books tagged “1970s”

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All the President's Men
by Bob Woodward, Carl Bernstein

ISBN 1416522913 (1-4165-2291-3)
Softcover, Pocket Books

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Book summary:
In the most devastating political detective story of the century, two Washington Post reporters, whose brilliant, Pulitzer Prize-winning investigation smashed the Watergate scandal wide open, tell the behind-the-scenes drama the way it really happened.
Beginning with the story of a simple burglary at Democratic headquarters and then continuing with headline after headline, Bernstein and Woodward kept the tale of conspiracy and the trail of dirty tricks coming -- delivering the stunning revelations and pieces in the Watergate puzzle that brought about Nixon's scandalous downfall. Their explosive reports won a Pulitzer Prize for The Washington Post and toppled the President. This is the book that changed America. [via]
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All the President's Men
by Carl Bernstein, Bob Woodward

ISBN 0684863553 (0-684-86355-3)
Hardcover, Simon & Schuster

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Book summary:
The 25th-anniversary edition of Bernstein and Woodward's classic of investigative journalism.
In what must be the most devastating political detective story of the century, two young "Washington Post" reporters whose brilliant investigative journalism smashed the Watergate scandal wide open tell the whole behind-the-scenes drama the way it really happened.
The story begins with a burglary at Democratic National Committee headquarters on June 17, 1972. Bob Woodward, who was then working on the "Washington Post's" District of Columbia staff, was called into the office on a Saturday morning to cover the story. Carl Bernstein, a Virginia political reporter on the "Post," was also assigned. The two men soon learned that this was not a simple burglary.
Following lead after lead, Woodward and Bernstein picked up a trail of money, secrecy and high-level pressure that led to the Oval Office and implicated the men closest to Richard Nixon and then the President himself. Over the months, Woodward met secretly with Deep Throat, now perhaps America's most famous still-anonymous source.
Here is the amazing story. From the first suspicions through the tortuous days of reporting and finally getting people to talk, the journalists were able to put the pieces of the puzzle together and produce the stories that won the "Post" a Pulitzer Prize. "All the President's Men" is the inside story of how Bernstein and Woodward broke the story that brought about the President's downfall. This is the reporting that changed the American presidency. [via]
More editions of All the President's Men:
- All the President's Men: ISBN 0684863553 (0-684-86355-3)
  Hardcover, Simon & Schuster
Bridge to Terabithia
by Katherine Paterson, Donna Diamond

ISBN 1557360103 (1-55736-010-3)
Hardcover, Cornerstone Books

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The story starts out simply enough: Jess Aarons wants to be the fastest boy in the fifth grade--he wants it so bad he can taste it. He's been practicing all summer, running in the fields around his farmhouse until he collapses in a sweat. Then a tomboy named Leslie Burke moves into the farmhouse next door and changes his life forever. Not only does Leslie not look or act like any girls Jess knows, but she also turns out to be the fastest runner in the fifth grade. After getting over the shock and humiliation of being beaten by a girl, Jess begins to think Leslie might be okay.
Despite their superficial differences, it's clear that Jess and Leslie are soul mates. The two create a secret kingdom in the woods named Terabithia, where the only way to get into the castle is by swinging out over a gully on an enchanted rope. Here they reign as king and queen, fighting off imaginary giants and the walking dead, sharing stories and dreams, and plotting against the schoolmates who tease them. Jess and Leslie find solace in the sanctuary of Terabithia until a tragedy strikes and the two are separated forever. In a style that is both plain and powerful, Katherine Paterson's characters will stir your heart and put a lump in your throat. [via]
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Bridge to Terabithia: A Play with Music
by Stephanie S. Tolan, Katherine Paterson, Steve Liebman

ISBN 0573650101 (0-573-65010-1)
Hardcover, S. French

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- Bridge to Terabithia: A Play with Music: ISBN 0573650101 (0-573-65010-1)
  Hardcover, S. French
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Bridge to Terabithia: The Official Movie Companion
by David Paterson

ISBN 0061215317 (0-06-121531-7)
Softcover, Harper Entertainment

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Book summary:
Now a major motion picture, discover the beloved Newbery Medal-winning story of Jess Aarons and Leslie Burke. Join Jess and Leslie as they form an unlikely friendship and create the imaginary land of Terabithia. There they rule as king and queen, until a terrible tragedy occurs that helps Jess understand just how much he has learned from Leslie. [via]
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- Bridge to Terabithia: The Official Movie Companion: ISBN 0061215317 (0-06-121531-7)
  Softcover, Harper Entertainment
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Easy Riders, Raging Bulls: How the Sex-Drugs-And-Rock 'N' Roll Generation Saved Hollywood
by Peter Biskind

