| Search | About | Preferences | Interact | Help | |
| 150 million books. 1 search engine. | ||
› Find signed collectible books: 'Democracy and Vision: Sheldon Wolin and the Vicissitudes of the Political'
American democracy faces severe challenges today, as everyday life gathers pace, national borders become increasingly porous, and commodity culture becomes more dominant. Democracy and Vision assembles a cast of prominent political theorists to consider the problems confronting political life by reviewing, assessing, and expanding on the ideas of one of the most influential political thinkers of the past forty years, Sheldon Wolin.
The book consists of three sections linked by the underlying theme of Wolin's monumental effort to define ''the political'' and the conditions of democratic life. In the first, Nicholas Xenos, George Kateb, Fred Dallmayr, and Charles Taylor focus, in particular, on whether mass political participation, sustainable in times of upheaval as what Wolin aptly termed ''fugitive democracy,'' can be buoyed by political institutions during periods of stability. In the second section, Wendy Brown, Aryeh Botwinick, Melissa A. Orlie, and Anne Norton examine the relevance of Wolin's ideas to current debates about, for example, social diversity and the commercialization of culture. In the last, Stephen K. White, Kirstie M. McClure, Michael J. Shapiro, and J. Peter Euben address globalization and temporality in relation to Wolin's narrative of decline, asking, among other things, whether citizenship today must incorporate a cosmopolitan dimension.
These essays--and an introduction by William Connolly that lucidly outlines Wolin's thought and the deep uncertainty about political theory in the 1960s that did much to inspire his work--offer unprecedented insights into Wolin's lament that modernity has meant the loss of the political.
[via]More editions of Democracy and Vision: Sheldon Wolin and the Vicissitudes of the Political:
› Find signed collectible books: 'Early Novels and Stories'
"Let your fiction grow out of the land beneath your feet." Willa Cather's remark describes her own reasons for re-creating in her powerful fiction the Nebraska frontier of her youth. The vast Great Plains, where the earth has only recently come beneath the plow and the sky is huge and open, mirrors the uniquely American ethic of her characters: their heroic aspirations and stoicism, their passion for creativity, their rebelliousness of spirit. This volume, the first in The Library of America's authoritative three-volume collected Cather, includes the story collection "The Troll Garden," her first work of fiction, along with the beloved novels "O Pioneers!," "The Song of the Lark," "My Antonia," and "One of Ours," which earned a Pulitzer Prize. [via]
More editions of Early Novels and Stories:
› Find signed collectible books: 'El Viejo Y El Mar / the Old Man And the Sea'
Una de las historias más grandes jamás contadas
En Cuba, un viejo pescador ya en el crepúsculo de su vida, pobre y sin suerte, cansado de regresar cada día sin pesca, emprende una última y arriesgada travesía en busca de una gran pieza. Cuando al fin logra dar con ella, comienza una feroz lucha. Y el regreso a puerto, con el acoso de los elementos y los tiburones, se convierte en una última prueba. Como un rey mendigo, coronado por su imbatible dignidad, el viejo pescador culmina finalmente su destino.
En la cúspide de su maestría, Hemingway alumbró una historia en cuya sencillez vibra el clásico tema del valor ante la derrota, del triunfo personal sacado de la pérdida. El viejo y el mar lo confirmó como uno de los escritores más significativos del siglo XX, obteniendo el Premio Pulitzer y allanando su carrera hacia el Premio Nobel.
