9780879681968 / 0879681969

Goethe's Theory of colours


Publisher:Gordon Press


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This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1840. Not illustrated. Excerpt: ... dencies which the artists suffer themselves to be led away with. Painters are always looking for new colouring substances, and believe when such a substance is discovered that they have made an advance in the art. They have a great curiosity to know the practical methods of the old masters, and lose much time in the search. Towards the end of the last century we were thus long tormented with wax-painting. Others turn their attention to the discovery of new methods, through which nothing new is accomplished; for, after all, it is the feeling of the artist only that informs every kind of technical process. ALLEGORICAL, SYMBOLICAL, MYSTICAL APPLICATION OF COLOUR. 915. It has been circumstantially shown above, that every colour produces a distinct impression on the mind, and thus addresses at once the eye and feelings. Hence it follows that colour may be employed for certain moral and aesthetic ends. 916. Such an application, coinciding entirely with nature, might be called symbolical, since the colour would be employed in conformity with its effect, and would at once express its meaning. If, for example, pure red were assumed to designate majesty, there can be no doubt that this would be admitted to be a just and expressive symbol. All this has been already sufficiently entered into. 917. Another application is nearly allied to this; it might be called the allegorical application. In this there is more of accident and caprice, inasmuch as the meaning of the sign must be first communicated to us before we know what it is to signify; what idea, for instance, is attached to the green colour, which has been appropriated to hope? 918. That, lastly, colour may have a mystical allusion, may be readily surmised, for since every diagram in which the variety of colours may b...

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