ISBN 0684857081 (0-684-85708-1)
Softcover, Touchstone Books

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Book summary:
Not only is Peter Biskind's Easy Riders, Raging Bulls the best book in recent memory on turn-of-the-'70s film, it is beyond question the best book we'll ever get on the subject. Why? Because once the big names who spilled the beans to Biskind find out that other people spilled an equally piquant quantity of beans, nobody will dare speak to another writer with such candor, humor, and venom again.
Biskind did hundreds of interviews with people who make the president look accessible: Scorsese, Spielberg, Lucas, Coppola, Geffen, Beatty, Kael, Towne, Altman. He also spoke with countless spurned spouses and burned partners, alleged victims of assault by knife, pistol, and bodily fluids. Rather more responsible than some of his sources, Biskind always carefully notes the denials as well as the astounding stories he has compiled. He tells you about Scorsese running naked down Mulholland Drive after his girlfriend, crying, "Don't leave me!"; grave robbing on the set of Apocalypse Now; Faye Dunaway apparently flinging urine in Roman Polanski's face while filming Chinatown; Michael O'Donoghue's LSD-fueled swan dive onto a patio; Coppola's mad plan for a 10-hour film of Goethe's Elective Affinities in 3-D; the ocean suicide attempt Hal "Captain Wacky" Ashby gave up when he couldn't find a swimsuit that pleased him; countless dalliances with porn stars; Russian roulette games and psychotherapy sessions in hot tubs. But he also soberly gives both sides ample chance to testify.
Easy Riders, Raging Bulls is also more than a fistful of dazzling anecdotes. Methodically, as thrillingly as a movie attorney, Biskind builds the case that Hollywood was revived by wild ones who then betrayed their own dreams, slit their own throats, and destroyed an art form by producing that mindless, inhuman modern behemoth, the blockbuster.
When Spielberg was making the first true blockbuster, Jaws, he sneaked Lucas in one day when nobody was around, got him to put his head in the shark's mechanical mouth, and closed the shark's mouth on him. The gizmo broke and got stuck, but the two young men somehow extricated Lucas's head and hightailed it like Tom and Huck. As Peter Biskind's scathing, funny, wise book demonstrates, they only thought they had escaped. --Tim Appelo [via]
More editions of Easy Riders, Raging Bulls: How the Sex-Drugs-And-Rock 'N' Roll Generation Saved Hollywood:
- Easy Riders, Raging Bulls: How the Sex-Drugs-And-Rock 'N' Roll Generation Saved Hollywood: ISBN 0684857081 (0-684-85708-1)
  Softcover, Touchstone Books
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Easy Riders, Raging Bulls : The Generation That Transformed Hollywood
by Peter Biskind

ISBN 0684809966 (0-684-80996-6)
Hardcover, Simon & Schuster

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Book summary:
Not only is Peter Biskind's Easy Riders, Raging Bulls the best book in recent memory on turn-of-the-'70s film, it is beyond question the best book we'll ever get on the subject. Why? Because once the big names who spilled the beans to Biskind find out that other people spilled an equally piquant quantity of beans, nobody will dare speak to another writer with such candor, humor, and venom again.
Biskind did hundreds of interviews with people who make the president look accessible: Scorsese, Spielberg, Lucas, Coppola, Geffen, Beatty, Kael, Towne, Altman. He also spoke with countless spurned spouses and burned partners, alleged victims of assault by knife, pistol, and bodily fluids. Rather more responsible than some of his sources, Biskind always carefully notes the denials as well as the astounding stories he has compiled. He tells you about Scorsese running naked down Mulholland Drive after his girlfriend, crying, "Don't leave me!"; grave robbing on the set of Apocalypse Now; Faye Dunaway apparently flinging urine in Roman Polanski's face while filming Chinatown; Michael O'Donoghue's LSD-fueled swan dive onto a patio; Coppola's mad plan for a 10-hour film of Goethe's Elective Affinities in 3-D; the ocean suicide attempt Hal "Captain Wacky" Ashby gave up when he couldn't find a swimsuit that pleased him; countless dalliances with porn stars; Russian roulette games and psychotherapy sessions in hot tubs. But he also soberly gives both sides ample chance to testify.
Easy Riders, Raging Bulls is also more than a fistful of dazzling anecdotes. Methodically, as thrillingly as a movie attorney, Biskind builds the case that Hollywood was revived by wild ones who then betrayed their own dreams, slit their own throats, and destroyed an art form by producing that mindless, inhuman modern behemoth, the blockbuster.
When Spielberg was making the first true blockbuster, Jaws, he sneaked Lucas in one day when nobody was around, got him to put his head in the shark's mechanical mouth, and closed the shark's mouth on him. The gizmo broke and got stuck, but the two young men somehow extricated Lucas's head and hightailed it like Tom and Huck. As Peter Biskind's scathing, funny, wise book demonstrates, they only thought they had escaped. --Tim Appelo [via]
More editions of Easy Riders, Raging Bulls : The Generation That Transformed Hollywood:
- Easy Riders, Raging Bulls : The Generation That Transformed Hollywood: ISBN 0684809966 (0-684-80996-6)
  Hardcover, Simon & Schuster
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El Mundo Segun Garp / The World According to Garp
by John Irving