More editions of El Viejo Y El Mar / the Old Man And the Sea:
F. Scott Fitzgerald has become something of a defining figure of the twenties - the decade he so famously described as 'The Jazz Age'. In The Great Gatsby, Fitzgerald's writing is at its finest, exposing a society's tendency towards decadence and moral collapse through a decade of hedonism. Regarded as the most searching and tightly written of his novels, The Great Gatsby was the work that assured Fitzgerald's place amongst the major writers of the twentieth century. In this Readers' Guide, Nicolas Tredell introduces and sets in context the key critical debates surrounding a novel about which more critical material exists than any other work of American fiction. The extracts and essays included here reflect on The Great Gatsby's place as one of the first American novels to make significant use of modernist techniques, and explore the influence of the work on later American writings. Considering secondary sources from the Twenties to the present, the Guide offers readers an invaluable resource for the study of this complex rendering of a moment in American history. [via]
More editions of F Scott Fitzgerald: The Great Gatsby:
› Find signed collectible books: 'F. Scott Fitzgerald's the Great Gatsby'
A guide to reading "The Great Gatsby" with a critical and appreciative mind encouraging analysis of plot, style, form, and structure. Also includes background on the author's life and times, sample tests, term paper suggestions, and a reading list. [via]
More editions of F. Scott Fitzgerald's the Great Gatsby:
› Find signed collectible books: 'For Whom the Bell Tolls'
For Whom the Bell Tolls begins and ends in a pine-scented forest, somewhere in Spain. The year is 1937 and the Spanish Civil War is in full swing. Robert Jordan, a demolitions expert attached to the International Brigades, lies "flat on the brown, pine-needled floor of the forest, his chin on his folded arms, and high overhead the wind blew in the tops of the pine trees." The sylvan setting, however, is at sharp odds with the reason Jordan is there: he has come to blow up a bridge on behalf of the antifascist guerrilla forces. He hopes he'll be able to rely on their local leader, Pablo, to help carry out the mission, but upon meeting him, Jordan has his doubts: "I don't like that sadness, he thought. That sadness is bad. That's the sadness they get before they quit or before they betray. That is the sadness that comes before the sell-out." For Pablo, it seems, has had enough of the war. He has amassed for himself a small herd of horses and wants only to stay quietly in the hills and attract as little attention as possible. Jordan's arrival--and his mission--have seriously alarmed him.
"I am tired of being hunted. Here we are all right. Now if you blow a bridge here, we will be hunted. If they know we are here and hunt for us with planes, they will find us. If they send Moors to hunt us out, they will find us and we must go. I am tired of all this. You hear?" He turned to Robert Jordan. "What right have you, a foreigner, to come to me and tell me what I must do?"In one short chapter Hemingway lays out the blueprint for what is to come: Jordan's sense of duty versus Pablo's dangerous self-interest and weariness with the war. Complicating matters even more are two members of the guerrilla leader's small band: his "woman" Pilar, and Maria, a young woman whom Pablo rescued from a Republican prison train. Unlike her man, Pilar is still fiercely devoted to the cause and as Pablo's loyalty wanes, she becomes the moral center of the group. Soon Jordan finds himself caught between the two, even as his own resolve is tested by his growing feelings for Maria.
For Whom the Bell Tolls combines two of the author's recurring obsessions: war and personal honor. The pivotal battle scene involving El Sordo's last stand is a showcase for Hemingway's narrative powers, but the quieter, ongoing conflict within Robert Jordan as he struggles to fulfill his mission perhaps at the cost of his own life is a testament to his creator's psychological acuity. By turns brutal and compassionate, it is arguably Hemingway's most mature work and one of the best war novels of the 20th century. --Alix Wilber [via]
More editions of For Whom the Bell Tolls:
› Find signed collectible books: 'Franny and Zooey'
FOR USE IN SCHOOLS AND LIBRARIES ONLY. Two children of the Glass family appear in separate stories laid in 20th-century New York. [via]
More editions of Franny and Zooey:
› Find signed collectible books: 'The Grapes of Wrath'
When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.
The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."
