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› Find signed collectible books: 'All's Well That Ends Well'
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› Find signed collectible books: 'The Comedy of Errors'
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› Find signed collectible books: 'Hamlet'
› Find signed collectible books: 'King Lear'
King Lear stands alongside Hamlet as one of the most profound expressions of tragic drama in literature. Written between 1604 and 1605, it represents Shakespeare at the height of his dramatic power. Drawing on ancient British history, Shakespeare constructs a plot that reads like a fable in its clear-sighted but terrifying simplicity. The ageing King Lear calls his daughters, Goneril, Regan and Cordelia, to witness that he wishes "to shake all cares and business from our age" and divide his kingdom between his three children. When Cordelia refuses to flatter her father with sycophantic words of love, her banishment leads to chaos and civil war as Lear's disastrous "division of the kingdom" gives free reign to the greed and ambition of his two remaining daughters.
As Lear sinks into rage and madness he is deserted by everyone except his "bitter" Fool, the loyal Kent and the exiled Cordelia. The play descends into a nighmarish theatre of cruelty and absurdity as Lear realises he has "ta'en/Too little care" of the poverty and corruption of his kingdom, and his loyal but foolish friend Gloucester has his eyes gouged out. Metaphors of monstrosity and perversions of nature structure the dramatic action, and the play's ending remains one of the most harrowing in all of Shakespeare. Many see a profound despair and nihilism in King Lear, and would agree with Kent's conclusion that "All's cheerless, dark, and deadly". Other writers have identified a radical but pessimistic critique of contemporary conceptions of kingship and absolutist authority, yet it remains a remarkable tragedy of public misjudgement and intensely private grief and anguish. --Jerry Brotton [via]
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› Find signed collectible books: 'Love's Labour's Lost'
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› Find signed collectible books: 'Measure for Measure'
A dark and difficult play, Measure for Measure has been a popular play since the latter half of the 20th century for its prescient dramatisation of the issues of sexual and political hypocrisy, and the ways in which the state interferes in the private lives of its citizens. Set in Duke Vincentio's Vienna, where poverty, disease and prostitution are rife, Claudio and his fiancée Juliet are arrested for having sex before marriage, and Claudio is sentenced to death. Angelo, the Duke's deputy, who stands in for the Duke whilst he ostensibly goes off on a pilgrimage, enthusiastically endorses the sentence. In fact the Duke remains behind the scenes, watching Angelo as he falls for Claudio's sister Isabella, who comes to beg for her brother's life. Angelo is a wonderful creation, loathsome yet fascinating as he struggles with the double standards of his enforcement of draconian laws whilst lusting after the sister of the man he is prepared to execute, debating "The tempter or the tempted, who sins most?".
No one is spared Shakespeare's withering look at the mores of early 17th-century life, not even the pimps and madams who try to get by in the midst of the Duke's bizarre and coercive disguises and performances. The deeply ambiguous ending of Measure for Measure confirms it as one of Shakespeare's most ambivalent and arguably despairing plays. --Jerry Brotton [via]
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› Find signed collectible books: 'The Merry Wives of Windsor'
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› Find signed collectible books: 'Othello'
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› Find signed collectible books: 'Shakespeare'
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› Find signed collectible books: 'The Tempest'
One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage. The Epilogue, spoken by Prospero, claims that "now my charms are all o'erthrown", appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But The Tempest is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his "rough magic" to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.
However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the "poisonous slave" Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that "this island's mine, by Sycorax my mother,/ Which thou tak'st from me". This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion. --Jerry Brotton [via]
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› Find signed collectible books: 'The Winter's Tale'
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