namen: Negatieve Theologie in De Bedendaagse Cultuurfilosofie'
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