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Alive
by Piers Paul Read

ISBN 1885283083 (1-885283-08-3)
Hardcover, Adventure Library

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Book summary:
On October 12, 1972, a plane carrying a team of young rugby players crashed into the remote, snow-peaked Andes. Out of the forty-five original passengers and crew, only sixteen made it off the mountain alive. For ten excruciating weeks they suffered deprivations beyond imagining, confronting nature head-on at its most furious and inhospitable. And to survive, they were forced to do what would have once been unthinkable ...
This is their story -- one of the most astonishing true adventures of the twentieth century.
[via]
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Babycakes
by Armistead Maupin

ISBN 0060924837 (0-06-092483-7)
Softcover, Perennial

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Book summary:
"An extended love letter to a magical San Francisco."
--New York Times Book Review
When an ordinary househusband and his ambitious wife decide to start a family, they discover there's more to making a baby then meets the eye. Help arrives in the form of a grieving gay neighbor, a visiting monarch, and the dashing young lieutenant who defects from her yacht. Bittersweet and profoundly affecting, Babycakes was the first work of fiction to acknowledge the arrival of AIDS.

"Armistead is a true original. His tales are bang up-to-date. They will surprise and maybe even shock you, but, I promise, they will make you laugh."
--Ian McKellen
"Maupin has a genius for observation. His characters have the timing of vaudeville comics, flawed by human frailty and fueled by blind hop."
--Denver Post
"Armistead Maupin's San Francisco saga careens beautifully on."
-- New York Times Book Review
[via]
More editions of Babycakes:
- Babycakes: ISBN 0060910992 (0-06-091099-2)
  Softcover, Harper & Row
- Babycakes: ISBN 0060924837 (0-06-092483-7)
  Softcover, Perennial

ISBN 9780375423802 (0-375-42380-X, 037542380X)

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Black Hole

by Charles Burns

ISBN 037542380X (0-375-42380-X)
Hardcover, Pantheon Books

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Book summary:

The first issues of Charles Burns's comics series Black Hole began appearing in 1995, and long before it was completed a decade later, readers and fellow artists were speaking of it in tones of awe and comparing it to recent classics of the form like Chris Ware's Jimmy Corrigan and Daniel Clowes's Ghost World. Burns is the sort of meticulous, uncompromising artist whom other artists speak of with envy and reverence, and we asked Ware and Clowes to comment on their admiration for Black Hole:

"I think I probably learned the most about clarity, composition, and efficiency from looking at Charles's pages spread out on my drawing table than from anyone's; his was always at the level of lucidity of Nancy, but with this odd, metallic tinge to it that left you feeling very unsettled, especially if you were an aspiring cartoonist, because it was clear you'd never be half as good as he was. There's an almost metaphysical intensity to his pinprick-like inkline that catches you somewhere in the back of the throat, a paper-thin blade of a fine jeweler's saw tracing the outline of these thick, clay-like human figures that somehow seem to "move," but are also inevitably oddly frozen in eternal, awkward poses ... it's an unlikely combination of feelings, and it all adds up to something unmistakably his own.

"I must have been one of the first customers to arrive at the comic shop when I heard the first issue of Black Hole was out 10 years ago, and my excitement didn't change over the years as he completed it. I don't think I've ever read anything that better captures the details, feelings, anxieties, smells, and cringing horror of my own teenage years better than Black Hole, and I'm 15 years younger than Charles is. Black Hole is so redolently affecting one almost has to put the book down for air every once in a while. By the book's end, one ends up feeling so deeply for the main character it's all one can do not to turn the book over and start reading again." --Chris Ware

"Charles Burns is one of the greats of modern comics. His comics are beautiful on so many levels. Somehow he has managed to capture the essential electricity of comic-book pop-art iconography, dragging it from the clutches of Fine Art back to the service of his perfect, precise-but-elusive narratives in a way that is both universal in its instant appeal and deeply personal." --Dan Clowes

