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› Find signed collectible books: 'Cien Anos De Soledad'
Muchos años después, frente al pelotón de fusilamiento, el coronel Aureliano Buendía había de recordar aquella tarde remota en que su padre lo llevó a conocer el hielo.
Con estas palabras empieza una novela ya legendaria en los anales de la literatura universal, una de las aventuras literarias más fascinantes del siglo xx. Millones de ejemplares de Cien años de soledad leídos en todas las lenguas y el Premio Nobel de Literatura coronando una obra que se había abierto paso a boca a boca como gusta decir el escritor son la más palpable demostración de que la aventura fabulosa de la familia Buendía-Iguarán, con sus milagros, fantasías, obsesiones, tragedias, incestos, adulterios, rebeldías, descubrimientos y condenas, representaba al mismo tiempo el mito y la historia, la tragedia y el amor del mundo entero. [via]
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› Find signed collectible books: 'Cien Anos De Soledad'
A dense jungle of magic and literary gusto, this book pulls you in and engulfs you with its richness and beauty. Saying it is a story of a family is like saying the New Testament is a book about a carpenter. Following the family here reveals the history of several generations, and the passions, thoughts, and myths of a labyrinth of people, related and not. Gabriel Garcia Marquez is a gifted writer, and nowhere does he write with the fervor that he does in One Hundred Years of Solitude, a pleasurable ride unmatched in modern literature. [via]
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› Find signed collectible books: 'Cien Anos De Soledad / 100 Years of Solitude'
"Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice."
It is typical of Gabriel García Márquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buendía, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics:
A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread.
"Holy Mother of God!" Úrsula shouted.
The story follows 100 years in the life of Macondo, a village founded by José Arcadio Buendía and occupied by descendants all sporting variations on their progenitor's name: his sons, José Arcadio and Aureliano, and grandsons, Aureliano José, Aureliano Segundo, and José Arcadio Segundo. Then there are the women--the two Úrsulas, a handful of Remedios, Fernanda, and Pilar--who struggle to remain grounded even as their menfolk build castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow's outlines bleeding through the vibrant colors of García Márquez's magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom José Arcadio Buendía has killed in a fight. So lonely is the man's shade that it haunts Buendía's house, searching anxiously for water with which to clean its wound. Buendía's wife, Úrsula, is so moved that "the next time she saw the dead man uncovering the pots on the stove she understood what he was looking for, and from then on she placed water jugs all about the house."
With One Hundred Years of Solitude Gabriel García Márquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of love and loss in Macondo stands at the apex of 20th-century literature. --Alix Wilber [via]
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› Find signed collectible books: 'Dubliners'
In these masterful stories, steeped in realism, joyce creates an exacting portrait of his native city, showing how it reflects the general decline of irish culture and civilization. Joyce compels attention by the power of its unique vision of the world, its controlling sense of the truths of human experience [via]
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› Find signed collectible books: 'El Hobbit / the Hobbit'
Smaug parecia profundamente dormido cuando Bilbo espio una vez mas desde la entrada. Pero fingia estar dormido! ¡Estaba vigilando la entrada del tunel!... Sacado de su comodo agujero-hobbit por Gandalf y una banda de enanos, Bilbo se encuentra de pronto en medio de una conspiracion que pretende apoderarse del tesoro de Smaug el Magnifico, un enorme y muy peligroso dragon...Todos los que aman esos libros para ninos que pueden ser leidos y releidos por adultos han de tomar buena cuenta de que una nueva estrella ha aparecido en esa constelacion. [via]
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› Find signed collectible books: 'El Proceso / the Process'
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› Find signed collectible books: 'Gabriel Garcia Marquez's 100 Years of Solitude: A Casebook'
Casebooks in Criticism offer analytical and interpretive frameworks for understanding key texts in world literature and film. Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts.
Gabriel García Márquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on García Márquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with García Márquez. [via]
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› Find signed collectible books: 'The Grapes of Wrath'
When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.
The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."
The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak [via]
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› Find signed collectible books: 'James Joyce's Dubliners'
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› Find signed collectible books: 'John Steinbeck'
5 stories in one the grapes of wrath the moon is down cannery row east of eden of mice and men [via]

› Find signed collectible books: 'John Steinbeck's the Grapes of Wrath'
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› Find signed collectible books: 'John Steinbeck's The Grapes of Wrath'
Harold Bloom writes, "The Grapes of Wrath is a flawed but permanent American book." John Steinbeck's novel, still popular a half-century after its original publication, is the focus of this edition of Bloom's Notes. Along with a collection of some of the best criticism available on his work, this text includes a brief biography of the author, structural and thematic analysis, an index of themes and ideas, and more. This series is edited by Harold Bloom, Sterling Professor of the Humanities, Yale University; Henry W. and Albert A. Berg Professor of English, New York University Graduate School. These texts are the ideal aid for all students of literature, presenting concise, easy-to-understand biographical, critical, and bibliographical information on a specific literary work. Also provided are multiple sources for book reports and term papers with a wealth of information on literary works, authors, and major characters. [via]
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› Find signed collectible books: 'John Steinbeck's the Grapes of Wrath'
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› Find signed collectible books: 'LA Senora Dalloway'
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› Find signed collectible books: 'Mrs Dalloway'
As Clarissa Dalloway walks through London on a fine June morning, a sky-writing plane captures her attention. Crowds stare upwards to decipher the message while the plane turns and loops, leaving off one letter, picking up another. Like the airplane's swooping path, Virginia Woolf's Mrs. Dalloway follows Clarissa and those whose lives brush hers--from Peter Walsh, whom she spurned years ago, to her daughter Elizabeth, the girl's angry teacher, Doris Kilman, and war-shocked Septimus Warren Smith, who is sinking into madness.