ISBN 847223746X (84-7223-746-X)
Softcover, Ediciones Urano

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- El Mundo Segun Garp / The World According to Garp: ISBN 847223746X (84-7223-746-X)
  Softcover, Ediciones Urano
Emotionally Weird
by Kate Atkinson

ISBN 031227999X (0-312-27999-X)
Softcover, Picador USA

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Book summary:
Readers who survive the first 20 pages of this dense and playful novel, with its three different openings, constant jokes, and crowded cast of characters, will find themselves rewarded with a leisurely postmodern romp through the student ferment and bodily indulgences of the early 1970s. Although the publisher has called Emotionally Weird a comic novel, it is essentially unclassifiable, both further-reaching and less "meaningful" than it first appears. Kate Atkinson's book begins with chapter 1 of a bad murder mystery being written by Effie Andrews for a creative-writing course at the University of Dundee in 1972. But the action soon shifts to a wintry island in the Hebrides, where Effie is trying to elicit the story of her parentage from her single mother, Nora, while spinning a humorous first-person narrative of her college life. Only near the end of the book does she finally wrench the story from her mother: Effie's bizarre origins; the identity of her father; and the whole unlikely tale of her mother's family.
Like a Borgesian labyrinth, with other stories thrown in, including a laughably convenient introduction of magic realism, it is impossible to know what to take seriously--or "jocoseriously," to paraphrase another of Atkinson's influences: the Joyce of Ulysses and Finnegans Wake. In her third novel, much of Atkinson's humor is incidental, even parenthetical. (We are told in passing, for example, that Effie's dissertation is called "Henry James: Man or Maze?") She is at her best when introducing her eccentric characters, such as the elderly Professor Cousins, who is sometimes lucid, sometimes not. "As with anyone in the department," Effie explains, "it wasn't always easy to distinguish between the two states. The university's strict laws of tenure dictated that he had to be dead at least three months before he could be removed from behind his desk." Professor Cousins, like the author, enjoys word games along the order of those in Alice in Wonderland, and Atkinson's use of Scottish idiom comes to function as a sort of word game. She also brings in a few killjoys (a militant feminist, a militant Christian, a literary theorist) to complicate an already loopy narrative and to spike the punch.
Janice smelt of piety and coal tar soap. She had recently become a Christian, a neophyte of a student Christian fellowship whose members roamed the corridors of Airlie, Belmont and Chalmers Halls looking for likely converts (the afraid, the alone, the abandoned) and those who needed to use the Bible to fill in the spaces where their personalities should have been.
As Emotionally Weird develops, Atkinson relies more and more on the postmodern gag of characters commenting on the unfolding action. There is no telling how she finally draws these disparate threads onto a single spool, but in the end, even the slightest subplots are neatly tied up and the most transient characters accounted for. --Regina Marler [via]
More editions of Emotionally Weird:
- Emotionally Weird: ISBN 0312203241 (0-312-20324-1)
  Hardcover, St Martins Pr
- Emotionally Weird: ISBN 031227999X (0-312-27999-X)
  Softcover, Picador USA
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Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
by Hunter S. Thompson

ISBN 0679785892 (0-679-78589-2)
Softcover, Vintage Books

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Fear and Loathing in Las Vegas is the ne plus ultra of Hunter S. Thompson and the whole gonzo clan he spawned. Written in the lurid afterglow of the 1960s, Fear and Loathing is a loosely connected series of mad dashes across the desert, trashed hotel rooms, and goofs on the brutish, naïve, or merely unhip, perpetrated by Thompson and his mammoth Samoan attorney. The pair start out high on a medicine cabinet's worth of elixirs, powders, and pills, and stay that way for 200 pages. They careen through an unsettling landscape of paranoia and alienation, but that doesn't mean the book isn't a riot. Here's a small taste: "By this time, the drink was beginning to cut the acid and my hallucinations were down to a tolerable level. The room service waiter had a vaguely reptilian cast to his features, but I was no longer seeing huge pterodactyls lumbering around the corridors in pools of fresh blood."
Though somewhat dated (it appeared serially in Rolling Stone throughout November 1971), Fear and Loathing in Las Vegas is a book of real vitality and Rabelaisian wit. A document of the counterculture after it was well past ripe and deep into rot, the book is a wild ride, a paranoid ramble that is thoroughly exhilarating and worth the trip. No pun intended. [via]
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Fear and Loathing in Las Vegas and Other American Stories, Tie-In Edition
by Hunter S. Thompson