Questions for Charles Burns

Amazon.com: Cartoonists are about the only people today who are working like Dickens did: writing serials that appear piece-by-piece in public before the whole work is done. What's it like to work in public like that, and for as long as a project like this takes?
Charles Burns: There were a number of reasons for serializing Black Hole. First of all, I wanted to put out a traditional comic book-- I'd never really worked in that comic pamphlet format before and liked the idea of developing a long story in installments. There's something very satisfying to me about a comic book as an object and I enjoyed using that format to slowly build my story. Serializing the story also allowed me to focus on shorter, more manageable portions; if I had to face creating a 368-page book all in one big lump, I don't know if Id have the perseverance and energy to pull it off.
Amazon.com: One thing that stuns me about this book is how consistent it is from start to finish. From the first frames to the last ones that you drew 10 years later, you held the same tone and style. It feels as though you had a complete vision for the book from the very beginning. Is that so? Or did things develop unexpectedly as you worked on it?
Burns: I guess there's a consistency in Black Hole because of the way I work. I write and draw very slowly, always carefully examining every little detail to make sure it all fits together the way I want it to. When I started the story, I had it all charted out as far as the basic structure goes, but what made working on it interesting was finding new ways of telling the story that hadn't occurred to me.
Amazon.com: Some of the very best of the recent graphic novels (I'm thinking of Ghost World and Blankets, along with Black Hole) have been about the lives of teenagers. Do you think there's something about the form that helps to tell those stories so well?
Burns: That's an interesting question, but I don't know the answer. Perhaps it has more to do with the authors--the kind of people who stay indoors for hours on end in total solitude working away on their heartfelt stories... maybe that kind of reflection lends itself to being able to capture the intensity of adolescence.
Amazon.com: In the time you've been working on Black Hole, graphic novels have leapt into the mainstream. (I think--I hope--we're finally seeing the last of those "They're not just for kids anymore!" reviews.) What did you imagine for this project when you started it? What's it been like to see your corner of the world enter the glare of the spotlight?
Burns: When I started Black Hole I really just wanted to tell a long, well-written story. The themes and ideas that run throughout the book had been turning around in my head for years and I wanted to finally get them all out--put them down on paper once and for all. I've published a few other books and while they sold reasonably well, they didn't set the publishing world on fire. I was pretty sure I'd have some kind of an audience for Black Hole, but that was never a motivating factor in writing the book. And my corner of the world is still pretty dark. I guess I'll be stepping into the spotlight for a little while when the book comes out, but I imagine I'll slip back into my dark little studio when it all settles down again so I can settle back into work.

[via]

More editions of Black Hole:

Black Hole: ISBN 037542380X (0-375-42380-X)
Hardcover, Pantheon Books

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Breakfast of Champions
by Kurt Vonnegut

ISBN 0385334206 (0-385-33420-6)
Softcover, Bantam Dell Pub Group

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Book summary:
"We are healthy only to the extent that our ideas are humane." So reads the tombstone of downtrodden writer Kilgore Trout, but we have no doubt who's really talking: his alter ego Kurt Vonnegut. Health versus sickness, humanity versus inhumanity--both sets of ideas bounce through this challenging and funny book. As with the rest of Vonnegut's pure fantasy, it lacks the shimmering, fact-fueled rage that illuminates Slaughterhouse-Five. At the same time, that makes this book perhaps more enjoyable to read.
Breakfast of Champions is a slippery, lucid, bleakly humorous jaunt through (sick? inhumane?) America circa 1973, with Vonnegut acting as our Virgil-like companion. The book follows its main character, auto-dealing solid-citizen Dwayne Hoover, down into madness, a condition brought on by the work of the aforementioned Kilgore Trout. As Dwayne cracks, then crumbles, Breakfast of Champions coolly shows the effects his dementia has on the web of characters surrounding him. It's not much of a plot, but it's enough for Vonnegut to air unique opinions on America, sex, war, love, and all of his other pet topics--you know, the only ones that really count. [via]
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Children of Dune
by Frank Herbert

ISBN 0441104029 (0-441-10402-9)
Softcover, Berkley Pub Group

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Book summary:
FOR USE IN SCHOOLS AND LIBRARIES ONLY. On the planet of Aurakis, men, nature, and time attend the messianic and evolutionary growth of Leto and his twin sister Ghanima, children and successors of the mighty Muad'Dib. [via]
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Curtain
by Agatha Christie