As Mrs. Dalloway prepares for the party she is giving that evening, a series of events intrudes on her composure. Her husband is invited, without her, to lunch with Lady Bruton (who, Clarissa notes anxiously, gives the most amusing luncheons). Meanwhile, Peter Walsh appears, recently from India, to criticize and confide in her. His sudden arrival evokes memories of a distant past, the choices she made then, and her wistful friendship with Sally Seton.
Woolf then explores the relationships between women and men, and between women, as Clarissa muses, "It was something central which permeated; something warm which broke up surfaces and rippled the cold contact of man and woman, or of women together.... Her relation in the old days with Sally Seton. Had not that, after all, been love?" While Clarissa is transported to past afternoons with Sally, and as she sits mending her green dress, Warren Smith catapults desperately into his delusions. Although his troubles form a tangent to Clarissa's web, they undeniably touch it, and the strands connecting all these characters draw tighter as evening deepens. As she immerses us in each inner life, Virginia Woolf offers exquisite, painful images of the past bleeding into the present, of desire overwhelmed by society's demands. --Joannie Kervran Stangeland [via]
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› Find signed collectible books: 'Mrs. Dalloway Reader'
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› Find signed collectible books: 'One Hundred Years of Solitude'
"Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice."
It is typical of Gabriel García Márquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buendía, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics:
A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread.
"Holy Mother of God!" Úrsula shouted.
The story follows 100 years in the life of Macondo, a village founded by José Arcadio Buendía and occupied by descendants all sporting variations on their progenitor's name: his sons, José Arcadio and Aureliano, and grandsons, Aureliano José, Aureliano Segundo, and José Arcadio Segundo. Then there are the women--the two Úrsulas, a handful of Remedios, Fernanda, and Pilar--who struggle to remain grounded even as their menfolk build castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow's outlines bleeding through the vibrant colors of García Márquez's magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom José Arcadio Buendía has killed in a fight. So lonely is the man's shade that it haunts Buendía's house, searching anxiously for water with which to clean its wound. Buendía's wife, Úrsula, is so moved that "the next time she saw the dead man uncovering the pots on the stove she understood what he was looking for, and from then on she placed water jugs all about the house."
With One Hundred Years of Solitude Gabriel García Márquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of love and loss in Macondo stands at the apex of 20th-century literature. --Alix Wilber [via]
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› Find signed collectible books: 'One Hundred Years of Solitude'
"Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice."
It is typical of Gabriel García Márquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buendía, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics:
A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread.
"Holy Mother of God!" Úrsula shouted.
The story follows 100 years in the life of Macondo, a village founded by José Arcadio Buendía and occupied by descendants all sporting variations on their progenitor's name: his sons, José Arcadio and Aureliano, and grandsons, Aureliano José, Aureliano Segundo, and José Arcadio Segundo. Then there are the women--the two Úrsulas, a handful of Remedios, Fernanda, and Pilar--who struggle to remain grounded even as their menfolk build castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow's outlines bleeding through the vibrant colors of García Márquez's magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom José Arcadio Buendía has killed in a fight. So lonely is the man's shade that it haunts Buendía's house, searching anxiously for water with which to clean its wound. Buendía's wife, Úrsula, is so moved that "the next time she saw the dead man uncovering the pots on the stove she understood what he was looking for, and from then on she placed water jugs all about the house."
With One Hundred Years of Solitude Gabriel García Márquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of love and loss in Macondo stands at the apex of 20th-century literature. --Alix Wilber [via]
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› Find signed collectible books: 'To the Lighthouse'
"Radiant as [To the Lighthouse] is in its beauty, there could never be a mistake about it: here is a novel to the last degree severe and uncompromising. I think that beyond being about the very nature of reality, it is itself a vision of reality."-Eudora Welty, from the Introduction The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women. [via]
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› Find signed collectible books: 'Cien Anos De Soledad'
Muchos años después, frente al pelotón de fusilamiento, el coronel Aureliano Buendía había de recordar aquella tarde remota en que su padre lo llevó a conocer el hielo.