ISBN 0679602984 (0-679-60298-4)
Hardcover, Modern Library

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Dr. Thompson made the list of inspirational scribes when I polled in a recent writing workshop, and why not? Back in a spiffy Modern Library edition, replete with additional essays, I find in this iconographic work that HST both invoked--and provoked--an era that was not so much the '60s proper, but rather the mean, shadow-filled death of that time, which is still playing out. Thank God Thompson was there to explode the myth of "objective" journalism and help pave the way for the pens and voices that followed. [via]
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- Fear and Loathing in Las Vegas and Other American Stories, Tie-In Edition: ISBN 0679602984 (0-679-60298-4)
  Hardcover, Modern Library
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Fear and Loathing: On the Campaign Trail 72
by Hunter S. Thompson

ISBN 0446313645 (0-446-31364-5)
Softcover, Grand Central Pub

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With the same drug-addled alacrity and jaundiced wit that made Fear and Loathing in Las Vegas a hilarious hit, Hunter S. Thompson turns his savage eye and gonzo heart to the repellent and seductive race for President. He deconstructs the 1972 campaigns of idealist George McGovern and political hack Richard Nixon, ending up with a political vision that is eerily prophetic. A classic! [via]
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Fear and Loathing:on the Campaign Trail '72: On the Campaign Trail '72
by Hunter S. Thompson

ISBN 0879320532 (0-87932-053-2)
Hardcover, Straight Arrow Books

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With the same drug-addled alacrity and jaundiced wit that made Fear and Loathing in Las Vegas a hilarious hit, Hunter S. Thompson turns his savage eye and gonzo heart to the repellent and seductive race for President. He deconstructs the 1972 campaigns of idealist George McGovern and political hack Richard Nixon, ending up with a political vision that is eerily prophetic. A classic! [via]
More editions of Fear and Loathing:on the Campaign Trail '72: On the Campaign Trail '72:
- Fear and Loathing:on the Campaign Trail '72: On the Campaign Trail '72: ISBN 0879320532 (0-87932-053-2)
  Hardcover, Straight Arrow Books
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Fear of Flying
by Erica Jong

ISBN 0451209435 (0-451-20943-5)
Softcover, New Amer Library

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Originally published in 1973, the groundbreaking, uninhibited story of isadora wing and her desire to fly free caused a national sensation. It fueled fantasies, ignited debates, and even introduced a notorious new phrase to the english language. Now, after thirty years, the revolutionary novel known as fear of flying still stands as a timeless tale of self-discovery, liberation, and womanhood [via]
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The Fortress of Solitude
by Jonathan Lethem

ISBN 0375724885 (0-375-72488-5)
Softcover, Random House Inc

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This is the story of two boys, Dylan Ebdus and Mingus Rude. They are friends and neighbors, but because Dylan is white and Mingus is black, their friendship is not simple. This is the story of their Brooklyn neighborhood, which is almost exclusively black despite the first whispers of something that will become known as "gentrification."

This is the story of 1970s America, a time when the most simple human decisionswhat music you listen to, whether to speak to the kid in the seat next to you, whether to give up your lunch moneyare laden with potential political, social and racial disaster. This is the story of 1990s America, when no one cared anymore.

This is the story of punk, that easy white rebellion, and crack, that monstrous plague. This is the story of the loneliness of the avant-garde artist and the exuberance of the graffiti artist.

This is the story of what would happen if two teenaged boys obsessed with comic book heroes actually had superpowers: They would screw up their lives.

This is the story of joyous afternoons of stickball and dreaded years of schoolyard extortion. This is the story of belonging to a society that doesn't accept you. This is the story of prison and of college, of Brooklyn and Berkeley, of soul and rap, of murder and redemption.

This is the story Jonathan Lethem was born to tell. This is THE FORTRESS OF SOLITUDE. [via]
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Further Tales of the City
by Armistead Maupin

ISBN 0060924926 (0-06-092492-6)
Softcover, Harpercollins

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The calamity-prone residents of 28 barbary lane are at it again in this deliciously dark novel of romance and betrayal. While anna madrigal imprisons an anchorwoman in her basement, michael tolliver looks for love at the national gay rodeo, dede halcyon day and mary ann singleton track a charismatic psychopath across alaska, and society columnist prue giroux loses her heart to a derelict living in san francisco park [via]
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How We Got Here: The 70'S, the Decade That Brought You Modern Life (For Better or Worse
by David Frum

ISBN 0465041965 (0-465-04196-5)
Softcover, Basic Books

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In a relentlessly smart book full of colorful anecdotes and deft pop-culture references, author David Frum describes the social convulsions of the 1970s: "We live in a world made new, and made new not by new machines, but by new feelings, new thoughts, new manners, new ways." The 1960s have a reputation as America's turning-point decade, but Frum convincingly argues that the 10 years following mattered more. The 1970s, he writes, "left behind a country that was more dynamic, more competitive, more tolerant; less deferential, less self-confident, less united; more socially equal, less economically equal; more expressive, more risk-averse, more sexual; less literate, less polite, less reticent."
The precise dates of this transformation are not as important as the reasons behind it, however, and the explanation in How We Got Here for what happened is both original and compelling. He says America's midcentury confidence was an anomaly. At some point, "the rebellion of an unmilitary people against institutions and laws formed by a century of war and the preparation for war" was inevitable. Rather than pondering why Americans trust their public institutions today less than they did during the Watergate revelations, for instance, Frum turns the question on its head: Why was the trust so high previous to that experience? His narrative describing the dizzy whirl of progress is absorbing, and his warning against both the nostalgic myths of the past and the uncritical acceptance of recent change is wise. How We Got Here also has a perfect title: there may not be a better book available on the broad currents of American social life in the second half of the 20th century. --John J. Miller [via]
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More Tales of the City
by Armistead Maupin