ISBN 0425173747 (0-425-17374-7)
Softcover, Berkley Pub Group

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Book summary:
Hercule Poirot returns to the scene of his first great case to solve another, which could be his last if he does not watch his step. Reprint. [via]
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Did I Ever Tell You How Lucky You Are?
by Seuss

ISBN 0394827198 (0-394-82719-8)
Hardcover, Random House Childrens Books

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El Silmarillion
by J. R. R. Tolkien

ISBN 844507038X (84-450-7038-X)
Hardcover, Lectorum Pubns Inc

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Book summary:
El Silmarillion es el cuerpo central de los textos narrativos de J.R.R. Tolkien, una obra que no pudo publicar en vida porque creció unto con él. Tolkien comenzó a escribirlo mucho antes que El Hobbit, obra concebida como historia independiente, pero que fue parte de lo que él llamaba un "tema que copia y se ramifica", y del que emergió El Señor de los Anillos.El Silmarillion cuenta la historia de la Primera Edad, el antiguo drama del que hablan los personajes de El Señor de los Anillos, y en cuyos acontecimientos algunos de ellos tomaron parte, como Elrond y Galadriel.Los tres Silmarils eran gemas creadas por Fëanor, el más dotado de los Elfos, y contenían la Luz de los Dos Árboles de Valinor antes que los Árboles mismos fueran destruidos por Morgoth, el primer Señor Oscuro. Desde entonces la inmaculada Luz de Valinor vivió sólo en los Silmarils, pero Morgoth se apoderó de ellos, y los engarzó en su corona, guardada en la fortaleza impenetrable de Angband en el norte de la Tierra Media.En este volumen se incluyen otras obras cortas, como el Ainulindalë o la Música de los Ainur, la creación mítica del mundo, y el Valaquenta, sobre la naturaleza y poderes de los dioses. A El Silmarillion sigue el Akallabeth, que vuelve a narrar la caída del reino de Númenor al fin de la Segunda Edad, y por último la historia De los Anillos del Poder, en la que el tema de El Señor de los Anillos reaparece en la perspectiva más amplia de El Silmarillion.El Silmarillion no es una novela, ni un cuento de hadas, ni una historia ficticia. Podría definirse como una obra de imaginación inspirada, una visión sombría, legendaria o mítica, del interminable conflicto entre el deseo de poder y la capacidad de crear. [via]
More editions of El Silmarillion:
- El Silmarillion: ISBN 844507038X (84-450-7038-X)
  Hardcover, Lectorum Pubns Inc
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Freaky Friday
by Mary Rodgers

ISBN 1557360278 (1-55736-027-8)
Hardcover, Cornerstone Books

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Book summary:
Book [via]
More editions of Freaky Friday:
- Freaky Friday: ISBN 0064400468 (0-06-440046-8)
  Softcover, Harpercollins Childrens Books
- Freaky Friday: ISBN 1557360278 (1-55736-027-8)
  Hardcover, Cornerstone Books
Future Shock
by Alvin Toffler

ISBN 0553277375 (0-553-27737-5)
Softcover, Bantam Books

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Book summary:
FOR USE IN SCHOOLS AND LIBRARIES ONLY. Examines the effects of rapid industrial and technological changes upon the individual, family, and society. [via]
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Hijos De Dune/Children of Dune
by Frank Herbert, Random House Mondadori

ISBN 8497594320 (84-9759-432-0)
Softcover, Debolsillo

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More editions of Hijos De Dune/Children of Dune:
- Hijos De Dune/Children of Dune: ISBN 8497594320 (84-9759-432-0)
  Softcover, Debolsillo
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The Hitchhiker's Guide to the Galaxy
by Douglas Adams, Steve Leialoha, John Carnell

ISBN 1563892715 (1-56389-271-5)
Softcover, Dc Comics

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Book summary:
How shall we begin?