Con estas palabras empieza una novela ya legendaria en los anales de la literatura universal, una de las aventuras literarias más fascinantes del siglo xx. Millones de ejemplares de Cien años de soledad leídos en todas las lenguas y el Premio Nobel de Literatura coronando una obra que se había abierto paso a boca a boca como gusta decir el escritor son la más palpable demostración de que la aventura fabulosa de la familia Buendía-Iguarán, con sus milagros, fantasías, obsesiones, tragedias, incestos, adulterios, rebeldías, descubrimientos y condenas, representaba al mismo tiempo el mito y la historia, la tragedia y el amor del mundo entero. [via]
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› Find signed collectible books: 'Cien Anos De Soledad / 100 Years of Solitude'
Muchos años después, frente al pelotón de fusilamiento, el coronel Aureliano Buendía había de recordar aquella tarde remota en que su padre lo llevó a conocer el hielo.
Con estas palabras empieza una novela ya legendaria en los anales de la literatura universal, una de las aventuras literarias más fascinantes del siglo xx. Millones de ejemplares de Cien años de soledad leídos en todas las lenguas y el Premio Nobel de Literatura coronando una obra que se había abierto paso a boca a boca como gusta decir el escritor son la más palpable demostración de que la aventura fabulosa de la familia Buendía-Iguarán, con sus milagros, fantasías, obsesiones, tragedias, incestos, adulterios, rebeldías, descubrimientos y condenas, representaba al mismo tiempo el mito y la historia, la tragedia y el amor del mundo entero. [via]
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![[???]: Cien Anos De Soledad: Gabriel Garcia Marquez [???]: Cien Anos De Soledad: Gabriel Garcia Marquez](http://ecx.images-amazon.com/images/P/8434602601.01._SL160_SCLZZZZZZZ__.jpg)
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› Find signed collectible books: 'Cien Anos De Soledad/One Hundred Years of Solitude'
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› Find signed collectible books: 'LA Senora Dalloway'
Nuestra editorial se especializa en publicar libros en español. Para encontrar otros títulos busque Editorial Medí.
Contamos con mas volúmenes en español que cualquier otra editorial para el kindle y continuamos creciendo. [via]
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› Find signed collectible books: 'Las Uvas De LA Ira'
Las uvas de la ira es un hito en la literatura norteamericana que explora el conflicto entre ricos y pobres, analiza la reacción feroz de un hombre contra la injusticia y el estoicismo de una mujer igualmente heróica, y refleja los horrores de la Gran Depresión. Aunque sigue la migración de miles personas del Dust Bowl, Las uvas de la ira se enfoca en la historia de una familia de Oklahoma, los Joads, echados de su hogar y forzados a viajar rumbo a esa Tierra Prometida que era por ese entoncesy que de algun modo sigue siendoCalifornia. De sus desventurasen un país dividido surge un drama sobre la dignidad humana, a un tiempo trágico y majestuoso en su grandeza su valentía moral.
Publicada por primera vez en 1939, la novela reflejó su época como Uncle Tom's Cabin reflejó los años antes de la Guerra Civil norteamericana. John Steinbeck, un escritor que simpatizaba con la crítica fascista y comunista, insistió en que la versión integral del "Himno de batalla de la República" fuese impresa en la primera edición del libro, que adopta en su título unas palabras del primer verso: "Está pisoteando la vendimia donde se conservan las uvas de la ira." La crónica de Steinbeck sobre el avergonzante maltrato de las clases sociales de los años treinta es tal vez el más "americano" de todos los clásicos norteamericanos.
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› Find signed collectible books: 'Las Uvas De La Ira/ the Grapes of Wrath'
Las uvas de la ira es un hito en la literatura norteamericana que explora el conflicto entre ricos y pobres, analiza la reacción feroz de un hombre contra la injusticia y el estoicismo de una mujer igualmente heróica, y refleja los horrores de la Gran Depresión. Aunque sigue la migración de miles personas del Dust Bowl, Las uvas de la ira se enfoca en la historia de una familia de Oklahoma, los Joads, echados de su hogar y forzados a viajar rumbo a esa Tierra Prometida que era por ese entoncesy que de algun modo sigue siendoCalifornia. De sus desventurasen un país dividido surge un drama sobre la dignidad humana, a un tiempo trágico y majestuoso en su grandeza su valentía moral.
Publicada por primera vez en 1939, la novela reflejó su época como Uncle Tom's Cabin reflejó los años antes de la Guerra Civil norteamericana. John Steinbeck, un escritor que simpatizaba con la crítica fascista y comunista, insistió en que la versión integral del "Himno de batalla de la República" fuese impresa en la primera edición del libro, que adopta en su título unas palabras del primer verso: "Está pisoteando la vendimia donde se conservan las uvas de la ira." La crónica de Steinbeck sobre el avergonzante maltrato de las clases sociales de los años treinta es tal vez el más "americano" de todos los clásicos norteamericanos.
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