ISBN 0060929383 (0-06-092938-3)
Softcover, Harpercollins

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The tenants of 28 Barbary Lane have fled their cozy nest for adventures for afield. Mary Ann Singleton finds love at sea with a forgetful stranger, Mona Ramsey discovers her doppleganger in a desert whore-house, and Michael Tolliver bumps into a certain gynecologist in a seedy Mexican Bar. Meanwhile, their venerable landlady takes the biggest journey of all'without ever leaving home. A new, full color 16-page insert makes this seamless work complete.
"Maupin has always been a humane storyteller, and an accessible one. His life-is-good-but-sloppy soap operas are marked by solid craft, superb dialogue, and what used to be called heart."
--Entertainment Weekly
"Maupin writes with warmth, acuity and tremendous wit about ordinary people learning to live with themselves and one another. Read him."
--Harpers & Queen
"Sparkling entertainments...lit by a glowing humanity that brings each character to vivid, poignant life."
--Publishers Weekly
Don't miss the much anticipated continuation of the classic miniseries "Armistead Maupin's Tales of the City" premiering June 1998 and airing all summer on SHOWTIME. Check your local listings for times.
Visit the Tales of the City website at www.talesofthecity.com [via]
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Princess Bride
by William Goldman

ISBN 0345348036 (0-345-34803-6)
Softcover, Random House Publishing Group

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The Princess Bride is a true fantasy classic. William Goldman describes it as a "good parts version" of "S. Morgenstern's Classic Tale of True Love and High Adventure." Morgenstern's original was filled with details of Florinese history, court etiquette, and Mrs. Morgenstern's mostly complimentary views of the text. Much admired by academics, the "Classic Tale" nonetheless obscured what Mr. Goldman feels is a story that has everything: "Fencing. Fighting. Torture. Poison. True love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest ladies. Snakes. Spiders. Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles."
Goldman frames the fairy tale with an "autobiographical" story: his father, who came from Florin, abridged the book as he read it to his son. Now, Goldman is publishing an abridged version, interspersed with comments on the parts he cut out.
Is The Princess Bride a critique of classics like Ivanhoe and The Three Musketeers, that smother a ripping yarn under elaborate prose? A wry look at the differences between fairy tales and real life? Simply a funny, frenetic adventure? No matter how you read it, you'll put it on your "keeper" shelf. --Nona Vero [via]
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The Rotters' Club
by Jonathan Coe

ISBN 0375713123 (0-375-71312-3)
Softcover, Alfred a Knopf Inc

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At a time when people are looking back on the 1970s with nostalgia, Jonathan Coe's The Rotters' Club is a timely reminder of how ghastly that benighted decade was in Britain. Set in the "industrial" heartland of the West Midlands, it chronicles the growing pains of four Brummie schoolboys--Philip, Sean, Doug, and Benjamin--who must come to terms not only with the normal pangs of adolescence but with terrible knitwear, ludicrous pop music, nightmarish food, and insidious racism, all set against the awful, surreal, and tragicomic reality of a postimperial nation.
The book suffers in its programmatic attempts to make the four boys and their families symbolize, or represent, something important to do with British life. Doug, for instance, symbolizes Industrial Decline--his dad is a shop steward at the doomed British Leyland Longbridge plant. Sean symbolizes Sexual Liberation--at least he's the one who seems most likely to get his rocks off. And young Ben Trotter would appear to represent A Young Jonathan Coe. But if this aspect of the novel seems contrived, then the author's capricious, deft, wryly comedic, and touchingly empathetic style keeps things chugging along, as he knits together the troubles and tragedies of some fairly ordinary people living through fairly extraordinary years. --Sean Thomas, Amazon.co.uk [via]
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Silmarillion
by J. R. R. Tolkien

ISBN 9505470649 (950-547-064-9)
Hardcover, Planeta Pub Corp

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More editions of Silmarillion:
- Silmarillion: ISBN 9505470649 (950-547-064-9)
  Hardcover, Planeta Pub Corp
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Sleeping Murder
by Agatha Christie