The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak [via]
More editions of The Grapes of Wrath:
› Find signed collectible books: 'The Great Gatsby'
The Great Gatsby, a novel by American author F. Scott Fitzgerald that takes place from spring to autumn 1922, during the Roaring Twenties and Prohibition. [via]
More editions of The Great Gatsby:

› Find signed collectible books: 'J.D. Salinger'
More editions of J.D. Salinger:
› Find signed collectible books: 'John Steinbeck'
5 stories in one the grapes of wrath the moon is down cannery row east of eden of mice and men [via]
› Find signed collectible books: 'John Steinbeck's The Grapes of Wrath'
Harold Bloom writes, "The Grapes of Wrath is a flawed but permanent American book." John Steinbeck's novel, still popular a half-century after its original publication, is the focus of this edition of Bloom's Notes. Along with a collection of some of the best criticism available on his work, this text includes a brief biography of the author, structural and thematic analysis, an index of themes and ideas, and more. This series is edited by Harold Bloom, Sterling Professor of the Humanities, Yale University; Henry W. and Albert A. Berg Professor of English, New York University Graduate School. These texts are the ideal aid for all students of literature, presenting concise, easy-to-understand biographical, critical, and bibliographical information on a specific literary work. Also provided are multiple sources for book reports and term papers with a wealth of information on literary works, authors, and major characters. [via]
More editions of John Steinbeck's The Grapes of Wrath:
› Find signed collectible books: 'Look Homeward Angel'
The classic first novel from one of America's greatest men of letters
"I don't know yet what I am capable of doing," wrote Thomas Wolfe at the age of twenty-three, "but, by God, I have genius -- I know it too well to blush behind it." Six years later, with the publication of Look Homeward, Angel, Wolfe gave the world proof of his genius, and he would continue to do so throughout his tumultuous life.
Look Homeward, Angel is the coming-of-age story of Eugene Gant, whose restlessness and yearning to experience life to the fullest take him from his rural home in North Carolina to Harvard. Through his rich, ornate prose and meticulous attention to detail, Wolfe evokes the peculiarities of small-town life and the pain and upheaval of leaving home. Heavily autobiographical, Look Homeward, Angel is Wolfe's most turbulent and passionate work, and a brilliant novel of lasting impact. [via]
› Find signed collectible books: 'My Antonia'
It seems almost sacrilege to infringe upon a book as soulful and rich as Willa Cather's My Ántonia by offering comment. First published in 1918, and set in Nebraska in the late 19th century, this tale of the spirited daughter of a Bohemian immigrant family planning to farm on the untamed land ("not a country at all but the material out of which countries are made") comes to us through the romantic eyes of Jim Burden. He is, at the time of their meeting, newly orphaned and arriving at his grandparents' neighboring farm on the same night her family strikes out to make good in their new country. Jim chooses the opening words of his recollections deliberately: "I first heard of Ántonia on what seemed to be an interminable journey across the great midland plain of North America," and it seems almost certain that readers of Cather's masterpiece will just as easily pinpoint the first time they heard of Ántonia and her world. It seems equally certain that they, too, will remember that moment as one of great light in an otherwise unremarkable trip through the world.
Ántonia, who, even as a grown woman somewhat downtrodden by circumstance and hard work, "had not lost the fire of life," lies at the center of almost every human condition that Cather's novel effortlessly untangles. She represents immigrant struggles with a foreign land and tongue, the restraints on women of the time (with which Cather was very much concerned), the more general desires for love, family, and companionship, and the great capacity for forbearance that marked the earliest settlers on the frontier.
As if all this humanity weren't enough, Cather paints her descriptions of the vastness of nature--the high, red grass, the road that "ran about like a wild thing," the endless wind on the plains--with strokes so vivid as to make us feel in our bones that we've just come in from a walk on that very terrain ourselves. As the story progresses, Jim goes off to the University in Lincoln to study Latin (later moving on to Harvard and eventually staying put on the East Coast in another neat encompassing of a stage in America's development) and learns Virgil's phrase "Optima dies ... prima fugit" that Cather uses as the novel's epigraph. "The best days are the first to flee"--this could be said equally of childhood and the earliest hours of this country in which the open land, much like My Ántonia, was nothing short of a rhapsody in prairie sky blue. --Melanie Rehak [via]
More editions of My Antonia:
› Find signed collectible books: 'My Antonia'
Willa Cather's My ÃÂntonia is considered one of the most significant American novels of the twentieth century. Set during the great migration west to settle the plains of the North American continent, the narrative follows ÃÂntonia Shimerda, a pioneer who comes to Nebraska as a child and grows with the country, inspiring a childhood friend, Jim Burden, to write her life story. The novel is important both for its literary aesthetic and as a portrayal of important aspects of American social ideals and history, particularly the centrality of migration to American culture.
