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by William Gibson

ISBN 0425190455 / 9780425190456 / 0-425-19045-5
Publisher Berkley Trade
Language English
Edition Softcover
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Book summary

Colin Laney is a data analyst with a talent for seeing patterns, or nodes, as he calls them, in the flow of information that is cyberspace. Chia McKenzie is a young member of the fan club for the Japanese pop supergroup Lo/Rez. When a rumour involving the lead singer of Lo/Rez and an idoru, a Japanese virtual-reality singing idol, brings both Laney and Chia to Tokyo, the resulting web of events involves Russian criminals, Japanese schoolgirls, and illegal nanotechnology. And it's all set in a Tokyo that is literally growing and changing around the characters, rising from the rubble of a major earthquake.

Idoru is not William Gibson's best novel, but it is a good example of his primary strength: creating worlds that don't so much show the future as expose the world we already live in, a world of computers, information, mega-corporations, pop art, tabloids, and rock & roll. Idoru works not only on its own terms but also as a set-up for Gibson's next novel, All Tomorrow's Parties. Gibson broadens his perspective by including a wider range of characters than in his earlier novels, but mainly Idoru moves Gibson's work forward by pushing further into his familiar territory. It is the work not of a writer who is discovering new topics, but of one who is re-examining his old ones, bringing greater depth and maturity to his art in the process. --Greg L. Johnson [via]