ISBN 0451200195 (0-451-20019-5)
Softcover, Signet

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Originally published the year of Agatha Christie's death, Sleeping Murder is a novel as legendary as its lead character and its creator...A novel that adheres to the classic mystery formula, and transcends it... A novel that is a must for every mystery reader, marking the final bow of Christie's beloved sleuth, Miss Jane Marple. Now Sleeping Murder is back in a special trade edition, sure to delight old and new fans alike....
"Agatha Christie makes us feel Miss Marple's shiver." --New York Times
"Has all the virtues of Agatha Christie's work; a coherant plot, firm andpurposeful narration, anda pleasant style." --Times Literary
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Tales of the City
by Armistead Maupin

ISBN 0060964049 (0-06-096404-9)
Softcover, Harpercollins

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Since 1976, Maupin's Tales of the City has etched itself upon the hearts and minds of its readers, both straight and gay. From a groundbreaking newspaper serial in the San Francisco Chronicle to a bestselling novel to a critically acclaimed PBS series, Tales (all six of them) contains the universe--if not in a grain of sand, then in one apartment house. [via]
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The Virgin Suicides
by Jeffrey Eugenides

ISBN 0446670251 (0-446-67025-1)
Softcover, Grand Central Pub

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THIS EDITION IS INTENDED FOR USE IN SCHOOLS AND LIBRARIES ONLY. Eugenides, Jeffrey Juxtaposing the common with the gothic, and the humorous with the tragic, the author creates a vivid and compelling portrait of youth and lost innocence. The sensational, b [via]
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The White Album
by Joan Didion

ISBN 0374522219 (0-374-52221-9)
Softcover, Farrar Straus & Giroux

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Book summary:
This collection of essays recounts what took place on the long morning after the 1960s, when everyone was coming down from their particular bad trip. Didion observes the dramas that explode as America goes into collective detox: the mother abandoning her five-year-old daughter on the central reservation of Interstate 5; Huey Newton and the Black Panthers preaching from their cells; students, in unconscious parody, simulating the disaffection of the 1960s. Didion hangs out with the Doors, parties with Janis Joplin, shops with the Manson clan, dines with Polanski and Sharon Tate, and goes to biker movies, "because there on the screen was some news I was not getting from the 'New York Times'". Joan Didion has also written "Sentimental Journeys" and "Slouching Towards Bethlehem". [via]
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The World According to Garp
by John Irving

ISBN 034536676X (0-345-36676-X)
Softcover, Ballantine Books

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Book summary:
"Garp was a natural storyteller," says the narrator of John Irving's incandescent novel, referring to the book's hero, the novelist Garp, who has much in common with Irving himself. "He could make things up one right after the other, and they seemed to fit."
Irving packs wild characters and weird events into his classic--officially recognized as such in a Modern Library edition with a new introduction by the author--while amazingly maintaining the rough feel of realism in every scene and the pulse of life in every heart. Many novelists of his time might have populated a novel with a novelist protagonist whose life and books comment on each other and the novel we're reading. Transsexual football players, ball turret gunners lobotomized in battle, multiple adultery, unicycling bears, mad feminists who amputate their tongues in sympathy with the celebrated victim of a horrifying rape--Irving made them all people. Even the bear is a fitting character.
In a crucial episode, Garp's wife's seduction of a young man coincidentally occurs at the moment when Garp is delighting their young sons with a reckless car trick (one of the few scenes beautifully, eerily, heartbreakingly captured in the film version as well). Many authors would have been content with the harsh comedy of the scene, but Irving respects its integrity, and he builds the rest of the book on the consequences of the event. How does he get away with his killer cocktail of slapstick and horror? Because it's simply what we all face daily, rearranged into soul-satisfying art. "Life is an X-rated soap opera," according to Garp, and who can contradict him?
Rereading Garp 20 years later, one is struck by how elegantly Irving structures his bizarre and complex story. Take the two most celebrated bits in the book, the Under Toad and Garp's story "The Pension Grillparzer," which shimmers like an exquisite Kafkaesque insect in the amber of the novel. When Garp warns his son about the "undertow" at the beach, the boy imagines a monster out of Beowulf who lurks beneath the waves to suck you under: the "Under Toad." It's funny at first, but we soon find that the Under Toad is a metaphor with teeth--he connects with a prophetic dream of death in "The Pension Grillparzer," set in Vienna. Garp's son's last words are, "It's like a dream!" And as Irving--who studied at the University of Vienna--can certainly tell you, the German word for "death" sounds precisely like the English word "toad."
All that death, and yet Garp is mainly exuberant. This story is, as Garp's stuttering writing teacher puts it, "rich with lu-lu-lunacy and sorrow." It enriches literature, and our lives. --Tim Appelo [via]
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Zen and the Art of Motorcycle Maintenance
by Robert M. Pirsig

