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In an earlier set of poems, The Garden, Gluck retold the myth of Eden; in this sequence it is clear that paradise has been lost, and the poet, Eve-like, struggles to make sense of her place in the universe. For this old and still post-modern theme, Gluck bravely takes the risk of adopting a highly symbolic structure. She uses the conceit of parallel discourses between the flowers of a garden and the gardener (the poet), and between the gardener/poet and an unnamed god. The reader shares the poet's human predicament of being caught between these material and spiritual worlds, each lush and musical, drawing inspiration from both: from the flowers, a hymn to communality; from the god, a universal view of human suffering. The collection was awarded the 1993 Pulitzer Prize for poetry. [via]