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What happens when first contact goes horribly wrong? When that initial meeting between two sentient species leads to utter confusion and misunderstanding, murder and hijacking, and a tight-lipped coverup for years afterward? Jack McDevitt sets this situation up in Infinity Beach, describing humanity at the end of the third millennium as a solitary race, seemingly alone in the cosmos even after colonizing many worlds beyond Earth: "The universe has come to resemble a magnificent but sterile wilderness, an ocean which boasts no friendly coast, no sails, no sign that any have passed this way before." But a ship in search of life returned years earlier under suspicious circumstances, with two crew members missing, one presumed dead in an unexplained explosion, and the fourth retired into silence. Tales of apparitions, strange lights, and voices near the explosion site persist. No one's talking, but the scientist sister (and clone) of one of the missing shipmates starts asking questions and finds herself at the heart of a complex and frightening puzzle.

McDevitt, an accomplished storyteller and perennial Nebula runner-up, proves to have an excellent ear for such drama, telling a solid story that exudes mood and atmosphere while still staying tense enough to keep those pages turning. By turns a murder mystery, ghost story, and solid sci-fi thriller, Infinity Beach takes one of the genre's more prosaic schticks--first contact--and gives it a twist with style and skill: when you do make contact, what you find might scare you. --Paul Hughes [via]