The Broadview edition includes a rich selection of primary source materials: the revised introduction for the 1926 edition; Cather's "Mesa Verde Wonderland is Easy to Reach...," "Nebraska: The End of the First Cycle," "Peter", and her comments on the novel; contemporary reviews and photographs. [via]
More editions of My Antonia:
› Find signed collectible books: 'The Old Man and the Sea'
Here, for a change, is a fish tale that actually does honor to the author. In fact The Old Man and the Sea revived Ernest Hemingway's career, which was foundering under the weight of such postwar stinkers as Across the River and into the Trees. It also led directly to his receipt of the Nobel Prize in 1954 (an award Hemingway gladly accepted, despite his earlier observation that "no son of a bitch that ever won the Nobel Prize ever wrote anything worth reading afterwards"). A half century later, it's still easy to see why. This tale of an aged Cuban fisherman going head-to-head (or hand-to-fin) with a magnificent marlin encapsulates Hemingway's favorite motifs of physical and moral challenge. Yet Santiago is too old and infirm to partake of the gun-toting machismo that disfigured much of the author's later work: "The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords." Hemingway's style, too, reverts to those superb snapshots of perception that won him his initial fame:
Just before it was dark, as they passed a great island of Sargasso weed that heaved and swung in the light sea as though the ocean were making love with something under a yellow blanket, his small line was taken by a dolphin. He saw it first when it jumped in the air, true gold in the last of the sun and bending and flapping wildly in the air.If a younger Hemingway had written this novella, Santiago most likely would have towed the enormous fish back to port and posed for a triumphal photograph--just as the author delighted in doing, circa 1935. Instead his prize gets devoured by a school of sharks. Returning with little more than a skeleton, he takes to his bed and, in the very last line, cements his identification with his creator: "The old man was dreaming about the lions." Perhaps there's some allegory of art and experience floating around in there somewhere--but The Old Man and the Sea was, in any case, the last great catch of Hemingway's career. --James Marcus [via]
More editions of The Old Man and the Sea:
› Find signed collectible books: 'Politics and Vision: Continuity and Innovation in Western Political Thought'
This is a significantly expanded edition of one of the greatest works of modern political theory. Sheldon Wolin's Politics and Vision inspired and instructed two generations of political theorists after its appearance in 1960. This new edition retains intact the original ten chapters about political thinkers from Plato to Mill, and adds seven chapters about theorists from Marx and Nietzsche to Rawls and the postmodernists. The new chapters, which show how thinkers have grappled with the immense possibilities and dangers of modern power, are themselves a major theoretical statement. They culminate in Wolin's remarkable argument that the United States has invented a new political form, "inverted totalitarianism," in which economic rather than political power is dangerously dominant. In this new edition, the book that helped to define political theory in the late twentieth century should energize, enlighten, and provoke generations of scholars to come.
Wolin originally wrote Politics and Vision to challenge the idea that political analysis should consist simply of the neutral observation of objective reality. He argues that political thinkers must also rely on creative vision. Wolin shows that great theorists have been driven to shape politics to some vision of the Good that lies outside the existing political order. As he tells it, the history of theory is thus, in part, the story of changing assumptions about the Good.
In the new chapters, Wolin displays all the energy and flair, the command of detail and of grand historical developments, that he brought to this story forty years ago. This is a work of immense talent and intense thought, an intellectual achievement that will endure.
[via]More editions of Politics and Vision: Continuity and Innovation in Western Political Thought:
› Find signed collectible books: 'The Presence of the Past: Essays on the State and the Constitution'
More editions of The Presence of the Past: Essays on the State and the Constitution:
› Find signed collectible books: 'Readings on My Antonia'
More editions of Readings on My Antonia:
› Find signed collectible books: 'The Secret History'
Truly deserving of the accolade a modern classic, Donna Tartts novel is a remarkable achievementboth compelling and elegant, dramatic and playful.
Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality their lives are changed profoundly and forever, and they discover how hard it can be to truly live and how easy it is to kill.
