978-90-5356-784-5 / 9789053567845

Film Remakes as Ritual and Disguise: From Carmen to Ripley (Amsterdam University Press - Film Culture in Transition)


Publisher:Amsterdam University Press



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About the book:

The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. 

Anat Zanger focuses on contemporary retellings of three particular talesJoan of Arc, Carmen, and Psychoto reveal what she calls the remakes rituals of disguise. Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Triers Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural fingerprints that are reflective of societys own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory.  Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over deathplaying at movie theaters seven days a week, 365 days a year. 

Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history.

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