This is the story of a book called The Hitchhikers Guide to the Galaxynot an Earth book, never published on Earth and, until the terrible catastrophe occurred, never seen or even heard of by any Earthman. Nevertheless, a wholly remarkable book.

or

This is the story of The Hitchhikers Guide to the Galaxy, a number-one best seller in England, a weekly radio series with millions of fanatic listeners, and soon to be a television spectacle on both sides of the Atlantic Ocean.

or

This is the story of Arthur Dent, who, secnds before Earth is demolished to make way for a galactic freeway, is plucked off the planet by his friend, Ford Prefect, who has been posing as an out-of-work actor for the last fifteen years but is really a researcher for the revised edition of The Hitchhikers Guide to the Galaxy. Together they begin a journey through the galaxy aided by quotes from The Hitchhikers Guide to the Galaxy, with the words dont panic written on the front. (A towel is about the most massively useful thing an interstellar hitchhiker can have.)

In their travels they meet:
"Zaphod Beeblebroxthe two-headed, three-armed ex-hippie and totally out-to-lunch President of the Galaxy
"TrillianZaphods girl friend, formerly Tricia McMillan, whom Arthur once tried to pick up at a cocktail party
"Marvina paranoid android, a brilliant but chronically depressed robot
"Veet Voojagigformer graduate student obsessed with the disappearance of all the ballpoint pens he bought over the years

To find the answers to these burning questions: Why are we born? Why do we die? And why do we spend so much time in between wearing digital watches? read The Hitchhikers Guide to the Galaxy. But remember . . . dont panic, and dont forget to bring a towel. [via]
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I'm Not Scared
by Jonathan Hunt, Niccolo Ammaniti

ISBN 1841952974 (1-84195-297-4)
Hardcover, Canongate Books Ltd

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More editions of I'm Not Scared:
- I'm Not Scared: ISBN 1841952974 (1-84195-297-4)
  Hardcover, Canongate Books Ltd
I'm Not Scared
by Niccolo Ammaniti, Jonathan Hunt

ISBN 1400075637 (1-4000-7563-7)
Softcover, Random House Inc

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More editions of I'm Not Scared:
- I'm Not Scared: ISBN 1400075637 (1-4000-7563-7)
  Softcover, Random House Inc
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The Lorax
by Seuss

ISBN 0394823370 (0-394-82337-0)
Hardcover, Random House Childrens Books

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Book summary:
When Dr. Seuss gets serious, you know it must be important. Published in 1971, and perhaps inspired by the "save our planet" mindset of the 1960s, The Lorax is an ecological warning that still rings true today amidst the dangers of clear-cutting, pollution, and disregard for the earth's environment. In The Lorax, we find what we've come to expect from the illustrious doctor: brilliantly whimsical rhymes, delightfully original creatures, and weirdly undulating illustrations. But here there is also something more--a powerful message that Seuss implores both adults and children to heed.
The now remorseful Once-ler--our faceless, bodiless narrator--tells the story himself. Long ago this enterprising villain chances upon a place filled with wondrous Truffula Trees, Swomee-Swans, Brown Bar-ba- loots, and Humming-Fishes. Bewitched by the beauty of the Truffula Tree tufts, he greedily chops them down to produce and mass-market Thneeds. ("It's a shirt. It's a sock. It's a glove. It's a hat.") As the trees swiftly disappear and the denizens leave for greener pastures, the fuzzy yellow Lorax (who speaks for the trees "for the trees have no tongues") repeatedly warns the Once-ler, but his words of wisdom are for naught. Finally the Lorax extricates himself from the scorched earth (by the seat of his own furry pants), leaving only a rock engraved "UNLESS." Thus, with his own colorful version of a compelling morality play, Dr. Seuss teaches readers not to fool with Mother Nature. But as you might expect from Seuss, all hope is not lost--the Once-ler has saved a single Truffula Tree seed! Our fate now rests in the hands of a caring child, who becomes our last chance for a clean, green future. (Ages 4 to 8) [via]
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The Lovely Bones
by Alice Sebold