From the Trade Paperback edition. [via]
More editions of The Secret History:
› Find signed collectible books: 'The Sound and the Fury: A Rock's Backpages Reader, 40 Years of Classic Rock Journalism'
More editions of The Sound and the Fury: A Rock's Backpages Reader, 40 Years of Classic Rock Journalism:

› Find signed collectible books: 'Tocqueville Between Two Worlds: The Making of a Political and Theoretical Life'
Alexis de Tocqueville may be the most influential political thinker in American history. He also led an unusually active and ambitious career in French politics. In this work one of America's most important contemporary theorists draws on decades of research and thought to present a work that fully connects Tocqueville's political and theoretical lives. In doing so, Sheldon Wolin presents new interpretations of Tocqueville's major works and of his place in intellectual history. As he traces the origins and impact of Tocqueville's ideas, Wolin also offers a commentary on the general trajectory of Western political life over the past two hundred years. Wolin proceeds by examining Tocqueville's key writings in light of his experiences in the troubled world of French politics. He portrays Democracy in America, for example, as a theory of discovery that emerged from Tocqueville's contrasting experiences of America and of France's constitutional monarchy. He shows us how Tocqueville used Recollections to reexamine his political commitments in light of the revolutions of 1848 and the threat of socialism. He portrays The Old Regime and the French Revolution as a work of theoretical history designed to throw light on the Bonapartist despotism he saw around him. Throughout, Wolin highlights the tensions between Tocqueville's ideas and his activities as a politician, arguing that - despite his limited political success - Tocqueville was "perhaps the last influential theorist who can be said to have truly cared about political life". In the course of the book, Wolin also shows that Tocqueville struggled with many of the forces that constrain politics today, including the relentless advance of capitalism, of science and technology, and of state bureaucracy. He concludes that Tocqueville's insights and anxieties about the impotence of politics in a "postaristocratic" era speak directly to the challenges of our own "postdemocratic" age. [via]
More editions of Tocqueville Between Two Worlds: The Making of a Political and Theoretical Life:
› Find signed collectible books: 'Underworld'
While Eisenstein documented the forces of totalitarianism and Stalinism upon the faces of the Russian peoples, DeLillo offers a stunning, at times overwhelming, document of the twin forces of the cold war and American culture, compelling that "swerve from evenness" in which he finds events and people both wondrous and horrifying. Underworld opens with a breathlessly graceful prologue set during the final game of the Giants-Dodgers pennant race in 1951. Written in what DeLillo calls "super-omniscience" the sentences sweep from young Cotter Martin as he jumps the gate to the press box, soars over the radio waves, runs out to the diamond, slides in on a fast ball, pops into the stands where J. Edgar Hoover is sitting with a drunken Jackie Gleason and a splenetic Frank Sinatra, and learns of the Soviet Union's second detonation of a nuclear bomb. It's an absolutely thrilling literary moment. When Bobby Thomson hits Branca's pitch into the outstretched hand of Cotter--the "shot heard around the world"--and Jackie Gleason pukes on Sinatra's shoes, the events of the next few decades are set in motion, all threaded together by the baseball as it passes from hand to hand.
"It's all falling indelibly into the past," writes DeLillo, a past that he carefully recalls and reconstructs with acute grace. Jump from Giants Stadium to the Nevada desert in 1992, where Nick Shay, who now owns the baseball, reunites with the artist Kara Sax. They had been brief and unlikely lovers 40 years before, and it is largely through the events, spinoffs, and coincidental encounters of their pasts that DeLillo filters the Cold War experience. He believes that "global events may alter how we live in the smallest ways," and as the book steps back in time to 1951, over the following 800-odd pages, we see just how those events alter lives. This reverse narrative allows the author to strip away the detritus of history and pop culture until we get to the story's pure elements: the bomb, the baseball, and the Bronx. In an epilogue as breathless and stunning as the prologue, DeLillo fast-forwards to a near future in which ruthless capitalism, the Internet, and a new, hushed faith have replaced the Cold War's blend of dread and euphoria.
Through fragments and interlaced stories--including those of highway killers, artists, celebrities, conspiracists, gangsters, nuns, and sundry others--DeLillo creates a fragile web of connected experience, a communal Zeitgeist that encompasses the messy whole of five decades of American life, wonderfully distilled. [via]
› Find signed collectible books: 'William Faulkner's the Sound and the Fury'
The Sound and the Fury, William Faulkner's fourth novel, is his first attempt at a wholly self-conscious style. Faulkner's willingness to experiment affords his readers no stable perspective from which to comprehend the decline of the Compson family.