ISBN 0688032079 (0-688-03207-9)
Hardcover, Harpercollins

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Book summary:
In his now classic Zen and the Art of Motorcycle Maintenance, Robert Pirsig brings us a literary chautauqua, a novel that is meant to both entertain and edify. It scores high on both counts.
Phaedrus, our narrator, takes a present-tense cross-country motorcycle trip with his son during which the maintenance of the motorcycle becomes an illustration of how we can unify the cold, rational realm of technology with the warm, imaginative realm of artistry. As in Zen, the trick is to become one with the activity, to engage in it fully, to see and appreciate all details--be it hiking in the woods, penning an essay, or tightening the chain on a motorcycle.
In his autobiographical first novel, Pirsig wrestles both with the ghost of his past and with the most important philosophical questions of the 20th century--why has technology alienated us from our world? what are the limits of rational analysis? if we can't define the good, how can we live it? Unfortunately, while exploring the defects of our philosophical heritage from Socrates and the Sophists to Hume and Kant, Pirsig inexplicably stops at the middle of the 19th century. With the exception of Poincaré, he ignores the more recent philosophers who have tackled his most urgent questions, thinkers such as Peirce, Nietzsche (to whom Phaedrus bears a passing resemblance), Heidegger, Whitehead, Dewey, Sartre, Wittgenstein, and Kuhn. In the end, the narrator's claims to originality turn out to be overstated, his reasoning questionable, and his understanding of the history of Western thought sketchy. His solution to a synthesis of the rational and creative by elevating Quality to a metaphysical level simply repeats the mistakes of the premodern philosophers. But in contrast to most other philosophers, Pirsig writes a compelling story. And he is a true innovator in his attempt to popularize a reconciliation of Eastern mindfulness and nonrationalism with Western subject/object dualism. The magic of Zen and the Art of Motorcycle Maintenance turns out to lie not in the answers it gives, but in the questions it raises and the way it raises them. Like a cross between The Razor's Edge and Sophie's World, Zen and the Art of Motorcycle Maintenance takes us into "the high country of the mind" and opens our eyes to vistas of possibility. --Brian Bruya [via]
More editions of Zen and the Art of Motorcycle Maintenance:
- Zen and the Art of Motorcycle Maintenance: ISBN 0688032079 (0-688-03207-9)
  Hardcover, Harpercollins
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Zen and the Art of Motorcycle Maintenance: An Inquiry into Values
by Robert M. Pirsig

ISBN 0060589469 (0-06-058946-9)
Softcover, Harpercollins

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Book summary:
In his now classic Zen and the Art of Motorcycle Maintenance, Robert Pirsig brings us a literary chautauqua, a novel that is meant to both entertain and edify. It scores high on both counts.
Phaedrus, our narrator, takes a present-tense cross-country motorcycle trip with his son during which the maintenance of the motorcycle becomes an illustration of how we can unify the cold, rational realm of technology with the warm, imaginative realm of artistry. As in Zen, the trick is to become one with the activity, to engage in it fully, to see and appreciate all details--be it hiking in the woods, penning an essay, or tightening the chain on a motorcycle.
In his autobiographical first novel, Pirsig wrestles both with the ghost of his past and with the most important philosophical questions of the 20th century--why has technology alienated us from our world? what are the limits of rational analysis? if we can't define the good, how can we live it? Unfortunately, while exploring the defects of our philosophical heritage from Socrates and the Sophists to Hume and Kant, Pirsig inexplicably stops at the middle of the 19th century. With the exception of Poincaré, he ignores the more recent philosophers who have tackled his most urgent questions, thinkers such as Peirce, Nietzsche (to whom Phaedrus bears a passing resemblance), Heidegger, Whitehead, Dewey, Sartre, Wittgenstein, and Kuhn. In the end, the narrator's claims to originality turn out to be overstated, his reasoning questionable, and his understanding of the history of Western thought sketchy. His solution to a synthesis of the rational and creative by elevating Quality to a metaphysical level simply repeats the mistakes of the premodern philosophers. But in contrast to most other philosophers, Pirsig writes a compelling story. And he is a true innovator in his attempt to popularize a reconciliation of Eastern mindfulness and nonrationalism with Western subject/object dualism. The magic of Zen and the Art of Motorcycle Maintenance turns out to lie not in the answers it gives, but in the questions it raises and the way it raises them. Like a cross between The Razor's Edge and Sophie's World, Zen and the Art of Motorcycle Maintenance takes us into "the high country of the mind" and opens our eyes to vistas of possibility. --Brian Bruya [via]
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Zen Art of Motorcycle
by Robert Pirsig

ISBN 055325748X (0-553-25748-X)
Softcover, Bantam Books

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Book summary:
In his now classic Zen and the Art of Motorcycle Maintenance, Robert Pirsig brings us a literary chautauqua, a novel that is meant to both entertain and edify. It scores high on both counts.
Phaedrus, our narrator, takes a present-tense cross-country motorcycle trip with his son during which the maintenance of the motorcycle becomes an illustration of how we can unify the cold, rational realm of technology with the warm, imaginative realm of artistry. As in Zen, the trick is to become one with the activity, to engage in it fully, to see and appreciate all details--be it hiking in the woods, penning an essay, or tightening the chain on a motorcycle.
In his autobiographical first novel, Pirsig wrestles both with the ghost of his past and with the most important philosophical questions of the 20th century--why has technology alienated us from our world? what are the limits of rational analysis? if we can't define the good, how can we live it? Unfortunately, while exploring the defects of our philosophical heritage from Socrates and the Sophists to Hume and Kant, Pirsig inexplicably stops at the middle of the 19th century. With the exception of Poincaré, he ignores the more recent philosophers who have tackled his most urgent questions, thinkers such as Peirce, Nietzsche (to whom Phaedrus bears a passing resemblance), Heidegger, Whitehead, Dewey, Sartre, Wittgenstein, and Kuhn. In the end, the narrator's claims to originality turn out to be overstated, his reasoning questionable, and his understanding of the history of Western thought sketchy. His solution to a synthesis of the rational and creative by elevating Quality to a metaphysical level simply repeats the mistakes of the premodern philosophers. But in contrast to most other philosophers, Pirsig writes a compelling story. And he is a true innovator in his attempt to popularize a reconciliation of Eastern mindfulness and nonrationalism with Western subject/object dualism. The magic of Zen and the Art of Motorcycle Maintenance turns out to lie not in the answers it gives, but in the questions it raises and the way it raises them. Like a cross between The Razor's Edge and Sophie's World, Zen and the Art of Motorcycle Maintenance takes us into "the high country of the mind" and opens our eyes to vistas of possibility. --Brian Bruya [via]
More editions of Zen Art of Motorcycle:
- Zen Art of Motorcycle: ISBN 055325748X (0-553-25748-X)
  Softcover, Bantam Books

Spanish

Desde Mi Cielo/from My Sky
by Alice Sebold

ISBN 9685960356 (968-5960-35-6)
Softcover, Random House Mondadori

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- Desde Mi Cielo/from My Sky: ISBN 9685960356 (968-5960-35-6)
  Softcover, Random House Mondadori
Miedo a Volar/Fear of Flying
by Erica Jong

ISBN 8401490804 (84-01-49080-4)
Softcover, Random House Mondadori

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- Miedo a Volar/Fear of Flying: ISBN 8401490804 (84-01-49080-4)
  Softcover, Random House Mondadori
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El Mundo Segun Garp / The World According to Garp
by John Irving

ISBN 8472232271 (84-7223-227-1)
Softcover, Ediciones Urano

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More editions of El Mundo Segun Garp / The World According to Garp:
- El Mundo Segun Garp / The World According to Garp: ISBN 8472232271 (84-7223-227-1)
  Softcover, Ediciones Urano
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La Princesa Prometida
by William Goldman

ISBN 8427030975 (84-270-3097-5)
Softcover, Martinez Roca S A Ediciones

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- La Princesa Prometida: ISBN 8427030975 (84-270-3097-5)
  Softcover, Martinez Roca S A Ediciones
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Puenta Hasta Terabithia / Bridge to Terabithia
by Katherine Paterson, Barbara McShane, Javier Alfaya, Donna Diamond

ISBN 842043633X (84-204-3633-X)
Softcover, Alfaguara

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Book summary:
Esta es la historia de Jess Aarons, que un día tiene la suerte, a la vez maravillosa y terrible, de encontrar esa amistad con que todos soñamos. [via]
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- Puenta Hasta Terabithia / Bridge to Terabithia: ISBN 842043633X (84-204-3633-X)
  Softcover, Alfaguara
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Virgenes Suicidas/ Suicidals Virgins
by Eugenides Jeffrey

ISBN 8433966820 (84-339-6682-0)
Softcover, Ld Books Inc

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Book summary:
En menos de un ano y medio, las cinco hermanas Lisbon, adolescentes, se suicidan. Los jovencitos del bario habian estado siempre fascinados por esas inalcanzables jovenes en flor, y veinte anos despues, aquellos chicos ya en la frontera de la mediana edad, intentan desentranar el enigma de aquellas lolitas muertas que siguen fascianndolos. [via]
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- Virgenes Suicidas/ Suicidals Virgins: ISBN 8433966820 (84-339-6682-0)
  Softcover, Ld Books Inc

Italian

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Io Non Ho Paura
by Niccolo Ammaniti

ISBN 8806142100 (88-06-14210-0)
Softcover, Einaudi, Gallimard

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Book summary:
L'estate piú calda del secolo. Quattro case sperdute nel grano. I grandi sono tappati in casa. Sei bambini, sulle loro biciclette, si avventurano nella campagna rovente e abbandonata: in mezzo a quel mare di spighe c'è un segreto pauroso, un segreto che cambierà per sempre la vita di uno di loro. Leggi le prime pagine on line [via]
More editions of Io Non Ho Paura:
- Io Non Ho Paura: ISBN 8806142100 (88-06-14210-0)
  Softcover, Einaudi, Gallimard

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