ISBN 159413023X (1-59413-023-X)
Softcover, Thorndike Press

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Book summary:
On her way home from school on a snowy December day, 14-year-old Susie Salmon is lured into a cornfield and brutally raped and murdered, the latest victim of a serial killer. The Lovely Bones, Alice Sebold's haunting and heartbreaking debut novel, unfolds from heaven, where "life is a perpetual yesterday" and where Susie narrates and keeps watch over her grieving family and friends, as well as her brazen killer and the sad detective working on her case.
As Sebold fashions it, everyone has his or her own version of heaven. Susie's resembles the athletic fields and landscape of a suburban high school: a heaven of her "simplest dreams", where "there were no teachers... We never had to go inside except for art class... The boys did not pinch our backsides or tell us we smelled; our textbooks were Seventeen and Glamour and Vogue".
The Lovely Bones works as an odd yet affecting coming-of-age story. Susie struggles to accept her death while still clinging to the lost world of the living, following her family's dramas over the years. Her family disintegrates in their grief: her father becomes determined to find her killer, her mother withdraws, her little brother Buckley attempts to make sense of the new hole in his family and her younger sister Lindsey moves through the milestone events of her teenage and young adult years with Susie riding spiritual shotgun. Random acts and missed opportunities run throughout the book--Susie recalls her sole kiss with a boy on earth as "like an accident--a beautiful gasoline rainbow".
Though sentimental at times, The Lovely Bones is a moving exploration of loss and mourning that ultimately puts its faith in the living and that is made even more powerful by a cast of convincing characters. Sebold orchestrates a big finish and though things tend to wrap up a little too well for everyone in the end, one can only imagine (or hope) that heaven is indeed a place filled with such happy endings. --Brad Thomas Parsons, Amazon.com [via]
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Mr. Brown Can Moo! Can You?
by Seuss

ISBN 0394806220 (0-394-80622-0)
Hardcover, Random House Childrens Books

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Book summary:
Oh, the wonderful things Mr. Brown can do! In this "Book of Wonderful Noises," Mr. Brown struts his stuff, as he imitates everything from popping corks to horse feet ("pop pop pop pop" and "klopp klopp klopp," respectively) while inviting everyone to join him in the fun. Young readers who are still learning their sounds and letters will get a wacky workout as they follow along with the very serious-looking, squinty-eyed Mr. Brown. Whether it's eggs frying in a pan or a hippo chewing gum, the skillful Mr. Brown just keeps topping himself, with a "sizzle sizzle" or a "grum grum grum." "Mr. Brown is so smart he can even do this: he can even make a noise like a goldfish kiss!... pip!" As usual, the words and pictures of Dr. Seuss make reading (and making all sorts of funny noises) impossible to resist. Mr. Brown Can Moo! Can You? will stay fresh through many a giggling reading. --Paul Hughes [via]
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Ordinary People
by Judith Guest

ISBN 0140065172 (0-14-006517-2)
Softcover, Penguin Group USA

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Book summary:
FOR USE IN SCHOOLS AND LIBRARIES ONLY. Seventeen-year-old Conrad Jarrett returns to his parents' home and tries to build a new life for himself after spending eight months in a mental institution for attempted suicide. [via]
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Persepolis
by Marjane Satrapi

ISBN 1594970351 (1-59497-035-1)
Softcover, Public Square Books

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Book summary:
Marjane Satrapi's Persepolis is an exemplary autobiographical graphic novel, in the tradition of Art Spiegelman's classic Maus. Set in Iran during the Islamic Revolution, young Satrapi is the six-year-old daughter of two committed and well-to-do Marxists. As she grows up, she witness first-hand the effects that the revolution and the war with Iraq have on her home, family and school.
Like Maus, the main strength of Persepolis is its ability to make the political personal.
Told through the eyes of a child (as reflected in Satrapi's simplistic yet expressive black-and-white artwork), young Marjane learns about her family history and how it is entwined with the history of Iran, and watches her liberal parents cope with a fundamentalist regime that gets increasingly rigid as it gains more power. Outspoken and intelligent, Marjane chafes at Iran's increasingly conservative interpretation of Islamic law, especially as she grows into a bright and independent teenager. Throughout, Marjane remains a hugely likeable young woman
Persepolis gives the reader a snapshot of daily life in a country struggling with an internal cultural revolution and a bloody war, but within an intensely personal context. It's a very human history, beautifully and sympathetically told. --Robert Burrow [via]
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Poisonwood Bible
by Barbara Kingsolver

ISBN 1417687703 (1-4176-8770-3)
Hardcover, Bt Bound

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Book summary:
Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: "We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle," says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse?
In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years.
The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate--teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo.
Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. --Alix Wilber [via]
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Significant Others
by Armistead Maupin