The title, William Faulkners The Sound and the Fury, part of Chelsea House Publishers Modern Critical Interpretations series, presents the most important 20th-century criticism on William Faulkners The Sound and the Fury through extracts of critical essays by well-known literary critics. This collection of criticism also features a short biography on William Faulkner, a chronology of the authors life, and an introductory essay written by Harold Bloom, Sterling Professor of the Humanities, Yale University. [via]
More editions of William Faulkner's the Sound and the Fury:
› Find signed collectible books: 'Franny Y Zooey/ Franny and Zooey'
Franny se enfrenta al problema de los farsantes y la falsedad. El hecho mismo de que sea actriz profesional la obliga a plantearse la distincion entre autenticidad y falsedad y a verselas con la vanidad y el egotismo casi a diario, e incluso su intento de renuncia a su profesion esta abocado al fracaso si pretende mantenerse fiel a si misma. [via]
More editions of Franny Y Zooey/ Franny and Zooey:
› Find signed collectible books: 'Mi Antonia / My Antonia'
Mi Antonia / My Antonia (Clasicos / Classics) (Spanish Edition) [via]
More editions of Mi Antonia / My Antonia:

› Find signed collectible books: 'Por Quien Doblan Los Campanas / for Whom the Bell Tolls'
More editions of Por Quien Doblan Los Campanas / for Whom the Bell Tolls:
› Find signed collectible books: 'El Ruido Y La Furia/ The Noise and the Fury'
More editions of El Ruido Y La Furia/ The Noise and the Fury:
› Find signed collectible books: 'Las Uvas De La Ira/ the Grapes of Wrath'
Las uvas de la ira es un hito en la literatura norteamericana que explora el conflicto entre ricos y pobres, analiza la reacción feroz de un hombre contra la injusticia y el estoicismo de una mujer igualmente heróica, y refleja los horrores de la Gran Depresión. Aunque sigue la migración de miles personas del Dust Bowl, Las uvas de la ira se enfoca en la historia de una familia de Oklahoma, los Joads, echados de su hogar y forzados a viajar rumbo a esa Tierra Prometida que era por ese entoncesy que de algun modo sigue siendoCalifornia. De sus desventurasen un país dividido surge un drama sobre la dignidad humana, a un tiempo trágico y majestuoso en su grandeza su valentía moral.
Publicada por primera vez en 1939, la novela reflejó su época como Uncle Tom's Cabin reflejó los años antes de la Guerra Civil norteamericana. John Steinbeck, un escritor que simpatizaba con la crítica fascista y comunista, insistió en que la versión integral del "Himno de batalla de la República" fuese impresa en la primera edición del libro, que adopta en su título unas palabras del primer verso: "Está pisoteando la vendimia donde se conservan las uvas de la ira." La crónica de Steinbeck sobre el avergonzante maltrato de las clases sociales de los años treinta es tal vez el más "americano" de todos los clásicos norteamericanos.
More editions of Las Uvas De La Ira/ the Grapes of Wrath:
› Find signed collectible books: 'El Viejo Y El Mar'
More editions of El Viejo Y El Mar:
› Find signed collectible books: 'Le Vers Lui-Meme: Probleme De La Langue Du Vers'
More editions of Le Vers Lui-Meme: Probleme De La Langue Du Vers:
› Find signed collectible books: 'Il Vecchio E Il Mare'
Un vecchio pescatore cubano lotta contro un gigantesco pescespada, simbolo della fierezza e della libertà della natura. [via]
More editions of Il Vecchio E Il Mare:
› Find signed collectible books: 'Der Gross Gatsby'
»Der große Gatsby« bietet ein Sittengemälde der amerikanischen 1920er Jahre und beleuchtet den Zwiespalt zwischen Geld und Liebe, Machtgier und Treue. Sprache und Erzählstil machen den Roman zu einem der herausragenden poetischen Werke Amerikas in der ersten Hälfte des 20. Jahrhunderts. [via]
More editions of Der Gross Gatsby:
