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This is the first critical study of Sons and Lovers to engage with the new Cambridge edition, which prints for the first time the whole text that Lawrence wrote, restoring the sustantial cuts made by the first editor. Michael Black gives special attention to the genesis of the book--the writing and editing processes, where Jessie Chambers and then Edward Garnett made decisive interventions. He analyzes Sons and Lovers in detail, relates it to Lawrence's other works, and traces the history of its reception. Historical context and a guide to further reading are also provided. [via]