ISBN 0060924810 (0-06-092481-0)
Softcover, HarperCollins Canada, Limited

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Book summary:
"An extended love letter to a magical San Francisco."
--New York Times Book Review
Tranquillity reigns in the ancient redwood forest until a women-only music festival sets up camp downriver from an all-male retreat for the ruling class. Among those entangled in the ensuing mayhem are a lovesick nurseryman, a panic-stricken philanderer and the world's most beautiful fat woman. Significant Others is Armistead Maupin's cunningly observed meditation on marriage, friendship, and sexual nostalgia.
"Comedy in its most classical form...some of the sharpest and most speakable dialogue you are ever likely to read."
--The Guardian
"The color is wonderful, the line bold and flowing. It is also wise, witty, loving and caring about the foibles and frailties we all seem to have."
--David Hockney [via]
More editions of Significant Others:
- Significant Others: ISBN 0060924810 (0-06-092481-0)
  Softcover, HarperCollins Canada, Limited
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Silmarillion
by J. R. R. Tolkien

ISBN 1417716908 (1-4177-1690-8)
Hardcover, Bt Bound

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Book summary:
part of lord of the rings story [via]
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Surfacing
by Margaret Atwood

ISBN 0385491050 (0-385-49105-0)
Softcover, Bantam Dell Pub Group

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Book summary:
First published in 1972, Surfacing was Margaret Atwood's second novel, following the critically acclaimed The Edible Woman. Atwood had already made her mark as a one of the most exciting new voices in Canadian poetry, winning the Governor General's Award in 1966 for The Circle Game, while her groundbreaking book of criticism, Survival, had started the process of redefining the meaning of Canadian literature.
In Surfacing, poetry and prose brilliantly come together in a heart-wrenching novel that focuses on a woman's desperate attempt to put the ghosts of her past to rest. With three friends, she's returned to the remote cabin in Northern Quebec where she spent her childhood. She's overwhelmed, almost to the point of emotional paralysis, by memories of her father and his death by drowning, her failed marriage and painful divorce, and an abortion that haunts her waking dreams. While she appears to be ambivalent about the landscape, it is the landscape that in fact will provide her with the means of healing herself and her broken spirit. Like Atwood's poetry of this period, Surfacing is a deeply psychological novel. Atwood uses the recurring image of surfacing from beneath the waves of an icy northern lake as a symbol of this woman's struggle to regain control of her life, to refuse to be a victim of her past. Surfacing is a poignant novel filled with the power of the Canadian wilderness to cleanse the soul, an image of the wilderness that has remained a preoccupation for Atwood throughout her writing career. --Jeffrey Canton [via]
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The Ultimate Hitchhiker's Guide to the Galaxy
by Douglas Adams

ISBN 0345453743 (0-345-45374-3)
Softcover, Ballantine Books

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Book summary:
State-of-the-art, digitally generated graphic images and tricky visual puns accompany the complete text of the cult classic story of one young man's zany adventures in outer space. 50,000 first printing. [via]
More editions of The Ultimate Hitchhiker's Guide to the Galaxy:
- The Illustrated Hitchhiker's Guide to the Galaxy: ISBN 0517599244 (0-517-59924-4)
  Hardcover, Crown Publishing Group
- The Ultimate Hitchhiker's Guide to the Galaxy: ISBN 0345453743 (0-345-45374-3)
  Softcover, Ballantine Books
The Women's Room
by Marilyn French

ISBN 0345353617 (0-345-35361-7)
Softcover, Random House Publishing Group

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LA Biblia Envenenada / The Poisonwood Bible
by Barbara Kingsolver, Damian Alou

ISBN 8484530256 (84-8453-025-6)
Softcover, Ediciones Del Bronce

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Book summary:
La autora des suroeste de Estados Unidos nos trae una novela de pasión, y de tragedia con un paisaje bello e inesperado. Una selección de Oprah para su club de lectores. Un bestseller de toda clase. [via]
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- LA Biblia Envenenada / The Poisonwood Bible: ISBN 8484530256 (84-8453-025-6)
  Softcover, Ediciones Del Bronce
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Desde Mi Cielo
by Alise Ceboll

ISBN 1400059453 (1-4000-5945-3)
Softcover, Random House Mondadori

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Book summary:
From her vantage point in heaven, Susie Salmon describes how she was confronted by a murderer one December afternoon on her way home from school. Lured into an underground hiding place, she was raped and killed. But what the reader knows, her family does not. Anxiously,we keep vigil with Susie, aching for her grieving family, desperate for the killer to be found and punished. Sebold creates a heaven that's calm and comforting, a place whose residents can have whatever they enjoyed when they were alive and then some.
But Susie isn't ready to release her hold on life just yet, and she intensely watches her family and friends as they struggle to cope with a reality in which she is no longer a part. [via]
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- Desde Mi Cielo: ISBN 1400059453 (1-4000-5945-3)
  Softcover, Random House Mondadori
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Desde Mi Cielo / The Lovely Bones
by Aurora Echevarria, Alice Sebold

ISBN 0307209431 (0-307-20943-1)
Softcover, Random House Espanol

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Book summary:
From her vantage point in heaven, Susie Salmon describes how she was confronted by a murderer one December afternoon on her way home from school. Lured into an underground hiding place, she was raped and killed. But what the reader knows, her family does not. Anxiously,we keep vigil with Susie, aching for her grieving family, desperate for the killer to be found and punished. Sebold creates a heaven that's calm and comforting, a place whose residents can have whatever they enjoyed when they were alive and then some.
But Susie isn't ready to release her hold on life just yet, and she intensely watches her family and friends as they struggle to cope with a reality in which she is no longer a part. [via]
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- Desde Mi Cielo / The Lovely Bones: ISBN 0307209431 (0-307-20943-1)
  Softcover, Random House Espanol
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Hijos De Dune/Children of Dune
by Frank Herbert

ISBN 8470022334 (84-7002-233-4)
Softcover, Acervo

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El Lorax
by Aida E. Marcuse, Dr. Seuss

ISBN 1880507048 (1-880507-04-8)
Hardcover, Lectorum Pubns

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Book summary:
When Dr. Seuss gets serious, you know it must be important. Published in 1971, and perhaps inspired by the "save our planet" mindset of the 1960s, The Lorax is an ecological warning that still rings true today amidst the dangers of clear-cutting, pollution, and disregard for the earth's environment. In The Lorax, we find what we've come to expect from the illustrious doctor: brilliantly whimsical rhymes, delightfully original creatures, and weirdly undulating illustrations. But here there is also something more--a powerful message that Seuss implores both adults and children to heed.
The now remorseful Once-ler--our faceless, bodiless narrator--tells the story himself. Long ago this enterprising villain chances upon a place filled with wondrous Truffula Trees, Swomee-Swans, Brown Bar-ba- loots, and Humming-Fishes. Bewitched by the beauty of the Truffula Tree tufts, he greedily chops them down to produce and mass-market Thneeds. ("It's a shirt. It's a sock. It's a glove. It's a hat.") As the trees swiftly disappear and the denizens leave for greener pastures, the fuzzy yellow Lorax (who speaks for the trees "for the trees have no tongues") repeatedly warns the Once-ler, but his words of wisdom are for naught. Finally the Lorax extricates himself from the scorched earth (by the seat of his own furry pants), leaving only a rock engraved "UNLESS." Thus, with his own colorful version of a compelling morality play, Dr. Seuss teaches readers not to fool with Mother Nature. But as you might expect from Seuss, all hope is not lost--the Once-ler has saved a single Truffula Tree seed! Our fate now rests in the hands of a caring child, who becomes our last chance for a clean, green future. (Ages 4 to 8) [via]
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  Hardcover, Lectorum Pubns
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Persepolis 2
by Marjane Satrapi

ISBN 8484315622 (84-8431-562-2)
Softcover, Norma Editorial Sa

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- Persepolis 2: ISBN 8484315622 (84-8431-562-2)
  Softcover, Norma Editorial Sa
Telon
by Agatha Christie

ISBN 8427202970 (84-272-0297-0)
Softcover, Santillana USA Pub Co Inc

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- Telon: ISBN 8427202970 (84-272-0297-0)
  Softcover, Santillana USA Pub Co Inc

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